{"title":"The importance of musical games for preschoolers","authors":"Drıta Kryezi̇u","doi":"10.12975/rastmd.2021917","DOIUrl":"https://doi.org/10.12975/rastmd.2021917","url":null,"abstract":"","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47368489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stüdyo Kayıt Ortamında Karşılaşılan Performans Kaygısı Ve Anksiyete Sendromunun Çalgı İcracılarının Başarıları Üzerindeki Olumsuz Etkileri","authors":"Hakan Emre Ziyagil","doi":"10.12975/rastmd.2021914","DOIUrl":"https://doi.org/10.12975/rastmd.2021914","url":null,"abstract":"","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43433942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Aydinlanma Cagi ve Fransiz Ihtilali ile baslayan milliyetcilik ve modernizm dusuncesi, Turkiye ve Afganistan gibi geleneksel bir toplumdan modern bir topluma gecis yapan ulusdevletleri etkiledi. Afganistan’da Kral Amanullah Han (1862-1960) doneminde (1919-1929) yapilan reform hareketleri ve Turk-Afgan dostluk iliskileri sonucu cesitli alanlarda uzmanlar Afganistan’a gonderildi. Bu ikili iliskiler cercevesinde devam eden Afgan ordusunun modernlesmesi kapsaminda gonderilen askeri heyetin icerisinde askeri muzik alaninda da egitici personel bulunmaktaydi. Askeri bando sefi, muzik ogretmeni ve besteci Halit Recep (Onut) Arman (1902-1981), 1933-37 ve 1938-42 yillari arasinda iki kez Afganistan’a askeri muzik ve bando calismalari icin gorevli olarak gonderildi. Afganistan’da bulundugu yillarda mizika ve fanfar takimlari teskil etmis, bando personeline muzik teorisi, nota okuma ve enstruman dersleri verdi. Numune Mizikasi adli kraliyet bandosunu kurdu, Mizika Mektebi acti ve alaylarda fanfar takimlari teskil etti, muzik kurslari acti ve kraliyet bandosu sefligini yapti. Egitim-ogretim, bando ve fanfar takimlari toren durus ve gecisi gibi hususlarda enstrumanlar icin metotlar yazdi. Bando calgilari icin Farsca yazilan metotlarda, calgilar icin perde ve aralik calismalari, kucuk morsolar, egzersizler, toren vaziyetleri ve Arman’in yirmiden fazla bestesi bulunmaktadir. Besiktas Deniz Muzesi ve Arsivi’nde elde edilen Farsca belgeler isiginda, once belgelerin transkripsiyonlari yapilarak ulus-devlet ve modernlesme temeline dayali olarak konu incelendi. Bu inceleme sonucunda simdiye kadar literaturde mevcut olmayan ve bilinmeyen Halit Recep Arman’in 12 adet bestesi ve 12 adet morso denilen kucuk muzik eseri tespit edildi. Tarihsel muzikoloji alaninda yazilan bu makalede, Arman’in yeni bestelerinin yani sira modernlesme ile degisen Afgan askeri muzik kurumlari, fanfar ve bando topluluklari alaninda da yapilmis olan calismalar incelenmektedi.
土耳其和阿富汗等文明的文明和现代主义受到了卡吉和法国人伊赫蒂拉里的国际文明意识的影响。在阿富汗，专家们受邀前往阿富汗，以改革阿国王（1919-1929）领导下的运动和土阿友好关系。这是一个很好的解决方案，它是一个现代人的选择。陆军乐队指挥、音乐家和诗人Halit Recep Arman（1902-1981）、1933–37和1938–42曾两次应邀前往阿富汗进行军乐和乐队体操。在阿富汗的几年里，音乐和药物的后续研究开始发展出一系列的音乐理论、音符和乐器。他设置了音乐的皇家绷带，音乐，并表演了皇家绷带。他编写了设备的方法，如真实的食人魔、带宽和幻影跟踪，以及夜间。Farsca yazilan metotlarda的calgilari，calgilari perde ve aralik calismalari，kucuk morsolar，egzersizler，toren vaziyetleri ve Arman’in yirmiden fazla bestesi bulunmaktadir。此次检查以国家状态和现代主义为基础，对海洋博物馆和档案馆获得的Farsca文件进行了转录。这项研究的结果是，哈利特·雷杰普·阿尔曼的一位12位数的诗人和12位数的博物馆被确定为不可用和未知的文献。在这篇写在历史音乐领域的文章中，阿富汗军事机构、粉丝和土匪的calismus是在新文明领域研究的，而这些新文明并没有被阿曼现代化。
{"title":"Bando Yarbay Halit Recep Arman’ın Afganistan’da modernleşme bağlamında askeri müzik ve bando çalışmaları","authors":"Erhan Tekin","doi":"10.12975/pp2444-2470","DOIUrl":"https://doi.org/10.12975/pp2444-2470","url":null,"abstract":"Aydinlanma Cagi ve Fransiz Ihtilali ile baslayan milliyetcilik ve modernizm dusuncesi, Turkiye ve Afganistan gibi geleneksel bir toplumdan modern bir topluma gecis yapan ulusdevletleri etkiledi. Afganistan’da Kral Amanullah Han (1862-1960) doneminde (1919-1929) yapilan reform hareketleri ve Turk-Afgan dostluk iliskileri sonucu cesitli alanlarda uzmanlar Afganistan’a gonderildi. Bu ikili iliskiler cercevesinde devam eden Afgan ordusunun modernlesmesi kapsaminda gonderilen askeri heyetin icerisinde askeri muzik alaninda da egitici personel bulunmaktaydi. Askeri bando sefi, muzik ogretmeni ve besteci Halit Recep (Onut) Arman (1902-1981), 1933-37 ve 1938-42 yillari arasinda iki kez Afganistan’a askeri muzik ve bando calismalari icin gorevli olarak gonderildi. Afganistan’da bulundugu yillarda mizika ve fanfar takimlari teskil etmis, bando personeline muzik teorisi, nota okuma ve enstruman dersleri verdi. Numune Mizikasi adli kraliyet bandosunu kurdu, Mizika Mektebi acti ve alaylarda fanfar takimlari teskil etti, muzik kurslari acti ve kraliyet bandosu sefligini yapti. Egitim-ogretim, bando ve fanfar takimlari toren durus ve gecisi gibi hususlarda enstrumanlar icin metotlar yazdi. Bando calgilari icin Farsca yazilan metotlarda, calgilar icin perde ve aralik calismalari, kucuk morsolar, egzersizler, toren vaziyetleri ve Arman’in yirmiden fazla bestesi bulunmaktadir. Besiktas Deniz Muzesi ve Arsivi’nde elde edilen Farsca belgeler isiginda, once belgelerin transkripsiyonlari yapilarak ulus-devlet ve modernlesme temeline dayali olarak konu incelendi. Bu inceleme sonucunda simdiye kadar literaturde mevcut olmayan ve bilinmeyen Halit Recep Arman’in 12 adet bestesi ve 12 adet morso denilen kucuk muzik eseri tespit edildi. Tarihsel muzikoloji alaninda yazilan bu makalede, Arman’in yeni bestelerinin yani sira modernlesme ile degisen Afgan askeri muzik kurumlari, fanfar ve bando topluluklari alaninda da yapilmis olan calismalar incelenmektedi.","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45567333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Basbakanlik Osmanli Arsivinde muzikle ilgili bircok belge bulunmasina karsin bu belgeleri kaynak olarak kullanan calismalarin sayisi oldukca azdir. Bu durumun bazi nedenleri bulunmaktadir. En muhim neden ise mezkur belgelerin (kapali) dosya envanter sistemine gore tasnif edilmis olmasi ve bu dosyalarin icerikleri hakkinda her hangi bir bilgiye ulasmanin mumkun olmamasidir. Arsivde bulunan dokuman tiplerinin cesitliligi ve tasnif sisteminin karmasikligi diger bazi nedenlerdir. Bu nedenlerden dolayi bahsi gecen belgelere ulasmak zorlasmakta ve arsivde calisma sureleri artmaktadir. Bu sorunun cozulmesi ancak, arsiv tasnif sisteminin iyi taninmasi ve arastirilan alanla ilgili en fazla sayida belge bulunabilecek fon kodlarinin bilinmesi ile mumkun olabilmektedir. Bu makâlede, Osmanli arsivinde yer alan ve iceriginde muzik tarihi ile alakali belgeler bulunan fon kodlari hakkinda bilgiler verilmektedir. Ayrica, Osmanli Arsivi belge tasnif sisteminin karakteristik yapisi ve bahsi gecen fon kodlarinda bulunabilecek muzikle ilgili belgelerin ozellikleri ele alinmaktadir.
{"title":"Osmanlı Arşivinde Müzik Tarihi Kaynakları","authors":"H. Toker","doi":"10.12975/pp2396-2411","DOIUrl":"https://doi.org/10.12975/pp2396-2411","url":null,"abstract":"Basbakanlik Osmanli Arsivinde muzikle ilgili bircok belge bulunmasina karsin bu belgeleri kaynak olarak kullanan calismalarin sayisi oldukca azdir. Bu durumun bazi nedenleri bulunmaktadir. En muhim neden ise mezkur belgelerin (kapali) dosya envanter sistemine gore tasnif edilmis olmasi ve bu dosyalarin icerikleri hakkinda her hangi bir bilgiye ulasmanin mumkun olmamasidir. Arsivde bulunan dokuman tiplerinin cesitliligi ve tasnif sisteminin karmasikligi diger bazi nedenlerdir. Bu nedenlerden dolayi bahsi gecen belgelere ulasmak zorlasmakta ve arsivde calisma sureleri artmaktadir. Bu sorunun cozulmesi ancak, arsiv tasnif sisteminin iyi taninmasi ve arastirilan alanla ilgili en fazla sayida belge bulunabilecek fon kodlarinin bilinmesi ile mumkun olabilmektedir. Bu makâlede, Osmanli arsivinde yer alan ve iceriginde muzik tarihi ile alakali belgeler bulunan fon kodlari hakkinda bilgiler verilmektedir. Ayrica, Osmanli Arsivi belge tasnif sisteminin karakteristik yapisi ve bahsi gecen fon kodlarinda bulunabilecek muzikle ilgili belgelerin ozellikleri ele alinmaktadir.","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44959668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Istanbul Milli Egitim Mudurlugu’nun Zeytinburnu Sicil Arsivi’ndeki 627 personele ait Osmanlica (eski Turkce) sicil dosyasi isiginda ele alinan Maariften Milli Egitime Istanbul Sicilleri (1878-1965) isimli uc ciltlik eser, ayni zamanda egitimciler icin yayimlanmis ilk bibliyografya ozelligini de ihtiva etmektedir. Bu calismada ise nesredilen eser isiginda, Osmanli Devleti’nin son donemi ile Cumhuriyetin ilk on yilina ait olmak uzere, Istanbul’daki ilk, orta ve lise kademesindeki resmi ve genel egitim kurumlarinda Ginâ, Ginâ-Musiki, ya da Musiki muallimi olarak devlet hizmetinde istihdam edilmis olan 23 egitimcinin biyografilerine yer verilmistir. Yeni belge, bilgi ve bulgularla Turk Musiki Tarihi ve mekteplerdeki Ginâ/Musiki egitimi hakkinda literature katki saglanmaya calisilmistir.
{"title":"İstanbul Maarif sicilleri’nde gınâ-mûsiki muallimlerine ait biyografiler (1894-1931)","authors":"Nuri Güçtekin","doi":"10.12975/pp2412-2443","DOIUrl":"https://doi.org/10.12975/pp2412-2443","url":null,"abstract":"Istanbul Milli Egitim Mudurlugu’nun Zeytinburnu Sicil Arsivi’ndeki 627 personele ait Osmanlica (eski Turkce) sicil dosyasi isiginda ele alinan Maariften Milli Egitime Istanbul Sicilleri (1878-1965) isimli uc ciltlik eser, ayni zamanda egitimciler icin yayimlanmis ilk bibliyografya ozelligini de ihtiva etmektedir. Bu calismada ise nesredilen eser isiginda, Osmanli Devleti’nin son donemi ile Cumhuriyetin ilk on yilina ait olmak uzere, Istanbul’daki ilk, orta ve lise kademesindeki resmi ve genel egitim kurumlarinda Ginâ, Ginâ-Musiki, ya da Musiki muallimi olarak devlet hizmetinde istihdam edilmis olan 23 egitimcinin biyografilerine yer verilmistir. Yeni belge, bilgi ve bulgularla Turk Musiki Tarihi ve mekteplerdeki Ginâ/Musiki egitimi hakkinda literature katki saglanmaya calisilmistir.","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43955022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Etnomüzikoloji disiplininin gelişim süreci ve Türkiye’de yapılan çalışmalar ışığında Martin Stokes’un popüler müzik araştırmalarının incelenmesi","authors":"Şeyma Ersoy Çak","doi":"10.12975/pp2193-2208","DOIUrl":"https://doi.org/10.12975/pp2193-2208","url":null,"abstract":"","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66338461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Less well explored than the material supplied by European observers of Ottoman musicalpractice, that relating to the Safavid realm is nevertheless instructive, both for the glimpsesit gives of music as a social activity, especially in Isfahan, of the instruments used, and forwhat it reveals about the attitudes of the observers. The contributions of two of the mostperceptive seventeenth-century European commentators are surveyed here, together withthe attempts of an eighteenth-century encyclopaedist to grapple with a Persian theoreticaltext, reflecting a nascent concern with indigenous theory as Enlightenment thinkers developan interest in exploring the music of other cultures while at the same time becoming moreself-confident in their assumptions of European musical superiority.
{"title":"Persian perspectives: Chardin, De la Borde, Kaempfer","authors":"O. Wright","doi":"10.12975/pp2050-2083","DOIUrl":"https://doi.org/10.12975/pp2050-2083","url":null,"abstract":"Less well explored than the material supplied by European observers of Ottoman musicalpractice, that relating to the Safavid realm is nevertheless instructive, both for the glimpsesit gives of music as a social activity, especially in Isfahan, of the instruments used, and forwhat it reveals about the attitudes of the observers. The contributions of two of the mostperceptive seventeenth-century European commentators are surveyed here, together withthe attempts of an eighteenth-century encyclopaedist to grapple with a Persian theoreticaltext, reflecting a nascent concern with indigenous theory as Enlightenment thinkers developan interest in exploring the music of other cultures while at the same time becoming moreself-confident in their assumptions of European musical superiority.","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47890121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
About Conversation Τhe following conversation is what was humorously called a “jammin’ article”, which was an attempt to improvise a mostly theoretical dialogue on a variety of themes broadly defining Martin Stokes’ oeuvre until today. It is a sort of “free improvisation” produced in the course of spontaneous and rather intimate dialogic writing, as it developed as a non-prescriptive and open-ended process: there was no preset structure or any sort of detailed discussion about our writing strategy, neither any sophisticated editing. Moreover, it is in no way, neither has it aspired to become, an exhaustive overview of the plethora of issues pertaining Martin Stokes’ work, which besides would be impracticable given the article’s economy of words. Most important, such an overview would inevitably be incomplete, as Martin Stokes continues to be a prolific and highly impactful scholar and researcher. Instead, what follows is a specific knot of questions and reflections born out of the residuum of reading and digesting Stokes ever since the early stages of my ethnomusicological studies - questions and reflections also intuitively sculptured in the course of our “jamming”. I am deeply thankful to Martin Stokes for accepting my proposal.
{"title":"Music and the political: a dialogue with Martin Stokes","authors":"Dafni Tragaki, M. Stokes","doi":"10.12975/pp2181-2186","DOIUrl":"https://doi.org/10.12975/pp2181-2186","url":null,"abstract":"About Conversation \u0000Τhe following conversation is what was humorously called a “jammin’ article”, which was an attempt to improvise a mostly theoretical dialogue on a variety of themes broadly defining Martin Stokes’ oeuvre until today. It is a sort of “free improvisation” produced in the course of spontaneous and rather intimate dialogic writing, as it developed as a non-prescriptive and open-ended process: there was no preset structure or any sort of detailed discussion about our writing strategy, neither any sophisticated editing. Moreover, it is in no way, neither has it aspired to become, an exhaustive overview of the plethora of issues pertaining Martin Stokes’ work, which besides would be impracticable given the article’s economy of words. Most important, such an overview would inevitably be incomplete, as Martin Stokes continues to be a prolific and highly impactful scholar and researcher. Instead, what follows is a specific knot of questions and reflections born out of the residuum of reading and digesting Stokes ever since the early stages of my ethnomusicological studies - questions and reflections also intuitively sculptured in the course of our “jamming”. I am deeply thankful to Martin Stokes for accepting my proposal.","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48368477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Turning youthful adventure into a lifelong project; interview with Martin Stokes","authors":"F. Kutluk","doi":"10.12975/pp2084-2090","DOIUrl":"https://doi.org/10.12975/pp2084-2090","url":null,"abstract":"","PeriodicalId":36229,"journal":{"name":"Rast Muzikoloji Dergisi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45732690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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