Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.202-221
Svetlana V. Suslova
The article is an overview of the collections on the folk costume of the Tatars, stored in the funds of numerous museums in Russia and Tatarstan. It contains information about the traditional types of upper and lower clothing, shoes and jewelry of the Volga-Ural Tatars (Kazan, Kasimov, Mishars, and Kryashens), as well as similar information on the costume of Astrakhan and Siberian Tatars living on the territory of the Russian Federation. Particular attention is paid to women's costume which characterizes folk arts and crafts to the greatest extent. A significant part of the collections is well passportised, indicating the region of existence, gender and age, and local terminology. The materials of the collections reflect the ethno-local and regional features of traditional clothing. On provision of firm attribution, museum objects have advantages over other historical sources. Artifacts from the early to mid–19th century and of the earlier period – medieval “imperishable” metal jewelry, leather goods, etc. are of particular value. They serve as a reliable illustration for the reconstruction of pre-national costume variations, which are extremely in demand in modern museum, theater, and ritual practices. When using the synchronous-diachronic methods of comparative historical analysis, museum artifacts considerably contribute to the study of the history of the Tatar costume, which largely reflects the ethno- and cultural genesis of the people as a whole.
{"title":"Tatar costume in museum collections of Russia","authors":"Svetlana V. Suslova","doi":"10.22378/he.2023-8-2.202-221","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.202-221","url":null,"abstract":"The article is an overview of the collections on the folk costume of the Tatars, stored in the funds of numerous museums in Russia and Tatarstan. It contains information about the traditional types of upper and lower clothing, shoes and jewelry of the Volga-Ural Tatars (Kazan, Kasimov, Mishars, and Kryashens), as well as similar information on the costume of Astrakhan and Siberian Tatars living on the territory of the Russian Federation. Particular attention is paid to women's costume which characterizes folk arts and crafts to the greatest extent. A significant part of the collections is well passportised, indicating the region of existence, gender and age, and local terminology. The materials of the collections reflect the ethno-local and regional features of traditional clothing. On provision of firm attribution, museum objects have advantages over other historical sources. Artifacts from the early to mid–19th century and of the earlier period – medieval “imperishable” metal jewelry, leather goods, etc. are of particular value. They serve as a reliable illustration for the reconstruction of pre-national costume variations, which are extremely in demand in modern museum, theater, and ritual practices. When using the synchronous-diachronic methods of comparative historical analysis, museum artifacts considerably contribute to the study of the history of the Tatar costume, which largely reflects the ethno- and cultural genesis of the people as a whole.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"64 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135316462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.222-233
Zemfira I. Kurbanova
The article discusses the collection of objects of the Karakalpaks’ decorative and applied art in the funds of the I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan. The collection of folk-art objects is concentrated in the funds of the ethnography department of the museum. It comprehensively reflects the traditional everyday culture of the Karakalpak people. The objects of decorative and applied art of the Karakalpaks are concentrated in the following repositories: the fund of carpet products, jewelry, embroidery, wood, metal and leather products. Thematically, the collection is divided into jewelry items, horse equipment, carpets, yurt, clothing, kitchen utensils, and dishes. The author attempts to give a thematic and quantitative assessment of the collections of the Department of Ethnography. The analysis of the accession of exhibits did not allow identifying them by the area of existence, the place of purchase due to the absence of such information in the documentation. Most of the exhibits have only the information about the name of the object and its functional purpose. To create a complete picture of the accumulation of applied arts objects, statistical data on the accession of objects from 1967 to 2021 has been referred to, the dynamics of replenishment with exhibits is presented.
{"title":"Collection of the Department of Ethnography of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan","authors":"Zemfira I. Kurbanova","doi":"10.22378/he.2023-8-2.222-233","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.222-233","url":null,"abstract":"The article discusses the collection of objects of the Karakalpaks’ decorative and applied art in the funds of the I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan. The collection of folk-art objects is concentrated in the funds of the ethnography department of the museum. It comprehensively reflects the traditional everyday culture of the Karakalpak people. The objects of decorative and applied art of the Karakalpaks are concentrated in the following repositories: the fund of carpet products, jewelry, embroidery, wood, metal and leather products. Thematically, the collection is divided into jewelry items, horse equipment, carpets, yurt, clothing, kitchen utensils, and dishes. The author attempts to give a thematic and quantitative assessment of the collections of the Department of Ethnography. The analysis of the accession of exhibits did not allow identifying them by the area of existence, the place of purchase due to the absence of such information in the documentation. Most of the exhibits have only the information about the name of the object and its functional purpose. To create a complete picture of the accumulation of applied arts objects, statistical data on the accession of objects from 1967 to 2021 has been referred to, the dynamics of replenishment with exhibits is presented.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.256-263
Alfia G. Gallyamova
In the light of the Year of National Cultures and Traditions announced in the Republic of Tatarstan in 2023, the relevance of historical knowledge about individual ethno-regional loci is undeniable, which allows us to show the degree of preservation of the traditional origin in it on the real layer of culture. The purpose of the work is to analyze the role of the religious factor in the Soviet period in the life of one of the ancient Tatar villages – Novoe Nadyrovo Almetyevsk district. The objectives of the research are to reveal the factors and realities of the transformation of religious consciousness in the Soviet period since more than 70 in-depth interviews conducted in the village. From time immemorial, Islam has played a consolidating role in the life of the rural community, providing a system of strong ethical and moral foundations; despite the anti-religious policy of the Soviet state, the role of religion in the life of society has been preserved. The prism of microhistoric research conducted by the method of oral history seems to be very functionally effective for interpreting the retrospective of the twentieth century. It serves the non-opportunistic scientific connotations of history, which was subjected to powerful ideologization in Soviet historiography and, because of this, largely distorted the picture of the civilizational space.
{"title":"The religious situation in the Soviet village. Experience of microhistorical research","authors":"Alfia G. Gallyamova","doi":"10.22378/he.2023-8-2.256-263","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.256-263","url":null,"abstract":"In the light of the Year of National Cultures and Traditions announced in the Republic of Tatarstan in 2023, the relevance of historical knowledge about individual ethno-regional loci is undeniable, which allows us to show the degree of preservation of the traditional origin in it on the real layer of culture. The purpose of the work is to analyze the role of the religious factor in the Soviet period in the life of one of the ancient Tatar villages – Novoe Nadyrovo Almetyevsk district. The objectives of the research are to reveal the factors and realities of the transformation of religious consciousness in the Soviet period since more than 70 in-depth interviews conducted in the village. From time immemorial, Islam has played a consolidating role in the life of the rural community, providing a system of strong ethical and moral foundations; despite the anti-religious policy of the Soviet state, the role of religion in the life of society has been preserved. The prism of microhistoric research conducted by the method of oral history seems to be very functionally effective for interpreting the retrospective of the twentieth century. It serves the non-opportunistic scientific connotations of history, which was subjected to powerful ideologization in Soviet historiography and, because of this, largely distorted the picture of the civilizational space.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"32 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.264-277
Gulnara F. Gabdrakhmanova, Olga V. Laukart-Gorbacheva
One of the key conditions for the successful development of modern states is human capital. The international approach to calculating the Human Development Index, developed within the framework of the UN Development Program, is unified and does not pay attention to the socio-cultural (ethnic) factor. To assess its significance, the authors of the article carried out a discursive quantitative and qualitative analysis of the "Strategy for the socio-economic development of the Republic of Tatarstan until 2030" and semi-formalized interviews with experts. The purpose of the article: to identify the significance, foundations and meanings of the ethno-cultural component of the human capital of the Republic of Tatarstan and how they are implemented in practice. The results of the study revealed the high focus of Tatarstan on supporting the ethno-cultural component of the region’s human capital. Such a component is considered to be an indicator of the quality and diversity of the cultural life of the people living in Tatarstan. The republican government aims to develop human capital by supporting creative initiatives, motivating the population to build up creative competencies. The positioning of the republic as a region with international peace and harmony is used by Tatarstan to attract highly developed human capital from other regions and investors to stimulate its development.
{"title":"Ethno-cultural component of the human capital of the Republic of Tatarstan in official discourse and practices","authors":"Gulnara F. Gabdrakhmanova, Olga V. Laukart-Gorbacheva","doi":"10.22378/he.2023-8-2.264-277","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.264-277","url":null,"abstract":"One of the key conditions for the successful development of modern states is human capital. The international approach to calculating the Human Development Index, developed within the framework of the UN Development Program, is unified and does not pay attention to the socio-cultural (ethnic) factor. To assess its significance, the authors of the article carried out a discursive quantitative and qualitative analysis of the \"Strategy for the socio-economic development of the Republic of Tatarstan until 2030\" and semi-formalized interviews with experts. The purpose of the article: to identify the significance, foundations and meanings of the ethno-cultural component of the human capital of the Republic of Tatarstan and how they are implemented in practice. The results of the study revealed the high focus of Tatarstan on supporting the ethno-cultural component of the region’s human capital. Such a component is considered to be an indicator of the quality and diversity of the cultural life of the people living in Tatarstan. The republican government aims to develop human capital by supporting creative initiatives, motivating the population to build up creative competencies. The positioning of the republic as a region with international peace and harmony is used by Tatarstan to attract highly developed human capital from other regions and investors to stimulate its development.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"60 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.302-307
Guzel I. Makarova
The article is devoted to the illustrated-annotated album-catalogue “Vladimir Popov. Calligraphy,” representing one of the stages of the work of the famous artist. Works by V.A. Popov's are found to be of ever-increasing relevance – in connection with Russia's new turn towards the ideas of Eurasianism, towards cooperation with the countries of the East, an important mediator of which is Tatarstan. The calligraphic works of the master are shown in the context of his life and creative path involved with with the history of the country and the region, the development of the Tatar national culture and the Arabographic art of the republic. This reflects the uniqueness of the author’s concept of L.N. Donina, expressed in a detailed display of the creative path and civic stance of the artist. The reviewer notes the depth of the publication author's search for the meaning of V.A. Popov’s turn to Islamic graphics. This stage of his biography is interpreted as a period of finding answers to important life questions that were posed and solved by the artist. In the wisdom of Islam, he finds those ideas that resonate with his own spiritual search and do not contradict the postulates of other world religions. He expresses them in his characteristic expressive manner, using a wide range of means of artistic expression developed by him in previous years. This gives the author a reason to characterise the master’s work of this period as a synthesis of Tatar and Russian cultures, traditions of East and West. The article concludes that the work under review is an independent research work in which L.N. Donina, in addition to the main art criticism, uses general scientific and historical approaches. Album-catalogue “Vladimir Popov. Calligraphy” is certainly a creative achievement of the author.
{"title":"Review of the album-catalogue: Vladimir Popov. Calligraphy. Author-compiler L.N. Donina (Kazan, 2019. 400 p.)","authors":"Guzel I. Makarova","doi":"10.22378/he.2023-8-2.302-307","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.302-307","url":null,"abstract":"The article is devoted to the illustrated-annotated album-catalogue “Vladimir Popov. Calligraphy,” representing one of the stages of the work of the famous artist. Works by V.A. Popov's are found to be of ever-increasing relevance – in connection with Russia's new turn towards the ideas of Eurasianism, towards cooperation with the countries of the East, an important mediator of which is Tatarstan. The calligraphic works of the master are shown in the context of his life and creative path involved with with the history of the country and the region, the development of the Tatar national culture and the Arabographic art of the republic. This reflects the uniqueness of the author’s concept of L.N. Donina, expressed in a detailed display of the creative path and civic stance of the artist. The reviewer notes the depth of the publication author's search for the meaning of V.A. Popov’s turn to Islamic graphics. This stage of his biography is interpreted as a period of finding answers to important life questions that were posed and solved by the artist. In the wisdom of Islam, he finds those ideas that resonate with his own spiritual search and do not contradict the postulates of other world religions. He expresses them in his characteristic expressive manner, using a wide range of means of artistic expression developed by him in previous years. This gives the author a reason to characterise the master’s work of this period as a synthesis of Tatar and Russian cultures, traditions of East and West. The article concludes that the work under review is an independent research work in which L.N. Donina, in addition to the main art criticism, uses general scientific and historical approaches. Album-catalogue “Vladimir Popov. Calligraphy” is certainly a creative achievement of the author.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.173-177
Zaytuna A. Tychinskikh
The articles of researchers from Russia and abroad presented on a special topic of the issue of the journal are considered. The issue is dedicated to the richest cultural heritage of the Turkic peoples, stored in the collections of museums. The study and popularization of this heritage is an important and urgent task facing archaeologists, ethnographers, art historians and museologists. The material presented in the issue is a serious contribution of researchers to the further study of the history and culture of the Turkic peoples.
{"title":"Turkic culture in museums of Russia and abroad: Introduction","authors":"Zaytuna A. Tychinskikh","doi":"10.22378/he.2023-8-2.173-177","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.173-177","url":null,"abstract":"The articles of researchers from Russia and abroad presented on a special topic of the issue of the journal are considered. The issue is dedicated to the richest cultural heritage of the Turkic peoples, stored in the collections of museums. The study and popularization of this heritage is an important and urgent task facing archaeologists, ethnographers, art historians and museologists. The material presented in the issue is a serious contribution of researchers to the further study of the history and culture of the Turkic peoples.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.296-301
Tadeush A. Novogrodsky
The review provides a detailed and thorough analysis of the work of Doctor of Historical Sciences, Associate Professor, Elizaveta Nikolaevna Kvilinkova, dedicated to the Gagauz of Belarus and Moldova. The monograph was written on the basis of various sources and, primarily, the materials from field ethnographic studies conducted using the participant observation method among representatives of the Gagauz community. It is emphasized that the author used a new scientific approach, which made it possible to obtain original results. Elizaveta Kvilnikova studied the Gagauz using methods and approaches typical for such scientific disciplines as ethnology, ethnosociology and ethnopolitical science. She notes that among the Turkic peoples, the Gagauz have long held a unique place. The basis of their ethno-cultural code is Orthodoxy and Turkic background. According to E.N. Kvilinkova, the difficult position of Gagauzia in choosing its cultural and civilizational landmarks lies in the fact that the Balkan identity does not fit into the modern “strategy” of self-preservation of the Gagauz people and is in conflict with their dominant Turkic identity at this stage, with the eastern / Turkish vector of the foreign policy development strategy.
{"title":"Review of the monograph: Kvilinkova E.N. Gagauz people in Moldova and Belarus: facets of identity and a strategy of self-preservation (Minsk, 2023. 383 p.)","authors":"Tadeush A. Novogrodsky","doi":"10.22378/he.2023-8-2.296-301","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.296-301","url":null,"abstract":"The review provides a detailed and thorough analysis of the work of Doctor of Historical Sciences, Associate Professor, Elizaveta Nikolaevna Kvilinkova, dedicated to the Gagauz of Belarus and Moldova. The monograph was written on the basis of various sources and, primarily, the materials from field ethnographic studies conducted using the participant observation method among representatives of the Gagauz community. It is emphasized that the author used a new scientific approach, which made it possible to obtain original results. Elizaveta Kvilnikova studied the Gagauz using methods and approaches typical for such scientific disciplines as ethnology, ethnosociology and ethnopolitical science. She notes that among the Turkic peoples, the Gagauz have long held a unique place. The basis of their ethno-cultural code is Orthodoxy and Turkic background. According to E.N. Kvilinkova, the difficult position of Gagauzia in choosing its cultural and civilizational landmarks lies in the fact that the Balkan identity does not fit into the modern “strategy” of self-preservation of the Gagauz people and is in conflict with their dominant Turkic identity at this stage, with the eastern / Turkish vector of the foreign policy development strategy.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"65 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135316463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.245-255
Khalida Z. Bagautdinova
At the present day, the history of the development of national shoes with leather mosaics has been well studied by researchers. In the given article, the author, using the case study of the Yamashurma village, tries to explain the connection between the Rear-Kazan embroiderers and the entrepreneurs of the Kazan settlements. The stages of formation of artels, which originate from the end of the 19th century, are presented. For the first time, information was introduced into scientific circulation about the participation of women from the Yamashurma village in the Second All-Russian Exhibition of Small Craftsmen, held in 1913 in St. Petersburg. The article prioritises the sources from the funds of the State Archives of the Republic of Tatarstan and the Arsk Municipal Archives.
{"title":"From the history of national shoe production in the Tatar villages of the Rear-Kazan Area (a case study of the Yamashurma village)","authors":"Khalida Z. Bagautdinova","doi":"10.22378/he.2023-8-2.245-255","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.245-255","url":null,"abstract":"At the present day, the history of the development of national shoes with leather mosaics has been well studied by researchers. In the given article, the author, using the case study of the Yamashurma village, tries to explain the connection between the Rear-Kazan embroiderers and the entrepreneurs of the Kazan settlements. The stages of formation of artels, which originate from the end of the 19th century, are presented. For the first time, information was introduced into scientific circulation about the participation of women from the Yamashurma village in the Second All-Russian Exhibition of Small Craftsmen, held in 1913 in St. Petersburg. The article prioritises the sources from the funds of the State Archives of the Republic of Tatarstan and the Arsk Municipal Archives.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"36 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135316464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.284-295
Werner Bundschuh
In the course of research on the history of Tatar forced laborers, the author came across a little-known chapter of Vorarlberg’s history: the tragic history of a Muslim minority, Turkic-speaking Crimean Tatars, who fell between the millstones of the Nazi policy of conquest and extermination in Eastern Europe and Stalinist tyranny and were suffering a lot in the process. One trace of this minority leads to Austria’s westernmost State of Vorarlberg: In 1945/46, a refugee group of surviving Crimean Tatars was stranded here and housed in the village of Alberschwende.
{"title":"Crimean Tatar’s Traces in Vorarlberg","authors":"Werner Bundschuh","doi":"10.22378/he.2023-8-2.284-295","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.284-295","url":null,"abstract":"In the course of research on the history of Tatar forced laborers, the author came across a little-known chapter of Vorarlberg’s history: the tragic history of a Muslim minority, Turkic-speaking Crimean Tatars, who fell between the millstones of the Nazi policy of conquest and extermination in Eastern Europe and Stalinist tyranny and were suffering a lot in the process. One trace of this minority leads to Austria’s westernmost State of Vorarlberg: In 1945/46, a refugee group of surviving Crimean Tatars was stranded here and housed in the village of Alberschwende.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"18 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.22378/he.2023-8-2.234-244
Dilfuza A. Kudaibergenova
This article provides information about the jewelry of the Karakalpak people in the collection of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan. Karakalpak jewelry art is one of the brightest manifestations of the artistic culture of the people. Judging by the specimen preserved in the museum collections, they have much in common with the art of neighboring peoples in terms of names, pattern and form. Simultaneously, some Karakalpak jewelry has original ethnic and artistic features. The article presents all types of traditional Karakalpak jewelry dating back to the 19th – 20th centuries. Women’s jewelry are distinguished by notable features of originality and distinctive character, which testify to the existence of the Karakalpaks’ local school of jewelry art. The style of jewelry art of the Karakalpaks is characterized by integrity, monumentality, archaism of forms, clarity of contours, expressiveness and at the same time laconic decor. In the article, the author classifies the museum’s jewelry collection into the following categories: headdress ornaments; neck-chest ornaments; chest-waist ornaments, and ornaments for hands. The classification of women’s adornments of the Karakalpaks showed the undeniable wealth of their types, shapes and designs. In addition to the Karakalpak folk jewelry collection, information about the jewelry of the Uzbek, Turkmen and Kazakh peoples is also presented.
{"title":"Jewelry collection of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan","authors":"Dilfuza A. Kudaibergenova","doi":"10.22378/he.2023-8-2.234-244","DOIUrl":"https://doi.org/10.22378/he.2023-8-2.234-244","url":null,"abstract":"This article provides information about the jewelry of the Karakalpak people in the collection of I.V. Savitsky State Museum of Arts of the Republic of Karakalpakstan. Karakalpak jewelry art is one of the brightest manifestations of the artistic culture of the people. Judging by the specimen preserved in the museum collections, they have much in common with the art of neighboring peoples in terms of names, pattern and form. Simultaneously, some Karakalpak jewelry has original ethnic and artistic features. The article presents all types of traditional Karakalpak jewelry dating back to the 19th – 20th centuries. Women’s jewelry are distinguished by notable features of originality and distinctive character, which testify to the existence of the Karakalpaks’ local school of jewelry art. The style of jewelry art of the Karakalpaks is characterized by integrity, monumentality, archaism of forms, clarity of contours, expressiveness and at the same time laconic decor. In the article, the author classifies the museum’s jewelry collection into the following categories: headdress ornaments; neck-chest ornaments; chest-waist ornaments, and ornaments for hands. The classification of women’s adornments of the Karakalpaks showed the undeniable wealth of their types, shapes and designs. In addition to the Karakalpak folk jewelry collection, information about the jewelry of the Uzbek, Turkmen and Kazakh peoples is also presented.","PeriodicalId":34778,"journal":{"name":"Istoricheskaia etnologiia","volume":"43 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135323025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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