Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.007
Barbara Walkiewicz
The aim of this article is to analyse the translation strategies used to translate Paul Gauguin’s painting titles from Tahitian and French to Polish. We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. The translations analysed come from works on Gauguin’s art and Impressionism, published in Polish since the 1960s of the 20th century.
{"title":"Entre texte et image : réflexions sur la traduction des titres de tableaux de Paul Gauguin","authors":"Barbara Walkiewicz","doi":"10.14746/strop.2021.484.007","DOIUrl":"https://doi.org/10.14746/strop.2021.484.007","url":null,"abstract":"The aim of this article is to analyse the translation strategies used to translate Paul Gauguin’s painting titles from Tahitian and French to Polish. We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. The translations analysed come from works on Gauguin’s art and Impressionism, published in Polish since the 1960s of the 20th century.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46058562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.002
Magdalena Szeflińska-Baran
The article focuses on the multisemiotic functioning of Internet memes in communication through the web, focused, among other things, on a humorous effect. The role of the image, first of all, in the creation of the Internet meme and also in its re-application in a multicultural and interlingual environment seems fundamental. This iconic element is part of the large and varied number of relationships with other types of signs (linguistic, cultural, discursive). It seems that the question of the typological diversity of image-text relations (in the very broad sense of it) can be addressed from a variety of perspectives that involve not only a philosophy of translation, but also an approach to humorous communication on the Internet. The article aims to analyse the nature of the relationship that unites an iconic element with a linguistic element that constitutes the essence of the message conveyed by internet memes.
{"title":"Fonctionnement interlingual des mèmes humoristiques : entre création, interprétation et traduction","authors":"Magdalena Szeflińska-Baran","doi":"10.14746/strop.2021.484.002","DOIUrl":"https://doi.org/10.14746/strop.2021.484.002","url":null,"abstract":"The article focuses on the multisemiotic functioning of Internet memes in communication through the web, focused, among other things, on a humorous effect. The role of the image, first of all, in the creation of the Internet meme and also in its re-application in a multicultural and interlingual environment seems fundamental. This iconic element is part of the large and varied number of relationships with other types of signs (linguistic, cultural, discursive). It seems that the question of the typological diversity of image-text relations (in the very broad sense of it) can be addressed from a variety of perspectives that involve not only a philosophy of translation, but also an approach to humorous communication on the Internet. The article aims to analyse the nature of the relationship that unites an iconic element with a linguistic element that constitutes the essence of the message conveyed by internet memes.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49209622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.004
Paulina Borowczyk
The audiovisual text constitutes an inherent and obvious whole, the components of which, being linked to each other and entering into different types of relations and interactions, contribute to the construction of its meaning. This article presents a study of cases where visual information influences decisions made by the translator and ultimately sometimes changes the translation of dubbed dialogues. In the analysis, the following examples are distinguished:– those in which, under the influence of the image, the translator modifies the source text (compared to the original version) by adapting it to the visual contents of the audiovisual document, or by adding information to the target text;– one in which, under the influence of the image, both the author of the original version and the translator modify one of the elements of a given idiomatic expression.In this regard, contemporary computer-animated films (such as « Shrek 2 », « Madagascar » and « Monsters, Inc. »), aimed at all types of audiences and translated for dubbing, where the visual component plays a prominent role, represent interesting cases.
{"title":"Comment la présence de l’image influence-t-elle les décisions du traducteur? Étude des relations du couple mot/image dans la traduction filmique","authors":"Paulina Borowczyk","doi":"10.14746/strop.2021.484.004","DOIUrl":"https://doi.org/10.14746/strop.2021.484.004","url":null,"abstract":"The audiovisual text constitutes an inherent and obvious whole, the components of which, being linked to each other and entering into different types of relations and interactions, contribute to the construction of its meaning. This article presents a study of cases where visual information influences decisions made by the translator and ultimately sometimes changes the translation of dubbed dialogues. In the analysis, the following examples are distinguished:– those in which, under the influence of the image, the translator modifies the source text (compared to the original version) by adapting it to the visual contents of the audiovisual document, or by adding information to the target text;– one in which, under the influence of the image, both the author of the original version and the translator modify one of the elements of a given idiomatic expression.In this regard, contemporary computer-animated films (such as « Shrek 2 », « Madagascar » and « Monsters, Inc. »), aimed at all types of audiences and translated for dubbing, where the visual component plays a prominent role, represent interesting cases.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46160052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.001
Nayelli Castro-Ramirez, Aleksander Wiater
In an age when the global dissemination of digital information is transforming the way we read and write by foregrounding the interdependence of visual/verbal elements and languages, the reconstruction of identity and history in digital environments challenges binary translation processes. From this perspective, we interrogate the integration of visual and verbal elements in three Wikipedia articles, written in Polish, English, and Portuguese, about the topic “Polish death camp”. What is the role of translation in the semiotic construction of historical discourses in these articles? What are the conflicts generated by translated denominations? How do Wikipedia communities engage with the production of these cognitiverepresentations? This paper attempts to answer these questions.
{"title":"Traduire l’histoire : entre paroles et images","authors":"Nayelli Castro-Ramirez, Aleksander Wiater","doi":"10.14746/strop.2021.484.001","DOIUrl":"https://doi.org/10.14746/strop.2021.484.001","url":null,"abstract":"In an age when the global dissemination of digital information is transforming the way we read and write by foregrounding the interdependence of visual/verbal elements and languages, the reconstruction of identity and history in digital environments challenges binary translation processes. From this perspective, we interrogate the integration of visual and verbal elements in three Wikipedia articles, written in Polish, English, and Portuguese, about the topic “Polish death camp”. What is the role of translation in the semiotic construction of historical discourses in these articles? What are the conflicts generated by translated denominations? How do Wikipedia communities engage with the production of these cognitiverepresentations? This paper attempts to answer these questions.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42119813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.009
Elnaz Habibifar
Cultural exchanges between Iran and France started over three centuries ago. In spite of the strong relationship between the two countries, some books such as Les Fleurs du mal (Flowers of Evil) went unnoticed in Iranian society. In addition to the literary value of the book, we propose to study ekphrasis in Baudelaire’s poems and its translation into Persian. Its meaning being that of a general description an artwork (imaginary or real), the term ekphrasis belongs to an interdisciplinary field of literature and art where the textual challenges we face may vary from one to another. To narrow down our study, we will focus on four chosen poems that have a minimum of two published translations in Persian, thus allowing the opportunity for a comparative study. These chosen poems, “La Beauté”, “L’Invitation au voyage”, “Les Plaintes d’un Icare” and “Femmes damnées” (“Delphine et Hippolyte”) as well as our corpus translation in Persian, are being studied and analysed through Descriptive Translation Studies. The analysis focuses on the ekphrastic aspect of these poems, their translations into Persian through syntactic and semantic levels and the influence of culture and society on the translation.
伊朗和法国的文化交流始于300多年前。尽管两国关系密切，但一些书籍，如《邪恶之花》(Les Fleurs du mal)，在伊朗社会并没有引起注意。除了这本书的文学价值外，我们还建议研究波德莱尔诗歌中的短语及其波斯语翻译。它的意思是对艺术品(虚构的或真实的)的一般描述，术语ekphrasis属于文学和艺术的跨学科领域，我们面临的文本挑战可能因人而异。为了缩小我们的研究范围，我们将重点关注四首选定的诗歌，这些诗歌至少有两种波斯语译本，从而有机会进行比较研究。这些精选的诗歌，“La beaut”，“L 'Invitation au voyage”，“Les Plaintes d 'un Icare”和“Femmes damnsames”(“Delphine et Hippolyte”)，以及我们的波斯语翻译语料库，正在通过描述翻译研究进行研究和分析。本文着重分析了这些诗歌的语法方面，从句法和语义层面分析了它们的波斯语翻译，以及文化和社会对翻译的影响。
{"title":"Traduire l’Ekphrasis. Le cas des Fleurs du mal de Baudelaire en Iran","authors":"Elnaz Habibifar","doi":"10.14746/strop.2021.484.009","DOIUrl":"https://doi.org/10.14746/strop.2021.484.009","url":null,"abstract":"Cultural exchanges between Iran and France started over three centuries ago. In spite of the strong relationship between the two countries, some books such as Les Fleurs du mal (Flowers of Evil) went unnoticed in Iranian society. In addition to the literary value of the book, we propose to study ekphrasis in Baudelaire’s poems and its translation into Persian. Its meaning being that of a general description an artwork (imaginary or real), the term ekphrasis belongs to an interdisciplinary field of literature and art where the textual challenges we face may vary from one to another. To narrow down our study, we will focus on four chosen poems that have a minimum of two published translations in Persian, thus allowing the opportunity for a comparative study. These chosen poems, “La Beauté”, “L’Invitation au voyage”, “Les Plaintes d’un Icare” and “Femmes damnées” (“Delphine et Hippolyte”) as well as our corpus translation in Persian, are being studied and analysed through Descriptive Translation Studies. The analysis focuses on the ekphrastic aspect of these poems, their translations into Persian through syntactic and semantic levels and the influence of culture and society on the translation.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45170963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.011
Justyna Woroch
The aim of this article is to signal the possible relationships between the simultaneous interpreter and the image in its widest sense. In this communicative situation, attention is first paid to the text of the oral presentation, the meaning of which is conveyed by the interpreter. However, this meaning is also made up of visual elements that the interpreter faces and which make the interpretation inter-semiotic and multimodal. Three different types of simultaneous interpreter/image relationships will be outlined: firstly, the whole interpreting communicative situation can become an image if remote interpretation is necessary, secondly, it is the speaker who can be understood as an image, thirdly, the speaker can refer to previously prepared images. Then, by means of a pilot study, it will be checked whether and how experienced simultaneous interpreters relate the speaker to the picture when the picture presented is not redundant with what is being said, but complements the speech. The main question is whether and how it will be verbalized. Possible ways of extending the study will also be discussed.
{"title":"Interprète simultané par rapport à l’image","authors":"Justyna Woroch","doi":"10.14746/strop.2021.484.011","DOIUrl":"https://doi.org/10.14746/strop.2021.484.011","url":null,"abstract":"The aim of this article is to signal the possible relationships between the simultaneous interpreter and the image in its widest sense. In this communicative situation, attention is first paid to the text of the oral presentation, the meaning of which is conveyed by the interpreter. However, this meaning is also made up of visual elements that the interpreter faces and which make the interpretation inter-semiotic and multimodal. Three different types of simultaneous interpreter/image relationships will be outlined: firstly, the whole interpreting communicative situation can become an image if remote interpretation is necessary, secondly, it is the speaker who can be understood as an image, thirdly, the speaker can refer to previously prepared images. Then, by means of a pilot study, it will be checked whether and how experienced simultaneous interpreters relate the speaker to the picture when the picture presented is not redundant with what is being said, but complements the speech. The main question is whether and how it will be verbalized. Possible ways of extending the study will also be discussed.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46187467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.003
Julio de los Reyes Lozano, Frederic Chaume
Multimodality is an integral characteristic of Audiovisual Translation. Regardless of type and genre, audiovisual texts (i.e. film, TV series, videogame) are above all semiotic constructs comprising several signifying codes that operate simultaneously in the production of meaning. While audiences mechanically receive and interpret the information transmitted by each of these codes and signs, audiovisual translators must know their functioning and consider their possible impact on translation operations. In this context, images represent one of the major challenges to ensure coherence within audiovisual translation. This paper sets out to explore the main strategies used to explicit iconographic information in the target text. These practices typically involve, but are not limited to, the inclusion of linguistic signs related to the icon as well as the inclusion of signs belonging to other meaning codes, thanks to the possibilities that new technologies and digitalization now offer. Linked to the notions of transcreation and localization, these help target audiences fill gaps in the understanding of audiovisual texts, but also promote overtranslation. This may lead to an extreme domestication, a phenomenon in which foreign cultures would be erased. In this regard, we wonder if such practices will not assume a paternalistic approach to target audiences.
{"title":"Peut-on traduire une image? Implications de la créativité dans la traduction de textes audiovisuels","authors":"Julio de los Reyes Lozano, Frederic Chaume","doi":"10.14746/strop.2021.484.003","DOIUrl":"https://doi.org/10.14746/strop.2021.484.003","url":null,"abstract":"Multimodality is an integral characteristic of Audiovisual Translation. Regardless of type and genre, audiovisual texts (i.e. film, TV series, videogame) are above all semiotic constructs comprising several signifying codes that operate simultaneously in the production of meaning. While audiences mechanically receive and interpret the information transmitted by each of these codes and signs, audiovisual translators must know their functioning and consider their possible impact on translation operations. In this context, images represent one of the major challenges to ensure coherence within audiovisual translation. This paper sets out to explore the main strategies used to explicit iconographic information in the target text. These practices typically involve, but are not limited to, the inclusion of linguistic signs related to the icon as well as the inclusion of signs belonging to other meaning codes, thanks to the possibilities that new technologies and digitalization now offer. Linked to the notions of transcreation and localization, these help target audiences fill gaps in the understanding of audiovisual texts, but also promote overtranslation. This may lead to an extreme domestication, a phenomenon in which foreign cultures would be erased. In this regard, we wonder if such practices will not assume a paternalistic approach to target audiences.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43780737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-22DOI: 10.14746/strop.2021.484.008
Anna Kochanowska
This paper concentrates on the translation of the text-image interaction in postmodern and multimodalpic turebooks for children, as illustrated by the Polish translations of Hervé Tullet’s picturebooks. The sophisticated and artistic vision of this author-illustrator raises questions about methods and criteria to be adopted by anyone who wishes to translate the delicate balance between what is told by the verbal and pictured by the visual. In particular, as the present analysis reveals, the translator’s interventions in the original text-image interaction cannot be regarded as intersemiotic translation, but as undesired explicitation limiting the creative actions of the active child-reader.
{"title":"Traduire les albums pour enfants d’Hervé Tullet en polonais","authors":"Anna Kochanowska","doi":"10.14746/strop.2021.484.008","DOIUrl":"https://doi.org/10.14746/strop.2021.484.008","url":null,"abstract":"This paper concentrates on the translation of the text-image interaction in postmodern and multimodalpic turebooks for children, as illustrated by the Polish translations of Hervé Tullet’s picturebooks. The sophisticated and artistic vision of this author-illustrator raises questions about methods and criteria to be adopted by anyone who wishes to translate the delicate balance between what is told by the verbal and pictured by the visual. In particular, as the present analysis reveals, the translator’s interventions in the original text-image interaction cannot be regarded as intersemiotic translation, but as undesired explicitation limiting the creative actions of the active child-reader.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41807179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-14DOI: 10.14746/strop.2021.483.001
Francesco Ardolino
What is the role of translation in Maragall’s work? If his first goal was to bestow cultural support to Catalan literature with the addition of the European authors of Modernism, the second stage of the Catalan poet’s agenda becomes more ambitious, delving into the origins of Western literature and culminating in the translation of the Homeric Hymns. My contribution analyzes how, on the one hand, the Catalan rewriting of the works of Nietzsche, Goethe, Novalis, or Dante draws a progressive and continuous line within Maragall’s ideas; and, on the other hand, what impact these versions have on his own literary creation, through the loanwords that spread across his translations, and his poetry.
{"title":"Joan Maragall: creació, traducció i reescriptura","authors":"Francesco Ardolino","doi":"10.14746/strop.2021.483.001","DOIUrl":"https://doi.org/10.14746/strop.2021.483.001","url":null,"abstract":"What is the role of translation in Maragall’s work? If his first goal was to bestow cultural support to Catalan literature with the addition of the European authors of Modernism, the second stage of the Catalan poet’s agenda becomes more ambitious, delving into the origins of Western literature and culminating in the translation of the Homeric Hymns. My contribution analyzes how, on the one hand, the Catalan rewriting of the works of Nietzsche, Goethe, Novalis, or Dante draws a progressive and continuous line within Maragall’s ideas; and, on the other hand, what impact these versions have on his own literary creation, through the loanwords that spread across his translations, and his poetry.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43490100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-14DOI: 10.14746/strop.2021.483.007
R. Rosselló
This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.
{"title":"Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra","authors":"R. Rosselló","doi":"10.14746/strop.2021.483.007","DOIUrl":"https://doi.org/10.14746/strop.2021.483.007","url":null,"abstract":"This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43143854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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