Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.256947
Iryna Gavran, Rosina Hutsal, Denys Kushnarov
The purpose of the study is to analyze the current relationship between media and “A” list film festivals. Determine the specifics of a TV journalist`s work at such events. Establish the necessary steps to prepare for interviews with celebrities who attend these events. To prove the importance for a modern media representative of being able to work at “A” list film festivals and other large events of a similar scale. The research methodology consists in the application of such methods: theoretical – analysis of studies by foreign authors, available information sources, systematization of their own experience and determination of the relationship between film festivals and the media. Scientific novelty. For the first time, a Ukrainian TV journalist, who has worked at most of the world's film events, undertakes to summarize the experience gained, analyze foreign sources and systematize all this in domestic scientific work, thus combining a theoretical and practical approach. Conclusions. In the course of the article, we analyzed the specifics of the work of a TV journalist at large-scale film events. With the help of an analysis of foreign sources, the developments of other researchers and the author's own experience of work at the aforementioned cultural events, the nuances of the relationship between media and film festivals are highlighted in detail, and the main stages and nuances of preparing for an interview when working at such forums are identified.
{"title":"Specific Features of TV Journalist’s Work at the World Film Events","authors":"Iryna Gavran, Rosina Hutsal, Denys Kushnarov","doi":"10.31866/2617-2674.5.1.2022.256947","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.256947","url":null,"abstract":"The purpose of the study is to analyze the current relationship between media and “A” list film festivals. Determine the specifics of a TV journalist`s work at such events. Establish the necessary steps to prepare for interviews with celebrities who attend these events. To prove the importance for a modern media representative of being able to work at “A” list film festivals and other large events of a similar scale. The research methodology consists in the application of such methods: theoretical – analysis of studies by foreign authors, available information sources, systematization of their own experience and determination of the relationship between film festivals and the media. Scientific novelty. For the first time, a Ukrainian TV journalist, who has worked at most of the world's film events, undertakes to summarize the experience gained, analyze foreign sources and systematize all this in domestic scientific work, thus combining a theoretical and practical approach. Conclusions. In the course of the article, we analyzed the specifics of the work of a TV journalist at large-scale film events. With the help of an analysis of foreign sources, the developments of other researchers and the author's own experience of work at the aforementioned cultural events, the nuances of the relationship between media and film festivals are highlighted in detail, and the main stages and nuances of preparing for an interview when working at such forums are identified.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86443048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257180
Tetiana Yunyk, Lev Riazantsev, Serhii Horevalov
The purpose of the article is to investigate modern sound recording technologies; analyze the structural components that affect the sound formation of audio-visual content. The research methodology consists in the application of the following methods: theoretical method (consideration and structure of sound recording equipment as a process of transforming sound from analogue to digital and vice versa); analysis and synthesis (to analyze the work of sound recording technologies in the modern media space); systematization (a generalization of the material in the conclusions). The scientific novelty lies in the differential approach associated with the stage of sound recording perception, from analogue-digital signal to digital-analogue one, as a means of influencing the increase of sound level at the final stage. Conclusions. Under the influence of the widespread use of audio-visual content, the study analyzed the components of the sound recording equipment aspects and sound reproduction in general. Structural components that are a component of factors influencing the formation of sound have been considered in detail.
{"title":"Modern Sound Recording Technologies","authors":"Tetiana Yunyk, Lev Riazantsev, Serhii Horevalov","doi":"10.31866/2617-2674.5.1.2022.257180","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257180","url":null,"abstract":"The purpose of the article is to investigate modern sound recording technologies; analyze the structural components that affect the sound formation of audio-visual content. The research methodology consists in the application of the following methods: theoretical method (consideration and structure of sound recording equipment as a process of transforming sound from analogue to digital and vice versa); analysis and synthesis (to analyze the work of sound recording technologies in the modern media space); systematization (a generalization of the material in the conclusions). The scientific novelty lies in the differential approach associated with the stage of sound recording perception, from analogue-digital signal to digital-analogue one, as a means of influencing the increase of sound level at the final stage. Conclusions. Under the influence of the widespread use of audio-visual content, the study analyzed the components of the sound recording equipment aspects and sound reproduction in general. Structural components that are a component of factors influencing the formation of sound have been considered in detail.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"106 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87920746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257178
Khrystyna Batalina, Nataliia Kostiuk
The purpose of the study is to consider the phenomenon of violence on the screen in its historical development. Also, outline the dominant views in modern film discourse on the problems of violence and the peculiarities of its perception by a wide audience. Research methodology. To achieve this goal, the following methods were used: analysis and synthesis – to identify certain parts of the overall problem, their study, and construction of a complete picture of the subject of research; historical method – to characterize the development of understanding of each category at different stages of development of science. Scientific novelty arises as a result of comprehensive coverage of issues in the dynamics of violence in the context of the historical development of cinema. Knowledge of the discussion on the impact of violence on the audience is developing. The study’s practical significance lies in its openness for use in practice by theorists, historians, directors, screenwriters, and other professionals in the field of cinema. In addition, the study’s results should be used in the training of specialists in various fields related to film and cultural studies. Conclusions. In the course of the article, we analyzed the coverage of the topic on the screen, which proves that until the 1920s, cruelty did not become part of the mainstream and was used in individual works of art to strengthen universal values. It is significant that these films are not commercially successful and shock the public. After the two world wars, violence no longer makes such an impression on the public. It returns to the screens, gradually increasing its intensity. When violence illustrated real situations in the post-war years, in the 1960`s it became a powerful means of expression and gradually came to self-parody in the slashers of the 1980s, when directors themselves did not perceive it otherwise than as a means of entertaining the public.
{"title":"Violence in the Context of World Cinema History","authors":"Khrystyna Batalina, Nataliia Kostiuk","doi":"10.31866/2617-2674.5.1.2022.257178","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257178","url":null,"abstract":"The purpose of the study is to consider the phenomenon of violence on the screen in its historical development. Also, outline the dominant views in modern film discourse on the problems of violence and the peculiarities of its perception by a wide audience. Research methodology. To achieve this goal, the following methods were used: analysis and synthesis – to identify certain parts of the overall problem, their study, and construction of a complete picture of the subject of research; historical method – to characterize the development of understanding of each category at different stages of development of science. Scientific novelty arises as a result of comprehensive coverage of issues in the dynamics of violence in the context of the historical development of cinema. Knowledge of the discussion on the impact of violence on the audience is developing. The study’s practical significance lies in its openness for use in practice by theorists, historians, directors, screenwriters, and other professionals in the field of cinema. In addition, the study’s results should be used in the training of specialists in various fields related to film and cultural studies. Conclusions. In the course of the article, we analyzed the coverage of the topic on the screen, which proves that until the 1920s, cruelty did not become part of the mainstream and was used in individual works of art to strengthen universal values. It is significant that these films are not commercially successful and shock the public. After the two world wars, violence no longer makes such an impression on the public. It returns to the screens, gradually increasing its intensity. When violence illustrated real situations in the post-war years, in the 1960`s it became a powerful means of expression and gradually came to self-parody in the slashers of the 1980s, when directors themselves did not perceive it otherwise than as a means of entertaining the public.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"81 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88168127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.256948
O. Balaban, Y. Popova, Valeriіa Lobachova
The purpose of the study is to analyze the impact of artistic space commercialization on the development of the artistic process and to find out the growth factors of the latest digital masculinity on the audience. The research methodology consists in the application of the following methods: historical – analysis of sources on the problems of conflict between works of art and a commercial product; theoretical – a study of the factors of growth of the influence of the latest digital masculinity on the audience; practical – work with archival videos related to iconic figures in the development of cinema in Ukraine and the world. Scientific novelty. The influence main stages of digital and information technologies on the development of modern cinema and serial production are investigated. It was found that the all-encompassing aggressive commercialization of the art space and the latest digital masculinity are increasingly negatively affecting the development of the art process. Conclusions. In the course of the article, we have proved that technical and technological development, human greed and ignorance kill real cinema. Art has become a commercial product for its own human enrichment – without immersion in the depths of the human psyche.
{"title":"Apocalypse of Art (Cinema. People. Close-up.)","authors":"O. Balaban, Y. Popova, Valeriіa Lobachova","doi":"10.31866/2617-2674.5.1.2022.256948","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.256948","url":null,"abstract":"The purpose of the study is to analyze the impact of artistic space commercialization on the development of the artistic process and to find out the growth factors of the latest digital masculinity on the audience. The research methodology consists in the application of the following methods: historical – analysis of sources on the problems of conflict between works of art and a commercial product; theoretical – a study of the factors of growth of the influence of the latest digital masculinity on the audience; practical – work with archival videos related to iconic figures in the development of cinema in Ukraine and the world. Scientific novelty. The influence main stages of digital and information technologies on the development of modern cinema and serial production are investigated. It was found that the all-encompassing aggressive commercialization of the art space and the latest digital masculinity are increasingly negatively affecting the development of the art process. Conclusions. In the course of the article, we have proved that technical and technological development, human greed and ignorance kill real cinema. Art has become a commercial product for its own human enrichment – without immersion in the depths of the human psyche.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80639355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257188
Nataliia Riabukha
More than ten years ago, a book by musicologist Olga Lytvynova “Music in Ukrainian Cinema” was published. This work is almost the only publication in Ukraine, which reflects almost the entire palette of Ukrainian film music, from the 1920s to the mid-2000s. Unfortunately, this certainly relevant work has not yet received proper feedback in the scientific musicology and cinematography literature.
{"title":"Ukrainian Film Music: History and Modernity","authors":"Nataliia Riabukha","doi":"10.31866/2617-2674.5.1.2022.257188","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257188","url":null,"abstract":"More than ten years ago, a book by musicologist Olga Lytvynova “Music in Ukrainian Cinema” was published. This work is almost the only publication in Ukraine, which reflects almost the entire palette of Ukrainian film music, from the 1920s to the mid-2000s. Unfortunately, this certainly relevant work has not yet received proper feedback in the scientific musicology and cinematography literature.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84060861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257185
O. Bezruchko, N. Kachmar
The author's idea. The idea of this Master’s Photo Art Project was to draw attention to the development and decay of cinemas in the Lviv region. Cinema, since its inception, has had a great impact on people, his development, formation, more than once has returned the course of history. Cinemas are a place where you can meet its miracle face to face, touch it. However, what is the current state of Ukrainian cinemas? Who still goes there? Can we say, that at the beginning of the internet era, the cinemas are a relic of the past, which now play only a symbolic role? Having watched the cinemas of the Lviv region, communicating with employees and visitors, I tried to answer these questions, first of all for myself. Research on the development of Ukrainian film distribution is very important in modern conditions, as it is an integral component, the basic basis of cinema, which in turn is a priority of public policy in the humanitarian sphere and determined by the Laws of Ukraine ‘On Culture’, ‘On Cinematography’, etc. Successful, profitable film distribution is a financial platform for the development of film production. Therefore, in-depth analysis of ways and directions of film distribution, research of formation conditions and successful realization of its potential, study and coverage of effective principles of film network existence, construction of forecast models of its further functioning are actual and necessary for the social and economic and political development of society.
{"title":"Master's Photo Art Project ‘Development of Ukrainian film distribution in Lviv region as a component of film production in Ukraine’","authors":"O. Bezruchko, N. Kachmar","doi":"10.31866/2617-2674.5.1.2022.257185","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257185","url":null,"abstract":"The author's idea. The idea of this Master’s Photo Art Project was to draw attention to the development and decay of cinemas in the Lviv region. Cinema, since its inception, has had a great impact on people, his development, formation, more than once has returned the course of history. Cinemas are a place where you can meet its miracle face to face, touch it. However, what is the current state of Ukrainian cinemas? Who still goes there? Can we say, that at the beginning of the internet era, the cinemas are a relic of the past, which now play only a symbolic role? Having watched the cinemas of the Lviv region, communicating with employees and visitors, I tried to answer these questions, first of all for myself. Research on the development of Ukrainian film distribution is very important in modern conditions, as it is an integral component, the basic basis of cinema, which in turn is a priority of public policy in the humanitarian sphere and determined by the Laws of Ukraine ‘On Culture’, ‘On Cinematography’, etc. Successful, profitable film distribution is a financial platform for the development of film production. Therefore, in-depth analysis of ways and directions of film distribution, research of formation conditions and successful realization of its potential, study and coverage of effective principles of film network existence, construction of forecast models of its further functioning are actual and necessary for the social and economic and political development of society.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73047461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of the study is to analyze modern and traditional media; identify problems and prospects, compare modern media with its traditional analogues; describe the role of main professions associated with film and television; to reveal the problems of modern media. The research methodology consists in applying the following methods: theoretical – analysis of television programs, films, information sources, generalization of the influence of media on world transformations and determination of the interdependence of the structural components that form the whole television space. Scientific novelty. For the first time the components of modern media are deeply analyzed, a detailed analysis of the interdependence of the structural components that form the television space is carried out, using a theoretical analysis of television programs, the factors affecting the quality of the television product are determined. Conclusions. In the course of the article, we analyzed modern and traditional media. With the help of the ongoing analysis, we have established the differences between modern media and traditional ones, problems were identified and possible ways of solving them were analyzed. The components that form modern media were considered in detail and the role of the main film and television professions was determined. The factors, which are influencing the quality of television content were summarized by the author as well.
{"title":"Cinematography and Modern Media","authors":"Svitlana Kotliar, Volodymyr Mykhalov, Dmytro Pereiaslavets","doi":"10.31866/2617-2674.5.1.2022.257181","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257181","url":null,"abstract":"The purpose of the study is to analyze modern and traditional media; identify problems and prospects, compare modern media with its traditional analogues; describe the role of main professions associated with film and television; to reveal the problems of modern media. The research methodology consists in applying the following methods: theoretical – analysis of television programs, films, information sources, generalization of the influence of media on world transformations and determination of the interdependence of the structural components that form the whole television space. Scientific novelty. For the first time the components of modern media are deeply analyzed, a detailed analysis of the interdependence of the structural components that form the television space is carried out, using a theoretical analysis of television programs, the factors affecting the quality of the television product are determined. Conclusions. In the course of the article, we analyzed modern and traditional media. With the help of the ongoing analysis, we have established the differences between modern media and traditional ones, problems were identified and possible ways of solving them were analyzed. The components that form modern media were considered in detail and the role of the main film and television professions was determined. The factors, which are influencing the quality of television content were summarized by the author as well.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"117 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73240008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257182
Iryna Zaspa, O. Bezruchko
The author's idea. The idea of the second part of the presented photographic project has the same deep main meaning as the first part with the addition of figurative meanings. The comparison of such polar concepts as the beauty of alive and inanimate and revealing them through the female image, which is the basis, gives the opportunity to rethink these concepts. Counterweight of the destructive and at the same time creative processes in the abandoned building, which are reflected in the living plants of the fern and the girl herself, are combined into one whole.
{"title":"Photo Art Project ‘‘Female Multi-Component Associative Image ‘Fern flower’ ’’. Part 2","authors":"Iryna Zaspa, O. Bezruchko","doi":"10.31866/2617-2674.5.1.2022.257182","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257182","url":null,"abstract":"The author's idea. The idea of the second part of the presented photographic project has the same deep main meaning as the first part with the addition of figurative meanings. The comparison of such polar concepts as the beauty of alive and inanimate and revealing them through the female image, which is the basis, gives the opportunity to rethink these concepts. Counterweight of the destructive and at the same time creative processes in the abandoned building, which are reflected in the living plants of the fern and the girl herself, are combined into one whole.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80368895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.256949
Roman Shyrman
The purpose of the article is to analyze the importance of training exercises in video surveillance for the creative abilities’ development of film and television directors; to prove the necessity and usefulness of such exercises not only for documentarians but also for feature film and animation directors; identify specific methods of the director’s work on video surveillance. The research methodology is based on a theoretical analysis of the work of outstanding film directors, in particular films and evidence on the nature of documentary films by Hertz Frank and Frederick Wiseman and analysis of Ukrainian and foreign observation films. Scientific novelty. The role recognition of film and video surveillance as a basic element in the education and training of cinematographers; determination of characteristic features and fundamental differences of work on screen observations in comparison with work on other types of the screen works. Conclusions. The article analyzes the importance of video surveillance for the creative imagination development of students-directors. The importance of observations has been proved for the work of directors working in all types of cinematography from documentaries to feature films and animation. Examples of directorial work strategies on video surveillance are given, which are fundamentally different from the methods of creating other types of screen works.
{"title":"Video Surveillance as an Educational Exercise and Artwork","authors":"Roman Shyrman","doi":"10.31866/2617-2674.5.1.2022.256949","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.256949","url":null,"abstract":"The purpose of the article is to analyze the importance of training exercises in video surveillance for the creative abilities’ development of film and television directors; to prove the necessity and usefulness of such exercises not only for documentarians but also for feature film and animation directors; identify specific methods of the director’s work on video surveillance. The research methodology is based on a theoretical analysis of the work of outstanding film directors, in particular films and evidence on the nature of documentary films by Hertz Frank and Frederick Wiseman and analysis of Ukrainian and foreign observation films. Scientific novelty. The role recognition of film and video surveillance as a basic element in the education and training of cinematographers; determination of characteristic features and fundamental differences of work on screen observations in comparison with work on other types of the screen works. Conclusions. The article analyzes the importance of video surveillance for the creative imagination development of students-directors. The importance of observations has been proved for the work of directors working in all types of cinematography from documentaries to feature films and animation. Examples of directorial work strategies on video surveillance are given, which are fundamentally different from the methods of creating other types of screen works.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"130 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80427964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.31866/2617-2674.5.1.2022.257175
H. Chmil, Yelyzaveta Buriak
The purpose of the research is to study the interaction peculiarities of man and nature in documentary film, to establish separate dramatic techniques and features of the author’s documentaries on environmental topics using the examples of the creative work of leading masters. The research methodology includes comparative, factual and historical analysis. Films were chosen for observation, in which the author’s concepts of creating a documentary film on the topic of interaction between man and nature were most clearly manifested. The historical-comparative method expands the search for sources to create an objective historical picture and the time in which the events took place. The problem-chronological method of studying the historical reality made it possible to compare the documentary chronicles of different years, as well as to trace the consequences of its socio-cultural and ideological influence on the consciousness of people. Scientific novelty. The author analyzes the dramatic techniques and features that are, to one degree or another, relevant and relevant precisely in films on the topic of interaction between man and nature. In films on the chosen topic, a kind of cinematic space and a complex, multifaceted image of a hero, who is not necessarily a person (nature as the main character), is formed. All these abilities and techniques require special analysis and comprehension. Conclusions. The director’s desire to go beyond the traditional chronicle perception of a screen document, to turn it into a metaphorical sign, to create a purposeful author’s monologue, by manipulating screen signs – hieroglyphs, is analyzed. Editing techniques are considered – a sequential conclusion from the automatism of the screen material perception through the removal of some image techniques: the expression of the angle, the paradoxical composition, the choice of the size of objects, the change in the shooting speed, tonal and colouristic accents.
{"title":"Human and Nature in Documentary Films","authors":"H. Chmil, Yelyzaveta Buriak","doi":"10.31866/2617-2674.5.1.2022.257175","DOIUrl":"https://doi.org/10.31866/2617-2674.5.1.2022.257175","url":null,"abstract":"The purpose of the research is to study the interaction peculiarities of man and nature in documentary film, to establish separate dramatic techniques and features of the author’s documentaries on environmental topics using the examples of the creative work of leading masters. The research methodology includes comparative, factual and historical analysis. Films were chosen for observation, in which the author’s concepts of creating a documentary film on the topic of interaction between man and nature were most clearly manifested. The historical-comparative method expands the search for sources to create an objective historical picture and the time in which the events took place. The problem-chronological method of studying the historical reality made it possible to compare the documentary chronicles of different years, as well as to trace the consequences of its socio-cultural and ideological influence on the consciousness of people. Scientific novelty. The author analyzes the dramatic techniques and features that are, to one degree or another, relevant and relevant precisely in films on the topic of interaction between man and nature. In films on the chosen topic, a kind of cinematic space and a complex, multifaceted image of a hero, who is not necessarily a person (nature as the main character), is formed. All these abilities and techniques require special analysis and comprehension. Conclusions. The director’s desire to go beyond the traditional chronicle perception of a screen document, to turn it into a metaphorical sign, to create a purposeful author’s monologue, by manipulating screen signs – hieroglyphs, is analyzed. Editing techniques are considered – a sequential conclusion from the automatism of the screen material perception through the removal of some image techniques: the expression of the angle, the paradoxical composition, the choice of the size of objects, the change in the shooting speed, tonal and colouristic accents.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87594060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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