Pub Date : 2023-10-20DOI: 10.31866/2617-2674.6.2.2023.289308
Viktoriia Fedorenko, Nataliia Sulima
The purpose of the article is to analyze the peculiarities of transferring a literary work to the screen; to determine the place of film adaptation in contemporary cinema; to explore the ways of screen adaptation and film adaptation of a literary work; to prove the importance of the process of intermedial reading of a literary work, to analyze the semiotic systems of literature and cinema to scientifically comprehend such a type of interaction between the arts as a screen adaptation; to reconsider the conventions, abstractness and homogeneity of literary signs and their opposite realism, concreteness, suggestiveness, and polyphony of film signs. Research methodology. The following methods were used: theoretical – to analyze the film adaptations of famous literary works and plays, information sources, generalize the impact of the information source on the quality of the translated material, and identify the factors of audiovisual discourse; empirical – to systematize my own experience, identify different ways of screen adaptation, and compare articles and monographs related to the results of the study of audiovisual art. Scientific novelty. For the first time, the main strategies of the relationship between cinema and literature are analyzed, and a detailed analysis of film adaptation as a source for new planes and perspectives is carried out. With the help of theoretical analysis, the main tasks of screen adaptation of the original source are identified. Conclusions. The article has analyzed the use of techniques that have significantly modified the normative strategies of writers. By analyzing the screened works, it has been determined that cinematicity is one of the dominant features of famous creators. The structural components and types of translation of literature to the screen are studied in detail. The importance of the process of intermedial reading of a literary work has been proved. The semiotic systems of literature and cinema have been analyzed with the aim of scientific comprehension of such a kind of interaction between the arts as screen adaptation. The conventions, abstractness and homogeneity of literary signs and their opposite realism, concreteness, suggestiveness, and polyphony of film signs are reviewed.
{"title":"Screen Adaptation in Modern Audiovisual Production","authors":"Viktoriia Fedorenko, Nataliia Sulima","doi":"10.31866/2617-2674.6.2.2023.289308","DOIUrl":"https://doi.org/10.31866/2617-2674.6.2.2023.289308","url":null,"abstract":"The purpose of the article is to analyze the peculiarities of transferring a literary work to the screen; to determine the place of film adaptation in contemporary cinema; to explore the ways of screen adaptation and film adaptation of a literary work; to prove the importance of the process of intermedial reading of a literary work, to analyze the semiotic systems of literature and cinema to scientifically comprehend such a type of interaction between the arts as a screen adaptation; to reconsider the conventions, abstractness and homogeneity of literary signs and their opposite realism, concreteness, suggestiveness, and polyphony of film signs. Research methodology. The following methods were used: theoretical – to analyze the film adaptations of famous literary works and plays, information sources, generalize the impact of the information source on the quality of the translated material, and identify the factors of audiovisual discourse; empirical – to systematize my own experience, identify different ways of screen adaptation, and compare articles and monographs related to the results of the study of audiovisual art. Scientific novelty. For the first time, the main strategies of the relationship between cinema and literature are analyzed, and a detailed analysis of film adaptation as a source for new planes and perspectives is carried out. With the help of theoretical analysis, the main tasks of screen adaptation of the original source are identified. Conclusions. The article has analyzed the use of techniques that have significantly modified the normative strategies of writers. By analyzing the screened works, it has been determined that cinematicity is one of the dominant features of famous creators. The structural components and types of translation of literature to the screen are studied in detail. The importance of the process of intermedial reading of a literary work has been proved. The semiotic systems of literature and cinema have been analyzed with the aim of scientific comprehension of such a kind of interaction between the arts as screen adaptation. The conventions, abstractness and homogeneity of literary signs and their opposite realism, concreteness, suggestiveness, and polyphony of film signs are reviewed.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-20DOI: 10.31866/2617-2674.6.2.2023.289286
Svitlana Kotliar, Yaroslava Kuzmenko
The purpose of the article is to analyze the functions of a director and a producer in contemporary film and series production; to determine their interaction and complementarity during the period of collaboration on a work; to establish the role of professionals in these specialties in preserving the main idea and concept of the film; to identify the best options for combining efforts for the successful implementation of the project. Research methods. The following methods were used: theoretical (analysis of the creative activity of directors who were also producers of their films, comparison of director and producer specialties in contemporary film and series production, observation of the transformation of the studied professions over the past twenty years); empirical (systematization and organization of personal knowledge and skills gained during the preparation, production, post-production and promotion of Ukrainian films and series); practical (the article presents and analyzes the author’s own experience of collaboration). Scientific novelty. For the first time, the topic of the interconnection of the specialties of director and producer in film production is explored, in determining the features of each of the above qualifications, taking into account the facts’ analysis of Ukrainian and world cinema and the experience of prominent personalities who create the screen art of today. For the first time, the author analyses the interpenetration of the professions of director and producer based on his practice and studies the integration of these professions in the period of globalization and the unification of world cinema markets. Conclusions. In accordance with the aim, the article analyses the peculiarities of the specialties of a director and a producer in contemporary film and series production. Their complementarity and interaction during the period of cooperation on a work is determined. The role of the above-mentioned professionals in preserving the main idea and concept of the project has been revealed. The importance of the ability to accept changes, join forces, and bring the project to completion under any circumstances has been proved.
{"title":"Film and Series Production as a Result of Collaboration Between Director and Producer","authors":"Svitlana Kotliar, Yaroslava Kuzmenko","doi":"10.31866/2617-2674.6.2.2023.289286","DOIUrl":"https://doi.org/10.31866/2617-2674.6.2.2023.289286","url":null,"abstract":"The purpose of the article is to analyze the functions of a director and a producer in contemporary film and series production; to determine their interaction and complementarity during the period of collaboration on a work; to establish the role of professionals in these specialties in preserving the main idea and concept of the film; to identify the best options for combining efforts for the successful implementation of the project. Research methods. The following methods were used: theoretical (analysis of the creative activity of directors who were also producers of their films, comparison of director and producer specialties in contemporary film and series production, observation of the transformation of the studied professions over the past twenty years); empirical (systematization and organization of personal knowledge and skills gained during the preparation, production, post-production and promotion of Ukrainian films and series); practical (the article presents and analyzes the author’s own experience of collaboration). Scientific novelty. For the first time, the topic of the interconnection of the specialties of director and producer in film production is explored, in determining the features of each of the above qualifications, taking into account the facts’ analysis of Ukrainian and world cinema and the experience of prominent personalities who create the screen art of today. For the first time, the author analyses the interpenetration of the professions of director and producer based on his practice and studies the integration of these professions in the period of globalization and the unification of world cinema markets. Conclusions. In accordance with the aim, the article analyses the peculiarities of the specialties of a director and a producer in contemporary film and series production. Their complementarity and interaction during the period of cooperation on a work is determined. The role of the above-mentioned professionals in preserving the main idea and concept of the project has been revealed. The importance of the ability to accept changes, join forces, and bring the project to completion under any circumstances has been proved.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-20DOI: 10.31866/2617-2674.6.2.2023.289282
Oleksandr Butko, Ilona Piholenko
The purpose of the article is to analyze the main aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, and also to explore the history of the creation of morning programmes on the basis of the Ukrainian information and entertainment television show Breakfast with 1+1; to analyze the professional tasks of specialists; to identify how this format has changed over more than half a century; to clarify the job responsibilities of the team and its impact on the quality of the broadcast; to compare morning news in peacetime and wartime based on the work of colleagues during this period; to study the history of the 1+1 TV channel’s morning programme and its changes over 25 years. Research methodology. The following methods were used: theoretical – to compare foreign morning projects of the 50s of the 20th century; empirical – to observe the work of the team off-screen, to analyse the work of the morning show staff, and their impact on the air; comparative – to consider the peculiarities of work in pre-war and wartime. Scientific novelty. For the first time, the author analyses the aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, based on the analysis, reveals the work of the morning broadcasting team in wartime, describes the job responsibilities of employees in emergency circumstances, provides examples of new headings, draws parallels between foreign and domestic morning shows, and summarizes the history of the creation of this format on foreign and Ukrainian television. Conclusions. On the basis of the Ukrainian information and entertainment television show Breakfast with 1+1, the article has studied in detail the history of the morning programmes’ creation; it has analysed the professional tasks of specialists, in particular those who work behind the scenes; it has compared the morning news in peacetime and wartime based on the work of colleagues during this period; it has studied the history of the creation of the morning programme of the 1+1 TV channel, as well as its changes over the past 25 years.
{"title":"Interaction Between Main and Support Creative Staff When Television Programme Preparing: on and off Camera","authors":"Oleksandr Butko, Ilona Piholenko","doi":"10.31866/2617-2674.6.2.2023.289282","DOIUrl":"https://doi.org/10.31866/2617-2674.6.2.2023.289282","url":null,"abstract":"The purpose of the article is to analyze the main aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, and also to explore the history of the creation of morning programmes on the basis of the Ukrainian information and entertainment television show Breakfast with 1+1; to analyze the professional tasks of specialists; to identify how this format has changed over more than half a century; to clarify the job responsibilities of the team and its impact on the quality of the broadcast; to compare morning news in peacetime and wartime based on the work of colleagues during this period; to study the history of the 1+1 TV channel’s morning programme and its changes over 25 years. Research methodology. The following methods were used: theoretical – to compare foreign morning projects of the 50s of the 20th century; empirical – to observe the work of the team off-screen, to analyse the work of the morning show staff, and their impact on the air; comparative – to consider the peculiarities of work in pre-war and wartime. Scientific novelty. For the first time, the author analyses the aspects of interaction between the main and auxiliary creative staff in the process of preparing a television programme, based on the analysis, reveals the work of the morning broadcasting team in wartime, describes the job responsibilities of employees in emergency circumstances, provides examples of new headings, draws parallels between foreign and domestic morning shows, and summarizes the history of the creation of this format on foreign and Ukrainian television. Conclusions. On the basis of the Ukrainian information and entertainment television show Breakfast with 1+1, the article has studied in detail the history of the morning programmes’ creation; it has analysed the professional tasks of specialists, in particular those who work behind the scenes; it has compared the morning news in peacetime and wartime based on the work of colleagues during this period; it has studied the history of the creation of the morning programme of the 1+1 TV channel, as well as its changes over the past 25 years.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279255
O. Kovsh, Oleksii Kopachinskyi
The purpose of the research is to analyze the phenomenon of human perception of the combination of film images in varying space and time and with different actions. To determine the role of audio and video combination: soundtrack, counterpoint; to trace the parallels between the structure of musical works and music notation with composition, as well as the system of editing audiovisual works; to outline the main editing transitions and special effects, to note the feasibility of their use in modern audiovisual production. The research methodology is based on the following scientific methods: theoretical (analysis of physiological and psychological factors of the viewer's perception of an audiovisual work, analysis of outstanding examples of world cinema); comparative (drawing parallels between the language of cinema and music); practical (modelling specific examples of combining several frames). Scientific novelty. For the first time, the authors analyze the peculiarities of editing in contemporary audiovisual production, reveal the specifics of special effects and transitions, draw parallels between the levels of editing and the language of musical works; establish some details of the phenomenon of perception of editing at the level of psychology and everyday life and define the main criteria for the quality of editing transitions and effects. Conclusions. The peculiarities of montage have been identified, and the fact of perception of different moving images collision at the subconscious level in an audiovisual work has been analyzed. It is proved that pictures that are not united by space, time and action can create a coherent associative story. The role of audio and video combination has been defined – from synthesis with an amplifying effect to collision and creation of counterpoint. Parallels between musical works and the composition of an audiovisual work have been drawn. The main transitions and effects, as well as the conditions for their creation in modern audiovisual production, have been identified.
{"title":"Features of Editing in Modern Audiovisual Production: Special Effects and Transitions","authors":"O. Kovsh, Oleksii Kopachinskyi","doi":"10.31866/2617-2674.6.1.2023.279255","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279255","url":null,"abstract":"The purpose of the research is to analyze the phenomenon of human perception of the combination of film images in varying space and time and with different actions. To determine the role of audio and video combination: soundtrack, counterpoint; to trace the parallels between the structure of musical works and music notation with composition, as well as the system of editing audiovisual works; to outline the main editing transitions and special effects, to note the feasibility of their use in modern audiovisual production. The research methodology is based on the following scientific methods: theoretical (analysis of physiological and psychological factors of the viewer's perception of an audiovisual work, analysis of outstanding examples of world cinema); comparative (drawing parallels between the language of cinema and music); practical (modelling specific examples of combining several frames). Scientific novelty. For the first time, the authors analyze the peculiarities of editing in contemporary audiovisual production, reveal the specifics of special effects and transitions, draw parallels between the levels of editing and the language of musical works; establish some details of the phenomenon of perception of editing at the level of psychology and everyday life and define the main criteria for the quality of editing transitions and effects. Conclusions. The peculiarities of montage have been identified, and the fact of perception of different moving images collision at the subconscious level in an audiovisual work has been analyzed. It is proved that pictures that are not united by space, time and action can create a coherent associative story. The role of audio and video combination has been defined – from synthesis with an amplifying effect to collision and creation of counterpoint. Parallels between musical works and the composition of an audiovisual work have been drawn. The main transitions and effects, as well as the conditions for their creation in modern audiovisual production, have been identified.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77804433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279241
Petr Maha, Vasyl Bohaichyk
The purpose of the article is to study the history of sports broadcasting in Ukraine and the formation of the commentator profession; to find out the specifics of sports television and the methods of its influence on the Ukrainian audience; to identify the skills required in the work of sports reporters and commentators; to analyze modern technologies for improving voice and diction and to structure the components that influence the formation of high-quality audiovisual material. Research methodology. The following research methods were used in writing the article: analysis and synthesis (the work of sports TV channels in Ukraine was analyzed and systematized), comparative approach (parallels were drawn between the work of public and private broadcasters), generalization (conclusions have been drawn based on the literature); systematization (all information collected during the research was systematized). The scientific novelty of the results obtained is the study of the history of sports broadcasting in Ukraine, as well as the ratings of popular TV channels broadcasting football matches, the analysis of modern sports TV channels and their interaction with the viewer, and the evaluation of the work of well-known Ukrainian sports commentators. With the help of theoretical analysis of audiovisual material, the factors that develop the professional suitability of individual television specialists are described. Conclusions. Using the audiovisual content analysis, the article describes the constituent aspects of television journalist work and commentary. The main components to be a part of modern competitions on the air are considered. The history and state of Ukrainian sports broadcasting are studied. Methods of audience retention were analyzed. The factors affecting the quality of the content and the methods of influencing the audience have been clarified. Ways to improve TV stories and comments have been identified.
{"title":"Sports Commentary on Ukrainian Television Broadcast","authors":"Petr Maha, Vasyl Bohaichyk","doi":"10.31866/2617-2674.6.1.2023.279241","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279241","url":null,"abstract":"The purpose of the article is to study the history of sports broadcasting in Ukraine and the formation of the commentator profession; to find out the specifics of sports television and the methods of its influence on the Ukrainian audience; to identify the skills required in the work of sports reporters and commentators; to analyze modern technologies for improving voice and diction and to structure the components that influence the formation of high-quality audiovisual material. Research methodology. The following research methods were used in writing the article: analysis and synthesis (the work of sports TV channels in Ukraine was analyzed and systematized), comparative approach (parallels were drawn between the work of public and private broadcasters), generalization (conclusions have been drawn based on the literature); systematization (all information collected during the research was systematized). The scientific novelty of the results obtained is the study of the history of sports broadcasting in Ukraine, as well as the ratings of popular TV channels broadcasting football matches, the analysis of modern sports TV channels and their interaction with the viewer, and the evaluation of the work of well-known Ukrainian sports commentators. With the help of theoretical analysis of audiovisual material, the factors that develop the professional suitability of individual television specialists are described. Conclusions. Using the audiovisual content analysis, the article describes the constituent aspects of television journalist work and commentary. The main components to be a part of modern competitions on the air are considered. The history and state of Ukrainian sports broadcasting are studied. Methods of audience retention were analyzed. The factors affecting the quality of the content and the methods of influencing the audience have been clarified. Ways to improve TV stories and comments have been identified.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84646510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279259
Iryna Zaspa
The author’s idea of the photographic art project. This series tells the story of Ukraine’s path to revival. It runs from the terrible destruction, the pain that the country is experiencing now because of the war and the suffering caused by russia, to the blooming spring forest – an image of the future. The photographic art project, which illustrates Ukraine’s path from devastation to prosperity, was created on March 25, the 31st day of the Ukrainian people’s heroic resistance to russia’s full-scale invasion. Its idea was already nurtured during the war and was born thanks to wonderful people who are ready to live through this difficult time through creativity and mint it into art. Ukraine will definitely go through a thorny path, which in this film is symbolically called “The Path of Revival” and will flourish as never before.
{"title":"Photo Art Project “The Image of Free Ukraine ‘The Way of Revival’”","authors":"Iryna Zaspa","doi":"10.31866/2617-2674.6.1.2023.279259","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279259","url":null,"abstract":"The author’s idea of the photographic art project. This series tells the story of Ukraine’s path to revival. It runs from the terrible destruction, the pain that the country is experiencing now because of the war and the suffering caused by russia, to the blooming spring forest – an image of the future. The photographic art project, which illustrates Ukraine’s path from devastation to prosperity, was created on March 25, the 31st day of the Ukrainian people’s heroic resistance to russia’s full-scale invasion. Its idea was already nurtured during the war and was born thanks to wonderful people who are ready to live through this difficult time through creativity and mint it into art. Ukraine will definitely go through a thorny path, which in this film is symbolically called “The Path of Revival” and will flourish as never before.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90518842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279265
V. Myslavskyi
{"title":"Religious and Legal Aspects in World Cinema","authors":"V. Myslavskyi","doi":"10.31866/2617-2674.6.1.2023.279265","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279265","url":null,"abstract":"","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72961022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279238
V. Skurativskyi, Vladyslav Hlushchenko
The purpose of the study is to analyze the criteria for combining folk sound with modern sound, the peculiarities of its mixing and reproduction on the screen; to determine the pictorial properties of music and noise in audiovisual art; to explore the techniques and approach to working on a music album in the genre of folktronics, as well as its auxiliary properties in screen work. The research methodology is based on the following methods: theoretical – for analyzing publications related to the properties of sound in cinema; empirical – for systematizing one's own experience, determining techniques in the work of a sound producer on the composition of visual material; generalization – for drawing conclusions based on the literature; systematization, with the help of which the information block of the scientific research is collected and systematized in the context of technical and creative components regarding the properties of sound. Scientific novelty. For the first time, the possibilities of combining folk and electronic music with a virtual orchestra in the context of depicting soundscapes that will complement an audiovisual work, have been investigated and substantiated. For the first time, the concept of “soundscape” is illustrated in screen form through patterned abstractions, which allows the listener to imagine his or her picture through interactive and creative interaction; the subtleties of building such a landscape and its audio embodiment, the role of sound instruments in creating such work are described. The article reveals the possibilities of folktronica as an independent genre that combines folk sound with a modern sound, its combination with noises within the album, which are reproduced on the screen through visualization. Conclusions. The article analyzes the combination of folk and modern sound, identifies the visual properties of the musical and noise components, and their combination in the context of screen work. The technical aspect of working on the album is studied, and the importance of priority in the context of combining sound components in audiovisual art is emphasized. With the help of relevant sources, the main ideas concerning the audio aspect of the picture are emphasized.
{"title":"Musical and Noise Palette of the Soundtrack for Landscape Images in an Audiovisual Work","authors":"V. Skurativskyi, Vladyslav Hlushchenko","doi":"10.31866/2617-2674.6.1.2023.279238","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279238","url":null,"abstract":"The purpose of the study is to analyze the criteria for combining folk sound with modern sound, the peculiarities of its mixing and reproduction on the screen; to determine the pictorial properties of music and noise in audiovisual art; to explore the techniques and approach to working on a music album in the genre of folktronics, as well as its auxiliary properties in screen work. The research methodology is based on the following methods: theoretical – for analyzing publications related to the properties of sound in cinema; empirical – for systematizing one's own experience, determining techniques in the work of a sound producer on the composition of visual material; generalization – for drawing conclusions based on the literature; systematization, with the help of which the information block of the scientific research is collected and systematized in the context of technical and creative components regarding the properties of sound. Scientific novelty. For the first time, the possibilities of combining folk and electronic music with a virtual orchestra in the context of depicting soundscapes that will complement an audiovisual work, have been investigated and substantiated. For the first time, the concept of “soundscape” is illustrated in screen form through patterned abstractions, which allows the listener to imagine his or her picture through interactive and creative interaction; the subtleties of building such a landscape and its audio embodiment, the role of sound instruments in creating such work are described. The article reveals the possibilities of folktronica as an independent genre that combines folk sound with a modern sound, its combination with noises within the album, which are reproduced on the screen through visualization. Conclusions. The article analyzes the combination of folk and modern sound, identifies the visual properties of the musical and noise components, and their combination in the context of screen work. The technical aspect of working on the album is studied, and the importance of priority in the context of combining sound components in audiovisual art is emphasized. With the help of relevant sources, the main ideas concerning the audio aspect of the picture are emphasized.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85618717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279231
Iryna Gavran, Yelyzaveta Nikolaichenko
The purpose of the article is to determine the place of the sound director in the creation of a global information space that would ensure effective interaction of people, their access to global data resources and satisfaction of needs for information products and services using the content of television programs. The research methodology consists in the application of special methods: source analysis of the main publications on the topic (to find out the level of scientific development of the problem); historical and cultural, which led to a holistic approach to the analysis of the process of the historical development of sound engineering in Ukraine. The work also used general scientific methods: methods of analysis and description, for the general characterization and understanding of the essence of the sound director’s profession. The scientific novelty of the work lies in the fact that for the first time, the process of sound director’s work in modern TV channel programming is highlighted. The process of formation of sound engineering and the sound director’s activity in the Ukrainian cultural space is described. Based on the study of the source base, the author outlines the trends and reasons for the emergence of the sound engineering profession and clarifies the aesthetic foundations of the formation of sound engineering in Ukraine. The article deals with the interaction between technology and art in contemporary culture, emphasizes the interconnection of technical and technological and artistic components in artistic culture, and points to several artistic trends inspired by scientific and technological progress. The qualification requirements for a modern sound director are considered. The issue of rethinking the creative activity of sound directors in the media has been further developed. Conclusions. The review of the source base proved that the work of a sound director on television has many difficulties related to the technical support of studios, the conditions of filming, and the creative process. But also due to the importance of television as a way of communication and a source of information, sound design on TV has prospects for development and improvement.
{"title":"Sound Director in Modern Program Content of TV Channels","authors":"Iryna Gavran, Yelyzaveta Nikolaichenko","doi":"10.31866/2617-2674.6.1.2023.279231","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279231","url":null,"abstract":"The purpose of the article is to determine the place of the sound director in the creation of a global information space that would ensure effective interaction of people, their access to global data resources and satisfaction of needs for information products and services using the content of television programs. The research methodology consists in the application of special methods: source analysis of the main publications on the topic (to find out the level of scientific development of the problem); historical and cultural, which led to a holistic approach to the analysis of the process of the historical development of sound engineering in Ukraine. The work also used general scientific methods: methods of analysis and description, for the general characterization and understanding of the essence of the sound director’s profession. The scientific novelty of the work lies in the fact that for the first time, the process of sound director’s work in modern TV channel programming is highlighted. The process of formation of sound engineering and the sound director’s activity in the Ukrainian cultural space is described. Based on the study of the source base, the author outlines the trends and reasons for the emergence of the sound engineering profession and clarifies the aesthetic foundations of the formation of sound engineering in Ukraine. The article deals with the interaction between technology and art in contemporary culture, emphasizes the interconnection of technical and technological and artistic components in artistic culture, and points to several artistic trends inspired by scientific and technological progress. The qualification requirements for a modern sound director are considered. The issue of rethinking the creative activity of sound directors in the media has been further developed. Conclusions. The review of the source base proved that the work of a sound director on television has many difficulties related to the technical support of studios, the conditions of filming, and the creative process. But also due to the importance of television as a way of communication and a source of information, sound design on TV has prospects for development and improvement.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83302595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-30DOI: 10.31866/2617-2674.6.1.2023.279232
O. Bezruchko, V. Cherkasov, Tiberii Shiutiv
The purpose of the study is to investigate and analyze the criteria and indicators of readiness for creative activity in the field of audiovisual art and production, namely: motivational and value, cognitive and cognitive, and activity and creative. In accordance with these criteria, the work aims to prove the professional competencies that an audiovisual art and production specialist should have, which will enable a creative approach to professional activity. The research methodology consists in the application of the following methods: empirical research level – the method of observation, rating and self-evaluation, collective consultation, experiment, content analysis, generalization of practical experience, expert evaluation; theoretical level of research – experimental verification of new creative projects, solving integrated tasks, analytical method, deductive, inductive, modelling, comparison, abstraction and concretization, analysis and synthesis, thought (imaginary) experiment, generalization of the studied material. Scientific novelty. For the first time in the theory and practice of audiovisual art and production, criteria and indicators of readiness for creative activity in the field of audiovisual art and production have been proposed and experimentally verified. Conclusions. The formation of readiness for creative activity in the field of audiovisual art and production is a complex and lengthy process, the effectiveness of which is influenced by certain conditions, factors and causes. This approach identifies criteria and indicators for the formation of readiness for creative activity in the field of audiovisual art and production, as well as professional competencies that form a holistic structure in which all elements are interdependent and interrelated.
{"title":"Formation of Readiness for Creative Activity in the Field of Audiovisual Art and Production","authors":"O. Bezruchko, V. Cherkasov, Tiberii Shiutiv","doi":"10.31866/2617-2674.6.1.2023.279232","DOIUrl":"https://doi.org/10.31866/2617-2674.6.1.2023.279232","url":null,"abstract":"The purpose of the study is to investigate and analyze the criteria and indicators of readiness for creative activity in the field of audiovisual art and production, namely: motivational and value, cognitive and cognitive, and activity and creative. In accordance with these criteria, the work aims to prove the professional competencies that an audiovisual art and production specialist should have, which will enable a creative approach to professional activity. The research methodology consists in the application of the following methods: empirical research level – the method of observation, rating and self-evaluation, collective consultation, experiment, content analysis, generalization of practical experience, expert evaluation; theoretical level of research – experimental verification of new creative projects, solving integrated tasks, analytical method, deductive, inductive, modelling, comparison, abstraction and concretization, analysis and synthesis, thought (imaginary) experiment, generalization of the studied material. Scientific novelty. For the first time in the theory and practice of audiovisual art and production, criteria and indicators of readiness for creative activity in the field of audiovisual art and production have been proposed and experimentally verified. Conclusions. The formation of readiness for creative activity in the field of audiovisual art and production is a complex and lengthy process, the effectiveness of which is influenced by certain conditions, factors and causes. This approach identifies criteria and indicators for the formation of readiness for creative activity in the field of audiovisual art and production, as well as professional competencies that form a holistic structure in which all elements are interdependent and interrelated.","PeriodicalId":33443,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Audiovizual''ne mistetstvo i virobnitstvo","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79375131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：