This paper investigates the concept of ‘passage territories’ (Sennett, 2006), de ned as living spaces constructed from one’s passage of movement from one separate space to another, and how it extends the discussion of interiority in contested contexts. Through observations of living spaces and the narrative accounts of dwellers’ in Kampung Pulo and Manggarai neighbourhoods of Jakarta, this study draws attention to the interiority of dispersed and layered spaces occupied by the kampungs’ dwellers. In this context, passage territories are driven by a) a limitation of space that, in turn, triggers the need to acquire more space; b) the occupation of a dweller that necessitates different types of space; and c) the limited access to infrastructural resources that influence the extent of a living space’s dispersal. Through the use of drawings, this study reveals the complete interiority of living spaces consisting of spaces with diverse spatial ownerships and scales. The boundaries of passage territories tend to be de ned by the frequency and length of time needed for an activity instead of the relative proximity between certain spaces. Furthermore, the way objects are placed also shapes the boundaries of passage territories, both for permanent and temporary use of space. This paper then discusses the impact of this knowledge on the interiority of passage territories, proposing to use mechanisms of ‘patches’ and ‘corridors’ to shape the interior of territory that cross, share, and change into one another.
{"title":"Passage Territories: Reframing Living Spaces in Contested Contexts","authors":"K. D. Paramita, T. Schneider","doi":"10.7454/IN.V1I2.34","DOIUrl":"https://doi.org/10.7454/IN.V1I2.34","url":null,"abstract":"\u0000 \u0000 \u0000This paper investigates the concept of ‘passage territories’ (Sennett, 2006), de ned as living spaces constructed from one’s passage of movement from one separate space to another, and how it extends the discussion of interiority in contested contexts. Through observations of living spaces and the narrative accounts of dwellers’ in Kampung Pulo and Manggarai neighbourhoods of Jakarta, this study draws attention to the interiority of dispersed and layered spaces occupied by the kampungs’ dwellers. In this context, passage territories are driven by a) a limitation of space that, in turn, triggers the need to acquire more space; b) the occupation of a dweller that necessitates different types of space; and c) the limited access to infrastructural resources that influence the extent of a living space’s dispersal. Through the use of drawings, this study reveals the complete interiority of living spaces consisting of spaces with diverse spatial ownerships and scales. The boundaries of passage territories tend to be de ned by the frequency and length of time needed for an activity instead of the relative proximity between certain spaces. Furthermore, the way objects are placed also shapes the boundaries of passage territories, both for permanent and temporary use of space. This paper then discusses the impact of this knowledge on the interiority of passage territories, proposing to use mechanisms of ‘patches’ and ‘corridors’ to shape the interior of territory that cross, share, and change into one another. \u0000 \u0000 \u0000","PeriodicalId":36258,"journal":{"name":"Interiority","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47809748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Museum dioramas are widely recognised as historic visual tropes used to frame the grandeur of the outside world within an interior viewing space. With the development of digital technologies, data projection and soundscape have increasingly replaced diorama production as a means to transform these once static-animal-posed-in-painted- habitat with immersive interiors that engage the visual and aural senses alike. Andre Breton proposes that two modes of consciousness exist: an exterior world of facts and an interior world of emotions. These interiors and exteriors produce an interface and exchange. An invitation to respond to the interior of RMIT University’s First Site gallery provided an opportunity to experiment with the three traditional dioramic elements used to bring the exterior world into an interior employing taxidermy, model making and set painting. By engaging digital technologies in response to these three elements, I developed a sensorial interior, where the exterior world of facts was set into dialogue with the interior world of emotion. A physical encounter that expanded on ‘interior’ as an experiential, relational, phenomenal and emotive space.
{"title":"Sensorial Interior: Museum Diorama as Phenomenal Space","authors":"S. Edwards","doi":"10.7454/IN.V1I2.29","DOIUrl":"https://doi.org/10.7454/IN.V1I2.29","url":null,"abstract":"\u0000 \u0000 \u0000Museum dioramas are widely recognised as historic visual tropes used to frame the grandeur of the outside world within an interior viewing space. With the development of digital technologies, data projection and soundscape have increasingly replaced diorama production as a means to transform these once static-animal-posed-in-painted- habitat with immersive interiors that engage the visual and aural senses alike. Andre Breton proposes that two modes of consciousness exist: an exterior world of facts and an interior world of emotions. These interiors and exteriors produce an interface and exchange. An invitation to respond to the interior of RMIT University’s First Site gallery provided an opportunity to experiment with the three traditional dioramic elements used to bring the exterior world into an interior employing taxidermy, model making and set painting. By engaging digital technologies in response to these three elements, I developed a sensorial interior, where the exterior world of facts was set into dialogue with the interior world of emotion. A physical encounter that expanded on ‘interior’ as an experiential, relational, phenomenal and emotive space. \u0000 \u0000 \u0000","PeriodicalId":36258,"journal":{"name":"Interiority","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49262398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Interiority, in relation to my practice, is the inherent curiosity to the notions of process, time and duration. It is a practice of mark making, marking time, making time, and time making; foregrounding duration and marking an occurrence. My technique is one of working responsively to interiors, allowing particular temporal conditions to surface within specific sites and situations. The marks – whether they be on a canvas, a house, a building, or within a gallery – materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time. This paper discusses an artist residency undertaken in Detroit, USA 2017. Informed by existing watermarks, stains and rust encountered within abandoned spaces in Detroit, I initially responded by using found materials such as charcoal and ash from burnt houses, plant materials and liquids, to assemble process-based compositions on canvas. Further temporal interventions were then assembled in a number of situations within Detroit. This paper, and practice, notions that interiority is a field of interiors where the indeterminate is celebrated through the force of duration; immersion in time as ow. The temporal, material and immaterial are considered as a dynamic and confluence of forces; assembled in time, materialising immateriality.
{"title":"indeterminate duration","authors":"James R. Carey","doi":"10.7454/in.v1i2.25","DOIUrl":"https://doi.org/10.7454/in.v1i2.25","url":null,"abstract":"\u0000 \u0000 \u0000Interiority, in relation to my practice, is the inherent curiosity to the notions of process, time and duration. It is a practice of mark making, marking time, making time, and time making; foregrounding duration and marking an occurrence. My technique is one of working responsively to interiors, allowing particular temporal conditions to surface within specific sites and situations. The marks – whether they be on a canvas, a house, a building, or within a gallery – materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time. This paper discusses an artist residency undertaken in Detroit, USA 2017. Informed by existing watermarks, stains and rust encountered within abandoned spaces in Detroit, I initially responded by using found materials such as charcoal and ash from burnt houses, plant materials and liquids, to assemble process-based compositions on canvas. Further temporal interventions were then assembled in a number of situations within Detroit. This paper, and practice, notions that interiority is a field of interiors where the indeterminate is celebrated through the force of duration; immersion in time as ow. The temporal, material and immaterial are considered as a dynamic and confluence of forces; assembled in time, materialising immateriality. \u0000 \u0000 \u0000","PeriodicalId":36258,"journal":{"name":"Interiority","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48147305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Understanding the relations between human being and its environment is critical in our attempt to create an appropriate built environment. Interior as a discipline has a privilege to be in the intersection between subjective experience of human users and the physical manifestation of environment occupied by the human. Looking at interiority as a relational construct that occurs between the users and environment should be an essential basis for design practice. This issue of Interiority intends to explore various forms of relational construct that emerge in the interaction between space and the users and to identify possible challenges posed by such relations for spatial design practice.
{"title":"Editorial: Interiority as Relations","authors":"P. Atmodiwirjo, Y. Yatmo","doi":"10.7454/IN.V1I2.40","DOIUrl":"https://doi.org/10.7454/IN.V1I2.40","url":null,"abstract":"Understanding the relations between human being and its environment is critical in our attempt to create an appropriate built environment. Interior as a discipline has a privilege to be in the intersection between subjective experience of human users and the physical manifestation of environment occupied by the human. Looking at interiority as a relational construct that occurs between the users and environment should be an essential basis for design practice. This issue of Interiority intends to explore various forms of relational construct that emerge in the interaction between space and the users and to identify possible challenges posed by such relations for spatial design practice.","PeriodicalId":36258,"journal":{"name":"Interiority","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43709676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：