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Physical Education for Italian School Children during the Totalitarian Fascist Regime 法西斯极权统治时期意大利学童的体育教育
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-004
P. Alfieri
Recent general and educational historiography suggests that, under Mussolini, physical training was viewed as a key instrument for disciplining children’s ideas and values as well as their bodies, and thus for inoculating them with fascist ideology. In this essay, I trace the evolution of the regime’s totalitarian educational project in relation to the teaching of physical education in primary schools, a novel topic and heuristic perspective that has been typically overlooked by historiographers. To this end, I analyse national legislation, school curricula, ministerial circulars, and teachers’ manuals and journals, examining developments in physical education for school-age children in terms of both its pedagogical or ideological meanings and the teaching methods adopted.
最近的普通史学和教育史学表明,在墨索里尼的领导下,体育训练被视为训练儿童思想和价值观以及身体的关键工具,从而为他们接种法西斯意识形态。在这篇文章中,我追溯了该政权的极权主义教育项目与小学体育教学的演变,这是一个新颖的主题和启发式的视角,通常被历史学家忽视。为此,我分析了国家立法、学校课程、部长通知、教师手册和期刊,从教学或意识形态意义以及所采用的教学方法两个方面审视了学龄儿童体育教育的发展。
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引用次数: 0
The Political Religion of Communism in Hungarian Children’s Choir Compositions between 1958–1989 1958-1989年间匈牙利儿童合唱团作品中的共产主义政治宗教
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-005
Zsuzsanna Polyák, Z. Szabó, A. Nemeth
Like all cultures, totalitarian regimes develop their own symbols and rituals. As such symbols, music and music making play an important role in expressing values, norms of the community, as well as in providing models for living in it (Geertz, 1973). They are especially valuable tools for educating children. This paper summarizes the result of a pilot study in the lyrics of choral pieces for children, that were distributed along with the state-published methodological journal, Énektanítás [Teaching Singing] and its continuation, Az ének-zene tanítása [Teaching Singing-Music] between 1958–1989. Using political religion (Gentile, 2006) as conceptual framework for content analysis, the study presents: 1) how different characteristics of the communist doctrine appeared in the lyrics of choral pieces and 2) how they changed over time, outlining the life-cycle of the regime itself from militant mass movements to giving place to expressions of individualism and alternative faiths until it would dissolve in the end.
像所有文化一样,极权主义政权发展自己的象征和仪式。作为这样的象征,音乐和音乐制作在表达价值观、社区规范以及为生活在社区中提供模式方面发挥着重要作用(Geertz,1973)。它们是教育儿童的特别有价值的工具。本文总结了1958年至1989年间与国家出版的方法学期刊《Énektanítás[歌唱教学]》及其续编《Azének zene tanítísa[歌唱教学音乐]》一起分发的儿童合唱作品歌词试点研究的结果。本研究以政治宗教(Gentile,2006)为概念框架进行内容分析,提出:1)共产主义教义的不同特征是如何出现在合唱歌曲的歌词中的;2)它们是如何随着时间的推移而变化的,概述了政权本身的生命周期,从激进的群众运动到个人主义和另类信仰的表达,直到最终解散。
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引用次数: 3
Bosnia and Herzegovina under the Communist Regime: an Outlook on Educational Policy 共产主义政权下的波斯尼亚和黑塞哥维那:教育政策展望
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-006
Snježana Šušnjara
Bosnia and Herzegovina as one of the nine republics of Yugoslavia was always among the poorest republics in the former state. However, the school system, as it was the case in the totalitarian regimes, was under direct control of the state. The state had the power to influence school programs and to decide who could apply for school profession. After World War II, education became compulsory for all children and the state could have influenced easily all aspects of education. The state conception how to educate a new society and how to produce a common Yugoslav identity was in focus of the new ideology and those who did not agree with this concept were exposed to negative connotations and even to persecution. Human rights of an individual were openly proclaimed but not respected. Totalitarian societies commonly expect the system of education to operate as a main transformational force that will facilitate the creation of the new man in the social order they have proclaimed. After the split of the Soviet model of pedagogy (1945–1949), the changes occurred in education when the communists established a new regime with universal characteristics of the Yugoslavian education which differentiated among the republics in accordance with their own specificities. Bosnia and Herzegovina with its multi-ethnic nature occupied a special place inside the common state as a model that served as a creation of possible, multiethnic, socialist Yugoslavia.
波斯尼亚和黑塞哥维那作为南斯拉夫的九个共和国之一,一直是前南斯拉夫最贫穷的共和国之一。然而,学校系统,就像极权主义政权的情况一样,处于国家的直接控制之下。国家有权影响学校项目,并决定谁可以申请学校职业。第二次世界大战后,教育成为所有儿童的义务教育,国家本可以很容易地影响教育的各个方面。如何教育一个新社会以及如何产生一个共同的南斯拉夫身份的国家概念是新意识形态的焦点,而那些不同意这一概念的人则面临着负面的含义,甚至受到迫害。个人的人权是公开宣布的,但没有得到尊重。极权主义社会通常期望教育系统作为一种主要的变革力量来运作,这将有助于在他们所宣布的社会秩序中创造新人。苏联教育模式分裂后(1945-1949),当共产党建立了一个具有南斯拉夫教育普遍特征的新政权时,教育发生了变化,各共和国根据自己的特点进行了区分。波斯尼亚和黑塞哥维那具有多民族性质,在共同国家中占有特殊地位,是一个模式,创造了可能的多民族社会主义南斯拉夫。
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引用次数: 0
Did the Czechs Want the Holocaust? On a Modern History of the Jews in the Bohemian Lands 捷克人想要大屠杀吗?《波西米亚土地上犹太人的现代史
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-013
Ivo Cerman
lished with a massive promotional campaign. While we are reviewing qQゲQôボqQôGQゲキaケùョaケj┃ajQô┚QゲヂvトケごôaケôEケjョvヂqô┚QゲヂvトケôQケボvボョQJôPrague and BeyondôvヂôaョゲQaJ┡ôvケôガ┃BョvCaボvトケごôaケJôボqQôC┫QCqôaケJôHQBゲQ┛ô┚Qゲヂvトケヂô aゲQôボトôiトョョト┛げôTqQôBトトォごô┛qvCqôvヂôボトôBQôóボqQô┵ゲヂボôヂCvQケボv┵Caョョ┡ùBaヂQJôヂ┃ゲù ┚Q┡ôトiôボqQôqvヂボトゲ┡ôトiôJQ┛vヂqôョviQôvケôボqQôBトqQキvaケôョaケJヂúごôゲQCQv┚QJô┵ケaケù Cvaョôヂ┃ガガトゲボôiゲトキôaôケ┃キBQゲôトiôvケヂボvボ┃ボvトケヂざôボqQôCトョョQjv┃キôCaゲトョvケ┃キごô ボqQôGQゲキaケôFQJQゲaョôMvケvヂボゲ┡ôiトゲôC┃ョボ┃ゲQôaケJôMQJvaごôボqQôC┫QCqôSCvQケCQô Fト┃ケJaボvトケごôボqQôRトボqヂCqvョJôFト┃ケJaボvトケôaケJôボqQôFゲvボ┫ôTq┡ヂヂQケôSボviボ┃ケjげル
lished with a massive promotional campaign. While we are reviewingqq游戏qo波希米亚qqogq时a盒子u正a盒子j┃ajqo┚qゲヂvトケ您超龄纪oe纪j正v一样qo┚qゲヂvトケoqケボvボョqjoprague andbeyondov一样超龄ョゲqaj┡零时纪加┃o b正vca波希米亚vトケ您超龄纪jo波希米亚qqoc┫qcqoa纪johqb " q┛o┚qゲヂvトケヂoa " qoボトoiトョョト┛地otqqobトトォ您o┛qvcqov一样oボトobqoo波希米亚qqo┵ゲヂボo一样cvqケボv┵caョョ┡uba一样qjo一样┃" u┚q┡o岩青io波希米亚qqoqvヂボトゲ┡o岩青iojq┛v一样qo正viqov纪o波希米亚qqob岩青qq制动器va纪o您正a纪j一样u o " qcqv┚qjo┵纪a盒子ucva正o一样┃ガガトゲボoiゲトキoao纪┃制动器bq " o " iovケヂボv波希米亚┃波希米亚vトケヂ席子o波希米亚qqocトョョqjv┃ocaゲトョ祁某v纪┃制动器您o波希米亚qqogq时a盒子ofqjq " a正omv纪vヂボゲ┡oi往事oc┃ョボ┃" qoa纪jomqjva您o波希米亚qqoc┫qcqoscvq纪cqof都┃纪ja波希米亚vトケ您o波希米亚qqor爷爷装糊涂q一样cqv正jof岩青┃纪ja波希米亚vトケ超龄纪jo波希米亚qqof " v波希米亚┫otq┡ヂヂq纪os波希米亚v1波希米亚┃纪j地罗
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引用次数: 0
The Recurring Conquest of Hearts and Minds: Reflections on Totalitarian Currents in Education 心灵的反复征服——对教育中极权主义思潮的思考
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-012
Pádraig Hogan
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引用次数: 0
They Were “Heroes”. Conceptual and Narrative Analysis of the Figure of a Free Teacher in a Totalitarian Society 他们是“英雄”。极权社会中自由教师形象的概念与叙事分析
Q3 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.15240/tul/006/2021-1-011
Andrej Rajský
Despite the context of contemporary post-heroic indifference, our intention is to re-analyze the concept of heroism, not in the modernist (totalizing and iconic), or in the post-modernist (de-heroizing and ironic) way, but in the optics of hermeneutic re-reading of the specific teachers’ stories from the Stalinist years of the totalitarian regime. In the contribution we bring a conceptual identification of features of the ethical-characterial understanding of “hero without a halo”, by which we want to break the simplistic dichotomy between heroic and everyday – we introduce a third concept – “a hero of everyday life”. We point out how the mythical-idealistic idea of heroism perverted to a collective ideology and how the reality of the communist totalitarian regime in Czechoslovakia demanded heroes – heroes of everyday life. The aim of the research is to find the occurrence of the identifying features of the “everyday hero” in particular stories of three teachers from the times of socialist Czechoslovakia, with the help of narrative analysis.
尽管在当代后英雄主义冷漠的背景下,我们的意图是重新分析英雄主义的概念,而不是以现代主义(整体化和标志性)或后现代主义(去英雄化和讽刺性)的方式,而是以解释学的视角重读极权主义政权斯大林时代的特定教师的故事。在贡献中,我们对“没有光环的英雄”的伦理特征理解的特征进行了概念识别,通过这一点,我们希望打破英雄与日常之间的简单二分法——我们引入了第三个概念——“日常生活中的英雄”。我们指出了神话中的理想主义英雄主义思想是如何转变为集体意识形态的,以及捷克斯洛伐克共产主义极权主义政权的现实是如何要求英雄——日常生活中的英雄。本研究的目的是借助叙事分析的方法,发现“日常英雄”的识别特征在捷克斯洛伐克社会主义时代三位教师的特定故事中的出现。
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引用次数: 0
Hudba jako inspirace Komenského konceptu harmonické společnosti 音乐对夸美纽斯和谐社会观的启示
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.15240/TUL/006/2020-2-009
Vladimír Přívratský, J. Přívratská
Je naprosto přirozené a nikoho nepřekvapuje, když velkým osobnostem národa, a zejména těm, jejichž myšlenkový odkaz se stal součástí světové kultury, věnují umělci svou pozornost, zpodobují je nebo se jimi nechají ve své umělecké tvorbě inspirovat. Je proto logické, že postupně vznikají i badatelské příspěvky, jež se zaměřují právě na uměleckou tvorbu inspirovanou myšlenkovým odkazem Jana Amose Komenského. To platí v plné míře i pro oblast hudebního umění. I když není cílem tohoto příspěvku zaměřovat se na hudební tvůrce, jež oslovil Komenského pohnutý život a rozsáhlé dílo, je vhodné v návaznosti na téma konference Odkaz Komenského v umění a uměleckém vzdělávání (Praha, květen 2019) alespoň připomenout, že hudební díla jím inspirovaná představují velké spektrum hudebních žánrů a forem – od jednoduchých písní až po náročná vokální díla pro početná pěvecká tělesa, od skladeb pro malé nástrojové obsazení až po rozměrná díla symfonická. Z námětů se uplatňují především Komenského Labyrint světa a Obecná porada o nápravě věcí lidských, ale i jiné Komenského texty. Mezi touto bezmála stovkou hudebních děl vznikajících zejména v 19. a 20. století a věnovaných Komenskému jsou kompozice vytvořené skladateli věhlasného jména jako např. Zdeněk Fibich, Josef Bohuslav Foerster, Leoš Janáček, Petr Eben, oba bratři Jeremiášové, Emil Hába, Miroslav Kabeláč, Iša Krejčí, Jaroslav Křička, Jaroslav Krček, Otmar Mácha či Miloš Štědroň a mnozí další. Mimochodem je třeba v této souvislosti poznamenat, že v odborné literatuře dosud chybí ucelená, komplexní monografie, která by tuto problematiku systematicky zpracovala. To, co bylo řečeno, je ovšem jen jednou stránkou obapolného vztahu Komenský a hudba. Tento příspěvek však právě proto, že představuje určitý vstup do hudební tematiky spojené s tímto českým myslitelem, se pokusí o pravý opak, totiž soustředí se na komeniologickou otázku, zda a případně jak ovlivnila hudba Komenského myšlení.
当这个国家的伟大人物,特别是那些知识遗产已成为世界文化一部分的人,在他们的艺术作品中受到关注、模仿或启发时,这是绝对自然的,没有人会感到惊讶。因此,合乎逻辑的是,研究论文正逐渐出现,这些论文正专注于受Jan Amos Komenský智力遗产启发的艺术作品。这完全适用于音乐艺术领域。尽管本文的目的不是关注关注关注科门斯基感人生活和广泛工作的音乐创作者,但至少可以回顾一下科门斯基艺术与艺术教育联系会议的主题(布拉格,2019年5月),他创作的音乐作品代表了广泛的音乐流派和形式&从简单的歌曲到众多声乐合奏团的富有挑战性的声乐作品,从小型乐器到大型交响乐作品。主题主要是《世界的迷宫》和《人类事物修正总理事会》,也有其他《夸美纽斯》文本。在这近百部音乐作品中,尤其是在19年期间。和20。几个世纪以来,献给夸美纽斯的是著名作曲家创作的作品,如兹登·菲比奇、约瑟夫·波胡斯拉夫·福尔斯特、利奥·亚纳切克、彼得·埃本、两兄弟耶雷米什、埃米尔·哈巴、米罗斯拉夫·卡贝拉奇、Iša Krejčí、雅罗斯拉夫·křIčka、雅罗斯拉夫·克尔切克、Otmar Mácha或MilošŠ。顺便说一句,在这方面应该注意的是,专业文献中仍然没有全面、复杂的专著能够系统地处理这个问题。然而,所说的只是夸美纽斯和音乐之间暧昧关系的一个方面。然而,这篇论文正是因为它代表了与这位捷克思想家相关的音乐主题的一个特定入口,所以它将尝试完全相反的方法,即它关注科美纽斯的问题,即音乐是否以及最终如何影响科美纽思想。
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引用次数: 0
„Stručná historie Literatury české“. K osudu nevydané učebnice rajhradského benediktina Bedy Dudíka k dějinám české literatury z roku 1847
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.15240/TUL/006/2020-2-005
Richard Mahel
In the years 1841–1854 the Benedictine Beda Dudík (1815–1890) worked as a teacher at the Episcopal Institute of Philosophy in Brno and then at the Higher Grammar School in Brno. As a teacher and a supporter of a development of the Czech national movement in Moravia he strove for the introduction of teaching of the Czech language and literature in the Moravian church education. He succeeded in his efforts and the Court study commission and the Episcopal ordinariate in Brno permitted teaching of the Czech language within the school curriculum of the Institute of Philosophy. For the successful completion of the teaching, Dudik compiled a textbook for his students about history of the Czech language and book writing and he intended to publish it in print at “Matice česká” in Prague. The textbook was approved successfully in a censorship procedure; however, it was not finally published in print due to disagreements with the authors of the compiled works. Nevertheless, it was significant for the development of national efforts in Moravia and it, first and foremost, revealed the young Beda Dudík as a great supporter of the then minority Czech national movement in Moravia, which changed later when he left his pedagogical experience in favour of his better-known historiographical, official and diplomatic practice.
1841年至1854年,本笃会教徒贝达Dudík(1815年至1890年)在布尔诺的圣公会哲学学院和布尔诺的高等文法学校担任教师。作为一名教师和摩拉维亚捷克民族运动发展的支持者,他努力在摩拉维亚教会教育中引入捷克语言和文学的教学。他的努力取得了成功,法院研究委员会和布尔诺主教教区允许在哲学研究所的学校课程中教授捷克语。为了顺利完成教学,Dudik为他的学生编写了一本关于捷克语言和书籍写作历史的教科书,他打算在布拉格的“Matice esk”以印刷品出版。这本教科书在审查程序中获得了成功;然而,由于与汇编作品的作者存在分歧,它最终没有出版。然而,这对摩拉维亚国家努力的发展是重要的,首先,它揭示了年轻的贝达Dudík是当时摩拉维亚少数民族捷克民族运动的伟大支持者,后来当他离开他的教学经验,支持他更著名的历史,官方和外交实践时,情况发生了变化。
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引用次数: 0
Gerta Figulusová – „dcera českého národa“ z rodu Komenského: životní příběh pohledem komeniologie Gerta Figulusová——来自Comenius家族的“捷克之女”:喜剧视角下的人生故事
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.15240/TUL/006/2020-2-007
Markéta Pánková
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引用次数: 1
Ideje Komenského a výtvarná výchova 夸美纽斯思想与艺术教育
Q3 Arts and Humanities Pub Date : 2020-12-31 DOI: 10.15240/TUL/006/2020-2-008
Petra Šobáňová
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引用次数: 0
期刊
Historia Scholastica
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