Pub Date : 2023-05-08DOI: 10.25205/1818-7919-2023-22-5-157-168
A. V. Tabarev, E. E. Slavinskaya
Purpose of this research is the analysis of archaeological, ethnographical data devoted, first of all, to the demonic personage Tintin, typical for manteña-huancavilca beliefs in the coastal zone, and to the image of bat, and bat-like creatures in modern provincial folklore of Ecuadorian Indians.Results. A review was conducted of a wide range of archaeological materials (sculptures, images on pottery, seals, ceramic masks and whistles) known from the pre-Hispanic cultures that existed on the territories of modern Ecuador, Colombia, Peru and Mesoamerica. The article clearly demonstrates that Tintin is the reflection of the long-term mythological tradition which connects bats with the Underworld, shaman’s practices, rituals and fertility.Conclusion. Tintin is one of the multiple anthropo-zoomorphic characters connected with the Pre-Columbian mythological systems of ancient cultures in South America. The peculiarities of bats biological behavior (nocturnal activity, living in caves and specific sound production) are the reason why they are associated with the dark side of the Universe. from the other hand, help to keep the demonic image of Tintin in colonial period and today.
{"title":"Night Guest Tintin: The Origins of a Demonic Character in the Folklore and Archaeological Materials of Ecuador","authors":"A. V. Tabarev, E. E. Slavinskaya","doi":"10.25205/1818-7919-2023-22-5-157-168","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-157-168","url":null,"abstract":"Purpose of this research is the analysis of archaeological, ethnographical data devoted, first of all, to the demonic personage Tintin, typical for manteña-huancavilca beliefs in the coastal zone, and to the image of bat, and bat-like creatures in modern provincial folklore of Ecuadorian Indians.Results. A review was conducted of a wide range of archaeological materials (sculptures, images on pottery, seals, ceramic masks and whistles) known from the pre-Hispanic cultures that existed on the territories of modern Ecuador, Colombia, Peru and Mesoamerica. The article clearly demonstrates that Tintin is the reflection of the long-term mythological tradition which connects bats with the Underworld, shaman’s practices, rituals and fertility.Conclusion. Tintin is one of the multiple anthropo-zoomorphic characters connected with the Pre-Columbian mythological systems of ancient cultures in South America. The peculiarities of bats biological behavior (nocturnal activity, living in caves and specific sound production) are the reason why they are associated with the dark side of the Universe. from the other hand, help to keep the demonic image of Tintin in colonial period and today.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"130 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80253626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-08DOI: 10.25205/1818-7919-2023-22-5-118-130
E. Ruslanov
Purpose. The Chiyalik archaeological culture was isolated at the end of 1970. Cultural monuments are located on the territory of the Republic of Bashkortostan, in the eastern part of the Republic of Tatarstan, the southeastern part of Udmurtia, in the south of the Perm Region, the north of the Chelyabinsk region, the southern part of the Sverdlovsk region and the western part of the Kurgan region.Results. The article presents the results of the work carried out on the Dema River in 2021 by the integrated Golden Horde archaeological expedition. As a result of the conducted surveys, the archaeological settlement of Yabalakly-1 was revealed. It has been established that the monument is single-layer, its cultural layers contain a large number of horse, cow, sheep and dog bones, fragments of cast-iron cauldrons, as well as fragments of pottery and glazed Kashin ceramics.Conclusion. The absence of pig bones is important, since it indicates the practice of Islam. Hunting and fishing played a secondary role in providing the archaeological settlements inhabitants with meat. The obtained archaeological material (fragments of large earthenware pot, glazed Kashin ceramics, stirrup, and parts of cast-iron cauldrons) allows us to date the monument within the 14th century. Similar villages are located within the Southern Urals in the valleys of the Dema, Chermasan, Karmasan rivers, etc.
{"title":"The Yabalakly-1 Settlement: New Materials on the Chiyalik Culture of the Southern Urals","authors":"E. Ruslanov","doi":"10.25205/1818-7919-2023-22-5-118-130","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-118-130","url":null,"abstract":"Purpose. The Chiyalik archaeological culture was isolated at the end of 1970. Cultural monuments are located on the territory of the Republic of Bashkortostan, in the eastern part of the Republic of Tatarstan, the southeastern part of Udmurtia, in the south of the Perm Region, the north of the Chelyabinsk region, the southern part of the Sverdlovsk region and the western part of the Kurgan region.Results. The article presents the results of the work carried out on the Dema River in 2021 by the integrated Golden Horde archaeological expedition. As a result of the conducted surveys, the archaeological settlement of Yabalakly-1 was revealed. It has been established that the monument is single-layer, its cultural layers contain a large number of horse, cow, sheep and dog bones, fragments of cast-iron cauldrons, as well as fragments of pottery and glazed Kashin ceramics.Conclusion. The absence of pig bones is important, since it indicates the practice of Islam. Hunting and fishing played a secondary role in providing the archaeological settlements inhabitants with meat. The obtained archaeological material (fragments of large earthenware pot, glazed Kashin ceramics, stirrup, and parts of cast-iron cauldrons) allows us to date the monument within the 14th century. Similar villages are located within the Southern Urals in the valleys of the Dema, Chermasan, Karmasan rivers, etc.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72741094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-64-78
D. V. Selin, Y. Chemyakin
Purpose. Barsova Gora is a unique archaeological and landscape site located in the Tyumen Region (West Siberia) of the Russian Federation. A technical and technological analysis of ceramics of the Atlym culture from Barsova Gora I/40 (13 vessels), Barsova Gora I/22a (7 vessels) and Barsova Gora IV/4 (9 vessels) settlements was carried out.Results. It was found that for the pottery manufacture potters of the Atlym culture mainly selected ferruginous clays, varying in the degree of sandiness and the presence of natural inclusions of shells and vegetation fragments. At all sites, potters exploited several clay plots. Recipes and assortment of molding masses vary considerably from settlement to settlement. The most stable technology is typical for ceramics from the site Barsova Gora I/22a for which only one recipe (clay + chamotte) has been fixed. It testifies to homogeneity of pottery traditions that existed on this site. A similar trend is demonstrated by ceramics of the site Barsova Gora I/40, where uncalibrated chamotte was used as the main impurity. The pottery technology of these two sites is very similar, and, apparently, these settlements constituted one group of the Atlym population with similar skills. It is possible that representatives of this group could have participated in the genesis of the Krasnoozerskaya culture of the Ishim River basin, as they recorded significant similarities in the adaptive and constructive skills of pottery making. The opposite situation can be observed at the site of Barsova Gora IV/4, where six single and multi-component compositions have been identified, which indicates a mixture of pottery skills and techniques. Several different groups of potters may have lived at this site, using different assortments of impurities to compose the molding masses. Probably, the Barsova Gora IV/4 site was left by another group of the Atlym population with different pottery skills, which differ from the skills of the “Atlym” from Barsova Gora I/22a and I/40 settlements. It can be assumed that the Atlym population of Barsova Gora IV/4 came to Barsova Gora from other territories, possibly from the Lower Priirtysh.Conclusion. The pottery technology of the sites Barsova Gora I/40 and I/22a has no direct analogues in the previously studied complexes of the Atlym culture in Western Siberia. For the vessels manufacturing technology of the Atlym culture in the territories of the Lower Irtysh River basin, Baraba and the Lower Ob River basin, the dominance of reipes with chamotte is not characteristic. At the same time, the use of chamotte as the main mineral additive and organic solutions is typical for ceramics of the later Krasnoozerskaya culture, which may be based on the Atlym culture. Vessel manufacturing techniques are also similar. Ceramics of the Atlym culture from the Barsova Gora IV/4 site demonstrates the greatest technological similarity with the pottery from The Lower Irtysh River basin. Potters of these territories used
目的。Barsova Gora是位于俄罗斯联邦秋明地区(西伯利亚西部)的一个独特的考古和景观遗址。对Barsova Gora I/40(13个容器)、Barsova Gora I/22a(7个容器)和Barsova Gora IV/4(9个容器)聚落的Atlym文化陶瓷进行了技术和工艺分析。研究发现,Atlym文化的陶工主要选择含铁的粘土来制作陶器,这些粘土的砂化程度不同,并且存在贝壳和植被碎片的天然包裹体。在所有的遗址中,陶工们都开发了几块粘土地。配方和成型质量的分类有很大的不同,从沉降到沉降。最稳定的技术是来自Barsova Gora I/22a的陶瓷,只有一种配方(粘土+ chamotte)是固定的。它证明了该遗址存在的陶器传统的同质性。Barsova Gora I/40的陶瓷也显示了类似的趋势,其中未校准的chamotte被用作主要杂质。这两个地点的制陶技术非常相似,显然,这些定居点构成了拥有类似技术的阿特利姆人的一个群体。这个群体的代表可能参与了伊希姆河流域Krasnoozerskaya文化的起源,因为他们在陶器制作的适应性和建设性技能方面记录了显著的相似性。在Barsova Gora IV/4遗址可以观察到相反的情况,在那里发现了六种单一和多成分的成分,这表明了陶器技能和技术的混合。几个不同的陶工群体可能生活在这个地方,使用不同种类的杂质来组成模塑块。Barsova Gora IV/4遗址可能是另一群拥有不同陶器技术的Atlym人留下的,这些技术与Barsova Gora I/22a和I/40定居点的“Atlym”的技术不同。可以假定巴尔索瓦戈拉四/四的阿特利姆人口是从其他领土,可能是从低初级地区来到巴尔索瓦戈拉的。Barsova Gora I/40和I/22a遗址的陶器技术与之前研究的西西伯利亚Atlym文化复合体没有直接的相似之处。在额尔齐斯河下游流域、巴拉巴和鄂毕河下游流域地区的阿特利姆文化的器皿制造技术中,以制罐为主的制罐工艺并不具有特色。同时,使用沙莫特作为主要矿物添加剂和有机溶液是后期Krasnoozerskaya文化陶瓷的典型特征,可能是基于Atlym文化。容器制造技术也很相似。来自Barsova Gora IV/4遗址的Atlym文化陶瓷与来自下伊尔齐斯河流域的陶器在技术上具有最大的相似性。这些地区的陶工使用了类似的矿物添加剂。容器的表面用一种坚硬光滑的工具打磨光滑。这种差异体现在容器的设计上。
{"title":"Features of the Technology of Ceramics of the Atlym Culture (Based on the Materials of Settlements of Barsova Gora)","authors":"D. V. Selin, Y. Chemyakin","doi":"10.25205/1818-7919-2023-22-5-64-78","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-64-78","url":null,"abstract":"Purpose. Barsova Gora is a unique archaeological and landscape site located in the Tyumen Region (West Siberia) of the Russian Federation. A technical and technological analysis of ceramics of the Atlym culture from Barsova Gora I/40 (13 vessels), Barsova Gora I/22a (7 vessels) and Barsova Gora IV/4 (9 vessels) settlements was carried out.Results. It was found that for the pottery manufacture potters of the Atlym culture mainly selected ferruginous clays, varying in the degree of sandiness and the presence of natural inclusions of shells and vegetation fragments. At all sites, potters exploited several clay plots. Recipes and assortment of molding masses vary considerably from settlement to settlement. The most stable technology is typical for ceramics from the site Barsova Gora I/22a for which only one recipe (clay + chamotte) has been fixed. It testifies to homogeneity of pottery traditions that existed on this site. A similar trend is demonstrated by ceramics of the site Barsova Gora I/40, where uncalibrated chamotte was used as the main impurity. The pottery technology of these two sites is very similar, and, apparently, these settlements constituted one group of the Atlym population with similar skills. It is possible that representatives of this group could have participated in the genesis of the Krasnoozerskaya culture of the Ishim River basin, as they recorded significant similarities in the adaptive and constructive skills of pottery making. The opposite situation can be observed at the site of Barsova Gora IV/4, where six single and multi-component compositions have been identified, which indicates a mixture of pottery skills and techniques. Several different groups of potters may have lived at this site, using different assortments of impurities to compose the molding masses. Probably, the Barsova Gora IV/4 site was left by another group of the Atlym population with different pottery skills, which differ from the skills of the “Atlym” from Barsova Gora I/22a and I/40 settlements. It can be assumed that the Atlym population of Barsova Gora IV/4 came to Barsova Gora from other territories, possibly from the Lower Priirtysh.Conclusion. The pottery technology of the sites Barsova Gora I/40 and I/22a has no direct analogues in the previously studied complexes of the Atlym culture in Western Siberia. For the vessels manufacturing technology of the Atlym culture in the territories of the Lower Irtysh River basin, Baraba and the Lower Ob River basin, the dominance of reipes with chamotte is not characteristic. At the same time, the use of chamotte as the main mineral additive and organic solutions is typical for ceramics of the later Krasnoozerskaya culture, which may be based on the Atlym culture. Vessel manufacturing techniques are also similar. Ceramics of the Atlym culture from the Barsova Gora IV/4 site demonstrates the greatest technological similarity with the pottery from The Lower Irtysh River basin. Potters of these territories used ","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77508823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-35-51
A. Fedorchenko, N. Belousova, M. V. Seletsky, I. E. Vorobey, A. Nekrash, A. Ptashinsky
Purpose. This article presents results of the preliminary analysis of archaeological material obtained during the Kamchatka Paleolithic expedition of IAET SB RAS at the Razdelniy II site in Central Kamchatka.Results. It has been established that the earliest habitation episode of the Razdelniy II site is associated with the complex of the cultural horizon 2 dated 12,900–12,600 cal BP. Horizon’s industry is based on the micro-wedge knapping technology, the toolkit included small bifacial leaf-shaped points, transversal burins, high-shaped side-scrapers, and abrasives. The later stage of the site settlement is associated with the Early Holocene assemblage found at the cultural horizon 1, based on the utilization of prismatic cores for the production of blades, bladelets and microblades. The results of field studies indicate the existence of several vast archaeological sites in the interfluve of the Anavgay River and the Razdelniy Creek. On the Kamchatka Peninsula, the studied assemblages demonstrate full compliance with the materials of the Ushki sites, cultural layers IV and VI.Conclusion. The study made it possible to clarify the cultural and chronological sequence of the settlement of the Razdelniy II site in the late Pleistocene and Early Holocene.
目的。本文介绍了IAET SB RAS在勘察加半岛中部Razdelniy II遗址进行勘察加旧石器时代考察时获得的考古材料的初步分析结果。已经确定,Razdelniy II遗址最早的居住时期与12900 - 12600 cal BP的文化地平线2综合体有关。Horizon的行业以微楔扣技术为基础,该工具包括小的双面叶形点、横向燃烧器、高形状的侧刮刀和磨料。遗址定居的后期阶段与在文化层1发现的早全新世组合有关,基于利用棱柱形岩芯生产叶片、叶片和微叶片。实地研究的结果表明,在阿纳夫盖河和拉兹德尔尼河的交汇处存在着几个巨大的考古遗址。在堪察加半岛,所研究的组合与乌什基遗址的第四和第六文化层的材料完全吻合。这项研究使得澄清拉兹德尔尼II号遗址在晚更新世和全新世早期定居的文化和时间顺序成为可能。
{"title":"Results of Field Archaeological Research at the Razdelniy II Site (Central Kamchatka) in 2022","authors":"A. Fedorchenko, N. Belousova, M. V. Seletsky, I. E. Vorobey, A. Nekrash, A. Ptashinsky","doi":"10.25205/1818-7919-2023-22-5-35-51","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-35-51","url":null,"abstract":"Purpose. This article presents results of the preliminary analysis of archaeological material obtained during the Kamchatka Paleolithic expedition of IAET SB RAS at the Razdelniy II site in Central Kamchatka.Results. It has been established that the earliest habitation episode of the Razdelniy II site is associated with the complex of the cultural horizon 2 dated 12,900–12,600 cal BP. Horizon’s industry is based on the micro-wedge knapping technology, the toolkit included small bifacial leaf-shaped points, transversal burins, high-shaped side-scrapers, and abrasives. The later stage of the site settlement is associated with the Early Holocene assemblage found at the cultural horizon 1, based on the utilization of prismatic cores for the production of blades, bladelets and microblades. The results of field studies indicate the existence of several vast archaeological sites in the interfluve of the Anavgay River and the Razdelniy Creek. On the Kamchatka Peninsula, the studied assemblages demonstrate full compliance with the materials of the Ushki sites, cultural layers IV and VI.Conclusion. The study made it possible to clarify the cultural and chronological sequence of the settlement of the Razdelniy II site in the late Pleistocene and Early Holocene.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88712828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-9-19
N. Golovchenko, N. S. Gribanova, D. E. Vaytsel
Purpose. The article is devoted to the generalization of the integrating the Local History Museum and the equipment of the Altai State Pedagogical University Universal Pedagogical Competences Technopark funds with the resources of the historical park of the Novosibirsk region “Russia is My History” experience in order to create multimedia educational content applicable when teaching the “Archaeological tourism” course.Results. The importance of multi-channel perception of archaeological heritage objects (description, photo, drawing, 3D modeling) in the pedagogical process is shown. The development features of a program with elements of the game based on the materials of the archaeological sites of Altai (“Antiquities of Altai”) associated with their attributive and informative properties are discussed. Much attention is paid to the requirements for the description and analysis of the selection criteria for objects exhibited in multimedia. The features of the multimedia content integration into the educational process are considered.Conclusion. It is shown that situational gamification contributes to the figurative perception of specific archaeological eras and the material complex associated with them. It is concluded that the continued introduction of multimedia technologies in the teaching of historical disciplines will increase interest in science among students of the Pedagogical University. The combination of traditional and innovative teaching methods applied in practice both in higher and secondary schools will lead to an increase in the quality of historical and general education.
{"title":"Experience in the Development of Archaeological Multimedia Content for Students of Pedagogical Universities","authors":"N. Golovchenko, N. S. Gribanova, D. E. Vaytsel","doi":"10.25205/1818-7919-2023-22-5-9-19","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-9-19","url":null,"abstract":"Purpose. The article is devoted to the generalization of the integrating the Local History Museum and the equipment of the Altai State Pedagogical University Universal Pedagogical Competences Technopark funds with the resources of the historical park of the Novosibirsk region “Russia is My History” experience in order to create multimedia educational content applicable when teaching the “Archaeological tourism” course.Results. The importance of multi-channel perception of archaeological heritage objects (description, photo, drawing, 3D modeling) in the pedagogical process is shown. The development features of a program with elements of the game based on the materials of the archaeological sites of Altai (“Antiquities of Altai”) associated with their attributive and informative properties are discussed. Much attention is paid to the requirements for the description and analysis of the selection criteria for objects exhibited in multimedia. The features of the multimedia content integration into the educational process are considered.Conclusion. It is shown that situational gamification contributes to the figurative perception of specific archaeological eras and the material complex associated with them. It is concluded that the continued introduction of multimedia technologies in the teaching of historical disciplines will increase interest in science among students of the Pedagogical University. The combination of traditional and innovative teaching methods applied in practice both in higher and secondary schools will lead to an increase in the quality of historical and general education.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82665048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-20-34
G. Pavlenok, E. Bocharova, Z. Taimagambetov, A. Anoikin
Purpose. The aim of this study is detailed reconstruction of the reduction sequences of the layer 5.1 lithic industry.Results. Through a comprehensive analysis of the material complex from the layer 5.1 we reconstructed three knapping strategies characterizing the industry. The first strategy is based on the usage of the narrow core working surface to obtain blades and lamellar flakes. The second strategy is the alternating usage of the working surface and striking platform aimed at blank production. The reduction sequence is characterized by the usage of narrow surfaces bounded by natural sides. The third strategy is the bladelets and microblades production using one narrow or two adjacent (narrow and wide) working surfaces. The comparison of the material complex of the layer 5.1 with the complexes of layers 7–6 indicates principal differences in the raw material preferences, primary knapping methods and toolkits.Conclusion. Based on the lack of continuity of the primary knapping and the principles of spatial exploitation of Ushbulak site area, we suggest a complete change in the population of the Shilikta valley at the boundary of MIS 3 and MIS 2.
{"title":"Primary Knapping Methods in Upper Paleolithic Industries at the Ushbulak Site Based on the Results of Refitting (Layer 5.1)","authors":"G. Pavlenok, E. Bocharova, Z. Taimagambetov, A. Anoikin","doi":"10.25205/1818-7919-2023-22-5-20-34","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-20-34","url":null,"abstract":"Purpose. The aim of this study is detailed reconstruction of the reduction sequences of the layer 5.1 lithic industry.Results. Through a comprehensive analysis of the material complex from the layer 5.1 we reconstructed three knapping strategies characterizing the industry. The first strategy is based on the usage of the narrow core working surface to obtain blades and lamellar flakes. The second strategy is the alternating usage of the working surface and striking platform aimed at blank production. The reduction sequence is characterized by the usage of narrow surfaces bounded by natural sides. The third strategy is the bladelets and microblades production using one narrow or two adjacent (narrow and wide) working surfaces. The comparison of the material complex of the layer 5.1 with the complexes of layers 7–6 indicates principal differences in the raw material preferences, primary knapping methods and toolkits.Conclusion. Based on the lack of continuity of the primary knapping and the principles of spatial exploitation of Ushbulak site area, we suggest a complete change in the population of the Shilikta valley at the boundary of MIS 3 and MIS 2.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84719123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-52-63
A. I. Lebedintsev
Purpose. This article presents one of the most brilliant ancient culture of Kamchatka – Tarya culture of the late Neolithic period. The author discusses the culture’s localization and chronology, lists the most important sites, gives a description of dwellings, characterizes the economy of Tarya people, and presents the culture material complex.Results. Early complexes attributed to the Tarya culture and determined by the 3rd millennium BC are represented by three archeological sites. They are characterized by a combination of small and large stone tools, various leaf-shaped points, sharp-edged adzes and axes, the absence of bone artifacts, and above-ground dwellings. This period is poorly represented in articles and possibly heterogeneous. The most represented period of the Tarya culture, for which the largest number of dates has been established, dates back to the 2nd and even more so to the 1st millennium BC. The main occupation of the Tarya people was fishing, hunting for land animals and catching sea animals in the rookeries.Conclusion. The most ancient sites of this culture are located on the southeast coast. As a result of the contacts of the Tarya coastal population with the inhabitants of the Kamchatka River valley, a continental cultural community of hunters and fishermen arose, which combined the blade technique and tools polishing, as well as, although to a lesser extent, the tradition of using labrets. Dating the Tarya culture should probably be dated to 2nd – 1st millennium BC. The Old Itel’men culture, in which local variants are distinguished, develops on the basis of the Tarya culture from the 1st millennium AD. Northern Kamchatka was probably the place of active cultural contacts between the ancient popu[1]lation of Kamchatka, Priokhot’e and Chukotka, where the local communities having a certain originality were formed.
{"title":"The Problem of the Origin, Localization and Chronology of the Tarya Late Neolithic Culture of Kamchatka","authors":"A. I. Lebedintsev","doi":"10.25205/1818-7919-2023-22-5-52-63","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-52-63","url":null,"abstract":"Purpose. This article presents one of the most brilliant ancient culture of Kamchatka – Tarya culture of the late Neolithic period. The author discusses the culture’s localization and chronology, lists the most important sites, gives a description of dwellings, characterizes the economy of Tarya people, and presents the culture material complex.Results. Early complexes attributed to the Tarya culture and determined by the 3rd millennium BC are represented by three archeological sites. They are characterized by a combination of small and large stone tools, various leaf-shaped points, sharp-edged adzes and axes, the absence of bone artifacts, and above-ground dwellings. This period is poorly represented in articles and possibly heterogeneous. The most represented period of the Tarya culture, for which the largest number of dates has been established, dates back to the 2nd and even more so to the 1st millennium BC. The main occupation of the Tarya people was fishing, hunting for land animals and catching sea animals in the rookeries.Conclusion. The most ancient sites of this culture are located on the southeast coast. As a result of the contacts of the Tarya coastal population with the inhabitants of the Kamchatka River valley, a continental cultural community of hunters and fishermen arose, which combined the blade technique and tools polishing, as well as, although to a lesser extent, the tradition of using labrets. Dating the Tarya culture should probably be dated to 2nd – 1st millennium BC. The Old Itel’men culture, in which local variants are distinguished, develops on the basis of the Tarya culture from the 1st millennium AD. Northern Kamchatka was probably the place of active cultural contacts between the ancient popu[1]lation of Kamchatka, Priokhot’e and Chukotka, where the local communities having a certain originality were formed.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88149985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-07DOI: 10.25205/1818-7919-2023-22-5-79-94
J. Han, I. Kang
Purpose of the work is to determine the ethnic and cultural affiliation of the population that left the Xichaogou burial ground. Xichaogou is an expressive archaeological complex located in the Liaoning region of China. The uniqueness of this necropolis lies in the fact that several hundred burials of varying degrees of preservation have been recorded in it. Inventory complexes of burials include ceramics, objects made of bronze, iron and stone. The materials of the site demonstrate the features of various cultures – Xiongnu, Buyeo, Han, Xianbi and etc. Since the burial inventory of the Xichaogou burial site demonstrates multicultural features, the question of the ethnic and cultural affiliation of the population that created this site is debatable.Materials and methods. In previous works, the problem of ethnic identification of the Xichaogou burial ground was solved on the basis of certain categories of grave artefacts. In this paper, the questions of the ethnic and cultural affiliation of the Xichaogou sie are considered on the material of the belt plaques decorated in the animal style. The main reason for this choice of material is that the shape and ornament of belt plaques reflect the ethnic and cultural identity of an individual or group in nomadic cultures. 17 belt plaques were found at the Xichaogou site. The entire amount of material is divided into 3 types according to such features as shape, rim ornament (teardrop-shaped, dotted, herringbone), manufacturing technique (presence of through openwork holes), method of fastening (presence of eyelets on the back side), function as part of a belt set (presence peg). A search for analogies to the groups of belt plaques in the Xiongnu culture, identified in the materials of the Sichagou site, has been undertaken.Result. It has been established that belt plaques from the materials of the Xichaogou burial ground find analogies in the vast territory of the Xiongnu culture in Northern Eurasia.Conclusion. It can be concluded that the population that created the Xichaogou site does not belong to the Xiongnu by ethnic origin, but was strongly influenced by this culture. The population of Xichaogou was formed on the basis of the local culture of the previous period. Various and diverse cultures of the eastern part of the Liaoning and the western part of the Jilin regions also contributed to its formation. At the current stage it is possible to identify the Xiongnu and Buyeo cultural components.
{"title":"Ethnic and Cultural Affiliation of the Xichaogou Burial Ground Based on Materials of the Xiongnu Culture Belt Plaques","authors":"J. Han, I. Kang","doi":"10.25205/1818-7919-2023-22-5-79-94","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-5-79-94","url":null,"abstract":"Purpose of the work is to determine the ethnic and cultural affiliation of the population that left the Xichaogou burial ground. Xichaogou is an expressive archaeological complex located in the Liaoning region of China. The uniqueness of this necropolis lies in the fact that several hundred burials of varying degrees of preservation have been recorded in it. Inventory complexes of burials include ceramics, objects made of bronze, iron and stone. The materials of the site demonstrate the features of various cultures – Xiongnu, Buyeo, Han, Xianbi and etc. Since the burial inventory of the Xichaogou burial site demonstrates multicultural features, the question of the ethnic and cultural affiliation of the population that created this site is debatable.Materials and methods. In previous works, the problem of ethnic identification of the Xichaogou burial ground was solved on the basis of certain categories of grave artefacts. In this paper, the questions of the ethnic and cultural affiliation of the Xichaogou sie are considered on the material of the belt plaques decorated in the animal style. The main reason for this choice of material is that the shape and ornament of belt plaques reflect the ethnic and cultural identity of an individual or group in nomadic cultures. 17 belt plaques were found at the Xichaogou site. The entire amount of material is divided into 3 types according to such features as shape, rim ornament (teardrop-shaped, dotted, herringbone), manufacturing technique (presence of through openwork holes), method of fastening (presence of eyelets on the back side), function as part of a belt set (presence peg). A search for analogies to the groups of belt plaques in the Xiongnu culture, identified in the materials of the Sichagou site, has been undertaken.Result. It has been established that belt plaques from the materials of the Xichaogou burial ground find analogies in the vast territory of the Xiongnu culture in Northern Eurasia.Conclusion. It can be concluded that the population that created the Xichaogou site does not belong to the Xiongnu by ethnic origin, but was strongly influenced by this culture. The population of Xichaogou was formed on the basis of the local culture of the previous period. Various and diverse cultures of the eastern part of the Liaoning and the western part of the Jilin regions also contributed to its formation. At the current stage it is possible to identify the Xiongnu and Buyeo cultural components.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81526038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-14DOI: 10.25205/1818-7919-2023-22-4-102-114
A. Starostina
The article aims to explore alleged folklore basis of three Chinese chuanqi tales about a husband's intrusion into his wife's dream written during the middle-late Tang period, namely, the first episode of “A Record of Three Dreams” by Bai Xingjian, “Student Zhang” by Li Mei, and “Dugu Xiashu” by Xue Yusi. The psychologism inherent in these stories masks their closeness to folklore and literature tales about supernatural or uncommon road encounters. The use of Chinese and foreign comparative material allows us to show that these stories originate in belief in the night feasts of spirits and in the possibility of humans participating in those feasts. Two of the three tales, “Student Zhang” and “Dugu Xiashu”, also contain the international motif of a musician engaged to entertain spirits or devils during their night revels. All three chuanqi are based on a fairy-tale concept of rescuing a spouse: by interrupting his wife’s sleep, the hero thus saves her from spirit possession that could end badly for her. It is possible to conclude that the international tale type of the three tales about a husband's intrusion into his wife's dream come, in some respects, closest to is “The Danced-out Shoes”. About a dozen Chinese narratives of the 8th – 10th centuries in the centre of which is the participation of a woman in the night feasts of spirits including even Daoist immortals, which should be assigned to the same group. Such plots, which have no close analogues in previous and subsequent Chinese tradition, most likely owe their appearance to the influence of folklore and beliefs of the Iranian peoples.
{"title":"Folklore Basis of Three Late Tang Period Stories About the Intrusion into Another’s Dream","authors":"A. Starostina","doi":"10.25205/1818-7919-2023-22-4-102-114","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-4-102-114","url":null,"abstract":"The article aims to explore alleged folklore basis of three Chinese chuanqi tales about a husband's intrusion into his wife's dream written during the middle-late Tang period, namely, the first episode of “A Record of Three Dreams” by Bai Xingjian, “Student Zhang” by Li Mei, and “Dugu Xiashu” by Xue Yusi. The psychologism inherent in these stories masks their closeness to folklore and literature tales about supernatural or uncommon road encounters. The use of Chinese and foreign comparative material allows us to show that these stories originate in belief in the night feasts of spirits and in the possibility of humans participating in those feasts. Two of the three tales, “Student Zhang” and “Dugu Xiashu”, also contain the international motif of a musician engaged to entertain spirits or devils during their night revels. All three chuanqi are based on a fairy-tale concept of rescuing a spouse: by interrupting his wife’s sleep, the hero thus saves her from spirit possession that could end badly for her. It is possible to conclude that the international tale type of the three tales about a husband's intrusion into his wife's dream come, in some respects, closest to is “The Danced-out Shoes”. About a dozen Chinese narratives of the 8th – 10th centuries in the centre of which is the participation of a woman in the night feasts of spirits including even Daoist immortals, which should be assigned to the same group. Such plots, which have no close analogues in previous and subsequent Chinese tradition, most likely owe their appearance to the influence of folklore and beliefs of the Iranian peoples. ","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75224519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-14DOI: 10.25205/1818-7919-2023-22-4-115-126
A. Ignatenko
This article is devoted to the study of parenthetical constructions and structures in the Chinese language of fiction, based on the material of the novel “Tired of being Born and Dying” by Mo Yan (《生死疲劳》莫言,2005) as a problem of modern semantic-syntactic and functional-stylistic phenomena, which, representing localized fragments of speech as part of the main utterance, emphasize the nonlinearity of linguistic thinking and act as an artistic means of expression. Hence, the purpose of this work is to determine and systematize the features of the use of such plug-in constructions in artistic discourse on the selected material, to fix the beginning of the use of such a language practice not typical for Chinese literary texts previously. In the syntax of the Chinese literary language, such pragmatic inserts, or so-called parenthetics, were completely absent until the last quarter of the 20th century, because they were not a normative and characteristic means of Chinese grammar. Its active implementation in artistic discourse can be attributed only to the turn of the 20th – 21st centuries and the first quarter of the 21st century. Syntactically parenthetical constructions function at the system (combinatorics of components), pictorial (stylistic labeling) and compositional (organization of text space) levels. Based on the factual material, it has been proven that the use of parenthetical constructions practice is one of the features of Mo Yan’s idiostyle, integrating different narrative plans. The paper also systematizes the main functions of plug-in structures. The results of the study provide a basis for further research of parenthetical constructions in Chinese prose.
{"title":"Features of Parenthetical Constructions in Mo Yan’s Novel “Tired of Being Born and Dying” (2005)","authors":"A. Ignatenko","doi":"10.25205/1818-7919-2023-22-4-115-126","DOIUrl":"https://doi.org/10.25205/1818-7919-2023-22-4-115-126","url":null,"abstract":"This article is devoted to the study of parenthetical constructions and structures in the Chinese language of fiction, based on the material of the novel “Tired of being Born and Dying” by Mo Yan (《生死疲劳》莫言,2005) as a problem of modern semantic-syntactic and functional-stylistic phenomena, which, representing localized fragments of speech as part of the main utterance, emphasize the nonlinearity of linguistic thinking and act as an artistic means of expression. Hence, the purpose of this work is to determine and systematize the features of the use of such plug-in constructions in artistic discourse on the selected material, to fix the beginning of the use of such a language practice not typical for Chinese literary texts previously. In the syntax of the Chinese literary language, such pragmatic inserts, or so-called parenthetics, were completely absent until the last quarter of the 20th century, because they were not a normative and characteristic means of Chinese grammar. Its active implementation in artistic discourse can be attributed only to the turn of the 20th – 21st centuries and the first quarter of the 21st century. Syntactically parenthetical constructions function at the system (combinatorics of components), pictorial (stylistic labeling) and compositional (organization of text space) levels. Based on the factual material, it has been proven that the use of parenthetical constructions practice is one of the features of Mo Yan’s idiostyle, integrating different narrative plans. The paper also systematizes the main functions of plug-in structures. The results of the study provide a basis for further research of parenthetical constructions in Chinese prose.","PeriodicalId":36462,"journal":{"name":"Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81864751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}