Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248684
Nataliia Tsimokh, Bohdana Yakym
The purpose of the research is to analyze the way of news information from the event to the screen, to identify the extent to which the use of new technologies affects the audience, to determine the role of a journalist, an editor, a video editor and a sound engineer in this chain, to prove the importance of verifying information. The research methodology is based on a comprehensive theoretical analysis and descriptive-analytical approach, which combines methods of observation, comparison and generalization. The method of theoretical analysis of television stories, scientific publications, as well as determining the role of each employee of the channel, who works on the release of information on the air. Scientific novelty is a detailed analysis of news content on television, determining aspects of interdependence, efficiency and reliability of information when submitting news. Conclusions. Trends in the dynamic development of television have led to significant transformation processes and the use of the latest technologies to influence the audience in news content. The article analyzes the work with information at different levels, elaborates on each stage of news verification, summarizes news factors, approach to writing news stories.
{"title":"News Content: from Event to Viewer","authors":"Nataliia Tsimokh, Bohdana Yakym","doi":"10.31866/2617-2674.4.2.2021.248684","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248684","url":null,"abstract":"The purpose of the research is to analyze the way of news information from the event to the screen, to identify the extent to which the use of new technologies affects the audience, to determine the role of a journalist, an editor, a video editor and a sound engineer in this chain, to prove the importance of verifying information. The research methodology is based on a comprehensive theoretical analysis and descriptive-analytical approach, which combines methods of observation, comparison and generalization. The method of theoretical analysis of television stories, scientific publications, as well as determining the role of each employee of the channel, who works on the release of information on the air. Scientific novelty is a detailed analysis of news content on television, determining aspects of interdependence, efficiency and reliability of information when submitting news. Conclusions. Trends in the dynamic development of television have led to significant transformation processes and the use of the latest technologies to influence the audience in news content. The article analyzes the work with information at different levels, elaborates on each stage of news verification, summarizes news factors, approach to writing news stories.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90487473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248737
Liliia Yeremenko, Anna Kichapina
The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works. The research methodology is to apply the following methods: theoretical – analysis of the music functions in making a film and the implementation of the director’s vision, generalizing the influence of musical arrangement on the viewer. Scientific novelty. The functions of film music that help in creating a live-action film were analyzed for the first time, a detailed analysis of the interdependence of music and visuals was made, by theoretical analysis of music functions; it has been found out how it affects the perception of the audience. Conclusions. In the article, we analyzed the functions of musical arrangement in a live-action film. Through the analysis of the influence of music on the audience’s perception, it has been established how the musical arrangement helps to realize the author’s vision. The role of music in making a live-action film has been researched. Through theoretical and practical research of various cinematography aspects that are relevant at the moment (in particular, the problem of the sound space in a movie), it becomes possible to reach a new aesthetic level of design, creation, perception and understanding of cinematic works.
{"title":"The Musical Arrangement of a Live-Action Film","authors":"Liliia Yeremenko, Anna Kichapina","doi":"10.31866/2617-2674.4.2.2021.248737","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248737","url":null,"abstract":"The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works. The research methodology is to apply the following methods: theoretical – analysis of the music functions in making a film and the implementation of the director’s vision, generalizing the influence of musical arrangement on the viewer. Scientific novelty. The functions of film music that help in creating a live-action film were analyzed for the first time, a detailed analysis of the interdependence of music and visuals was made, by theoretical analysis of music functions; it has been found out how it affects the perception of the audience. Conclusions. In the article, we analyzed the functions of musical arrangement in a live-action film. Through the analysis of the influence of music on the audience’s perception, it has been established how the musical arrangement helps to realize the author’s vision. The role of music in making a live-action film has been researched. Through theoretical and practical research of various cinematography aspects that are relevant at the moment (in particular, the problem of the sound space in a movie), it becomes possible to reach a new aesthetic level of design, creation, perception and understanding of cinematic works.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89650692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248749
A. Medvedieva, Iryna Burdiuh
The purpose of the research is to establish the role of motion design elements in Ukrainian cinema and television production, analyze the functions of motion-design objects, find out the prcularities of their use in various audiovisual works. The research methodology is based on a theoretical analysis of film and television production, generalization of the main compositional and technical techniques of visual content, determination of their interdependence and role in the process of creating an audiovisual product. Scientific novelty. The components of the motion design in the modern Ukrainian cinema and television production have been analyzed for the first time, a detailed analysis of the interdependence of the structural components of the motion design in various audiovisual works has been carried out, their influence on shaped solutions of film and television products has been shown. Conclusions. In the course of the article, we analyzed the elements of motion design in Ukrainian cinema and television. In the process of studying cinema, television products, the basic principles of creating animation graphics in the Ukrainian film, and telepost have been established. Composite and technical components of motion-design, which affect visual solutions of an audiovisual work have been processed in detail and systematized.
{"title":"Use of Motion Design Elements in Modern Ukrainian Film and Television Production","authors":"A. Medvedieva, Iryna Burdiuh","doi":"10.31866/2617-2674.4.2.2021.248749","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248749","url":null,"abstract":"The purpose of the research is to establish the role of motion design elements in Ukrainian cinema and television production, analyze the functions of motion-design objects, find out the prcularities of their use in various audiovisual works. The research methodology is based on a theoretical analysis of film and television production, generalization of the main compositional and technical techniques of visual content, determination of their interdependence and role in the process of creating an audiovisual product. Scientific novelty. The components of the motion design in the modern Ukrainian cinema and television production have been analyzed for the first time, a detailed analysis of the interdependence of the structural components of the motion design in various audiovisual works has been carried out, their influence on shaped solutions of film and television products has been shown. Conclusions. In the course of the article, we analyzed the elements of motion design in Ukrainian cinema and television. In the process of studying cinema, television products, the basic principles of creating animation graphics in the Ukrainian film, and telepost have been established. Composite and technical components of motion-design, which affect visual solutions of an audiovisual work have been processed in detail and systematized.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"89 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86965148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248783
H. Rozorinov
The textbook "Technology of film and video recording processes" by M. M. Honcharenko, O. M. Priadko is aimed at students of higher education, speciality 021 "Audiovisual Art and Production". Taking into account the specifics of training in this area, the information about modern technologies of film and video recording processes, obtaining colour images in analogue and digital technologies, equipment Digital Intermediate film production technologies, equipment for digital technologies is presented quite thoroughly.
M. M. Honcharenko, O. M. Priadko编写的教材《电影和视频录制过程的技术》是针对高等教育专业021“视听艺术和制作”的学生编写的。考虑到这一领域培训的具体情况，有关现代电影和视频录制过程技术的信息，在模拟和数字技术中获得彩色图像，设备数字中间电影制作技术，数字技术设备的介绍非常全面。
{"title":"Study Guide Review ‘Technology of Film and Video Registration Processes’ by N. Honcharenko, O. Priadko","authors":"H. Rozorinov","doi":"10.31866/2617-2674.4.2.2021.248783","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248783","url":null,"abstract":"The textbook \"Technology of film and video recording processes\" by M. M. Honcharenko, O. M. Priadko is aimed at students of higher education, speciality 021 \"Audiovisual Art and Production\". Taking into account the specifics of training in this area, the information about modern technologies of film and video recording processes, obtaining colour images in analogue and digital technologies, equipment Digital Intermediate film production technologies, equipment for digital technologies is presented quite thoroughly.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77507749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248776
Iryna Zaspa, O. Bezruchko
The author’s idea. What the phenomenon of ‘Fern blossom’ is, whereas according to scientific data, the fern does not bloom and does not form inflorescences. Fern flower in the East Slavic mythology has the character of a magical plant that gives a person magical power. With the help of the fern flower, the owner of it could understand the language of animals and trees, see hidden precious treasures under the ground, heal people from various diseases, predict the future and more. It is believed that the fern blossom can be found only on Ivan Kupala night. This holiday is traditional in Ukraine and is named after the Christian Saint John the Baptist, but originates in the distant past from the pagan faith.
{"title":"Photo Art Project ‘Female Multi-Component Associative Image ‘Fern Blossom’. Part 1","authors":"Iryna Zaspa, O. Bezruchko","doi":"10.31866/2617-2674.4.2.2021.248776","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248776","url":null,"abstract":"The author’s idea. What the phenomenon of ‘Fern blossom’ is, whereas according to scientific data, the fern does not bloom and does not form inflorescences. Fern flower in the East Slavic mythology has the character of a magical plant that gives a person magical power. With the help of the fern flower, the owner of it could understand the language of animals and trees, see hidden precious treasures under the ground, heal people from various diseases, predict the future and more. It is believed that the fern blossom can be found only on Ivan Kupala night. This holiday is traditional in Ukraine and is named after the Christian Saint John the Baptist, but originates in the distant past from the pagan faith.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"28 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72496633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-24DOI: 10.31866/2617-2674.4.2.2021.248702
Lev Riazantsev, Yevheniia Yevdokymenko
The purpose of this article is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy. The research methodology is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of sound production in film from the first sound film to the present day. Scientific novelty. The management structure of sound production’s modern stages and their impact on creative and technical components of film soundtracks is analysed in detail for the first time. Conclusions. The article analyses the stages of sound production in film and establishes the main principles of sound design by studying Ukrainian and foreign approaches to creating sound in the film. The author summarises the rational approach to each stage in the context of their impact on the results of the study and examines the role of sound in film dramaturgy.
{"title":"Managing Stages of Film Sound Production","authors":"Lev Riazantsev, Yevheniia Yevdokymenko","doi":"10.31866/2617-2674.4.2.2021.248702","DOIUrl":"https://doi.org/10.31866/2617-2674.4.2.2021.248702","url":null,"abstract":"The purpose of this article is to analyse the main stages of sound production in film. The study aims to establish the main principles of film sound design, prove the importance of a rational approach to each stage in the context of their impact on the results of the study, and determine the role of sound in film dramaturgy. The research methodology is based on theoretical methods, namely an analysis of information sources, comparison of Ukrainian and foreign approaches to filmmaking, generalisation and systematisation of practical knowledge and experience of sound production in film from the first sound film to the present day. Scientific novelty. The management structure of sound production’s modern stages and their impact on creative and technical components of film soundtracks is analysed in detail for the first time. Conclusions. The article analyses the stages of sound production in film and establishes the main principles of sound design by studying Ukrainian and foreign approaches to creating sound in the film. The author summarises the rational approach to each stage in the context of their impact on the results of the study and examines the role of sound in film dramaturgy.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75715071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-30DOI: 10.31866/2617-2674.4.1.2021.235103
Svitlana Kotliar, Iryna Zaspa
The author’s message for this Master’s photo art project consisted of creating a photographic work inspired by the Renaissance and Ukrainian traditions, folklore. A harmonious combination of the Renaissance heritage with the Ukrainian historical and cultural heritage, the disclosure of the concept of “renaissance” in two contexts. The Renaissance heritage is studied as world history and art era. The Ukrainian historical and cultural heritage analysis aims at reviving Ukrainian authenticity and its learning and implementation in a modern interpretation. Since the project’s author is fond of modelling and has participated in the organisation of different shootings for more than five years, and is also the Bachelor of Fine Arts in Art and Visual Culture, it was decided to create a photo art project, where she would be a model and ideological organiser and draw parallels with the help of Fine Art. In this project, the Renaissance features are reflected through associative connections with famous paintings of artists in a new Ukrainian interpretation. The second concept of “renaissance” has the meaning of reviving Ukrainian values, customs, traditions through the symbolic image of a Ukrainian girl who appears in the photos of a photo art project in various roles. The series of works consists of portrait images of a girl following the theme of the project. In total, there are five series in the project.
{"title":"Master’s Art Photo Project “Ukrainian Renaissance”. Part 2: “Mavka Ofeliia”","authors":"Svitlana Kotliar, Iryna Zaspa","doi":"10.31866/2617-2674.4.1.2021.235103","DOIUrl":"https://doi.org/10.31866/2617-2674.4.1.2021.235103","url":null,"abstract":"The author’s message for this Master’s photo art project consisted of creating a photographic work inspired by the Renaissance and Ukrainian traditions, folklore. A harmonious combination of the Renaissance heritage with the Ukrainian historical and cultural heritage, the disclosure of the concept of “renaissance” in two contexts. The Renaissance heritage is studied as world history and art era. The Ukrainian historical and cultural heritage analysis aims at reviving Ukrainian authenticity and its learning and implementation in a modern interpretation. Since the project’s author is fond of modelling and has participated in the organisation of different shootings for more than five years, and is also the Bachelor of Fine Arts in Art and Visual Culture, it was decided to create a photo art project, where she would be a model and ideological organiser and draw parallels with the help of Fine Art. In this project, the Renaissance features are reflected through associative connections with famous paintings of artists in a new Ukrainian interpretation. The second concept of “renaissance” has the meaning of reviving Ukrainian values, customs, traditions through the symbolic image of a Ukrainian girl who appears in the photos of a photo art project in various roles.\u0000The series of works consists of portrait images of a girl following the theme of the project. In total, there are five series in the project.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"200 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72783853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-30DOI: 10.31866/2617-2674.4.1.2021.235086
Tetiana Yunyk, Mykola Tsarev
The purpose of the research is to analyze popular examples of modern cinema music to determine the features of its interaction with various elements of screen text, taking into account the applied nature and applying various relevant approaches to the study of soundtracks. The research methodology consists in the application of a set of methods for theoretical analysis of film music, their interaction with internal and external factors of influence on the formation of the viewer’s image-emotional sphere in conditions of purposeful perception of the storyline of modern cinema. The scientific novelty lies in the fact that for the first time the peculiarities of the music functioning in modern cinema were analyzed, the main trends in the development of film music in the socio-cultural conditions of our time were revealed, and film music from the perspective of the viewer as a “non-ideal” evaluator of soundtracks in modern cinema was also considered. Conclusions. The article, using various methodological approaches, has proved that film music in the framework of interaction with screen text manifests itself as a significant tool, expanding the artistic space of the film. Film music can go beyond direct acoustic information, reflecting the narrative and conceptual components of the work of art as a whole. A practical example of the manifestation of modern film music is the use of timbral colours as an instrument for revealing the context of events, time, and the image of a hero; leitmotif; experiments with the technical side of sound through the expansion of the imaginary space of the screen. The main trends in the development of film music in the socio-cultural conditions of our time are due to the release of soundtracks beyond the boundaries of a practical film instrument. The modern soundtrack occupies a significant part of the cultural space of music and culture in general. This position is facilitated by the composer’s conceptual approach, the style integrity of the work and the relative independence of the soundtrack in the general cultural space. The rating of soundtracks is given by the audience and depends on their aesthetic preferences and the level of musical “experience”. Soundtracks must meet the requirements of modern cinema and common cultural space, which contributes to the success of the film.
{"title":"Soundtrack in Modern Cinema","authors":"Tetiana Yunyk, Mykola Tsarev","doi":"10.31866/2617-2674.4.1.2021.235086","DOIUrl":"https://doi.org/10.31866/2617-2674.4.1.2021.235086","url":null,"abstract":"The purpose of the research is to analyze popular examples of modern cinema music to determine the features of its interaction with various elements of screen text, taking into account the applied nature and applying various relevant approaches to the study of soundtracks. The research methodology consists in the application of a set of methods for theoretical analysis of film music, their interaction with internal and external factors of influence on the formation of the viewer’s image-emotional sphere in conditions of purposeful perception of the storyline of modern cinema. The scientific novelty lies in the fact that for the first time the peculiarities of the music functioning in modern cinema were analyzed, the main trends in the development of film music in the socio-cultural conditions of our time were revealed, and film music from the perspective of the viewer as a “non-ideal” evaluator of soundtracks in modern cinema was also considered. Conclusions. The article, using various methodological approaches, has proved that film music in the framework of interaction with screen text manifests itself as a significant tool, expanding the artistic space of the film. Film music can go beyond direct acoustic information, reflecting the narrative and conceptual components of the work of art as a whole. A practical example of the manifestation of modern film music is the use of timbral colours as an instrument for revealing the context of events, time, and the image of a hero; leitmotif; experiments with the technical side of sound through the expansion of the imaginary space of the screen. The main trends in the development of film music in the socio-cultural conditions of our time are due to the release of soundtracks beyond the boundaries of a practical film instrument. The modern soundtrack occupies a significant part of the cultural space of music and culture in general. This position is facilitated by the composer’s conceptual approach, the style integrity of the work and the relative independence of the soundtrack in the general cultural space. The rating of soundtracks is given by the audience and depends on their aesthetic preferences and the level of musical “experience”. Soundtracks must meet the requirements of modern cinema and common cultural space, which contributes to the success of the film.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83618868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-30DOI: 10.31866/2617-2674.4.1.2021.235104
O. Polishchuk
{"title":"Review of the Textbook \"Master's Projects in \"Audiovisual Art and Production\" at the Kyiv National University of Culture and Arts\" by O. V. Bezruchko, I. A. Gavran, S. V. Zhelezniak, S. V. Kotliar, H. P. Chmil, 1 and 2 Vols.","authors":"O. Polishchuk","doi":"10.31866/2617-2674.4.1.2021.235104","DOIUrl":"https://doi.org/10.31866/2617-2674.4.1.2021.235104","url":null,"abstract":"","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"88 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81978180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-30DOI: 10.31866/2617-2674.4.1.2021.235102
Iryna Gavran, Svitlana Kotliar, Iryna Zaspa
The author’s message for this Master’s photo art project consisted of creating a photographic work inspired by the Renaissance and Ukrainian traditions, folklore. A harmonious combination of the Renaissance heritage with the Ukrainian historical and cultural heritage, the disclosure of the concept of “renaissance” in two contexts. The Renaissance heritage is studied as world history and art era. The Ukrainian historical and cultural heritage analysis aims at reviving Ukrainian authenticity and its learning and implementation in a modern interpretation. Since the project’s author is fond of modelling and has participated in the organisation of different shootings for more than five years, and is also the Bachelor of Fine Arts in Art and Visual Culture, it was decided to create a photo art project, where she would be a model and ideological organiser and draw parallels with the help of Fine Art. In this project, the Renaissance features are reflected through associative connections with famous paintings of artists in a new Ukrainian interpretation. The second concept of “renaissance” has the meaning of reviving Ukrainian values, customs, traditions through the symbolic image of a Ukrainian girl who appears in the photos of a photo art project in various roles. The series of works consists of portrait images of a girl following the theme of the project. In total, there are five series in the project.
{"title":"Master’s Art Photo Project “Ukrainian Renaissance”. Part 1: “Ukrainian Girl with a Pearl Earring. In the Footsteps of Jan Vermeer”","authors":"Iryna Gavran, Svitlana Kotliar, Iryna Zaspa","doi":"10.31866/2617-2674.4.1.2021.235102","DOIUrl":"https://doi.org/10.31866/2617-2674.4.1.2021.235102","url":null,"abstract":"The author’s message for this Master’s photo art project consisted of creating a photographic work inspired by the Renaissance and Ukrainian traditions, folklore. A harmonious combination of the Renaissance heritage with the Ukrainian historical and cultural heritage, the disclosure of the concept of “renaissance” in two contexts. The Renaissance heritage is studied as world history and art era. The Ukrainian historical and cultural heritage analysis aims at reviving Ukrainian authenticity and its learning and implementation in a modern interpretation. Since the project’s author is fond of modelling and has participated in the organisation of different shootings for more than five years, and is also the Bachelor of Fine Arts in Art and Visual Culture, it was decided to create a photo art project, where she would be a model and ideological organiser and draw parallels with the help of Fine Art. In this project, the Renaissance features are reflected through associative connections with famous paintings of artists in a new Ukrainian interpretation. The second concept of “renaissance” has the meaning of reviving Ukrainian values, customs, traditions through the symbolic image of a Ukrainian girl who appears in the photos of a photo art project in various roles.\u0000The series of works consists of portrait images of a girl following the theme of the project. In total, there are five series in the project.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76345616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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