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Explorations in Media Ecology最新文献

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Susanne Langer, Marshall McLuhan and media ecology: Feminist principles in humanist projects 苏珊娜·兰格、马歇尔·麦克卢汉与媒体生态学:人文主义项目中的女权主义原则
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00081_1
Jaqueline McLeod Rogers
In current scholarship, Susanne Langer and her theories of art, perception and connectivity are less well known than McLuhan’s. Comparison brings to the fore that both were concerned with the dulling effects of heavy-handed science and technology unregulated by human hand and heart, and both understood the expressive and liberatory possibilities of language as media and metaphor. By reading ‘diffractively’ ‐ finding new connections and honouring patterns over polemics ‐ this article brings Langer back into the scholarly conversation and reinvigorates our understanding of McLuhan. Langer did not consider her thought as principled by feminism. Yet according to recent critical biographer Adrienne Dengerink Chaplin, her work was rooted in feminist ontology for espousing principles of relationality and embodiment. My article argues that McLuhan, too, eschewed dichotomies and linearities of traditional thought for the principle of relationality. Extending this claim further, my article also submits that media ecology ‐ with its emphasis on interconnectivities, on feeling and thinking, on non-linearity ‐ has features in common with feminist thinking.
在目前的学术研究中,苏珊娜·兰格和她的艺术、感知和连接理论不如麦克卢汉的知名。比较表明,两人都关注不受人的手和心控制的高压科学技术的沉闷影响,都理解语言作为媒介和隐喻的表达和解放可能性。通过“衍射式”阅读——在辩论中寻找新的联系和尊重模式——这篇文章将兰格带回了学术对话中,并重新激发了我们对麦克卢汉的理解。兰格并不认为她的思想是女权主义的原则。然而,根据最近的批评传记作家Adrienne Dengerink Chaplin的说法,她的作品植根于女权主义本体论,因为她支持关系性和体现性的原则。我的文章认为,麦克卢汉也避开了传统思想的二分法和线性,以追求关系性原则。进一步扩展这一主张,我的文章还认为,媒体生态学——强调相互联系、感觉和思维、非线性——具有与女权主义思维相同的特征。
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引用次数: 2
The Trumpian moment 特朗普时代
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00088_1
P. Rose
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引用次数: 0
Gender reveal parties and the construction of the prenatal gendered environment 性别揭示方与产前性别环境的构建
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00083_1
Terri Toles-Patkin
Expecting parents are often eager to learn the sex of their baby. Gender-reveal parties offer a community or family celebration of that information, often complete with clichéd pink or blue colour coding. Common practices include party games, competitions between Team Boy and Team Girl, and the colourful surprise reveal via confetti, smoke, balloons or food. Not only is the term ‘gender-reveal’ inaccurate (at best sonograms reveal biological sex), the practice privileges stereotypical gender binaries and legitimates pre-birth personhood under the guise of merriment, appropriating the unborn body as a contested discursive site. The gender-reveal party enhances reliance on medical technology and consumerism, retrieves traditional superstitions about pregnancy, obsolesces privacy and reverses into the commodification of both mother and child. Gender-reveals do not necessarily celebrate the pregnancy or the mother. The gender-reveal party functions to reinforce traditional cisgender binaries and constructs gendered expectations for the child even before birth.
准父母往往急于了解孩子的性别。性别揭秘派对提供了一个社区或家庭对这些信息的庆祝,通常配有陈词滥调的粉色或蓝色编码。常见的做法包括派对游戏、男孩队和女孩队之间的比赛,以及通过五彩纸屑、烟雾、气球或食物进行的丰富多彩的惊喜展示。这种做法不仅“性别揭示”一词不准确(充其量只能揭示生物性别),而且还赋予刻板的性别二元性特权,并以欢乐为幌子使出生前的人格合法化,将未出生的身体作为一个有争议的话语场所。性别揭示党加强了对医疗技术和消费主义的依赖,恢复了关于怀孕的传统迷信,过时了隐私,并转向了母亲和孩子的商品化。性别揭示并不一定庆祝怀孕或母亲。性别揭示党的职能是加强传统的顺性别二元对立,甚至在孩子出生之前就构建对孩子的性别期望。
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引用次数: 2
‘Dream’, ‘Spellbound’ and ‘Skin’
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00087_1
Kate Siklosi
With these pieces, I’m exploring the rich history of wimmin’s handicraft as a feminist poetic praxis. In today’s saturated, technomediatic world, domesticity and handcraft often get left out of discussions of ‘media ecologies’. What happens when we incorporate the feminist practices of care, fragility, uniqueness, domesticity and craft into an increasingly digitized and mass-produced means of publishing and sharing literary work? Using found objects, Letraset and thread, these ‘offline’ poetic works explore an unmediated intimacy with poetic materials; in the tactility of hand-to-object care and contact, an oft overlooked ethics of intimacy and vulnerable surfaces. With these pieces I am also thinking alongside the work of feminist theorist Sara Ahmed who thinks of feminism as ‘a fragile archive, a body assembled from shattering, from splattering, an archive whose fragility gives us responsibility: to take care’. Against the masculinist impulse for permanence and enduring legacy in poetics, these pieces make space for radical openness: working with transient and precarious materials and media not only quells the ego, but allows for a greater responsiveness to and engagement with the world and the conditions that shape it.
通过这些作品,我正在探索妇女手工艺作为一种女权主义诗歌实践的丰富历史。在今天这个饱和的科技世界里,家庭生活和手工艺常常被排除在“媒介生态学”的讨论之外。当我们将女权主义关于关怀、脆弱、独特性、家庭生活和工艺的实践融入到日益数字化和大规模生产的出版和分享文学作品的方式中时,会发生什么?这些“离线”的诗歌作品使用现成的物品、Letraset和线,探索与诗歌材料的直接亲密关系;在手对物体的关怀和接触的触感中,一个经常被忽视的亲密和脆弱的表面伦理。有了这些作品,我也想到了女权主义理论家萨拉·艾哈迈德的作品,她认为女权主义是“一个脆弱的档案,一个由破碎、飞溅组装起来的身体,一个档案的脆弱性给了我们责任:去照顾”。这些作品反对诗学中追求永恒和持久遗产的男性主义冲动,为激进的开放创造了空间:使用短暂和不稳定的材料和媒介不仅可以平息自我,还可以对世界和塑造它的条件做出更大的反应和参与。
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引用次数: 0
The making of a counterenvironment: The arts and play as counterbalance in the education of children 反环境的形成:艺术和游戏在儿童教育中的平衡作用
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00077_1
R. Albrecht
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引用次数: 0
Sphere ecology: Peter Sloterdijk’s spatial-analytic approach to media environments 球体生态学:Peter Sloterdijk对媒介环境的空间分析方法
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00072_1
Ethan Stoneman
This article makes the case for reading the German philosopher and cultural theorist Peter Sloterdijk as a media ecologist. Tracing the media ecological implications of what is perhaps his most significant work, the three-volume Spheres project, it argues that Sloterdijk’s spatial analysis of human habitats, what he terms spherology, can be interpreted as offering a promising, distinctive approach to the study of media as environments. By redescribing media as morpho-immunological spheres, or shared spatial interiors, Sloterdijk recasts both human existence and sociocultural change as the result of the interplay or mediation between a relative enclosure into a protective space and a world considered to be outside. This framework, which enables Sloterdijk to chart a grand narrative of globalization, yields a therapeutic methodological strategy by means of which media ecologists may increase the spacious dimensions of the world while strengthening the immune systems of newly designed artificial atmospheres.
本文以媒介生态学家的身份解读德国哲学家、文化理论家彼得·斯洛特迪克。通过追踪他最重要的作品——三卷本的《球体》项目——的媒体生态影响,它认为斯洛特迪克对人类栖息地的空间分析,也就是他所说的“球体学”,可以被解释为为研究媒体作为环境提供了一种有前途的、独特的方法。Sloterdijk通过将媒介重新描述为形态免疫球或共享的空间内部,重新塑造了人类的存在和社会文化的变化,这是一个相对封闭的保护空间和一个被认为是外部的世界之间相互作用或中介的结果。这个框架使Sloterdijk能够描绘全球化的宏大叙事,产生了一种治疗方法论策略,通过这种策略,媒体生态学家可以增加世界的广阔维度,同时加强新设计的人造大气的免疫系统。
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引用次数: 0
Fake news or real news about the fake world: The effect of the internet on the traditional media 假新闻还是假世界的真新闻:互联网对传统媒体的影响
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00076_1
Alexander G. Nikolaev
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引用次数: 1
Conceptualizing communities of truth on YouTube 概念化YouTube上的真相社区
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00071_1
Patricia G. Lange
Commentary on YouTube has been characterized as a ‘cesspool’. Yet, participants with divergent opinions do post comments to exchange ideas and share information. This study analyses comments posted to a video about YouTube community to investigate the site’s potential for knowledge exploration. The study analyses whether commentary dynamics exhibit those found in prior scholars’ rubric of a community of truth. This model rejects hierarchical forms of learning and advocates sincere information sharing and evaluation. The article argues that certain strands of media ecology scholarship are commensurate with the principles of a community of truth, in which knowledge seekers deploy digital environments to collectively explore a subject of inquiry – in this case the potential for establishing a YouTube community. Such a knowledge subject does not exist as a pre-defined object in the world but rather emerges through digital interaction that channels the subject’s desires about its ideal form through YouTube comments.
YouTube上的评论被形容为“污水池”。然而,持不同意见的参与者确实会发表评论来交换意见和分享信息。本研究分析了YouTube社区的视频评论,以调查该网站在知识探索方面的潜力。该研究分析了评论动态是否表现出先前学者对真理共同体的定义。这种模式拒绝分层学习形式,提倡真诚的信息共享和评估。这篇文章认为,媒体生态学术的某些分支与真理社区的原则是相称的,在真理社区中,知识追求者利用数字环境共同探索一个探究的主题——在这种情况下,建立一个YouTube社区的潜力。这样的知识主体并不是作为一个预先定义的对象存在于世界上,而是通过数字交互出现,通过YouTube评论引导主体对其理想形式的渴望。
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引用次数: 2
The Zossima Principle as an ideal for media ecology praxis 作为媒介生态学实践理想的Zossima原则
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00069_1
Barry Liss
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引用次数: 0
Solace in sound: Glenn Gould’s electronic solitude 声音中的慰藉:格伦·古尔德的电子孤独
Q2 Social Sciences Pub Date : 2021-03-01 DOI: 10.1386/EME_00070_1
S. Hicks
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引用次数: 0
期刊
Explorations in Media Ecology
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