Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279253
I. Pecheranskyi
The purpose of the research is to specify and explicate the culture-creating potential of audiovisual technologies, to determine their impact on mass art in the second half of the twentieth and early twenty-first centuries. Research methodology. The article uses the following methods: cultural-historical, which identifies the main evolutionary stages of technical means and audiovisual technologies; methods of description and analysis, which made it possible to reveal the process of creating mass art products with the help of audiovisual technologies; the principle of synergy as a tool for understanding the mutual coordination and mutual influence of culture and technology during the formation of mass art in the second half of the last century. Scientific novelty. The paper first reveals and considers the cultural potential of audiovisual technologies of this period and explicates the related transformational processes in mass art. Conclusions. It has been found that the phenomenon of mass art today functions in a complex technological regime formed in the last century and continues to be developed and function at the global industrial level. It has been proved that thanks to such inventions and technologies as CDs and DVDs, personal computing, magnetic audio recording, magnetic pickup and electric guitar, CGI animation, digitalization, streaming multimedia and sound design, and others, various forms, types and independent genres of mass art (rock culture, Net Art, show programs, 3D video mapping) emerged and developed, the aesthetic and emotional experience of audiovisual product users was enhanced, as well as new professions and specialists (animator, sound engineer, producer, etc.) emerged to operate and improve audiovisual equipment to create a variety of artistic products in various formats in the future.
{"title":"Culture-Creating Potential of Audiovisual Technologies in the Mass Art of the Second Half of the Twentieth and Early Twenty-First Centuries","authors":"I. Pecheranskyi","doi":"10.31866/2617-2674.6.1.2023.279253","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279253","url":null,"abstract":"The purpose of the research is to specify and explicate the culture-creating potential of audiovisual technologies, to determine their impact on mass art in the second half of the twentieth and early twenty-first centuries. Research methodology. The article uses the following methods: cultural-historical, which identifies the main evolutionary stages of technical means and audiovisual technologies; methods of description and analysis, which made it possible to reveal the process of creating mass art products with the help of audiovisual technologies; the principle of synergy as a tool for understanding the mutual coordination and mutual influence of culture and technology during the formation of mass art in the second half of the last century. Scientific novelty. The paper first reveals and considers the cultural potential of audiovisual technologies of this period and explicates the related transformational processes in mass art. Conclusions. It has been found that the phenomenon of mass art today functions in a complex technological regime formed in the last century and continues to be developed and function at the global industrial level. It has been proved that thanks to such inventions and technologies as CDs and DVDs, personal computing, magnetic audio recording, magnetic pickup and electric guitar, CGI animation, digitalization, streaming multimedia and sound design, and others, various forms, types and independent genres of mass art (rock culture, Net Art, show programs, 3D video mapping) emerged and developed, the aesthetic and emotional experience of audiovisual product users was enhanced, as well as new professions and specialists (animator, sound engineer, producer, etc.) emerged to operate and improve audiovisual equipment to create a variety of artistic products in various formats in the future.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82470417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279229
Olena Levchenko, Olha Bilan
The purpose of the research is to analyze and investigate television journalism, the peculiarities of filming in the context of a full-scale Russian invasion of Ukraine; to reveal the specifics of conducting interviews with people affected by the actions of Russian military personnel, namely psychological aspects; to prove the importance of journalistic control over news content in information warfare. Research methodology.. During conducting the research, the following research methods have been used: analysis and synthesis (the work of television journalists in war zones, interviewing people affected by russian aggression, as well as the rules for controlling Russian propaganda content in the news have been analyzed), comparative method (parallels of the work in live broadcasting, shooting stories, writing and creating news content), generalization (specific conclusions have been formed on the basis of the studied collection of literature and video materials); systematization (all information that has been collected during scientific research is appropriately systematized). The scientific novelty of the results obtained is a detailed analysis of television journalism under martial law, particularly, the specifics of the work of television channels, information sites and social networks during Russia’s full-scale invasion of Ukraine. The author reveals the correct interaction of the media with the viewer and the correctness of coverage and presentation of operational and relevant information in the mass media. Conclusions. The features of video filming in the context of the full-scale Russian invasion of Ukraine have been studied, as well as the work of TV channels, information sites, social networks, and the interaction of the media with the viewer during martial law. The authors have analyzed interviews with victims of the Russian occupiers, in particular, psychological aspects; the importance of journalistic control of news content in the context of information warfare has been proven.
{"title":"TV Journalism under Martial Law","authors":"Olena Levchenko, Olha Bilan","doi":"10.31866/2617-2674.6.1.2023.279229","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279229","url":null,"abstract":"The purpose of the research is to analyze and investigate television journalism, the peculiarities of filming in the context of a full-scale Russian invasion of Ukraine; to reveal the specifics of conducting interviews with people affected by the actions of Russian military personnel, namely psychological aspects; to prove the importance of journalistic control over news content in information warfare. Research methodology.. During conducting the research, the following research methods have been used: analysis and synthesis (the work of television journalists in war zones, interviewing people affected by russian aggression, as well as the rules for controlling Russian propaganda content in the news have been analyzed), comparative method (parallels of the work in live broadcasting, shooting stories, writing and creating news content), generalization (specific conclusions have been formed on the basis of the studied collection of literature and video materials); systematization (all information that has been collected during scientific research is appropriately systematized). The scientific novelty of the results obtained is a detailed analysis of television journalism under martial law, particularly, the specifics of the work of television channels, information sites and social networks during Russia’s full-scale invasion of Ukraine. The author reveals the correct interaction of the media with the viewer and the correctness of coverage and presentation of operational and relevant information in the mass media. Conclusions. The features of video filming in the context of the full-scale Russian invasion of Ukraine have been studied, as well as the work of TV channels, information sites, social networks, and the interaction of the media with the viewer during martial law. The authors have analyzed interviews with victims of the Russian occupiers, in particular, psychological aspects; the importance of journalistic control of news content in the context of information warfare has been proven.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82272184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279234
Galyna Pogrebnіak
The purpose of the research is to expand scientific ideas about the significance of the culture of circus and film directing in the system of humanitarian knowledge. Research methodology. The researcher applied an interdisciplinary approach based on the use of the following general scientific methods: induction, deduction, identification, complex art analysis, and synthesis to define the culture of directing as a universal variety of artistic-aesthetic and creative-production activity. These methods made it possible to work out the factual basis of the reproduction of circus productions on the screen and in the arena. The methods of systematization and generalization were used to argue for the originality of circus directing in the context of audiovisual art. The typological approach was applied to examine common artistic principles in the creative search for circus and cinema art directors. The scientific novelty of the research lies in defining the culture of the directing profession as a universal type of artistic activity; identifying and an in-depth analysis of the factors influencing the artistic and aesthetic potential of adapting a circus performance on the screen; revealing specific canons for building film and television films based on circus creativity; clarifying the mutual influence of circus and screen arts in the development of directing culture; expanding scientific knowledge about the place and role of screen and circus directing in the system of humanitarian expertise at the present stage of social development; defining directing as a universal multi-vector type of artistic and aesthetic, creative and production, moral and ethical, educational activity. Conclusions. The researcher substantiates that the creativity of film and television directors develops and expands knowledge about circus art, and gives impetus to the development of creativity of directors and circus performers in the screen space. The materials of the scientific article enrich the arsenal of knowledge regarding the specifics of the production and distribution of circus performances by means of screen arts in society and can be applied in educational courses, the creation of educational and methodological literature on the history and practice of the circus, the theory and history of cinema and television, directing, producing.
{"title":"Director’s Techniques of Recreating Circus Culture on the Screen and in the Arena","authors":"Galyna Pogrebnіak","doi":"10.31866/2617-2674.6.1.2023.279234","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279234","url":null,"abstract":"The purpose of the research is to expand scientific ideas about the significance of the culture of circus and film directing in the system of humanitarian knowledge. Research methodology. The researcher applied an interdisciplinary approach based on the use of the following general scientific methods: induction, deduction, identification, complex art analysis, and synthesis to define the culture of directing as a universal variety of artistic-aesthetic and creative-production activity. These methods made it possible to work out the factual basis of the reproduction of circus productions on the screen and in the arena. The methods of systematization and generalization were used to argue for the originality of circus directing in the context of audiovisual art. The typological approach was applied to examine common artistic principles in the creative search for circus and cinema art directors. The scientific novelty of the research lies in defining the culture of the directing profession as a universal type of artistic activity; identifying and an in-depth analysis of the factors influencing the artistic and aesthetic potential of adapting a circus performance on the screen; revealing specific canons for building film and television films based on circus creativity; clarifying the mutual influence of circus and screen arts in the development of directing culture; expanding scientific knowledge about the place and role of screen and circus directing in the system of humanitarian expertise at the present stage of social development; defining directing as a universal multi-vector type of artistic and aesthetic, creative and production, moral and ethical, educational activity. Conclusions. The researcher substantiates that the creativity of film and television directors develops and expands knowledge about circus art, and gives impetus to the development of creativity of directors and circus performers in the screen space. The materials of the scientific article enrich the arsenal of knowledge regarding the specifics of the production and distribution of circus performances by means of screen arts in society and can be applied in educational courses, the creation of educational and methodological literature on the history and practice of the circus, the theory and history of cinema and television, directing, producing.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86869490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279247
O. Venher, Maksym Kotskyi
The purpose of the research is to analyze the trends and technologies in contemporary cinema that have emerged in the process of technical and digital progress and study the implementation specifics of artistic and technical means of realizing a director’s idea in the modern film industry, and prove the inextricable link between the technique (technical means) and the director’s artistic creativity. The research methodology consists of the following methods: theoretical – to analyze and systematize the literature on the research problem; terminological – to clarify basic concepts (creative idea, sound, colour, format, editing, 3D technologies); analysis and synthesis of theoretical and practical material on the topic of “director’s idea”, which made it possible to consider the object of research both in general and its projections. The scientific novelty lies in the innovative approach to studying the subject matter, which is in the interdisciplinary field – between the use of modern technologies and the art of directing. The emphasis is placed on synthesizing heterogeneous tools for creating a quality film industry product – from the director’s creative idea and script writing to the use of modern 3D technologies in the film industry. The issue of maintaining a balance between a computerized film industry product and a traditional one was further developed; maintaining this balance depends, on the one hand, on the needs of the target public and, on the other hand, on the embodiment of the director’s personal vision. Conclusions. The article has analyzed the artistic and technical means of realizing a director's idea in contemporary cinema. Through the analysis of professional literature and information sources, it has been proved that the semiotic combination of image and sound, format, colour, editing and timing of the frame should be combined with the director's worldview. The factors that influence the professional use of innovative technologies and simultaneously highlight the plot and idea of the director are identified.
{"title":"Artistic and Technical Means of Realizing the Director’s Idea in the Modern Film Industry","authors":"O. Venher, Maksym Kotskyi","doi":"10.31866/2617-2674.6.1.2023.279247","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279247","url":null,"abstract":"The purpose of the research is to analyze the trends and technologies in contemporary cinema that have emerged in the process of technical and digital progress and study the implementation specifics of artistic and technical means of realizing a director’s idea in the modern film industry, and prove the inextricable link between the technique (technical means) and the director’s artistic creativity. The research methodology consists of the following methods: theoretical – to analyze and systematize the literature on the research problem; terminological – to clarify basic concepts (creative idea, sound, colour, format, editing, 3D technologies); analysis and synthesis of theoretical and practical material on the topic of “director’s idea”, which made it possible to consider the object of research both in general and its projections. The scientific novelty lies in the innovative approach to studying the subject matter, which is in the interdisciplinary field – between the use of modern technologies and the art of directing. The emphasis is placed on synthesizing heterogeneous tools for creating a quality film industry product – from the director’s creative idea and script writing to the use of modern 3D technologies in the film industry. The issue of maintaining a balance between a computerized film industry product and a traditional one was further developed; maintaining this balance depends, on the one hand, on the needs of the target public and, on the other hand, on the embodiment of the director’s personal vision. Conclusions. The article has analyzed the artistic and technical means of realizing a director's idea in contemporary cinema. Through the analysis of professional literature and information sources, it has been proved that the semiotic combination of image and sound, format, colour, editing and timing of the frame should be combined with the director's worldview. The factors that influence the professional use of innovative technologies and simultaneously highlight the plot and idea of the director are identified.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87293924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279226
Liudmyla Dementieva, Daria Sukova
The purpose of the research is to analyze the impact of fake news, disinformation and propaganda on television on consumers' minds, to establish their cause-and-effect relationships and principles of creation. To prove the importance of fact-checking as a preventive measure to counteract the spread of false information in audiovisual media. To explore effective means of combating the negative impact of fakes in Ukraine and the world. The research methodology is based on the following methods: theoretical – to analyze the research of foreign authors and available audiovisual information sources; empirical – to study the latest research in the field of counteracting the negative impact of fakes, disinformation and propaganda on the minds of viewers; and systematization of personal experience. Scientific novelty. For the first time, the authors analyze the components of modern fake news in the media, conduct a detailed analysis of the interdependence of their structural elements that form the news, determine the factors that influence the formation and dissemination of false information, and review the latest achievements in effectively countering the spread of fake news at the level of states, individual fact-checking organizations, media literacy schools, disinformation counteraction centres, etc. Conclusions. The article has analyzed the components of modern information fakes in audiovisual media. By examining articles, reports, and recent studies, it is established that most news in the information field is fake, may contain dangers, and is a powerful weapon in a hybrid information war. The structural components that form fake news have been elaborated on in detail. The latest achievements in the effective counteraction to fake news in the media space have been analyzed, as well as the most effective measures that Ukraine can use in the hybrid war against Russia.
{"title":"Impact of Fake News and Disinformation in Audiovisual Media","authors":"Liudmyla Dementieva, Daria Sukova","doi":"10.31866/2617-2674.6.1.2023.279226","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279226","url":null,"abstract":"The purpose of the research is to analyze the impact of fake news, disinformation and propaganda on television on consumers' minds, to establish their cause-and-effect relationships and principles of creation. To prove the importance of fact-checking as a preventive measure to counteract the spread of false information in audiovisual media. To explore effective means of combating the negative impact of fakes in Ukraine and the world. The research methodology is based on the following methods: theoretical – to analyze the research of foreign authors and available audiovisual information sources; empirical – to study the latest research in the field of counteracting the negative impact of fakes, disinformation and propaganda on the minds of viewers; and systematization of personal experience. Scientific novelty. For the first time, the authors analyze the components of modern fake news in the media, conduct a detailed analysis of the interdependence of their structural elements that form the news, determine the factors that influence the formation and dissemination of false information, and review the latest achievements in effectively countering the spread of fake news at the level of states, individual fact-checking organizations, media literacy schools, disinformation counteraction centres, etc. Conclusions. The article has analyzed the components of modern information fakes in audiovisual media. By examining articles, reports, and recent studies, it is established that most news in the information field is fake, may contain dangers, and is a powerful weapon in a hybrid information war. The structural components that form fake news have been elaborated on in detail. The latest achievements in the effective counteraction to fake news in the media space have been analyzed, as well as the most effective measures that Ukraine can use in the hybrid war against Russia.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"148 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77854890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.31866/2617-2674.5.2.2022.269536
Eduard Timlin, Maryna Didenko, V. Savchin
The purpose of the research is to analyze the role of the cameraman in filming commercials; define the concept of video advertising and describe its main specific development methods; determine the effectiveness of advertising using a video series and demonstrate its specific techniques. Research methodology. The article applies a set of research methods, namely generalization, comparative analysis of media texts, as well as a systematic approach, which manifested itself in a comprehensive analysis of sources on the theory of commercials production and comparing them with the main cameraman techniques that ensure the effectiveness and efficiency of the commercial. The scientific novelty of the article lies in the attempt to analyze the cameraman’s techniques in the creation of the commercial, which are important for the emotional impact on the recipient. The main advantages of video advertising are analyzed. The main ways in which marketers can create convincing videos that arouse the interest of viewers are indicated. The main trends of video advertising, which is a little-studied phenomenon in Ukrainian cinema and media space, are analyzed. Conclusions. The features of the cameraman’s work during the creation of advertising videos are examined. The role of the advertising duration, the definition of the target audience, mobility, cinematography, and specifics of advertising distribution in social networks in creating effective video advertising by cameramen are revealed. The main technical capabilities of the frame have been analyzed. The key objects for applying an effective marketing strategy thanks to videos have been highlighted. It has been found that video advertising is an ideal environment for experimentation, the creation of unique frames, implementation of the most non-standard ideas.
{"title":"The Role of Cameraman in the Shooting of Commercials","authors":"Eduard Timlin, Maryna Didenko, V. Savchin","doi":"10.31866/2617-2674.5.2.2022.269536","DOIUrl":"https://doi.org/10.31866/2617-2674.5.2.2022.269536","url":null,"abstract":"The purpose of the research is to analyze the role of the cameraman in filming commercials; define the concept of video advertising and describe its main specific development methods; determine the effectiveness of advertising using a video series and demonstrate its specific techniques. Research methodology. The article applies a set of research methods, namely generalization, comparative analysis of media texts, as well as a systematic approach, which manifested itself in a comprehensive analysis of sources on the theory of commercials production and comparing them with the main cameraman techniques that ensure the effectiveness and efficiency of the commercial. The scientific novelty of the article lies in the attempt to analyze the cameraman’s techniques in the creation of the commercial, which are important for the emotional impact on the recipient. The main advantages of video advertising are analyzed. The main ways in which marketers can create convincing videos that arouse the interest of viewers are indicated. The main trends of video advertising, which is a little-studied phenomenon in Ukrainian cinema and media space, are analyzed. Conclusions. The features of the cameraman’s work during the creation of advertising videos are examined. The role of the advertising duration, the definition of the target audience, mobility, cinematography, and specifics of advertising distribution in social networks in creating effective video advertising by cameramen are revealed. The main technical capabilities of the frame have been analyzed. The key objects for applying an effective marketing strategy thanks to videos have been highlighted. It has been found that video advertising is an ideal environment for experimentation, the creation of unique frames, implementation of the most non-standard ideas.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90264272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.31866/2617-2674.5.2.2022.269549
Galyna Pogrebnіak
{"title":"Anti-directing of Film Transformation as a Lasting Obstacle to Screen Adaptation of Oleksandr Korniichuk’s Metadramaturgy","authors":"Galyna Pogrebnіak","doi":"10.31866/2617-2674.5.2.2022.269549","DOIUrl":"https://doi.org/10.31866/2617-2674.5.2.2022.269549","url":null,"abstract":"","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87061383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.31866/2617-2674.5.2.2022.269528
Roman Shyrman, D. Berdnikov
The purpose of the article is to study the manifestations of drama in feature cinema and to consider dramaturgy and conflict as the main aspects of feature cinema to form the interest of the audience. The research methodology is based on the use of analytical and systematic methods (to comprehend the basic principles of the conflict as a result of the theoretical material’s study and analysis of its interpretation specifics in the artistic structure of the film and to determine its place in the construction of a film); method of theoretical generalization (to summarize the manifestation of drama in feature films and its role in shaping the interest of the audience). Scientific novelty. The modern film industry is built on a variety of stories based on the drama of the plot, which is built on conflict (conflict between peoples, countries, and worlds). The modern literature, in particular of Ukrainian authors, has been processed, which made it possible to conclude the interest in the outlined topics in the context of national theoretical thought. Conclusions. Dramaturgy in feature films is a way of organizing the material and methods of dynamics of viewer interest. Dramaturgy, built by the modern needs of the viewer, forms the success and high rating of feature films. As a result of the theoretical sources analysis and consideration of individual examples of cinematographic art, it is possible to determine the fundamental differences in the construction of the collision of the screen spectacle with the literary work. Thanks to this, it was possible to outline the specific means by which the director or playwright of the film industry can achieve the goal.
{"title":"Manifestations of Drama in Feature Films","authors":"Roman Shyrman, D. Berdnikov","doi":"10.31866/2617-2674.5.2.2022.269528","DOIUrl":"https://doi.org/10.31866/2617-2674.5.2.2022.269528","url":null,"abstract":"The purpose of the article is to study the manifestations of drama in feature cinema and to consider dramaturgy and conflict as the main aspects of feature cinema to form the interest of the audience. The research methodology is based on the use of analytical and systematic methods (to comprehend the basic principles of the conflict as a result of the theoretical material’s study and analysis of its interpretation specifics in the artistic structure of the film and to determine its place in the construction of a film); method of theoretical generalization (to summarize the manifestation of drama in feature films and its role in shaping the interest of the audience). Scientific novelty. The modern film industry is built on a variety of stories based on the drama of the plot, which is built on conflict (conflict between peoples, countries, and worlds). The modern literature, in particular of Ukrainian authors, has been processed, which made it possible to conclude the interest in the outlined topics in the context of national theoretical thought. Conclusions. Dramaturgy in feature films is a way of organizing the material and methods of dynamics of viewer interest. Dramaturgy, built by the modern needs of the viewer, forms the success and high rating of feature films. As a result of the theoretical sources analysis and consideration of individual examples of cinematographic art, it is possible to determine the fundamental differences in the construction of the collision of the screen spectacle with the literary work. Thanks to this, it was possible to outline the specific means by which the director or playwright of the film industry can achieve the goal.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79225131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.31866/2617-2674.5.2.2022.269544
Volodymyr Kukorenchuk, Nataliia Vdovychenko, V. Bondar
The author’s idea. The idea of this photographic project was to create an erotic photographic work, namely such images that contain elements of fine art, which are closely intertwined with the myths and legends of ancient Greece. Throughout photographic history, both historical aspects and stylistic images of the visual art of each era are explored and intersected. The photographic project is based on the story of characters such as Eros, and the three graces – Innocence, Beauty, and Love. During the development of the storyline, the characters go through the ages, their aesthetics, and expressiveness. The passage of time and the development of society in terms of morality change the attitude toward the naked human body and its interpretation. The analysis of the beauty of the human body in various forms of sensuality is carried out. It is established that eroticism is the result of the process of ontogenetic, and cultural development and expresses the individual psychological and semantic components of the human body’s uniqueness. And photography, as the most common way of visual communication, has formed modern ideas about it.
{"title":"Photo Art Project Erotics in Photography: From Analogue to Digital. Part 2","authors":"Volodymyr Kukorenchuk, Nataliia Vdovychenko, V. Bondar","doi":"10.31866/2617-2674.5.2.2022.269544","DOIUrl":"https://doi.org/10.31866/2617-2674.5.2.2022.269544","url":null,"abstract":"The author’s idea. The idea of this photographic project was to create an erotic photographic work, namely such images that contain elements of fine art, which are closely intertwined with the myths and legends of ancient Greece. Throughout photographic history, both historical aspects and stylistic images of the visual art of each era are explored and intersected. The photographic project is based on the story of characters such as Eros, and the three graces – Innocence, Beauty, and Love. During the development of the storyline, the characters go through the ages, their aesthetics, and expressiveness. The passage of time and the development of society in terms of morality change the attitude toward the naked human body and its interpretation. The analysis of the beauty of the human body in various forms of sensuality is carried out. It is established that eroticism is the result of the process of ontogenetic, and cultural development and expresses the individual psychological and semantic components of the human body’s uniqueness. And photography, as the most common way of visual communication, has formed modern ideas about it.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90762880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.31866/2617-2674.5.2.2022.269504
Lev Rjazancev, Ivan Sliesariev
The purpose of the research is to investigate and analyze the main stages of the club techno culture formation in Ukraine in the context of Ukrainian audiovisual art development. The realization of this goal involves solving the following tasks: to determine the role played by cinema, television, and modern media in the growth of techno music popularity; to prove the importance of electronic music in the context of the modern Ukrainian techno culture formation; to learn about the role of club life in shaping the image of a modern country. The research methodology consists in the application of the general scientific principle of objectivity, cultural, structural-functional, and analytical methods in the analysis of theoretical works of art, the subject field of which concerns the formation of club techno-culture in Ukraine in the context of Ukrainian audiovisual art development. Scientific novelty. The article analyzes the influence of cinema, television, and modern media on the spread of club culture in Ukraine, and systemizes the information obtained from periodicals and scientific domestic and foreign literature. The study can become a springboard for the development of topics in Ukrainian film studies and media theory. Conclusions. The article has analyzed the main factors influencing the spread of rave, indicates the stages of Ukrainian club life development; has identified the main factors and socio-political vectors that influenced the spread of club subculture, and has outlined the role of club life as a socio-cultural factor influencing the formation of domestic techno-culture). The development of music festival culture in Ukraine has been outlined as a way of joining the world culture, a stage of entering civilizational achievements, and an opportunity to express oneself in the world and in history.
{"title":"Cinema and Television as Factors of Rave Culture Spreading in Ukraine","authors":"Lev Rjazancev, Ivan Sliesariev","doi":"10.31866/2617-2674.5.2.2022.269504","DOIUrl":"https://doi.org/10.31866/2617-2674.5.2.2022.269504","url":null,"abstract":"The purpose of the research is to investigate and analyze the main stages of the club techno culture formation in Ukraine in the context of Ukrainian audiovisual art development. The realization of this goal involves solving the following tasks: to determine the role played by cinema, television, and modern media in the growth of techno music popularity; to prove the importance of electronic music in the context of the modern Ukrainian techno culture formation; to learn about the role of club life in shaping the image of a modern country. The research methodology consists in the application of the general scientific principle of objectivity, cultural, structural-functional, and analytical methods in the analysis of theoretical works of art, the subject field of which concerns the formation of club techno-culture in Ukraine in the context of Ukrainian audiovisual art development. Scientific novelty. The article analyzes the influence of cinema, television, and modern media on the spread of club culture in Ukraine, and systemizes the information obtained from periodicals and scientific domestic and foreign literature. The study can become a springboard for the development of topics in Ukrainian film studies and media theory. Conclusions. The article has analyzed the main factors influencing the spread of rave, indicates the stages of Ukrainian club life development; has identified the main factors and socio-political vectors that influenced the spread of club subculture, and has outlined the role of club life as a socio-cultural factor influencing the formation of domestic techno-culture). The development of music festival culture in Ukraine has been outlined as a way of joining the world culture, a stage of entering civilizational achievements, and an opportunity to express oneself in the world and in history.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82590887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：