Pub Date : 2023-10-20DOI: 10.25205/1818-7919-2023-22-7-20-33
A. A. Anoikin, P. M. Sosin, S. A. Kogai, K. K. Pavlenok, A. F. Sharipov, O. A. Tokareva, R. N. Kurbanov
Purpose . The paper presents a description of the stratigraphic and planigraphic situation at the excavation 3 of the Lakhuti IV site (Khovaling loess plateau, Tajikistan) recorded during field work in 2022. Results . The cross-section has 18 layers grouped into three strata: L6 glacial period sediments (MIS 14), 6a and 6b soil complexes (MIS 15). The identified technocomplexes belong to the late Karatau culture of the Lower Paleolithic of Tajikistan. The level 5.2 planigraphy indicates that the investigated area could be a fragment of a workshop site where primary processing of stone raw materials was carried out. The layer L6 artefacts indicates that the region was continuously developed by humans, and glacial conditions in the Middle Pleistocene affected the intensity of these processes only. Conclusions . The closest analogues to the late Karatau complexes can be traced in the Soan pebble-flake industries of the Northern Hindustan. They have a similar age to Tajik materials (second half of the Middle Pleistocene), geomorphological position (deposits of high terraces in the upper reaches of the Indus, Soan, and other rivers in the Himalayas foothill zone), a similar raw material base (river alluvium). Also they have a number of technical and typological characteristics, which include: citron and radial knapping; a higher percentage of large flakes and “citrons”; choppers, simple side-scrapers and unifaces in tool-kits; lack of bifacial technique. As a result of a new stage in the study of the Lower Paleolithic complexes in the region, authors proposed a new model, according to which the region was continuously developed by hominins, and glacial conditions mainly influenced the intensity of these processes.
{"title":"New Data on the Lower Paleolithic of Tajikistan: Materials of Lakhuti IV, Trench 3","authors":"A. A. Anoikin, P. M. Sosin, S. A. Kogai, K. K. Pavlenok, A. F. Sharipov, O. A. Tokareva, R. N. Kurbanov","doi":"10.25205/1818-7919-2023-22-7-20-33","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-7-20-33","url":null,"abstract":"Purpose . The paper presents a description of the stratigraphic and planigraphic situation at the excavation 3 of the Lakhuti IV site (Khovaling loess plateau, Tajikistan) recorded during field work in 2022. Results . The cross-section has 18 layers grouped into three strata: L6 glacial period sediments (MIS 14), 6a and 6b soil complexes (MIS 15). The identified technocomplexes belong to the late Karatau culture of the Lower Paleolithic of Tajikistan. The level 5.2 planigraphy indicates that the investigated area could be a fragment of a workshop site where primary processing of stone raw materials was carried out. The layer L6 artefacts indicates that the region was continuously developed by humans, and glacial conditions in the Middle Pleistocene affected the intensity of these processes only. Conclusions . The closest analogues to the late Karatau complexes can be traced in the Soan pebble-flake industries of the Northern Hindustan. They have a similar age to Tajik materials (second half of the Middle Pleistocene), geomorphological position (deposits of high terraces in the upper reaches of the Indus, Soan, and other rivers in the Himalayas foothill zone), a similar raw material base (river alluvium). Also they have a number of technical and typological characteristics, which include: citron and radial knapping; a higher percentage of large flakes and “citrons”; choppers, simple side-scrapers and unifaces in tool-kits; lack of bifacial technique. As a result of a new stage in the study of the Lower Paleolithic complexes in the region, authors proposed a new model, according to which the region was continuously developed by hominins, and glacial conditions mainly influenced the intensity of these processes.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135665459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-82-93
L. A. Kruglova, A. I. Kostrukov
Purpose. Compared to 800 million users in 2012, global YouTube reached over 2 billion monthly active users in 2021. Just over a quarter of the world’s population visits YouTube every month. Worldwide, users watch over 1 billion hours of content every day. Russia is in the top five countries in 2021 in terms of the total estimated number of YouTube users – 58 million. According to Why Video, over 65 % of viewers perceive YouTube content as real life. Daily statistics show the scale of YouTube and it becomes clear that this is not just social media and video hosting, but a full-fledged “fifth power”. Results. Based on the analysis of 127 Russian-language media YouTube channels conducted in the fall-winter of 2021, as well as on expert interviews and monitoring of sociological research, the authors are trying to determine the vectors of development of the enormously popular platform.Conclusion. YouTube and audiovisual networks are becoming not only a means of procrastinating and entertaining viewers, but also an informational and educational source. Social media, and in particular YouTube, have established their own full-fledged media space with their own laws, trends, culture, fashion, etc. Most YouTubers create a completely competitive product without large-scale professional, especially television, production facilities, while their audience is many times greater than the television one. They re-invent journalistic genres that seem outdated on television and radio, raising hype about them. They earn money with the help of not only the YouTube platform but also advertising integrations. YouTubers grew into powerful media, developing a personal brand, choosing the most comfortable social media platforms for themselves, and successfully mastering new ones.
{"title":"Russian-Language Media of YouTube: Trends of the “Fifth Power” in 2021","authors":"L. A. Kruglova, A. I. Kostrukov","doi":"10.25205/1818-7919-2023-22-6-82-93","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-82-93","url":null,"abstract":"Purpose. Compared to 800 million users in 2012, global YouTube reached over 2 billion monthly active users in 2021. Just over a quarter of the world’s population visits YouTube every month. Worldwide, users watch over 1 billion hours of content every day. Russia is in the top five countries in 2021 in terms of the total estimated number of YouTube users – 58 million. According to Why Video, over 65 % of viewers perceive YouTube content as real life. Daily statistics show the scale of YouTube and it becomes clear that this is not just social media and video hosting, but a full-fledged “fifth power”. Results. Based on the analysis of 127 Russian-language media YouTube channels conducted in the fall-winter of 2021, as well as on expert interviews and monitoring of sociological research, the authors are trying to determine the vectors of development of the enormously popular platform.Conclusion. YouTube and audiovisual networks are becoming not only a means of procrastinating and entertaining viewers, but also an informational and educational source. Social media, and in particular YouTube, have established their own full-fledged media space with their own laws, trends, culture, fashion, etc. Most YouTubers create a completely competitive product without large-scale professional, especially television, production facilities, while their audience is many times greater than the television one. They re-invent journalistic genres that seem outdated on television and radio, raising hype about them. They earn money with the help of not only the YouTube platform but also advertising integrations. YouTubers grew into powerful media, developing a personal brand, choosing the most comfortable social media platforms for themselves, and successfully mastering new ones.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81686082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-94-102
Julia S. Pozdnyakova
The article considers the process of transformation of framing of science from a researcher (6 letters, 5 versions of the text with corrections) through the news in corporate mass media (press release, 1 text) to other mass media (8 texts in English, 1 text in German, 59 texts in Russian). Three frames were identified in the original text: “narrative of the progress of the study”, “catastrophizing the results of the study”, and “the need for additional observations for more accurate research results”. The media exploited the “catastrophizing” frame most actively: 6 texts in English, 1 text in German, 42 texts in Russian. Also, journalists implemented one more frame – “verification of results by external experts” (1 time in English and 1 time in Russian). In the texts in Russian has appeared another source of information – a press-release by the Institute of Volcanology and Seismology, which can be singled out in a separate frame “refutation of the results obtained by external experts” (15 texts). There has been a convergence of the format of news and a press release about scientific results since journalists used texts prepared by press services without verification and external comments. As a result, the frames of the original text are duplicated in mass media. If the frame is based on sensation, the emphasis on sensation increases in further replication when information about the research (its methodology, problems, and development) decreases.
{"title":"Framing Science in the Media: Case Study of News on Bolshaya Udina Volcano","authors":"Julia S. Pozdnyakova","doi":"10.25205/1818-7919-2023-22-6-94-102","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-94-102","url":null,"abstract":"The article considers the process of transformation of framing of science from a researcher (6 letters, 5 versions of the text with corrections) through the news in corporate mass media (press release, 1 text) to other mass media (8 texts in English, 1 text in German, 59 texts in Russian). Three frames were identified in the original text: “narrative of the progress of the study”, “catastrophizing the results of the study”, and “the need for additional observations for more accurate research results”. The media exploited the “catastrophizing” frame most actively: 6 texts in English, 1 text in German, 42 texts in Russian. Also, journalists implemented one more frame – “verification of results by external experts” (1 time in English and 1 time in Russian). In the texts in Russian has appeared another source of information – a press-release by the Institute of Volcanology and Seismology, which can be singled out in a separate frame “refutation of the results obtained by external experts” (15 texts). There has been a convergence of the format of news and a press release about scientific results since journalists used texts prepared by press services without verification and external comments. As a result, the frames of the original text are duplicated in mass media. If the frame is based on sensation, the emphasis on sensation increases in further replication when information about the research (its methodology, problems, and development) decreases.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84248647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-183-186
M. Voskresenskaya
The author reviews A. I. Belenky's textbook “Photojournalism in Modern Media”, intended for students at universities. Unlike the bulk of teaching literature devoted to photography, this book focuses not on the technical techniques of photography, but on the basics of journalistic work with photography. Alexander I. Belenky has extensive experience as a photo reporter and bildedactor, teacher, media investigator. Each of the aspects of his professionalism was reflected in the book – in the content of theoretical material, in practical recommendations, in methodological guidelines. There are 12 chapters in the book. Chapters 1–8 describe the functioning of photography in mass media. Chapters 9–11 disclose the conditions that ensure the quality and efficiency of the photojournalist. Chapter 12 provides advice on further professional improvement for a photographer working in mass media. The author's reasoning is accompanied by rich illustrative material, including many works by recognized photo masters. The tests at the end of each chapter encourage self-reflection and creative work. A glossary and a list of recommended literature are also useful for students.
作者回顾了A. I. Belenky为大学学生编写的教科书《现代媒体中的新闻摄影》。不像大量的教学文献致力于摄影，这本书的重点不是摄影的技术技巧，但对摄影的新闻工作的基础知识。亚历山大·贝伦基拥有丰富的摄影记者、建筑演员、教师、媒体调查员的经验。他的专业精神的每一个方面都反映在这本书中-在理论材料的内容，在实践建议，在方法指导方针。这本书有12章。第1-8章描述了摄影在大众传媒中的作用。第9-11章揭示了保证摄影记者的质量和效率的条件。第12章为从事大众传媒工作的摄影师提供进一步提高专业水平的建议。作者的推理附有丰富的说明材料，其中包括许多公认的摄影大师的作品。每章末尾的测试鼓励自我反思和创造性工作。词汇表和推荐文献列表对学生也很有用。
{"title":"“What Is a Good Journalistic Photography”. Book Review: Belenky A. I. Photojournalism in modern media. Moscow, KNORUS, 2022, 164 p.","authors":"M. Voskresenskaya","doi":"10.25205/1818-7919-2023-22-6-183-186","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-183-186","url":null,"abstract":"The author reviews A. I. Belenky's textbook “Photojournalism in Modern Media”, intended for students at universities. Unlike the bulk of teaching literature devoted to photography, this book focuses not on the technical techniques of photography, but on the basics of journalistic work with photography. Alexander I. Belenky has extensive experience as a photo reporter and bildedactor, teacher, media investigator. Each of the aspects of his professionalism was reflected in the book – in the content of theoretical material, in practical recommendations, in methodological guidelines. There are 12 chapters in the book. Chapters 1–8 describe the functioning of photography in mass media. Chapters 9–11 disclose the conditions that ensure the quality and efficiency of the photojournalist. Chapter 12 provides advice on further professional improvement for a photographer working in mass media. The author's reasoning is accompanied by rich illustrative material, including many works by recognized photo masters. The tests at the end of each chapter encourage self-reflection and creative work. A glossary and a list of recommended literature are also useful for students. ","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"947 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77575821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-103-115
K. V. Dementieva
The article discusses trends in the development of the regional blogosphere. The outcomes of the study include a determination of the main stages in the growth of regional blogs, an indication of their type-forming features, a description of the most popular topics, and a ranking of bloggers into three levels of popularity. Majority of the blogs of the Mordovia region target a youth audience, thematically do not differ from the blogs of the all-country level, but barely touch on the current socio-political agenda. The percentage of blogs focused on national relations and ethnic culture is extremely small. Another key tendency is to attract bloggers as opinion leaders. In 2022, the regional blogosphere was reshaped, and not all popular content creators successfully adapted to the changes.
{"title":"Trends in the Development of the Regional Blogosphere (On the Example of the Republic of Mordovia)","authors":"K. V. Dementieva","doi":"10.25205/1818-7919-2023-22-6-103-115","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-103-115","url":null,"abstract":"The article discusses trends in the development of the regional blogosphere. The outcomes of the study include a determination of the main stages in the growth of regional blogs, an indication of their type-forming features, a description of the most popular topics, and a ranking of bloggers into three levels of popularity. Majority of the blogs of the Mordovia region target a youth audience, thematically do not differ from the blogs of the all-country level, but barely touch on the current socio-political agenda. The percentage of blogs focused on national relations and ethnic culture is extremely small. Another key tendency is to attract bloggers as opinion leaders. In 2022, the regional blogosphere was reshaped, and not all popular content creators successfully adapted to the changes.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90067894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-40-46
K. B. Chaikovskaya
The article examines the features of the author's style of Pyotr Ilyich Tchaikovsky as a music critic and the impact of his journalistic works on the development of music journalism in Russia. It analyzes in detail his texts contained in the newspapers “Russian Vedomosti”, “Moscow Vedomosti”, “Modern Chronicle” and reviews the assessment of his musical and critical activity provided by the outstanding Russian music critics G. A. Laroche and A. N. Serov. The article concludes that despite his obvious literary talent, Tchaikovsky did not consider music journalism his profession. The composer's work in musical journalism became a bright discovery for his contemporaries as well. The sharpness of his gaze as the music critic caught those details of acting, instrument skills, or composing techniques that an ordinary spectator did not know about, considering all fashionable musical trends from an idealistic perspective, and professional musicians and actors did not want to share, concealing their omissions. Tchaikovsky did not follow the tastes of the high society of Moscow and St. Petersburg and was not afraid to denounce world-famous opera singers, openly pointing out their sometimes lack of talent or undisguised lack of desire to improve their artistry. Complaining about the attacks on his critical activity, Tchaikovsky noted that this work, no matter how difficult it was, not only for him but also for any critic, played a crucial role in leveling up music education, which is the key to the development of music and journalism.
本文考察了柴可夫斯基作为乐评人的风格特点，以及他的新闻作品对俄罗斯音乐新闻事业发展的影响。本文详细分析了他在“俄罗斯Vedomosti”、“莫斯科Vedomosti”、“现代编年史”等报纸上的作品，并回顾了杰出的俄罗斯音乐评论家G. A. Laroche和A. N. Serov对他的音乐和批评活动的评价。文章的结论是，尽管柴可夫斯基有明显的文学天赋，但他并不认为音乐新闻是他的职业。这位作曲家在音乐新闻方面的工作也成为他同时代人的一个重大发现。从理想主义的角度考虑所有流行的音乐趋势，专业的音乐家和演员不愿分享的音乐评论家的锐利目光，捕捉到普通观众所不知道的表演、乐器技巧或作曲技巧的细节，隐藏了他们的遗漏。柴可夫斯基并不追随莫斯科和圣彼得堡上流社会的品味，他敢于谴责世界著名的歌剧演唱家，公开指出他们有时缺乏才华，或者毫不掩饰地缺乏提高艺术水平的愿望。柴可夫斯基抱怨他的批评活动受到攻击，他指出，无论这项工作多么困难，不仅对他来说，对任何评论家来说，都在提升音乐教育水平方面发挥了至关重要的作用，而音乐教育是音乐和新闻发展的关键。
{"title":"The Significance of P. I. Tchaikovsky’s Journalistic Activity in the “Russian Vedomosti”","authors":"K. B. Chaikovskaya","doi":"10.25205/1818-7919-2023-22-6-40-46","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-40-46","url":null,"abstract":"The article examines the features of the author's style of Pyotr Ilyich Tchaikovsky as a music critic and the impact of his journalistic works on the development of music journalism in Russia. It analyzes in detail his texts contained in the newspapers “Russian Vedomosti”, “Moscow Vedomosti”, “Modern Chronicle” and reviews the assessment of his musical and critical activity provided by the outstanding Russian music critics G. A. Laroche and A. N. Serov. The article concludes that despite his obvious literary talent, Tchaikovsky did not consider music journalism his profession. The composer's work in musical journalism became a bright discovery for his contemporaries as well. The sharpness of his gaze as the music critic caught those details of acting, instrument skills, or composing techniques that an ordinary spectator did not know about, considering all fashionable musical trends from an idealistic perspective, and professional musicians and actors did not want to share, concealing their omissions. Tchaikovsky did not follow the tastes of the high society of Moscow and St. Petersburg and was not afraid to denounce world-famous opera singers, openly pointing out their sometimes lack of talent or undisguised lack of desire to improve their artistry. Complaining about the attacks on his critical activity, Tchaikovsky noted that this work, no matter how difficult it was, not only for him but also for any critic, played a crucial role in leveling up music education, which is the key to the development of music and journalism. ","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74379792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-147-160
K. Dagaeva
The article discusses the features of the image of the Soviet Union in the American press in 1990–1991. Based on the analysis of the articles from the liberal weekly news magazine “Time”, the research aims to identify the characteristic features of the representation of the image of the USSR on the pages of the American press in the last years of the Soviet Union and to analyze the dominant stereotypes and the specifics of their formation. The author resorts to quantitative and semantic analysis of texts from “Time” magazine covering events in the USSR.The paper examines the problems of the collapse of the USSR but for the first time from the perspective of the imagological study. Based on the frequency analysis of lexemes, the author proposes a unique thematic list of rubrics that reflects the focus of interest of American journalists when covering events related to the Soviet Union. On the pages of “Time”, the concept of “Russian people” is presented as a passive object that has nothing to do with politics. There is also a division of political forces into positive ones, represented by M. S. Gorbachev and B. N. Yeltsin, and negative, pursuing a repressive policy, presented as abstractions “Kremlin”, “Moscow”, “Soviet Union”. The interpretation of the events of the August putsch deserves special attention - the persistent drawing of parallels with the revolution of 1917.
{"title":"Features of the Image of the USSR on the Pages of the American Press in the Last Years of the Soviet Union","authors":"K. Dagaeva","doi":"10.25205/1818-7919-2023-22-6-147-160","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-147-160","url":null,"abstract":"The article discusses the features of the image of the Soviet Union in the American press in 1990–1991. Based on the analysis of the articles from the liberal weekly news magazine “Time”, the research aims to identify the characteristic features of the representation of the image of the USSR on the pages of the American press in the last years of the Soviet Union and to analyze the dominant stereotypes and the specifics of their formation. The author resorts to quantitative and semantic analysis of texts from “Time” magazine covering events in the USSR.The paper examines the problems of the collapse of the USSR but for the first time from the perspective of the imagological study. Based on the frequency analysis of lexemes, the author proposes a unique thematic list of rubrics that reflects the focus of interest of American journalists when covering events related to the Soviet Union. On the pages of “Time”, the concept of “Russian people” is presented as a passive object that has nothing to do with politics. There is also a division of political forces into positive ones, represented by M. S. Gorbachev and B. N. Yeltsin, and negative, pursuing a repressive policy, presented as abstractions “Kremlin”, “Moscow”, “Soviet Union”. The interpretation of the events of the August putsch deserves special attention - the persistent drawing of parallels with the revolution of 1917.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"128 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80405128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-9-20
Andrey V. Rastyagaev, Y. Slozhenikina
The Seven Years’ War (1756–1763), in which the Russian army fought together with Austria, France, Spain, Saxony and Sweden against the armies of Prussia, Great Britain and Portugal, is considered by some researchers to be the first world war of the New Age by its time and scale of fighting. The reflection of the war in the pages of a periodical has an implicit character and needs to be interpreted. The theme of the war is cross-cutting for all 12 issues of the magazine. All military-related fragments from the magazine are imbued with the spirit of humanism and pacifism. For Sumarokov, war is the apocalypse, the destruction of the universe and all things. The author reflects on the price of victory, the terrible bloodshed, and the ruthlessness of death. Man is like God observing the life of another – a key phrase expressing the pacifist position of the editors of “Laboring Bee”.
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Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-70-81
D. Dunas, A. N. Gureeva, P. A. Kireeva
The paper examines and systematizes the most common theoretical approaches to the “cancel culture”, a widely spread mediatized phenomenon in contemporary social life. It focuses on analyzing primarily English-language academic discourse, since there are significantly more scholars examining this phenomenon. In addition to the literature review, the study uses monitoring methods of media publications on the related topic, which allows for revealing tendencies and dynamics of public and academic interest in the analyzed phenomenon. The paper describes the theoretical origins of the “cancel culture”, offers the most stable definitions and interpretations of the “cancel culture” today, and considers the concept of “cancel culture” in the context of the struggle for social justice. The theoretical interpretation of the phenomenon also includes a critical perspective: the “cancel culture” is condemned for its incompatibility with the promoted democratic ideals to the methods used by activists, the abuse of media power, etc. The “cancel culture” is criticized for the practice of lynching, or so-called “digital vigilantism”. Obviously, the “cancel culture” is both a positive and a negative phenomenon, which should be viewed in a comprehensive and in-depth way.
{"title":"Forming the Theoretical Framework of the “Cancel Culture”: Conceptual Roots and Current Interpretations","authors":"D. Dunas, A. N. Gureeva, P. A. Kireeva","doi":"10.25205/1818-7919-2023-22-6-70-81","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-70-81","url":null,"abstract":"The paper examines and systematizes the most common theoretical approaches to the “cancel culture”, a widely spread mediatized phenomenon in contemporary social life. It focuses on analyzing primarily English-language academic discourse, since there are significantly more scholars examining this phenomenon. In addition to the literature review, the study uses monitoring methods of media publications on the related topic, which allows for revealing tendencies and dynamics of public and academic interest in the analyzed phenomenon. The paper describes the theoretical origins of the “cancel culture”, offers the most stable definitions and interpretations of the “cancel culture” today, and considers the concept of “cancel culture” in the context of the struggle for social justice. The theoretical interpretation of the phenomenon also includes a critical perspective: the “cancel culture” is condemned for its incompatibility with the promoted democratic ideals to the methods used by activists, the abuse of media power, etc. The “cancel culture” is criticized for the practice of lynching, or so-called “digital vigilantism”. Obviously, the “cancel culture” is both a positive and a negative phenomenon, which should be viewed in a comprehensive and in-depth way.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"1068 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77276774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.25205/1818-7919-2023-22-6-47-59
D. V. Petrosyan, T. Danielyan
The article analyzes the tendencies of the development of Armenian translated fiction and its importance as a communication channel in the genesis of national identity. The magazines under study published those works in which the collective image of the nation and its axiological system were embodied, and parallels were drawn between its past and present. Under the influence of socio-political and cultural factors, translated literature developed both in intralinguistic and inter-lingual directions and turned into one of the main catalysts for the formation of the modern Armenian language. The literature translated into Armenian improved the structure of the modern Armenian literary language and replenished its vocabulary with neologisms and borrowed words. Quantitative and qualitative analysis indicates that the thematic vector is shifting from social problems to patriotic content. Compositions of patriotic themes, in addition to aesthetic perception, awakened the national dignity of the Armenian people, faith in the revival of the Homeland, and Their own future. Comparison with the Russian newspaper “Kavkaz” (“Caucasus”) of the same period confirms the directly opposite thematic preferences of the editors: the literary geography in the Russian newspaper covered the South-East, and in the Armenian magazines – the North-West.
{"title":"The Translational Fiction Literature in the Armenian Magazines of Tiflis (1860–1881)","authors":"D. V. Petrosyan, T. Danielyan","doi":"10.25205/1818-7919-2023-22-6-47-59","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-6-47-59","url":null,"abstract":"The article analyzes the tendencies of the development of Armenian translated fiction and its importance as a communication channel in the genesis of national identity. The magazines under study published those works in which the collective image of the nation and its axiological system were embodied, and parallels were drawn between its past and present. Under the influence of socio-political and cultural factors, translated literature developed both in intralinguistic and inter-lingual directions and turned into one of the main catalysts for the formation of the modern Armenian language. The literature translated into Armenian improved the structure of the modern Armenian literary language and replenished its vocabulary with neologisms and borrowed words. Quantitative and qualitative analysis indicates that the thematic vector is shifting from social problems to patriotic content. Compositions of patriotic themes, in addition to aesthetic perception, awakened the national dignity of the Armenian people, faith in the revival of the Homeland, and Their own future. Comparison with the Russian newspaper “Kavkaz” (“Caucasus”) of the same period confirms the directly opposite thematic preferences of the editors: the literary geography in the Russian newspaper covered the South-East, and in the Armenian magazines – the North-West.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83303082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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