: The purpose of this article is to discuss the ways in which the ethnographic practice, constituted in its classical developments under the wing of the anthropological discipline, is undergoing a set of tensions, challenges, and transformations in its contemporary exercises. In the midst of an intensifica-tion of inter- and transdisciplinary intersections, and of the accelerated and complex transitions towards the digital world, ethnography must rethink its processes as a method, approach, and writing practice. These negotiations are not devoid of conflicts and call us to understand how the current condi-tions of ethnographic production have favored the emergence of new ways of being present. This text serves as an introduction to the present issue of the journal and is based on the reading and discussion of specialized literature. In it, we question the current areas of friction of ethnography as an epis-temological, ethico-political, methodological, and aesthetic practice, while we note the porous edges of its established definitions and envision critical perspectives that pave the way towards the futures of ethnography.
{"title":"Futuros imaginados. Perspectivas descentradas en torno al oficio etnográfico","authors":"Ricardo Greene, Carla Pinochet Cobos, Débora Lanzeni","doi":"10.7440/antipoda47.2022.01","DOIUrl":"https://doi.org/10.7440/antipoda47.2022.01","url":null,"abstract":": The purpose of this article is to discuss the ways in which the ethnographic practice, constituted in its classical developments under the wing of the anthropological discipline, is undergoing a set of tensions, challenges, and transformations in its contemporary exercises. In the midst of an intensifica-tion of inter- and transdisciplinary intersections, and of the accelerated and complex transitions towards the digital world, ethnography must rethink its processes as a method, approach, and writing practice. These negotiations are not devoid of conflicts and call us to understand how the current condi-tions of ethnographic production have favored the emergence of new ways of being present. This text serves as an introduction to the present issue of the journal and is based on the reading and discussion of specialized literature. In it, we question the current areas of friction of ethnography as an epis-temological, ethico-political, methodological, and aesthetic practice, while we note the porous edges of its established definitions and envision critical perspectives that pave the way towards the futures of ethnography.","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127326663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-01DOI: 10.7440/antipoda47.2022.06
Felipe Palma Irarrázaval
: The purpose of this article is to explore the concept of research-creation and its applicability within anthropology, focusing on the creation of plastic-sensorial artifacts as a valid source of knowledge. To this end, we first present a bibliographical review to contribute to the articulation of a field of methodological experimentation within anthropology, high-lighting its interdisciplinary nature and the dialogue with other knowledge from sociology, design, and media arts. Next, we present and critically discuss the concept of research-creation, indicating its relevance in conducting research whose results go beyond the textual, while producing knowledge that is inscribed in plastic-sensory artifacts. Three interconnected dimensions are proposed to understand a process of research-creation from anthropology: a methodological one, referring to the creation of records or data during fieldwork; a curatorial one, concerning at the possible combinations of the collected material; and a third public dimension, focusing on the circulation and agency of the outcomes of these research-creations. Finally, we investigate and describe an ethnographic case study with family members of people deprived of their liberty in Chile, a collaborative research-creation process that culmi-nated in a sound installation.
{"title":"La investigación-creación desde la antropología","authors":"Felipe Palma Irarrázaval","doi":"10.7440/antipoda47.2022.06","DOIUrl":"https://doi.org/10.7440/antipoda47.2022.06","url":null,"abstract":": The purpose of this article is to explore the concept of research-creation and its applicability within anthropology, focusing on the creation of plastic-sensorial artifacts as a valid source of knowledge. To this end, we first present a bibliographical review to contribute to the articulation of a field of methodological experimentation within anthropology, high-lighting its interdisciplinary nature and the dialogue with other knowledge from sociology, design, and media arts. Next, we present and critically discuss the concept of research-creation, indicating its relevance in conducting research whose results go beyond the textual, while producing knowledge that is inscribed in plastic-sensory artifacts. Three interconnected dimensions are proposed to understand a process of research-creation from anthropology: a methodological one, referring to the creation of records or data during fieldwork; a curatorial one, concerning at the possible combinations of the collected material; and a third public dimension, focusing on the circulation and agency of the outcomes of these research-creations. Finally, we investigate and describe an ethnographic case study with family members of people deprived of their liberty in Chile, a collaborative research-creation process that culmi-nated in a sound installation.","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130846352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-01DOI: 10.7440/antipoda47.2022.05
F. Martínez
: The futures of ethnography revolve around how we approach the boundaries of ethnographic practice and the anthropological discipline. Such an approach can be pursued by posing new kinds of questions and objects of study, with an approach to what science has often left unexamined or unsaid. It can also be made possible by means of methodological innovations, that connect techniques to investigate hitherto separate social relations and build devices to intervene in the field. This article explores the latter option by proposing an approach to creative ways of understanding and experiencing ethnographic practice. It presents a reflection of methodological alterna-tives through three methodological cases: exhibition, ethnographic novel, and performative installation. Interested in rethinking the boundaries of the discipline, this article offers new ethnographic configurations and forms of anthropological knowledge that go beyond academia. It concludes that, to do so, we must expand the epistemological and relational tools of ethnographic work, and reconsider how our work engages in public discussions. The boundary approach —its epistemology and its limen— is, therefore, a methodological and personal exercise.
{"title":"Límites etnográficos: una aproximación antropológica en tres experimentos creativos","authors":"F. Martínez","doi":"10.7440/antipoda47.2022.05","DOIUrl":"https://doi.org/10.7440/antipoda47.2022.05","url":null,"abstract":": The futures of ethnography revolve around how we approach the boundaries of ethnographic practice and the anthropological discipline. Such an approach can be pursued by posing new kinds of questions and objects of study, with an approach to what science has often left unexamined or unsaid. It can also be made possible by means of methodological innovations, that connect techniques to investigate hitherto separate social relations and build devices to intervene in the field. This article explores the latter option by proposing an approach to creative ways of understanding and experiencing ethnographic practice. It presents a reflection of methodological alterna-tives through three methodological cases: exhibition, ethnographic novel, and performative installation. Interested in rethinking the boundaries of the discipline, this article offers new ethnographic configurations and forms of anthropological knowledge that go beyond academia. It concludes that, to do so, we must expand the epistemological and relational tools of ethnographic work, and reconsider how our work engages in public discussions. The boundary approach —its epistemology and its limen— is, therefore, a methodological and personal exercise.","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130634914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-01DOI: 10.7440/antipoda47.2022.04
Ana Carolina Palma-García
: Supported by an ethnography conducted between 2018 and 2019 with people —mainly from the Deaf Association of Cali— participating in a deaf community and culture in Cali, this article discusses the relevance of adapting the recording and investigative writing methods to the populations with whom we work. On the one hand, it explores ethnographic methodologies situated within broader discussions related to the anthropology of the senses, sensory ethnography, the problem of representation, the politics of transcrip-tion and the use of drawings as a methodological tool. On the other hand, this article gathers ethical reflections on consent, approach, sensitivity to the context
{"title":"Realidades sensorialmente diferentes: reflexiones metodológicas y éticas del hacer campo en una comunidad Sorda","authors":"Ana Carolina Palma-García","doi":"10.7440/antipoda47.2022.04","DOIUrl":"https://doi.org/10.7440/antipoda47.2022.04","url":null,"abstract":": Supported by an ethnography conducted between 2018 and 2019 with people —mainly from the Deaf Association of Cali— participating in a deaf community and culture in Cali, this article discusses the relevance of adapting the recording and investigative writing methods to the populations with whom we work. On the one hand, it explores ethnographic methodologies situated within broader discussions related to the anthropology of the senses, sensory ethnography, the problem of representation, the politics of transcrip-tion and the use of drawings as a methodological tool. On the other hand, this article gathers ethical reflections on consent, approach, sensitivity to the context","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125249097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-01DOI: 10.7440/antipoda47.2022.07
Idoia Galán Silvo
: An ethnographic experience in a compound —a compound surrounded by security measures and physical, political, and bodily barriers in which a group of people of different nationalities live and/or work— in Saudi Arabia exposes
{"title":"El guion cinematográfico como etnografía. A propósito de una investigación antropológica en Arabia Saudí","authors":"Idoia Galán Silvo","doi":"10.7440/antipoda47.2022.07","DOIUrl":"https://doi.org/10.7440/antipoda47.2022.07","url":null,"abstract":": An ethnographic experience in a compound —a compound surrounded by security measures and physical, political, and bodily barriers in which a group of people of different nationalities live and/or work— in Saudi Arabia exposes","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124189414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: The logic of domestic space is alien to the logic of private life.
家庭空间的逻辑与私人生活的逻辑是格格不入的。
{"title":"El doble sentido de los espacios domésticos: la vida cotidiana de familias heteronormativas de la ciudad de Tlaxcala, México","authors":"Eduardo Abedel Galindo Meneses, Emilio Maceda Rodríguez","doi":"10.7440/antipoda46.2022.08","DOIUrl":"https://doi.org/10.7440/antipoda46.2022.08","url":null,"abstract":": The logic of domestic space is alien to the logic of private life.","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"14 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134393154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.7440/antipoda46.2022.06
M. Manzanelli
: In this article, I analyze territorializing practices / practices of territorialization, and the assertion of a sense of belonging made by the Pueblo Tolombón community (Choromoro Valley, Tucumán, Argentina). The analysis is conducted in a context of state recognition of ethnic difference and, at the same time, of increasing conflicts in the area over the last five years. I investigate the creation of territorial markers, such as the renovation with Diaguita symbols on the façade of the Primary Health Care Centre at the Gonzalo base, and the display of material objects or materialities belonging to Diaguita ancestors in schools throughout the region. The following questions triggered this analysis: What were the motives behind the making of these territorial markers? How were they constituted? What criteria did Tolombones consider in order to select certain elements? And, what spaces were selected to make them visible? The analysis is based on interdisciplinary approaches
{"title":"Conflictos y estrategias de reivindicación territorial en la comunidad diaguita Pueblo Tolombón, valle de Choromoro (Noroeste argentino)","authors":"M. Manzanelli","doi":"10.7440/antipoda46.2022.06","DOIUrl":"https://doi.org/10.7440/antipoda46.2022.06","url":null,"abstract":": In this article, I analyze territorializing practices / practices of territorialization, and the assertion of a sense of belonging made by the Pueblo Tolombón community (Choromoro Valley, Tucumán, Argentina). The analysis is conducted in a context of state recognition of ethnic difference and, at the same time, of increasing conflicts in the area over the last five years. I investigate the creation of territorial markers, such as the renovation with Diaguita symbols on the façade of the Primary Health Care Centre at the Gonzalo base, and the display of material objects or materialities belonging to Diaguita ancestors in schools throughout the region. The following questions triggered this analysis: What were the motives behind the making of these territorial markers? How were they constituted? What criteria did Tolombones consider in order to select certain elements? And, what spaces were selected to make them visible? The analysis is based on interdisciplinary approaches","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130754462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.7440/antipoda46.2022.07
Patricia Cerón-Rengifo, Walter Malte Botina, Mauricio Malte Cuaicuán
: Every summer brings the guaguas de pan (anthropomorphic figures made of wheat flour) festival to southwestern Colombia, with all its castles —or wooden structures covered with bread guaguas —, agricultural products, drinks, and roasted guinea pigs. In the surrounding area, groups of musicians and dancers celebrate to the rhythm of the Sanjuán . This article describes some variations in Obonuco festivities —a village located in this area of Colombia— that took place between the end of the 19th century and 2019. The methodology used included interviews, an audio-visual moni-toring of the preparation and celebration of the festival between 2017 and 2019, an analysis of the documents of the Historical Archive of Obonuco, and a review of bibliographic sources. The guaguas de pan festivities clearly illustrate the interrelationships between the local people and the nation state, the Catholic Church, the surrounding villages, and the inhabitants of the city of San Juan de Pasto. The contribution of this article is to show that, in this network of relationships, the nation state has a significant capacity to influ-ence the fiesta’s ways of being its variations over time. This interference of the nation state is heterogeneous, since, on the one hand, it operates in accor-dance with the national projects of the collectives vying for political power at a given historical moment, and on the other, it is restructured according to the changes in power in world capitalism. Both factors configure particular dynamics in Colombia, in Obonuco and, therefore, in the festivities.
每年夏天，哥伦比亚西南部都会举行瓜瓜斯德潘(用面粉做成的拟人人物)节，所有的城堡或木制建筑都覆盖着面包瓜瓜、农产品、饮料和烤豚鼠。在周边地区，成群的音乐家和舞者随着Sanjuán的节奏庆祝。这篇文章描述了19世纪末到2019年期间发生在哥伦比亚这个地区的一个村庄的Obonuco庆祝活动的一些变化。所使用的方法包括访谈，对2017年至2019年期间该节日的筹备和庆祝活动进行视听监测，分析Obonuco历史档案馆的文件，并审查书目来源。guaguas de pan庆祝活动清楚地说明了当地人民与民族国家、天主教会、周围村庄以及圣胡安德帕斯托市居民之间的相互关系。本文的贡献在于表明，在这种关系网络中，民族国家有很大的能力影响节日随时间变化的方式。民族国家的这种干预是异质的，因为，一方面，它按照特定历史时刻争夺政治权力的集体的国家计划运作，另一方面，它根据世界资本主义的权力变化进行重组。这两个因素在哥伦比亚，在Obonuco，因此在庆祝活动中构成了特殊的动态。
{"title":"Las fiestas con las guaguas de pan en Obonuco, Nariño, Colombia","authors":"Patricia Cerón-Rengifo, Walter Malte Botina, Mauricio Malte Cuaicuán","doi":"10.7440/antipoda46.2022.07","DOIUrl":"https://doi.org/10.7440/antipoda46.2022.07","url":null,"abstract":": Every summer brings the guaguas de pan (anthropomorphic figures made of wheat flour) festival to southwestern Colombia, with all its castles —or wooden structures covered with bread guaguas —, agricultural products, drinks, and roasted guinea pigs. In the surrounding area, groups of musicians and dancers celebrate to the rhythm of the Sanjuán . This article describes some variations in Obonuco festivities —a village located in this area of Colombia— that took place between the end of the 19th century and 2019. The methodology used included interviews, an audio-visual moni-toring of the preparation and celebration of the festival between 2017 and 2019, an analysis of the documents of the Historical Archive of Obonuco, and a review of bibliographic sources. The guaguas de pan festivities clearly illustrate the interrelationships between the local people and the nation state, the Catholic Church, the surrounding villages, and the inhabitants of the city of San Juan de Pasto. The contribution of this article is to show that, in this network of relationships, the nation state has a significant capacity to influ-ence the fiesta’s ways of being its variations over time. This interference of the nation state is heterogeneous, since, on the one hand, it operates in accor-dance with the national projects of the collectives vying for political power at a given historical moment, and on the other, it is restructured according to the changes in power in world capitalism. Both factors configure particular dynamics in Colombia, in Obonuco and, therefore, in the festivities.","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133976793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.7440/antipoda46.2022.05
Andrea Cabel García
{"title":"Más allá de la herida y el olvido: la voz memoriosa y su narrativa en dos documentales de Radio Ucamara","authors":"Andrea Cabel García","doi":"10.7440/antipoda46.2022.05","DOIUrl":"https://doi.org/10.7440/antipoda46.2022.05","url":null,"abstract":"","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122388153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-09DOI: 10.7440/antipoda46.2022.04
Mariana Smulski
: Recent years have witnessed a growing interest in examining the dynamics of the legitimation of science in light of the debate over the public undermining of its authority as a discourse of truth. This article explores the questions raised by this debate based on the analysis of a controversy recorded in the framework of ethnographic fieldwork in a research laboratory. This controversy pits scientific facts relevant to policy decisions about children’s cognitive development against each other. From the native’s point of view, the dispute revolves around two issues: (a) the misrepresented communica-tion of knowledge about poverty and childhood development by outreach institutions, multilateral agencies, and various health and neuroscience professionals; and (b) the political use of such statements and knowledge to guide local level government actions. What is reconstructed throughout the paper, is the way in which the set of researchers mobilizes scientific evidence to dispute factual claims presented in the media as true. This is done by considering the dynamics of legitimacy that unfold around this controversy. Following the perspective of co-production, the analysis shows that the legitimacy of scientific knowledge goes beyond the proof of its truth and involves a plurality of contested perspectives in which both the weight of evidence and the different political imaginaries that the agents sustain come into play. This plurality exposes the inseparable relationship between epis-temic, social, and normative aspects, while the ethnography highlights that
{"title":"Más allá de la verdad científica: una mirada etnográfica a la controversia sobre los primeros 1000 días del desarrollo cognitivo infantil","authors":"Mariana Smulski","doi":"10.7440/antipoda46.2022.04","DOIUrl":"https://doi.org/10.7440/antipoda46.2022.04","url":null,"abstract":": Recent years have witnessed a growing interest in examining the dynamics of the legitimation of science in light of the debate over the public undermining of its authority as a discourse of truth. This article explores the questions raised by this debate based on the analysis of a controversy recorded in the framework of ethnographic fieldwork in a research laboratory. This controversy pits scientific facts relevant to policy decisions about children’s cognitive development against each other. From the native’s point of view, the dispute revolves around two issues: (a) the misrepresented communica-tion of knowledge about poverty and childhood development by outreach institutions, multilateral agencies, and various health and neuroscience professionals; and (b) the political use of such statements and knowledge to guide local level government actions. What is reconstructed throughout the paper, is the way in which the set of researchers mobilizes scientific evidence to dispute factual claims presented in the media as true. This is done by considering the dynamics of legitimacy that unfold around this controversy. Following the perspective of co-production, the analysis shows that the legitimacy of scientific knowledge goes beyond the proof of its truth and involves a plurality of contested perspectives in which both the weight of evidence and the different political imaginaries that the agents sustain come into play. This plurality exposes the inseparable relationship between epis-temic, social, and normative aspects, while the ethnography highlights that","PeriodicalId":341210,"journal":{"name":"Antípoda. Revista de Antropología y Arqueología","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129584366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：