Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36453
Rhoma Dwi Aria Yuliantri
This paper elaborates thoughts regarding the use of digital communication technology in the innovation of historical explanation. So far, the explanation of history in the mainstream has set the written explanation (script) as a product of study and thought on historical reconstruction. The script is for sure an important form that has been widely accepted as an output of the past reconstruction. However, technological developments, especially in the field of digital communications, provide historians with new challenges regarding alternative forms of historical representation which confronts the existed conventional models. This paper offers thoughts about the method of historical reconstruction through flash history in the form of short filmmaking, which has the duration in minutes. The objective is to socialize history and bring closer the process of historical reconstruction to the daily life of the community, which currently engages with digital communication technology. The method applied in this study is a historical method. But, the stages and the outputs of this historical method is not a written narrative, but an audio-visual product that can be quickly shared as a learning medium and can be directly addressed by the community. The paper also reviews the limitations of digital technology as media and product in the process of historical reconstruction.
{"title":"History Flash: Sejarah “Satu Menit”","authors":"Rhoma Dwi Aria Yuliantri","doi":"10.22146/SASDAYAJOURNAL.36453","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36453","url":null,"abstract":"This paper elaborates thoughts regarding the use of digital communication technology in the innovation of historical explanation. So far, the explanation of history in the mainstream has set the written explanation (script) as a product of study and thought on historical reconstruction. The script is for sure an important form that has been widely accepted as an output of the past reconstruction. However, technological developments, especially in the field of digital communications, provide historians with new challenges regarding alternative forms of historical representation which confronts the existed conventional models. This paper offers thoughts about the method of historical reconstruction through flash history in the form of short filmmaking, which has the duration in minutes. The objective is to socialize history and bring closer the process of historical reconstruction to the daily life of the community, which currently engages with digital communication technology. The method applied in this study is a historical method. But, the stages and the outputs of this historical method is not a written narrative, but an audio-visual product that can be quickly shared as a learning medium and can be directly addressed by the community. The paper also reviews the limitations of digital technology as media and product in the process of historical reconstruction.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"98 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73056154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36456
B. Purwanto
Ada satu hal yang selalu membekas setiap kali selesai membaca biografi, yaitu muncul kesan betapa pentingnya setiap figur itu di dalam proses sejarah yang dijalaninya. Setiap tokoh yang ada di dalam biografi itu selalu dihadirkan sebagai keutuhan diri yang sempurna, seseorang yang seakan-akan tidak pernah memiliki kekurangan layaknya seperti malaikat. Masing-masing tokoh hadir dengan kebesaran diri yang luar biasa, dan bahkan dalam banyak hal cenderung digambarkan melampaui kenyataan diri sebagai manusia, atau paling tidak seperti manusia super. Akibatnya, intersubjektivitas dalam penulisan sejarah dan mitologisasi atas figur yang menjadi objek tulisan tidak dapat dihindari. Perbedaan antara sejarah sebagai historiografi yang merupakan konstruksi atas kenyataan yang terjadi di masa lalu dengaan mitos yang dipenuhi oleh subjektivitas normatif dan sarat dengan kepentingan legitimatif, menjadi sangat tipis. Dalam banyak kasus bahkan sejarah dan mitos bercampur aduk menjadi satu, namun di dalam memori kolektif dipercaya benar-benar sebagai kenyataan masa lalu oleh masyarakatnya. Terlepas dari berbagai tinjauan kritis yang ada di dalam biografi ini, kebesaran Sultan Hamengku Buwono IX sebagai nasionalis dan pembaru baik dalam konteks sejarah Yogyakarta maupun sejarah Indonesia tetap lebih menonjol dan tidak tergantikan, harimau mati meninggalkan belang gajah mati meninggalkan gading manusia mati meninggalkan nama. Nama besar Sultan Hamengku Buwono IX sebagai nasionalis Indonesia sejati yang tidak pernah melupakan asal usul kejawamataramannya tidak akan hilang oleh tinjau kritis atas tindakan-tindakan politik dalam konteks masanya.
{"title":"Nasionalis Pembaru Tanpa Kegaduhan: Biografi Manusiawi Sultan Hamengku Buwono IX","authors":"B. Purwanto","doi":"10.22146/SASDAYAJOURNAL.36456","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36456","url":null,"abstract":"Ada satu hal yang selalu membekas setiap kali selesai membaca biografi, yaitu muncul kesan betapa pentingnya setiap figur itu di dalam proses sejarah yang dijalaninya. Setiap tokoh yang ada di dalam biografi itu selalu dihadirkan sebagai keutuhan diri yang sempurna, seseorang yang seakan-akan tidak pernah memiliki kekurangan layaknya seperti malaikat. Masing-masing tokoh hadir dengan kebesaran diri yang luar biasa, dan bahkan dalam banyak hal cenderung digambarkan melampaui kenyataan diri sebagai manusia, atau paling tidak seperti manusia super. Akibatnya, intersubjektivitas dalam penulisan sejarah dan mitologisasi atas figur yang menjadi objek tulisan tidak dapat dihindari. Perbedaan antara sejarah sebagai historiografi yang merupakan konstruksi atas kenyataan yang terjadi di masa lalu dengaan mitos yang dipenuhi oleh subjektivitas normatif dan sarat dengan kepentingan legitimatif, menjadi sangat tipis. Dalam banyak kasus bahkan sejarah dan mitos bercampur aduk menjadi satu, namun di dalam memori kolektif dipercaya benar-benar sebagai kenyataan masa lalu oleh masyarakatnya. Terlepas dari berbagai tinjauan kritis yang ada di dalam biografi ini, kebesaran Sultan Hamengku Buwono IX sebagai nasionalis dan pembaru baik dalam konteks sejarah Yogyakarta maupun sejarah Indonesia tetap lebih menonjol dan tidak tergantikan, harimau mati meninggalkan belang gajah mati meninggalkan gading manusia mati meninggalkan nama. Nama besar Sultan Hamengku Buwono IX sebagai nasionalis Indonesia sejati yang tidak pernah melupakan asal usul kejawamataramannya tidak akan hilang oleh tinjau kritis atas tindakan-tindakan politik dalam konteks masanya. ","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79049539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36457
Dhanang Respati Puguh
This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.
{"title":"Perusahaan Rekaman Lokananta, 1956-1990-An dalam Penyebarluasan Seni Pertunjukan Jawa Surakarta","authors":"Dhanang Respati Puguh","doi":"10.22146/SASDAYAJOURNAL.36457","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36457","url":null,"abstract":"This article examines on the role of Lokananta in disseminating Javanese performing arts of Surakarta during 1956-1990. It is focused on records production either in vinyl or tape cassettes and its distribution. This article composed using historical method and utilize wide range of historical sources, such as archives, newspapers, vinyl and cassette covers, articles, books, and oral history. The results showed that during 1957-1971, Lokananta has produced vinyl records which were classified into National Music, Regional Entertainment, and Regional Theatre Music. In that period, Lokananta production was dominated by recording of National Music and Music-Theatre of Central Java. During 1971-1985 Lokananta produced many music and theatre records of Central Java printed into cassette tape. In 1985-1990’s, Lokananta produced and made reproduction on cassette recordings. Quantitatively, production and reproduction recording number has drastically decreased compared to the previous period. Records vinyl and tape cassettes sale, as well as the distribution via Radio Republik Indonesia and private broadcasts, proved that Lokananta has been instrumental in disseminating Javanese performing arts of Surakarta.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87787877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36449
Horiana Ilyadim Tenis, Yoseph B. Kroon, John W. Haan
This research entitled “The Role of Semantic Argument on Verbal Clauses of Dawan Dialect Amanuban”. The Problems discussed in this research are (a) How is the basic structure of verbal clause of Dawan Dialect Amanuban? (b) What role does the semantic argument contain in the verbal clause of Dawan Dialect Amanuban? The study aims to (a) Describe and analyze the structure of the verbal clause argument of Dawan Dialect Amanuban, (b) Identify and analyze the role of semantic argument verbal clause of Dawan Dialect Amanuban. The Method used is qualitative descriptive method and macro perceived theory (Macro rules). Based on this theory, the analysis of the research results shows that the basic structure of the BDDA verbal clause is Subject-Predicate-Object (SPO) and Subject-Predicate (SP) in the intransitive clause. Percent macro actors are realized through the thematic role of locative influencing agents, theme, instrumental, and benefactive. The role of the macro underground is realized through the thematic, benefactive, instrument, theme, locative, and influence roles.
{"title":"Peran Semantis Argumen Klausa Verbal Bahasa Dawan Dialek Amanuban, Nusa Tenggara Timur","authors":"Horiana Ilyadim Tenis, Yoseph B. Kroon, John W. Haan","doi":"10.22146/SASDAYAJOURNAL.36449","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36449","url":null,"abstract":"This research entitled “The Role of Semantic Argument on Verbal Clauses of Dawan Dialect Amanuban”. The Problems discussed in this research are (a) How is the basic structure of verbal clause of Dawan Dialect Amanuban? (b) What role does the semantic argument contain in the verbal clause of Dawan Dialect Amanuban? The study aims to (a) Describe and analyze the structure of the verbal clause argument of Dawan Dialect Amanuban, (b) Identify and analyze the role of semantic argument verbal clause of Dawan Dialect Amanuban. The Method used is qualitative descriptive method and macro perceived theory (Macro rules). Based on this theory, the analysis of the research results shows that the basic structure of the BDDA verbal clause is Subject-Predicate-Object (SPO) and Subject-Predicate (SP) in the intransitive clause. Percent macro actors are realized through the thematic role of locative influencing agents, theme, instrumental, and benefactive. The role of the macro underground is realized through the thematic, benefactive, instrument, theme, locative, and influence roles. ","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"426 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79562974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/sasdayajournal.36455
Asti Kurniawati
This article aims to examine the possibility of meeting three paradigms of Historicism, Structuralism of Levi-Strauss and Postmodernism by analyzing the book of Abidin Kusno, Penjaga Memory; Gardu di Perkotaan Jawa, using the paradigm of Levi-Strauss structuralism, exploring the paradigm that used by the author and the philosophy behind the writing history. This step was done to find out the possible paradigm meeting between those used by the author of the book and the Levi-Strauss structuralism paradigm that used to analyze the book.
本文旨在通过分析阿比丁·库斯诺的著作《Penjaga Memory》，探讨历史主义、列维-斯特劳斯的结构主义和后现代主义三种范式相遇的可能性;Gardu di Perkotaan Jawa运用列维-施特劳斯结构主义的范式，探讨了作者所使用的范式和写作史背后的哲学。这一步骤是为了找出作者使用的范式与用来分析该书的列维-斯特劳斯结构主义范式之间可能存在的交集。
{"title":"Gardu dalam ‘Struktur’ Politik di Indonesia: Sebentuk Pertemuan Historisisme, Strukturalisme Levi-Strauss dan Posmodernisme (?)","authors":"Asti Kurniawati","doi":"10.22146/sasdayajournal.36455","DOIUrl":"https://doi.org/10.22146/sasdayajournal.36455","url":null,"abstract":"This article aims to examine the possibility of meeting three paradigms of Historicism, Structuralism of Levi-Strauss and Postmodernism by analyzing the book of Abidin Kusno, Penjaga Memory; Gardu di Perkotaan Jawa, using the paradigm of Levi-Strauss structuralism, exploring the paradigm that used by the author and the philosophy behind the writing history. This step was done to find out the possible paradigm meeting between those used by the author of the book and the Levi-Strauss structuralism paradigm that used to analyze the book.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75066981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36450
Agus Suwignyo
In the last 15 years, the interest of Indonesian people in the history and study of history has increased very rapidly. This is indicated by the number and various type of historical books sold in bookstores and the posting of different historical events on social media. However, the history taught at school and university lecture does not seem to improve. The efforts of writing and teaching history lessons/courses still focus on models and the results of the formal study which tend to be a state-centric in nature. In particular, historical writing and teaching have faced challenges of the emerging changes caused by the global connectivity of information technology as a historical fact of the contemporary world that is growing. The contemporary world presents a new challenge in the study and teaching of history through the development of digital communications technology. This paper reviews historical positions and historians in the rapid dynamics of the development of digital communications technology. Why and how historians should develop a proper perspective in placing their studies in the current era of digital technology? Papers process data using digital technology and contrast it with the model and approach of historical study in Indonesia so far.
{"title":"Kita Dan Dunia Kontemporer (Atau Mengapa Sejarawan Harus Menyesuaikan Cara Kerjanya Dengan Tuntutan Perkembangan Teknologi Informasi Digital)","authors":"Agus Suwignyo","doi":"10.22146/SASDAYAJOURNAL.36450","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36450","url":null,"abstract":"In the last 15 years, the interest of Indonesian people in the history and study of history has increased very rapidly. This is indicated by the number and various type of historical books sold in bookstores and the posting of different historical events on social media. However, the history taught at school and university lecture does not seem to improve. The efforts of writing and teaching history lessons/courses still focus on models and the results of the formal study which tend to be a state-centric in nature. In particular, historical writing and teaching have faced challenges of the emerging changes caused by the global connectivity of information technology as a historical fact of the contemporary world that is growing. The contemporary world presents a new challenge in the study and teaching of history through the development of digital communications technology. This paper reviews historical positions and historians in the rapid dynamics of the development of digital communications technology. Why and how historians should develop a proper perspective in placing their studies in the current era of digital technology? Papers process data using digital technology and contrast it with the model and approach of historical study in Indonesia so far.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"180 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91115359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-24DOI: 10.22146/SASDAYAJOURNAL.36452
Aan Ratmanto
The Department of History, Faculty of Cultural Sciences, the University of Gadjah Mada in 2015 made a milestone in the development of historiography in Indonesia. They made a bold move to produce a scholar with a documentary film work instead of a thesis. In the future, it is not impossible that this step will soon be followed by other universities in Indonesia. This paper was written in response to these developments. In this digital era-and in the midst of still low interest in reading in Indonesia-emerged the discourse to seek new media for historiography in Indonesia. The film, especially documentary films are seen as new media that match the characteristics of history because of they both present real-life reality. Moreover, Indonesia with the diversity of tribes and culture and history, of course, save a variety of themes that will not run out to be appointed a documentary. Based on that, this paper will discuss the types, forms, and format of the documentary that is suitable and possible to be produced by history students as a substitute for thesis-considering the cost of film production tends to be higher than thesis research. Thus, the film of a documentary a college student, especially a history produces the quality of research and aestheticsKata
{"title":"Beyond The Historiography: Film Dokumenter Sejarah Sebagai Alternatif Historiografi di Indonesia","authors":"Aan Ratmanto","doi":"10.22146/SASDAYAJOURNAL.36452","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.36452","url":null,"abstract":"The Department of History, Faculty of Cultural Sciences, the University of Gadjah Mada in 2015 made a milestone in the development of historiography in Indonesia. They made a bold move to produce a scholar with a documentary film work instead of a thesis. In the future, it is not impossible that this step will soon be followed by other universities in Indonesia. This paper was written in response to these developments. In this digital era-and in the midst of still low interest in reading in Indonesia-emerged the discourse to seek new media for historiography in Indonesia. The film, especially documentary films are seen as new media that match the characteristics of history because of they both present real-life reality. Moreover, Indonesia with the diversity of tribes and culture and history, of course, save a variety of themes that will not run out to be appointed a documentary. Based on that, this paper will discuss the types, forms, and format of the documentary that is suitable and possible to be produced by history students as a substitute for thesis-considering the cost of film production tends to be higher than thesis research. Thus, the film of a documentary a college student, especially a history produces the quality of research and aestheticsKata ","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84416216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.22146/SASDAYAJOURNAL.31750
Yulianti Yulianti
In the first half of the 20th century, many Buddhist background texts were published, primarily by private publishers. One of the scriptwriters was a Chinese Peranakan named Kwee Tek Hoay (KTH). As a Chinese philosopher and philosopher, KTH has written many short stories, novels, and translations in the field of kebatinan. The article attempts to investigate Buddhism, especially Buddhist phenomena with a phenomenological paradigm in one of the KTH works entitled Boenga Roes from Tjikembang.
在20世纪上半叶，许多佛教背景文本主要由私人出版商出版。其中一位编剧是华裔土生华人Kwee Tek Hoay (KTH)。作为中国的哲学家和哲学家，KTH在克巴提南领域写了许多短篇小说，小说和翻译。本文试图以现象学的范式来考察佛教，尤其是在KTH的一部作品《来自齐克邦的布恩迦罗》中出现的佛教现象。
{"title":"JEJAK BUDDHISME DALAM NOVEL KARYA KWEE TEK HOAY “BOENGA ROOS DARI TJIKEMBANG”: PERSPEKTIF FENOMENOLOGI","authors":"Yulianti Yulianti","doi":"10.22146/SASDAYAJOURNAL.31750","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.31750","url":null,"abstract":"In the first half of the 20th century, many Buddhist background texts were published, primarily by private publishers. One of the scriptwriters was a Chinese Peranakan named Kwee Tek Hoay (KTH). As a Chinese philosopher and philosopher, KTH has written many short stories, novels, and translations in the field of kebatinan. The article attempts to investigate Buddhism, especially Buddhist phenomena with a phenomenological paradigm in one of the KTH works entitled Boenga Roes from Tjikembang.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90278977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.22146/SASDAYAJOURNAL.31748
Hayu Adi Darmarastri
This article aims to explain about the alteration of the child labour which originally served as a family worker and later became a wage worker at the Surakarta’s during the colonial period. Children in Javanese rural community have been taught since an early age to help their parents, by doing house chores as well as work in the field. Those lessons transform child to be a family worker who helps their parent’s work without receiving any money. The position changed with the arrival of foreign capital who rented land in the Surakarta region to be used to grow cash crops that were sold in the world market, such as coffee, sugar cane and tobacco. Along with many plantations opened, more workers were needed. The limited number of existing workers is an entry point for women and children to work as wage workers in Surakarta’s plantations, one of which is the tobacco plantation.
{"title":"PEKERJA ANAK DI SURAKARTA MASA KOLONIAL: DARI PEKERJA KELUARGA MENJADI PEKERJA UPAH","authors":"Hayu Adi Darmarastri","doi":"10.22146/SASDAYAJOURNAL.31748","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.31748","url":null,"abstract":"This article aims to explain about the alteration of the child labour which originally served as a family worker and later became a wage worker at the Surakarta’s during the colonial period. Children in Javanese rural community have been taught since an early age to help their parents, by doing house chores as well as work in the field. Those lessons transform child to be a family worker who helps their parent’s work without receiving any money. The position changed with the arrival of foreign capital who rented land in the Surakarta region to be used to grow cash crops that were sold in the world market, such as coffee, sugar cane and tobacco. Along with many plantations opened, more workers were needed. The limited number of existing workers is an entry point for women and children to work as wage workers in Surakarta’s plantations, one of which is the tobacco plantation.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83061539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-28DOI: 10.22146/SASDAYAJOURNAL.31744
M. Masrukhi
The aims of education in Javanese pesantren is generally to transmit the teachings of Islam. Its teaching system to this day still refers to the Arabic classic books al-kutubul-mu`tabara (KKbA). In order for KKbA to be understood by the general public, there is an effort to translate it into Javanese language by translating the pesantren model or tradition (PTP). The typical translation of Pesantren is done per word according to the order in the source language (BSu) or the Arabic language. The apparent feature of the translation results is the addition of markers to the grammatical unit functions of the source language in the target language (BSa), like Javanese language. The theory used in this research is the Arabic syntax theory which is already well known and written by Arabic linguists. The result of the research about the marker of the grammatical unit function in KKbA is divided into four parts. This division is done to show the uniqueness of the structure owned by Arabic language. The division includes: a) marker of mubtada ' and khabar function; b) the marker of the functions of fā'il and nāib fā'il, c) the syntactic function marker of maf'ūl bih; and d) the marker of an explanatory function, such as maf'ūl fīh, maf'ūl mutlaq, maf'ūl li ajlihi, hāl, and tamyīz. Thus, this tradition of interpretation of Pesantren in addition to acquiring knowledge of KKbA studied, as well as get knowledge about Arabic grammar.
{"title":"PENERJEMAHAN ARAB-JAWA TRADISI PESANTREN PADA KARYA KITAB-KITAB KLASIK: ANALISIS FUNGSI","authors":"M. Masrukhi","doi":"10.22146/SASDAYAJOURNAL.31744","DOIUrl":"https://doi.org/10.22146/SASDAYAJOURNAL.31744","url":null,"abstract":"The aims of education in Javanese pesantren is generally to transmit the teachings of Islam. Its teaching system to this day still refers to the Arabic classic books al-kutubul-mu`tabara (KKbA). In order for KKbA to be understood by the general public, there is an effort to translate it into Javanese language by translating the pesantren model or tradition (PTP). The typical translation of Pesantren is done per word according to the order in the source language (BSu) or the Arabic language. The apparent feature of the translation results is the addition of markers to the grammatical unit functions of the source language in the target language (BSa), like Javanese language. The theory used in this research is the Arabic syntax theory which is already well known and written by Arabic linguists. The result of the research about the marker of the grammatical unit function in KKbA is divided into four parts. This division is done to show the uniqueness of the structure owned by Arabic language. The division includes: a) marker of mubtada ' and khabar function; b) the marker of the functions of fā'il and nāib fā'il, c) the syntactic function marker of maf'ūl bih; and d) the marker of an explanatory function, such as maf'ūl fīh, maf'ūl mutlaq, maf'ūl li ajlihi, hāl, and tamyīz. Thus, this tradition of interpretation of Pesantren in addition to acquiring knowledge of KKbA studied, as well as get knowledge about Arabic grammar.","PeriodicalId":33570,"journal":{"name":"Sasdaya Gadjah Mada Journal of Humanities","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83708804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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