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Explorations in Media Ecology最新文献

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Seduced by convenience 被便利所诱惑
Q2 Social Sciences Pub Date : 2021-09-01 DOI: 10.1386/eme_00098_1
E. Rose
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引用次数: 0
‘Who farted?’ politics: Old scents in new bottles “谁放屁?政治:新瓶装旧香
Q2 Social Sciences Pub Date : 2021-09-01 DOI: 10.1386/eme_00096_1
C. Anton, Valerie V. Peterson
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引用次数: 1
Gender and media ecology: An invited special issue 性别与媒体生态:特邀特刊
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00080_2
Julia M. Hildebrand, Julia C. Richmond
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引用次数: 1
Poetry
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00086_1
B. Bowen
These pieces of COVID-19 poetry in their pixelated form follow McLuhan’s playful use and misuse of the phonetic English language. They contribute to media ecology a continued poetic exploration into how our blurry presences in physical and digital spaces engender our landscapes at varying degrees and levels of experience. Through poetic exploration of this envirusment, I invoke the inherently insufficient and terminally playful qualities of language; both enabling and disabling our dualistic experiential accounts of proximity, relations and visceral corporeality in present-COVID. Depending on which dimension readers interpretatively focus on while reading, their own unique personal frame will guide their own unique translation.
这些新冠肺炎诗歌的像素化形式遵循了麦克卢汉对语音英语的顽皮使用和误用。它们为媒体生态做出了贡献,对我们在物理和数字空间中的模糊存在如何在不同程度和水平的体验中产生我们的景观进行了持续的诗意探索。通过对这种环境的诗意探索,我唤起了语言固有的不足和最终的嬉戏品质;在当前的新冠肺炎中,既使我们能够又使我们无法对接近、关系和内在物质进行二元体验描述。取决于读者在阅读时所关注的解释维度,他们自己独特的个人框架将指导他们自己的独特翻译。
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引用次数: 1
Trans* media ecology: The emergence of gender variant selfies in print 跨媒体生态:印刷品中性别差异自拍的出现
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00082_1
J. Hatfield
Despite having become more visible in popular and academic discourses over the last half decade, trans* selfies are not new. In this article, I examine an early set of trans* selfies featured in a sexploitation periodical published in the United States during the early 1960s. I show how numerous media, including bodies, clothing, cosmetics, photographs and magazines, produced a socio-technical environment through which trans* subjects composed alternative gender expressions and identities, formed intimate networks and created conditions of possibility for the eventual re-emergence of trans* selfies via digital social media platforms. Merging trans* theory with media ecology, I develop trans* media ecology as a conceptual frame from which to locate the always imbricated ‐ but never complete ‐ becoming of gendered bodies and media. Methodologically, trans* media ecology adopts three guiding principles: (1) genders are media, (2) genders depend on media and (3) genders and media change.
尽管在过去5年里,变性人自拍在大众和学术讨论中越来越多地出现,但这并不是什么新鲜事。在这篇文章中,我研究了一组早期的跨性别自拍照,这些自拍照刊登在20世纪60年代初美国出版的一本性剥削期刊上。我展示了包括身体、服装、化妆品、照片和杂志在内的众多媒体如何创造了一个社会技术环境,跨性别主体通过这个环境组成了另类的性别表达和身份,形成了亲密的网络,并为跨性别自拍最终通过数字社交媒体平台重新出现创造了可能的条件。将跨媒体理论与媒介生态学相结合,我将跨媒体生态学发展为一个概念框架,从中定位性别化的身体和媒介的不断演变——但从未完成。在方法论上,跨媒体生态学采用了三个指导原则:(1)性别是媒体;(2)性别依赖于媒体;(3)性别与媒体变化。
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引用次数: 1
Patriarchy in play: Video games as gendered media ecologies 游戏中的父权制:电子游戏作为性别化的媒体生态
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00084_1
J. Jenson, Suzanne de Castell
Videogames are a dominant cultural, economic and creative medium in the twenty-first century, whose varied ecologies are increasingly recognized as particularly hostile environments to those identifying or identified as women. These ecologies include those encoded and enacted within the virtual environments of digital games, across the spectrum of those ecologies materially inhabited in games education, game cultures and, paradigmatically, the video game industry. In June 2020, top videogame maker Ubisoft saw high ranking employees resign from the company as accounts went public on Twitter and in mainstream media of sexual harassment, abuse and other misconduct at the company being covered up and ignored. But this is by no means the first public revelation of sexual harassment and discriminatory injustices directed at women who develop and play games: many will recall the vitriolic online hate movement #gamergate.Despite the familiarity of these tropes, we seem to ‘rediscover’ every few years or so that making and playing video games can present toxic environments for women. Drawing on feminist perspectives that understand how videogames have been a gendered, primarily masculine, domain, this article proposes that a topographical view, one specifically attuned to examining gender through a media ecology lens, can demonstrate how these successive re-enactments of ‘shock and awe’ operate in the service of, and are functionally integral to, the preservation of media ecologies exclusionary by design, legitimizing the repetition of their gendered hostilities. The intent is to move beyond naïve expressions of surprise and righteous indignation, to a grounded recognition and elucidation of the extents to which misogyny and harassment are and have been deeply structured into the gendered ecologies of video games.
电子游戏是21世纪占主导地位的文化、经济和创意媒介,其多样化的生态环境越来越被认为是对那些自认为或自认为是女性的人特别不利的环境。这些生态包括在数字游戏的虚拟环境中编码和制定的生态,以及在游戏教育、游戏文化和电子游戏产业中存在的生态。2020年6月,顶级电子游戏制造商育碧(Ubisoft)看到公司的高级员工辞职,因为推特和主流媒体上公开了该公司性骚扰、性虐待和其他不当行为被掩盖和忽视的账户。但这绝不是第一次公开揭露针对开发和玩游戏的女性的性骚扰和歧视性不公正:许多人会想起尖刻的在线仇恨运动#gamergate。尽管我们对这些比喻很熟悉,但我们似乎每隔几年就会“重新发现”,制作和玩电子游戏可能会给女性带来有害的环境。基于女权主义者的观点(游戏邦注:即理解电子游戏是一个性别化的,主要是男性化的领域),本文提出了一种地形学观点,即通过媒体生态镜头来审视性别,能够展示这些“震惊与敬畏”的连续再现是如何服务于媒体生态的保护,并在功能上不可或缺,通过设计将其性别敌对行为的重复合法化。我的目的是超越naïve对惊讶和义愤的表达,更深入地认识和阐明厌女症和骚扰在电子游戏性别生态中根深蒂固的程度。
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引用次数: 1
Extended body … extended mind: The risk of thought 扩展的身体…扩展的思想:思想的风险
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00089_1
I. Angus
Communication may be understood through its manifest meaning or through the medium in which it is expressed. The latter approach begins from the material social relations and technologies that constitute the medium of communication. This approach has a certain similarity with affect theory understood as a pre-cognitive focus on bodies and technologies. An affective network sets up the manifest subject‐object, or human‐machine, relations with a subjectified anxiety. The objectification of intelligence produces a fundamental anxiety about what it is to be human. I attempt to determine where thought may yet intervene in a world of algorithms which is pervaded by anxiety.
沟通可以通过其明显的意义或通过表达它的媒介来理解。后一种方法从构成传播媒介的物质社会关系和技术开始。这种方法与情感理论有一定的相似之处,情感理论被理解为对身体和技术的前认知关注。情感网络通过主体性焦虑建立了明显的主客体关系或人与机器的关系。对智力的客观化产生了一种根本性的焦虑,即作为人类究竟是什么。我试图确定,在一个充斥着焦虑的算法世界里,思想还会在哪里干预。
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引用次数: 0
‘Antigone’, ‘Medea’, ‘Ariadne’, ‘Semele’ and ‘Jocasta’ “Antigone”、“Medea”、“Ariadne”、“Semele”和“Jocasta”
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00085_1
D. Spinosa
These pieces are from my porn myth series: ‘Antigone’, ‘Hestia’ and ‘Medea’ were first published in a pamphlet from Happy Monks Press, and ‘Ariadne’ and ‘Semele’ were created for the Concrete Is Porous second gallery show.
这些作品来自我的色情神话系列:《Antigone》、《Hestia》和《Medea》最初发表在快乐僧侣出版社的一本小册子中,《Ariadne》和《Semele》是为《混凝土多孔》第二届画廊展创作的。
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引用次数: 0
De-technologizing media ecology pedagogy: A plea for tradition, practice and narrative 去技术化的媒介生态教育学:对传统、实践与叙事的诉求
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00090_1
Ryan P. McCullough
This article explains how Jacques Ellul’s conception of technique intervenes into media ecology pedagogy. technique appears in media ecology pedagogy through attempts to turn media ecology into an academic discipline and by placing discussions of media ecology in the classroom into the realm of communication theory. The intervention of technique on media ecology pedagogy undercuts the major tenets of media ecology and its ethical orientation, and this intervention also undermines media ecology’s potency to elucidate the human condition. As an alternative to discipline and theory, this article forwards tradition, practice and narrative as pedagogical options and orientations, which allow media ecologists to carry the study of media as environments into a variety of classroom contexts and discussions.
本文阐述了雅克·艾鲁尔的技术观是如何介入媒介生态学教育学的。技术出现在媒介生态学教育学中,是通过试图将媒介生态学转变为一门学术学科,并将课堂上对媒介生态学的讨论置于传播理论的领域。技术对媒介生态学教育学的干预削弱了媒介生态学的主要原则及其伦理取向,也破坏了媒介生态学阐明人类状况的能力。作为学科和理论的替代,本文将传统、实践和叙事作为教学选择和方向,使媒体生态学家能够将媒体作为环境的研究带入各种课堂环境和讨论中。
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引用次数: 1
Runaway: Gregory Bateson, the Double Bind, and the Rise of the Ecological Consciousness, Andrew Chaney (2017) 逃亡者:格雷戈里·贝特森,双重束缚与生态意识的兴起,安德鲁·钱尼(2017)
Q2 Social Sciences Pub Date : 2021-06-01 DOI: 10.1386/eme_00091_1
Joel Ward
Review of: Runaway: Gregory Bateson, the Double Bind, and the Rise of the Ecological Consciousness, Andrew Chaney (2017)Chapel Hill, NC: University of North Carolina Press, 304 pp.,ISBN 978-1-46963-173-8, h/bk, $32.95, Kindle, $14.74
评论:《逃亡:格雷戈里·贝特森,双重束缚与生态意识的兴起》,Andrew Chaney(2017),北卡罗来纳州教堂山:北卡罗来纳大学出版社,304页,ISBN 978-1-46963-173-8,h/bk,32.95美元,Kindle,14.74美元
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引用次数: 0
期刊
Explorations in Media Ecology
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