Pub Date : 2019-10-03DOI: 10.22146/sasdayajournal.50351
Rustam Hasim
This paper discusses trading practices conducted in the Ternate Residency after the Dutch turned the port in the residence as a free port in 1854. In line with this policy, several major export and import materials supported the growth of the port meanwhile clove commodities did not become superior goods due to Hongotochten and extirpate policies in the VOC period. This fact shows that the policy of turning into the free port in 1854 was not only apart of the intention to control the economic resources within Ternate Area, but also to create Ternate as a colonial area under the Dutch’s control. This, in fact, opened a new chapter for trading activities in the region. The purpose of this policy is to attract and concentrate the commercial activities of the indigenous population to the free port under the supervision of the Dutch colonial for they hoped to prevent an indigenous merchant from establishing trade relations with other European nations. This study found that in 1854 the Dutch government made Ternate a free port is the implementation of a free port as the first step to protect economic interests, besides it is intended to place the Dutch in maintaining trade control in the territory of the colony.
{"title":"DARI MONOPOLI HINGGA PELABUHAN BEBAS: AKTIVITAS PERDAGANGAN DI KARESIDENAN TERNATE 1854-1930","authors":"Rustam Hasim","doi":"10.22146/sasdayajournal.50351","DOIUrl":"https://doi.org/10.22146/sasdayajournal.50351","url":null,"abstract":"This paper discusses trading practices conducted in the Ternate Residency after the Dutch turned the port in the residence as a free port in 1854. In line with this policy, several major export and import materials supported the growth of the port meanwhile clove commodities did not become superior goods due to Hongotochten and extirpate policies in the VOC period. This fact shows that the policy of turning into the free port in 1854 was not only apart of the intention to control the economic resources within Ternate Area, but also to create Ternate as a colonial area under the Dutch’s control. This, in fact, opened a new chapter for trading activities in the region. The purpose of this policy is to attract and concentrate the commercial activities of the indigenous population to the free port under the supervision of the Dutch colonial for they hoped to prevent an indigenous merchant from establishing trade relations with other European nations. This study found that in 1854 the Dutch government made Ternate a free port is the implementation of a free port as the first step to protect economic interests, besides it is intended to place the Dutch in maintaining trade control in the territory of the colony. ","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"2015 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87077330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-03DOI: 10.22146/sasdayajournal.50347
Ayu Dipta Kirana
The museum have the vision to become a media with the message and knowledge to share with a visitor. The vision of museum could be knowledge of museums representing national identity, culture, history, or biography of a public figures. The representation from one of a famous figure in Indonesia could we see in museum called Museum H.M. Soeharto. These articles aim to discover how the museum will work on Sang Bapak’s representation in the museum’s narration which are shown not only by a very lengthy text display but also on the attribute or object that scattered around in the museum’s yard. A whole object collection in museum will work based from the vision and aim of the museum. In the museum context, it called musealisation. It means that all the object collections are separated from their social context in real life then it enters the context of the museum so it will work based from the story or vision that made by what curator want and re-create the hero’s narration of Soeharto.
{"title":"REPRODUKSI NARASI TENTANG KEPAHLAWAN SOEHARTO: STUDI REPRESENTASI DI MUSEUM H.M. SOEHARTO","authors":"Ayu Dipta Kirana","doi":"10.22146/sasdayajournal.50347","DOIUrl":"https://doi.org/10.22146/sasdayajournal.50347","url":null,"abstract":"The museum have the vision to become a media with the message and knowledge to share with a visitor. The vision of museum could be knowledge of museums representing national identity, culture, history, or biography of a public figures. The representation from one of a famous figure in Indonesia could we see in museum called Museum H.M. Soeharto. These articles aim to discover how the museum will work on Sang Bapak’s representation in the museum’s narration which are shown not only by a very lengthy text display but also on the attribute or object that scattered around in the museum’s yard. A whole object collection in museum will work based from the vision and aim of the museum. In the museum context, it called musealisation. It means that all the object collections are separated from their social context in real life then it enters the context of the museum so it will work based from the story or vision that made by what curator want and re-create the hero’s narration of Soeharto.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81201222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/sasdayajournal.43886
S. Suwarno
This article discusses the birth of Muhammadiyah from a hermeneutic perspective, especially from Gadamer. Ahmad Dahlan founded Muhammadiyah on 18 November 1912 based on the knowledge of the idea of modern Islamic reform and understanding and concern about the real condition of Muslims who was hit by poverty, ignorance and backwardness. Ahmad Dahlan has a high historical awareness to change the traditions of society which were covered by the syncretic Islamic tradition that produces superstitious culture and traditionalist Islam that produces heretical and khurafat cultures towards Islamic purification and the dynamism of Islamic society. Ahmad Dahlan's historical awareness was sustained by his strong temperament, firm stance and his courage to break the tradition of perverts.
{"title":"KELAHIRAN MUHAMMADIYAH DARI PERSPEKTIF HERMENEUTIK","authors":"S. Suwarno","doi":"10.22146/sasdayajournal.43886","DOIUrl":"https://doi.org/10.22146/sasdayajournal.43886","url":null,"abstract":"This article discusses the birth of Muhammadiyah from a hermeneutic perspective, especially from Gadamer. Ahmad Dahlan founded Muhammadiyah on 18 November 1912 based on the knowledge of the idea of modern Islamic reform and understanding and concern about the real condition of Muslims who was hit by poverty, ignorance and backwardness. Ahmad Dahlan has a high historical awareness to change the traditions of society which were covered by the syncretic Islamic tradition that produces superstitious culture and traditionalist Islam that produces heretical and khurafat cultures towards Islamic purification and the dynamism of Islamic society. Ahmad Dahlan's historical awareness was sustained by his strong temperament, firm stance and his courage to break the tradition of perverts.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86722525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/SASDAYAJOURNAL.43887
Enkin Asrawijaya
Gafatar is a form of community upheaval in Indonesia in the current reform era. Issues surrounding the ideology and the attempts of treason case became the problem that caused Gafatar to lose the masses of the public. Gafatar has the concept of food self-sufficiency which is then implemented in a peasant movement as its criticism of the government. To explain the dynamics of the Gafatar social movement, used the theory of McAdam et al, about Political Opportunities, Mobilizing Structures, and Cultural Framings. The political opportunity arises from the distrust of government programs that have been offered to the people who are deemed to be ineffective. Mobilizing Structur Gafatar movement is manifested through the formation of the organization, forming a network of cooperation and collective action. While cultural framing, created through the issues addressed to Gafatar causing the formation of negative stigma in society.
{"title":"GAFATAR DAN DINAMIKA GERAKAN SOSIALNYA","authors":"Enkin Asrawijaya","doi":"10.22146/SASDAYAJOURNAL.43887","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.43887","url":null,"abstract":"Gafatar is a form of community upheaval in Indonesia in the current reform era. Issues surrounding the ideology and the attempts of treason case became the problem that caused Gafatar to lose the masses of the public. Gafatar has the concept of food self-sufficiency which is then implemented in a peasant movement as its criticism of the government. To explain the dynamics of the Gafatar social movement, used the theory of McAdam et al, about Political Opportunities, Mobilizing Structures, and Cultural Framings. The political opportunity arises from the distrust of government programs that have been offered to the people who are deemed to be ineffective. Mobilizing Structur Gafatar movement is manifested through the formation of the organization, forming a network of cooperation and collective action. While cultural framing, created through the issues addressed to Gafatar causing the formation of negative stigma in society.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82454728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/sasdayajournal.43882
Bambang Purwanto
Berkelanjutan, merupakan sebuah kata yang selalu menantang setiap insan akademik yang mengelola sebuah jurnal ilmiah seperti Sasdaya ini. Sejak edisi pertama terbit pada akhir tahun 2016, kata itu terus mengusik para pengelola. Namun ketika optimisme dan selalu berpikir positif berpadu dengan komitmen, tantangan itu ternyata mampu menghasilkan buah semangat untuk terus bekerja dari waktu ke waktu menghadirkan edisi demi edisi. Kepercayaan diri terus tumbuh untuk memperbaiki dan memantapkan pengelolaan jurnal, sehingga tantangan lain agar jurnal berstatus terakreditasi dan terindeks pada pangkalan data ilmiah baik nasional maupun internasional menjadi sesuatu yang tidak lagi dianggap berlebihan. Berbagai dukungan yang telah diberikan baik oleh Fakultas Ilmu Budaya maupun Universitas Gadjah Mada selama ini, semakin memperjuta tekad para pengelola untuk meningkatkan kinerja, mutu, dan status jurnal ini.
{"title":"Keberlanjutan","authors":"Bambang Purwanto","doi":"10.22146/sasdayajournal.43882","DOIUrl":"https://doi.org/10.22146/sasdayajournal.43882","url":null,"abstract":"Berkelanjutan, merupakan sebuah kata yang selalu menantang setiap insan akademik yang mengelola sebuah jurnal ilmiah seperti Sasdaya ini. Sejak edisi pertama terbit pada akhir tahun 2016, kata itu terus mengusik para pengelola. Namun ketika optimisme dan selalu berpikir positif berpadu dengan komitmen, tantangan itu ternyata mampu menghasilkan buah semangat untuk terus bekerja dari waktu ke waktu menghadirkan edisi demi edisi. Kepercayaan diri terus tumbuh untuk memperbaiki dan memantapkan pengelolaan jurnal, sehingga tantangan lain agar jurnal berstatus terakreditasi dan terindeks pada pangkalan data ilmiah baik nasional maupun internasional menjadi sesuatu yang tidak lagi dianggap berlebihan. Berbagai dukungan yang telah diberikan baik oleh Fakultas Ilmu Budaya maupun Universitas Gadjah Mada selama ini, semakin memperjuta tekad para pengelola untuk meningkatkan kinerja, mutu, dan status jurnal ini.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"151 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84365159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/SASDAYAJOURNAL.43884
I. Haeri
Technological developments make it easier for historical reviewers to approach historical sources. But there is a trend in Indonesian digital society to change historical sources such as historical photos as information consumption. Along with the development of the times, analog photos turned into historical photos that were present in the millennial era appeared in two ways; first coloring photo history, the second "meme" set in historical photos. In order to track digital footage of this phenomenon, historical methodology and photo analysis of Roland Barthes are used to show the birth of historical photo coloring trends and memes in the digital world. The coloring of historical photos causes a change in time awareness of historical sources and memes on historical photographs cause a change and multiplication of meanings in digital photos as historical sources.
{"title":"FOTO SEJARAH PADA MEDIA DIGITAL: PEWARNAAN DAN MEME BERKONTEN SEJARAH","authors":"I. Haeri","doi":"10.22146/SASDAYAJOURNAL.43884","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.43884","url":null,"abstract":"Technological developments make it easier for historical reviewers to approach historical sources. But there is a trend in Indonesian digital society to change historical sources such as historical photos as information consumption. Along with the development of the times, analog photos turned into historical photos that were present in the millennial era appeared in two ways; first coloring photo history, the second \"meme\" set in historical photos. In order to track digital footage of this phenomenon, historical methodology and photo analysis of Roland Barthes are used to show the birth of historical photo coloring trends and memes in the digital world. The coloring of historical photos causes a change in time awareness of historical sources and memes on historical photographs cause a change and multiplication of meanings in digital photos as historical sources.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"735 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76805719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/SASDAYAJOURNAL.43888
Fadlil Fadlil Munawwar Manshur
From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact. Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.
{"title":"KAJIAN TEORI FORMALISME DAN STRUKTURALISME","authors":"Fadlil Fadlil Munawwar Manshur","doi":"10.22146/SASDAYAJOURNAL.43888","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.43888","url":null,"abstract":"From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact. Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89806999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/SASDAYAJOURNAL.43883
A. M. Sudirman
Artikel ini mengkaji kekerabatan Isolek Komering dan Lampung Menggala kedua isolek tersebut, secara kualitatif ditandai perbedaan dalam persamaan atau persamaan dalam perbedaan tuturan 'mutually intelligble' antarpenutur bahasa yang diperlihatkan oleh evidensi unsur bunyi [u]~[eu] pada ultima terbuka leksikon, pada kata [batu]~[batteu]; evidensi unsur bunyi [nt]~[tt] (homorgan~geminasi) pada posisi antar-vokal pada leksikon [bintaŋ]~[bittaŋ]; evidensi unsur pinjaman pada kata bermakna 'baru', 'pasir' menjadi inovasi [baReu] dan [pasiR]; dan secara diakronis telah terjadi inovasi [ampay]*~[ompay]'baru' dan [həni]*~[honi] 'pasir'. Sedangkan secara kuantitatif hasil kajian komparatif 200 kosa-kata Swadesh status isolek Komering dan bahasa Lampung merupakan bahasa kekerabatan 'language of family', kriteria Dialektometri, evidensi di atas merupakan perbedaan dialek dalam kelompok bahasa Lampung, karena hasil persentasi Isolek Komering-Menggala 82,16%, disokong oleh Crowley, bahwa hubungan tersebut, termasuk hubungan antar-dialek dalam satu bahasa
{"title":"LANGUAGE KINSHIP BETWEEN KOMERING VARIATION AND LAMPUNG MENGGALA","authors":"A. M. Sudirman","doi":"10.22146/SASDAYAJOURNAL.43883","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.43883","url":null,"abstract":"Artikel ini mengkaji kekerabatan Isolek Komering dan Lampung Menggala kedua isolek tersebut, secara kualitatif ditandai perbedaan dalam persamaan atau persamaan dalam perbedaan tuturan 'mutually intelligble' antarpenutur bahasa yang diperlihatkan oleh evidensi unsur bunyi [u]~[eu] pada ultima terbuka leksikon, pada kata [batu]~[batteu]; evidensi unsur bunyi [nt]~[tt] (homorgan~geminasi) pada posisi antar-vokal pada leksikon [bintaŋ]~[bittaŋ]; evidensi unsur pinjaman pada kata bermakna 'baru', 'pasir' menjadi inovasi [baReu] dan [pasiR]; dan secara diakronis telah terjadi inovasi [ampay]*~[ompay]'baru' dan [həni]*~[honi] 'pasir'. Sedangkan secara kuantitatif hasil kajian komparatif 200 kosa-kata Swadesh status isolek Komering dan bahasa Lampung merupakan bahasa kekerabatan 'language of family', kriteria Dialektometri, evidensi di atas merupakan perbedaan dialek dalam kelompok bahasa Lampung, karena hasil persentasi Isolek Komering-Menggala 82,16%, disokong oleh Crowley, bahwa hubungan tersebut, termasuk hubungan antar-dialek dalam satu bahasa","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74950396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/SASDAYAJOURNAL.43885
L. Hakim
In recent years historical film production or historical films — Historical Film, Historical Movie, Historical Cinema—have become increasingly massive in Indonesia. In its development, historical films in Indonesia are a massive medium to present a past that deserves to be remembered as a collective memory of society. Since the reform era, dozens of historical film titles have been produced and colouring the Indonesian film industry. As a result, many historical films have become references and reference sources for the community to find information about the past. It becomes reasonable to see the development of multimedia-based information technology (audiovisual) which has encouraged the emergence of post-literacy phenomena. In historical studies, historical films can be studied as a thematic study as well as in a methodological realm. As a thematic study, historical films are mental products (mentifact) and social products (sociofact) of society in a certain space of time. Whereas in the methodological realm, historical films can be explored through debates about historical sources or as narratives and representations of the past presented through film media. The study of historical films as a study of history is still a rare and less desirable subject for historians in Indonesia. This paper utilizes literature studies to answer some of the research problems posed. Literature studies of sources related to historical film studies are the focus of the researchers. In addition, a deeper understanding of the development of historical films in Indonesia is also a concern to uncover the souls of the times that surround historical film production. This study concludes that the existence of historical films in the present is a challenge for historians to face the era of openness and variety of media that presents information about the past.
{"title":"MENERAWANG MASA LALU DI ERA DIGITAL: FILM SEJARAH VIS A VIS HISTORIOGRAFI","authors":"L. Hakim","doi":"10.22146/SASDAYAJOURNAL.43885","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.43885","url":null,"abstract":"In recent years historical film production or historical films — Historical Film, Historical Movie, Historical Cinema—have become increasingly massive in Indonesia. In its development, historical films in Indonesia are a massive medium to present a past that deserves to be remembered as a collective memory of society. Since the reform era, dozens of historical film titles have been produced and colouring the Indonesian film industry. As a result, many historical films have become references and reference sources for the community to find information about the past. It becomes reasonable to see the development of multimedia-based information technology (audiovisual) which has encouraged the emergence of post-literacy phenomena. In historical studies, historical films can be studied as a thematic study as well as in a methodological realm. As a thematic study, historical films are mental products (mentifact) and social products (sociofact) of society in a certain space of time. Whereas in the methodological realm, historical films can be explored through debates about historical sources or as narratives and representations of the past presented through film media. The study of historical films as a study of history is still a rare and less desirable subject for historians in Indonesia. This paper utilizes literature studies to answer some of the research problems posed. Literature studies of sources related to historical film studies are the focus of the researchers. In addition, a deeper understanding of the development of historical films in Indonesia is also a concern to uncover the souls of the times that surround historical film production. This study concludes that the existence of historical films in the present is a challenge for historians to face the era of openness and variety of media that presents information about the past.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74203587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-28DOI: 10.22146/sasdayajournal.43889
Latifah Rabani
Produksi naskah selalu memiliki tujuan. Tujaun awal adalah dokumentasi nilai-nilai yang harus diketahui oleh masyarakat intern dan dunia di luar mereka. Nilai itu kemudian diajarkan, diterapkan dan kemudian diwariskan dari generasi ke generasi. Untuk memperkuat nilai, maka elemen sufistik, sebagaimana yang umum berlaku dalam naskah-naskah Nusantara selalu disematkan. Penamaan selalu mengikuti nilai terpenting dalam sebuah naskah. penamaan itu terkait erat dengan makna terdalam dari sebuah naskah. Sebagai gambaran, naskah Kabhanti Ajonga Yinda Malusa yang berarti Pakaian yang tidak luntur, jelas mempunyai kekuatan makna.
{"title":"Membaca Masyarakat Buton melalui Tradisi Lisan Kabanti Ajonga Yinda Malusa (Pakaian yang Tidak Luntur)","authors":"Latifah Rabani","doi":"10.22146/sasdayajournal.43889","DOIUrl":"https://doi.org/10.22146/sasdayajournal.43889","url":null,"abstract":"Produksi naskah selalu memiliki tujuan. Tujaun awal adalah dokumentasi nilai-nilai yang harus diketahui oleh masyarakat intern dan dunia di luar mereka. Nilai itu kemudian diajarkan, diterapkan dan kemudian diwariskan dari generasi ke generasi. Untuk memperkuat nilai, maka elemen sufistik, sebagaimana yang umum berlaku dalam naskah-naskah Nusantara selalu disematkan. Penamaan selalu mengikuti nilai terpenting dalam sebuah naskah. penamaan itu terkait erat dengan makna terdalam dari sebuah naskah. Sebagai gambaran, naskah Kabhanti Ajonga Yinda Malusa yang berarti Pakaian yang tidak luntur, jelas mempunyai kekuatan makna.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"395 2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73150204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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