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Targum Canticles and Linguistic Complexity Targum Canticles 和语言的复杂性
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912664
Andrew W. Litke
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引用次数: 0
Diachrony and the Meaning of the Preposition בֵּין in Ancient Hebrew 古代希伯来语中介词 בֵּין 的异时性和含义
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912654
Vladimir Olivero
Abstract:In this study I discuss the meaning of the preposition בֵּין from a diachronic perspective. While in Classical Biblical Hebrew (CBH) the preposition always means 'between' (with a single possible exception), from the time of the exile onwards it also takes on the meaning of 'among', probably under the influence of Aramaic and because of the disappearance of the composite preposition בְּקֶרֶב, which led to the reconfiguration of the use of prepositions such as בֵּין and בְּתוֹךְ. Both meanings ‘between’ and ‘among’ for the preposition בֵּין are known and reported in various lexica and reference grammars, yet they have never been considered and explained from a diachronic standpoint.
摘要:在本研究中,我从非同步的角度讨论了介词 בֵּין的含义。在古典圣经希伯来语(CBH)中,介词总是表示 "在......之间"(可能有一个例外),但从流放时期开始,它也有了 "在......之间 "的意思、可能是受阿拉姆语的影响,也可能是由于复合介词 בְּקֶרֶב的消失,导致了介词的重新组合,如 בֵּין和 בְּתוֹךְ。介词 בֵּין的 "之间 "和 "当中 "这两个词义在各种词典和参考语法中都有记载和报告,但它们从未被从非同步的角度加以考虑和解释。
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引用次数: 0
Love-Sickness and its Cure: A Reading of the Forty-Eighth Gate in Yehuda Al-Ḥarizi's Sefer Taḥkemoni 相思病及其治疗:对耶胡达-阿尔-哈里齐《塔克莫尼经书》中第四十八道门的解读
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912655
Idit Einat-Nov
Abstract:In his analysis of the forty-eighth gate in Yehuda Al-Ḥarizi's Sefer Taḥkemoni, David Simha Segal argued that this story "leaves open the possibility of multiple and even contradictory readings" (The Book of Taḥkemoni – Jewish Tales from Medieval Spain, 2001, p. 622) and proposed alternative interpretations of the story. Segal's argument regarding the nature of this story is in line with my basic assumption that at the core of some of the most fascinating rhymed Hebrew stories from the Middle Ages – in Al-Ḥarizi's Taḥkemoni, but also in the work of his predecessors, Shlomo Ibn Ṣaqbel and Yosef Ibn Zabara – lies uncertainty as a poetic principle. From this perspective, while addressing Segal's interpretation, in this article I propose additional interpretive insights.
摘要:大卫-西姆哈-西格尔(David Simha Segal)在分析耶胡达-阿尔-哈里兹(Yehuda Al-Ḥarizi)的《塔克莫尼经书》(Sefer Taḥkemoni)中的第四十八道门时认为,这个故事 "留下了多重甚至矛盾解读的可能性"(《塔克莫尼经书--中世纪西班牙的犹太故事》,2001 年,第 622 页),并提出了对这个故事的其他解释。西格尔关于这个故事性质的论点与我的基本假设一致,即中世纪一些最引人入胜的希伯来韵文故事的核心--在阿尔-哈里兹的《塔克莫尼》中,以及在他的前辈什洛莫-伊本-阿克贝勒和约塞夫-伊本-扎巴拉的作品中--在于作为诗歌原则的不确定性。从这个角度出发,在讨论西格尔的解释的同时,我在本文中提出了更多的解释性见解。
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引用次数: 0
A Map, at Last: Teaching Classical Languages with Modern Methods 终于有了地图:用现代方法教授古典语言
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912665
Paul B. Overland
A narrative backdrop may help to measure the significance of A Handbook of Second Language Acquisition for Biblical Studies by Jennifer Noonan (hereafter A Handbook ; to fast-forward to the review-proper, see fifth paragraph, below). For my part
叙事背景可能有助于衡量詹妮弗-努南(Jennifer Noonan)所著《圣经研究第二语言习得手册》(以下简称《手册》;如欲快速进入评论正文,请参阅下文第五段)的意义。就我而言
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引用次数: 0
Surveying Talmudic Medicine 塔木德医学概览
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912660
Markham J. Geller
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引用次数: 0
Constraints on Ease of Articulation in the Phonetics of Israeli Hebrew Casual Speech 以色列希伯来语口语语音学中的易发音限制因素
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912657
Shmuel Bolozky
Abstract:In the casual speech register, speakers naturally tend to facilitate ease of articulation, usually through processes of assimilation, reduction and elision, occasionally by insertion of certain vowels or consonantal glides. Such processes of assimilation, reduction or elision usually affect elements perceived to be weak, or minimal, and whose presence is not truly required (phonetically, or semantically), or that are easily recoverable from the context. There are, however, constraints on ease of articulation processes, preventing them from violating certain phonetic restrictions. There are also independent considerations that prevent reduction, elision or assimilation if they may affect significant semantic distinctions that are too essential to ignore. Thus, for instance, there exists a preference for secondary stress assignment resulting in alternating rhythm of stressed and unstressed syllables in connected Hebrew speech; the configuration realigns itself in cases of vowel deletion, or when a "minimal" vowel is inserted to prevent sonority-hierarchy violations, or when a "stress clash" arises, and one of the syllables may need to be destressed to accommodate the alternating stress rhythm. However, another constraint assures that no destressing of the main stress of regular lexical items occur if the word concerned cannot easily be reconstructed from the context. Furthermore, no shifting is allowed in the placement of the main lexical stress, unless it is a function word or a very frequent, easily identified lexical item. A few phonetic constraints will be discussed in some detail, as well as semantic ones reassuring that the processing of meaning will not be negatively affected by phonetic "ease-of-articulation" processes.
摘要:在随意语域中,说话者通常会通过同化、缩减和省略过程,偶尔也会通过插入某些元音或辅音滑音,自然而然地倾向于简化发音。这些同化、缩减或省略的过程通常会影响到那些被认为是弱化或最小化的成分,这些成分的存在(从语音或语义上)并不是真正需要的,或者很容易从上下文中恢复。然而,发音过程的难易程度是有限制的,不能违反某些语音限制。此外,如果缩减、省略或同化可能会影响到重要的语义区别,而这些语义区别又是不可忽视的,那么也会有一些独立的考虑因素阻止这些缩减、省略或同化。例如,在连接希伯来语的语音中,重音和非重音音节交替出现,从而形成了次重音分配的偏好;在元音删除的情况下,或在插入 "最小 "元音以防止违反声韵层次结构的情况下,或在出现 "重音冲突 "的情况下,或在其中一个音节需要去掉重音以适应交替重音节奏的情况下,这种配置会自行调整。不过,还有一个限制条件可以确保,如果不能很容易地从上下文中重建相关词语,则不会对常规词项的主重音进行去音。此外,除非是功能词或非常频繁、容易识别的词项,否则不允许改变主词重音的位置。我们将详细讨论一些语音限制以及语义限制,以确保意义处理不会受到语音 "易发音 "过程的负面影响。
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引用次数: 0
The Description of Syntax in Medieval Hebrew Grammars 中世纪希伯来语语法中的句法描述
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912656
Yehonatan Wormser
Abstract:The study of Hebrew grammar by medieval Jewish scholars concentrates on phonological and morphological issues with much lower attention paid to Hebrew syntax. While the majority of medieval Hebrew grammars only contain scattered incidental remarks on topics related to the latter, some discuss syntactical themes at greater length. This paper examines the work of the four medieval grammarians who probably paid the most attention to Hebrew syntax – Abū Alfaraj Hārūn, Yonah ibn Janāḥ, Profiat Duran, and Abraham Debalmes. Surveying the relevant passages, it explores the primary issues they address and the insights they offer, hereby revealing with the nature and scope of medieval Jewish engagement with Hebrew syntax.
摘要:中世纪犹太学者对希伯来语语法的研究主要集中在语音和形态问题上,对希伯来语句法的关注要少得多。虽然大多数中世纪希伯来语语法只包含与后者相关的零星附带论述,但也有一些语法主题的讨论篇幅较长。本文研究了可能最关注希伯来语句法的四位中世纪语法学家--阿布-阿尔法拉吉-哈伦(Abū Alfaraj Hārūn)、约纳-伊本-雅纳赫(Yonah ibn Janāḥ)、普罗菲亚特-杜兰(Profiat Duran)和亚伯拉罕-德巴尔梅斯(Abraham Debalmes)的作品。该书概述了相关段落,探讨了这些段落所涉及的主要问题及其提供的见解,从而揭示了中世纪犹太人对希伯来语句法的参与的性质和范围。
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引用次数: 0
Listening Against the (Hebrewist) Grain 逆(希伯来)潮流而听
Q2 Arts and Humanities Pub Date : 2023-11-29 DOI: 10.1353/hbr.2023.a912659
Michal Ben-Horin
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引用次数: 0
Dealing with a Literary Estate: Methodological Issues Encountered in Organizing Josef Mundi's Estate as a Case Study 处理文学遗产:组织约瑟夫·蒙迪遗产时遇到的方法论问题——以个案研究为例
Q2 Arts and Humanities Pub Date : 2022-12-07 DOI: 10.1353/hbr.2022.0009
Moran Peri, Z. Caspi
Abstract:In the humanities literature concerning research questions, little attention is paid to methodological issues. This paper seeks to help fill that gap by presenting a case study: the problems that arose when working on the estate of Josef Mundi, which we received in 2016. We had to make numerous decisions regarding, among other things, chronological, chronotropic, textual, and biographical issues. The plays had to be dated and arranged in chronological order, the parent text among the various versions of the same play had to be determined, and Mundi's artistic development in terms of movements, genres, and themes had to be traced.Some of the problems we encountered, and the solutions we found, are illustrated here by three plays from different periods: "The Razor" from 1977, "The Messiah: The Rise and Fall of Shabbetai Zvi" (1982), and "Peep Show," which was never published or staged.
摘要:在涉及研究问题的人文文献中,很少关注方法论问题。本文试图通过一个案例研究来填补这一空白:我们在2016年接手的约瑟夫·芒迪庄园(Josef Mundi)工作中出现的问题。我们必须做出许多决定,其中包括时间顺序、时间变化、文本和传记问题。这些戏剧必须按照时间顺序进行日期和排列,必须确定同一部戏剧的不同版本中的原始文本,并且必须追踪Mundi在动作,流派和主题方面的艺术发展。我们遇到的一些问题,以及我们找到的解决办法,在这里用三个不同时期的戏剧来说明:1977年的《剃刀》(the Razor)、1982年的《弥赛亚:沙巴泰兹维的兴衰》(the Messiah: the Rise and Fall of Shabbetai Zvi)和从未出版或上演过的《窥视秀》(Peep Show)。
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引用次数: 0
Deprovincializing European Jewish Literature 欧洲犹太文学去地方化
Q2 Arts and Humanities Pub Date : 2022-12-07 DOI: 10.1353/hbr.2022.0015
Allison Schachter
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引用次数: 0
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Hebrew Studies
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