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The Usage of Ego-documents in Jewish Historical research 自我文献在犹太历史研究中的运用
Q4 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/1462169X.2023.2207960
H. Sperber
The term Ego-documents has different meanings in various disciplines like literature, linguistics, sociology, and history. 1 In the last few decades, using Ego-documents has become an important component of historical writing. 2 While previously Ego-documents were rejected as a dubious historical source because they were regarded as one sided and subjective, recently they are considered a valuable source. 3 The change is part and parcel of the new trend in historical writing emphasizing the individual rather than the collective. 4 This change
“自我文献”一词在文学、语言学、社会学和历史学等不同学科中有着不同的含义。在过去的几十年里,使用自我文献已经成为历史写作的一个重要组成部分。虽然以前的自我文件被认为是一个可疑的历史来源,因为它们被认为是片面和主观的,但最近它们被认为是一个有价值的来源。这种变化是历史写作强调个人而非集体的新趋势的一部分。4这种变化
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引用次数: 0
“The first time I saw my father cry” – ego-documents by children from the Szeged region on the Holocaust “我第一次看到父亲哭泣”——塞格德地区儿童关于大屠杀的自我记录
Q4 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/1462169x.2023.2202085
Dóra Pataricza
ABSTRACT Szeged was the main deportation centre for Southern Hungary, in June 1944 three trains departed from here. The first train went to Auschwitz, where most people were killed upon arrival. The second train was uncoupled, half going to Auschwitz. The train’s second half and the third transport ended up in Strasshof near Vienna, where most people survived. The setup of these transports resulted in Szeged’s Jewry having an exceptionally high survival rate, including children and elderly. The current paper serves as a collection of ego-documents by Jewish children from Szeged, their lives in concentration camps, and their immediate post-war lives.
摘要塞格德是匈牙利南部的主要驱逐中心,1944年6月,三列火车从这里出发。第一列火车开往奥斯威辛集中营,那里的大多数人在抵达时被杀害。第二列火车脱钩,一半开往奥斯威辛。列车的后半段和第三段最终在维也纳附近的Strasshof,大多数人在那里幸存下来。这些运输工具的设置使塞格德犹太人的存活率特别高,包括儿童和老人。目前的论文收集了来自塞格德的犹太儿童的自我文件,他们在集中营的生活,以及他们战后的直接生活。
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引用次数: 0
Jewish ego-documents in Holocaust studies: the use of the diary as a genre and a source 大屠杀研究中的犹太人自我文件:日记作为一种体裁和来源的使用
Q4 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/1462169X.2023.2208405
A. Sepp, Annelies Augustyns
ABSTRACT The focus of this contribution is on the intricacies of the use of the Jewish diary as a genre and a source in Holocaust Studies. We will show how from a historical point of view, the diary can be seen as a factitious – albeit highly subjective – egodocument, whereas in Literary Studies, the textual and narrative structure as well as the identity construction of the writing subject are highlighted. In order to gauge the methodological tension between these two perspectives, special attention will be paid to German-Jewish Holocaust diaries, specifically those by Victor Klemperer in Dresden and Willy Cohn in Breslau.
摘要本文的重点是犹太日记作为大屠杀研究的一种类型和来源的复杂性。我们将展示,从历史的角度来看,日记是如何被视为一个虚假的——尽管是高度主观的——自我文件的,而在文学研究中,文本和叙事结构以及写作主体的身份建构都是突出的。为了衡量这两种观点之间的方法紧张关系,我们将特别关注德国犹太人大屠杀日记,特别是德累斯顿的Victor Klemperer和Breslau的Willy Cohn的日记。
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引用次数: 0
Between “wretched antisemitism” and “disgusting Zionism”: Pain and hope in a Jewish old Bolshevik’s diary 在“可恶的反犹主义”和“恶心的犹太复国主义”之间:一位犹太老布尔什维克日记中的痛苦与希望
Q4 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/1462169X.2023.2202059
G. Zelenina
ABSTRACT The article, centered around a late Soviet Jewish diary, examines constituents of Soviet Jewish identity in autobiographical writing, asking how the modes and measures of Jewish identity expression are influenced by genre frameworks (memoirs vs. diaries), political climate, and principles of socialist subjectivity. Discovering Jewish roots in seemingly orthodox Soviet statements and, thus, substantiating the public anti-Zionist discourse of the late Soviet decades with a private diary, the article argues in favor of the idea of multiple dynamic identities, of which a dormant one might be invoked and replace a salient one, and vice-versa as more accurate than the rigid Soviet/Jewish dichotomy.
摘要本文以一篇晚期苏联犹太日记为中心,考察了自传体写作中苏联犹太身份的构成,探讨了犹太身份表达的模式和衡量标准如何受到类型框架(回忆录与日记)、政治气候和社会主义主体性原则的影响。这篇文章从看似正统的苏联言论中发现了犹太人的根源,从而用私人日记证实了苏联晚期几十年的公开反犹太复国主义言论,支持多重动态身份的观点,其中一个休眠的身份可能会被援引并取代一个突出的身份,反之亦然,因为这比僵化的苏联/犹太人的二分法更准确。
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引用次数: 0
Reflection on the female body in Polish-Jewish ego-documents of the late 19th and early 20th centuries – challenges and opportunities 对19世纪末20世纪初波兰犹太自我文献中女性身体的反思——挑战与机遇
Q4 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/1462169X.2023.2198874
Zuzanna Kołodziejska-Smagała
ABSTRACT The article focuses on methodological questions in the research on memoirs, recollections, diaries and correspondence written in Polish by Jewish women between the late 1880s and 1918. It seeks to show the benefits for Jewish studies of analyzing discourses on body and sexuality in Polish-Jewish ego-documents. It asks the question of benefits and challenges for the study of Jewish and Polish social histories that such sources evoke. Adapting methodology used in anthropology, the article discusses the impact of the researcher on the interpretation of the analyzed sources.
本文主要研究19世纪80年代末至1918年间犹太妇女用波兰语撰写的回忆录、回忆、日记和信件中的方法论问题。它试图展示分析波兰犹太人自我文献中关于身体和性的话语对犹太人研究的好处。它提出了这样一个问题:犹太和波兰社会历史研究的好处和挑战,这些来源唤起。本文采用人类学的方法论,探讨了研究者对所分析资料的解释所产生的影响。
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引用次数: 0
The Days of My Life: A little-known autobiography of a 19th century Hungarian Rabbi 《我生命的日子》是一本19世纪匈牙利拉比鲜为人知的自传
Q4 Arts and Humanities Pub Date : 2023-03-28 DOI: 10.1080/1462169X.2023.2192639
J. Schwartzmann
ABSTRACT The article deals with the maskilic autobiography written in 1886 by a little-known Hungarian rabbi, Mózes Salamon (1837–1912). The autobiography, entitled The Days of My Life, was written in Hebrew in rhymed prose as a tribute to the medieval maqama. The bitter-sweet story of the author’s eventful youth is imbued with biblical expressions and connotations. Like other members of the Haskalah movement, the author stresses the vital importance of general education, while criticizing the religious educational system of his time and those who stand in the way of acquiring knowledge.
这篇文章讨论了一位不知名的匈牙利拉比Mózes Salamon(1837-1912)在1886年写的一本晦涩的自传。这本名为《我一生的日子》的自传是用希伯来语用押韵的散文写成的,是对中世纪maqama的致敬。作者多事之秋的青春苦乐参半的故事充满了圣经的表达和内涵。与Haskalah运动的其他成员一样,作者强调通识教育的重要性,同时批评他那个时代的宗教教育制度和那些阻碍获取知识的人。
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引用次数: 0
“I am now their father too”: the multi-layered meanings of family letters from the Jewish Maquis in France during the second world war “我现在也是他们的父亲”:第二次世界大战期间法国犹太马奎斯家书的多层含义
Q4 Arts and Humanities Pub Date : 2023-03-27 DOI: 10.1080/1462169X.2023.2192638
Barnabas Balint
ABSTRACT This article highlights a specific type of ego-document, where the personal and institutional are deeply intertwined and can only be understood together. It analyses a collection of letters sent between the head of the Jewish Scouts in France, Robert Gamzon, and his wife and children in hiding during the Second World War. These letters held a dual purpose: to emotionally connect a family and to pass secret encoded details about maquis activity. Decoding the letters to reveal their true meaning, this article offers a vivid window into the daily life of the resistance and the ways that Jews experienced it.
摘要本文强调了一种特定类型的自我文件,在这种文件中,个人和制度深深地交织在一起,只能一起理解。它分析了第二次世界大战期间法国犹太童子军团长罗伯特·甘松与躲藏的妻子和孩子之间的信件集。这些信件具有双重目的:在情感上连接一个家庭,并传递关于马奎斯活动的秘密编码细节。这篇文章通过解码这些字母来揭示它们的真实含义,为了解抵抗运动的日常生活以及犹太人的经历提供了一个生动的窗口。
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引用次数: 0
The art of listening: a soldier’s life writing in the Jewish Legions 倾听的艺术:一名士兵在犹太军团的生活写作
Q4 Arts and Humanities Pub Date : 2023-03-05 DOI: 10.1080/1462169x.2023.2185356
M. Keren
ABSTRACT In this article I uncover formerly undisclosed ego-documents by Baruch Gurevitz, a young soldier who served in the Jewish Legions formed in the British army in the First World War. Gurevitz recorded in his notebook conversations with Jewish legionnaires from different countries and varied backgrounds. These documents reveal how crucial the tales of individuals are for an understanding of the sources of Jewish nationalism shown here to relate to tiny sparks of consciousness rather than to the rhetoric of national leaders and ideologues. The documents also highlight an important, if sometimes forgotten, component of life writing: the art of listening.
摘要在这篇文章中,我发现了Baruch Gurevitz以前未公开的自我文件,他是一名年轻的士兵,曾在第一次世界大战中英国军队组建的犹太军团服役。古雷维兹在笔记本上记录了他与来自不同国家和不同背景的犹太退伍军人的对话。这些文件揭示了个人的故事对于理解这里所示的犹太民族主义的来源是多么重要,这些故事与微小的意识火花有关,而不是与国家领导人和理论家的言论有关。这些文件还强调了生活写作的一个重要组成部分:倾听的艺术,尽管有时被遗忘了。
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引用次数: 0
“What will the next five years bring me?”: Shulamit Pilitovski’s personal diary, Lithuania–Jerusalem, 1936–1939 “接下来的五年会给我带来什么?”:Shulamit Pilitovski的个人日记,立陶宛-耶路撒冷,1936–1939
Q4 Arts and Humanities Pub Date : 2023-02-27 DOI: 10.1080/1462169x.2023.2184077
Daniel Stern
ABSTRACT This article explores the diary of Shulamit Pilitovski, a young Jewish woman from the small town of Lazdiaji, Lithuania, who studied at the Hebrew University in Jerusalem between 1936 and 1939. The diary was written in Yiddish and later in Hebrew and dealt with the political, social, and personal affairs of that period. After graduating, she went back home for a family visit on the eve of The Second World War and could not return. She was murdered in the Vilna Ghetto in 1941. The diary, which survived in Jerusalem and had been buried in an archive for decades, is written in beautiful poetic language and in a sincere manner reflecting the events of the time from a uniquely personal viewpoint.
摘要本文探讨了舒拉米特·皮利托夫斯基(Shulamit Pilitovski)的日记,她是一位来自立陶宛小镇拉兹迪亚吉的年轻犹太妇女,1936年至1939年间就读于耶路撒冷希伯来大学。这本日记是用意第绪语写的,后来又用希伯来文写的,涉及那个时期的政治、社会和个人事务。毕业后,她在第二次世界大战前夕回家探亲,再也回不来了。1941年,她在维尔纳贫民区被谋杀。这本日记保存在耶路撒冷,在档案馆中埋藏了几十年,用优美的诗歌语言写成,以真诚的方式从独特的个人角度反映了当时的事件。
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引用次数: 0
Introduction: Jews, Europe, and the business of culture 简介:犹太人、欧洲和商业文化
Q4 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/1462169X.2023.2164981
Maja Hultman, Benito Peix Geldart, A. Houltz
When entering the Jewish Museum in Stockholm, a large glass case at the end of the hallway will likely draw any visitor’s attention. In it, two colourful and extravagantly patterned shirts are positioned one above the other (figure 1). Their simple wraparound design appears in striking contrast to the exclusive fabric. The explanation to this contrast lies in the history and origin of the shirts; they were quickly sewn together to be used as hospital shirts during the 1808–1809 war between Sweden and Russia. Due to a lack of the simple, blue and white striped fabric normally used for military hospital garments, fashionable calico fabric had to be used instead, resulting in these blue and red shirts, lined with exquisite, printed patterns (Swedish: kattuntryck). The fabric came from the textile print factory Blecktornet in Stockholm, owned by the Jewish businessman Aron Moses Lamm (1756–1824). Although considered a member of the ‘Jewish nation’ in Sweden, and thus spatially, economically and socially regulated by the 1782 statute Judereglementet, which both manifested and limited the rights for Jews to make a living in Sweden, Lamm aided the Swedish cause by providing the fabric and thus contributed to the foreign affairs of the Swedish nation. The unique shirts displayed at the museum show the intrinsic relationship between Jewish businesses and cultural endeavours. Lamm and other Jewish producers were instrumental in the reintroduction of printed calico textiles to Sweden in the early decades of the nineteenth century, and their goods, characterized by new techniques and international patterns, soon made way into both fashion and regional vernacular costumes. Because of the Swedish–Russian war, Lamm’s calico fabric unexpectedly provided him with the opportunity to express his belonging to Sweden. The factory Blecktornet, set up to provide him and his family with financial means to live and thrive in a new country, entered the realm of cultural negotiations over Jewish existence and role in Sweden. Its textile products entered non-Jewish spaces of war and dressed nonJewish bodies fighting for the Swedish nation. On a larger temporal scale, Jewish businesses in the centuries to come were incorporated into the national market, thus serving both Swedish economy and national identity. At the same time, occupying positions from peddling to banking, Jews were constantly subjected to, and othered by, antisemitic tropes and discourses related to money. To make money and become successful was thus associated with cultural negotiations on national belonging. In other words, to own and run a business as a Jew in modern Sweden – and indeed Europe – was to enter the business of culture.
当进入斯德哥尔摩的犹太博物馆时,走廊尽头的一个大玻璃柜很可能会吸引任何游客的注意力。在这幅图中,两件色彩缤纷、图案奢华的衬衫一件放在另一件上面(图1)。它们简单的环绕式设计与独特的面料形成了鲜明的对比。对这种反差的解释在于衬衫的历史和起源;在1808-1809年瑞典和俄罗斯的战争中,它们很快被缝制在一起,用作医院的衬衫。由于缺乏通常用于军队医院服装的简单的蓝色和白色条纹织物,必须使用时尚的印花布来代替,从而产生了这些蓝色和红色的衬衫,内衬有精美的印花图案(瑞典语:kattuntryck)。这些面料来自斯德哥尔摩的纺织印花工厂Blecktornet,这家工厂的老板是犹太商人艾伦·摩西·拉姆(Aron Moses Lamm, 1756-1824)。虽然拉姆被认为是瑞典“犹太民族”的一员,因此在空间上、经济上和社会上都受到1782年《犹太法律》(Judereglementet)的管制,该法律既表明了犹太人在瑞典谋生的权利,也限制了犹太人在瑞典谋生的权利,但拉姆通过提供布料帮助了瑞典的事业,从而为瑞典民族的外交事务做出了贡献。博物馆展出的独特衬衫展示了犹太企业与文化事业之间的内在关系。Lamm和其他犹太生产商在19世纪早期将印花印花布重新引入瑞典的过程中发挥了重要作用,他们的产品以新技术和国际图案为特征,很快成为时尚和当地方言服装的一部分。因为瑞典和俄罗斯的战争,Lamm的印花布意外地为他提供了表达自己属于瑞典的机会。blectornet工厂的建立是为了给他和他的家人提供在一个新的国家生活和发展的经济手段,它进入了关于犹太人在瑞典的存在和角色的文化谈判领域。它的纺织品进入了非犹太人的战争空间,并为非犹太人的身体为瑞典民族而战。在更大的时间范围内,犹太企业在接下来的几个世纪被纳入国家市场,从而为瑞典经济和国家认同服务。与此同时,从小贩到银行,犹太人经常受到与金钱有关的反犹主义比喻和话语的影响。因此,赚钱和成功与民族归属感的文化谈判有关。换句话说,作为一个犹太人,在现代瑞典——实际上是欧洲——拥有和经营一家企业,就是进入了文化行业。
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Jewish Culture and History
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