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Night Guest Tintin: The Origins of a Demonic Character in the Folklore and Archaeological Materials of Ecuador 《夜客丁丁:厄瓜多尔民间传说和考古资料中一个恶魔人物的起源》
Q2 Arts and Humanities Pub Date : 2023-05-08 DOI: 10.25205/1818-7919-2023-22-5-157-168
A. V. Tabarev, E. E. Slavinskaya
Purpose of this research is the analysis of archaeological, ethnographical data devoted, first of all, to the demonic personage Tintin, typical for manteña-huancavilca beliefs in the coastal zone, and to the image of bat, and bat-like creatures in modern provincial folklore of Ecuadorian Indians.Results. A review was conducted of a wide range of archaeological materials (sculptures, images on pottery, seals, ceramic masks and whistles) known from the pre-Hispanic cultures that existed on the territories of modern Ecuador, Colombia, Peru and Mesoamerica. The article clearly demonstrates that Tintin is the reflection of the long-term mythological tradition which connects bats with the Underworld, shaman’s practices, rituals and fertility.Conclusion. Tintin is one of the multiple anthropo-zoomorphic characters connected with the Pre-Columbian mythological systems of ancient cultures in South America. The peculiarities of bats biological behavior (nocturnal activity, living in caves and specific sound production) are the reason why they are associated with the dark side of the Universe. from the other hand, help to keep the demonic image of Tintin in colonial period and today.
本研究的目的是对考古和民族志资料进行分析,首先是对恶魔人物丁丁的研究,丁丁是沿海地区manteña-huancavilca信仰的典型代表,其次是对厄瓜多尔印第安人现代省级民间传说中蝙蝠和类似蝙蝠的生物的形象的研究。对存在于现代厄瓜多尔、哥伦比亚、秘鲁和中美洲地区的前西班牙文化中已知的各种考古材料(雕塑、陶器上的图像、印章、陶瓷面具和哨子)进行了审查。这篇文章清楚地表明,丁丁是长期神话传统的反映,它将蝙蝠与冥界、萨满的习俗、仪式和生育联系在一起。丁丁是与南美古代文化的前哥伦布神话系统有关的众多人兽形象之一。蝙蝠独特的生物行为(夜间活动、住在洞穴里和发出特殊的声音)是它们与宇宙阴暗面联系在一起的原因。另一方面,有助于保持丁丁在殖民时期和今天的恶魔形象。
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引用次数: 0
The Yabalakly-1 Settlement: New Materials on the Chiyalik Culture of the Southern Urals yabalakli -1聚落:南乌拉尔契亚力克文化的新资料
Q2 Arts and Humanities Pub Date : 2023-05-08 DOI: 10.25205/1818-7919-2023-22-5-118-130
E. Ruslanov
Purpose. The Chiyalik archaeological culture was isolated at the end of 1970. Cultural monuments are located on the territory of the Republic of Bashkortostan, in the eastern part of the Republic of Tatarstan, the southeastern part of Udmurtia, in the south of the Perm Region, the north of the Chelyabinsk region, the southern part of the Sverdlovsk region and the western part of the Kurgan region.Results. The article presents the results of the work carried out on the Dema River in 2021 by the integrated Golden Horde archaeological expedition. As a result of the conducted surveys, the archaeological settlement of Yabalakly-1 was revealed. It has been established that the monument is single-layer, its cultural layers contain a large number of horse, cow, sheep and dog bones, fragments of cast-iron cauldrons, as well as fragments of pottery and glazed Kashin ceramics.Conclusion. The absence of pig bones is important, since it indicates the practice of Islam. Hunting and fishing played a secondary role in providing the archaeological settlements inhabitants with meat. The obtained archaeological material (fragments of large earthenware pot, glazed Kashin ceramics, stirrup, and parts of cast-iron cauldrons) allows us to date the monument within the 14th century. Similar villages are located within the Southern Urals in the valleys of the Dema, Chermasan, Karmasan rivers, etc.
目的。奇亚力克考古文化在1970年底被孤立。文化古迹位于巴什科尔托斯坦共和国的领土,在鞑靼斯坦共和国的东部,乌德穆尔特共和国的东南部,在彼尔姆地区的南部,车里雅宾斯克地区的北部,斯维尔德洛夫斯克地区的南部和库尔干地区的西部。本文介绍了金帐汗国综合考古考察队于2021年在德玛河开展的工作结果。经过调查,发现了Yabalakly-1考古定居点。已确定该遗址为单层,其文化层中含有大量马、牛、羊、狗的骨头,铸铁坩埚的碎片,以及陶器和釉面喀什陶瓷的碎片。没有猪骨头是很重要的,因为它表明了伊斯兰教的实践。狩猎和捕鱼在为考古定居点居民提供肉类方面起着次要作用。获得的考古材料(大型陶罐的碎片、上釉的喀什陶瓷、马镫和部分铸铁坩埚)使我们能够将这座纪念碑的年代定在14世纪。类似的村庄位于乌拉尔南部的德马河、切尔马桑河、卡尔马桑河等河谷。
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引用次数: 0
Features of the Technology of Ceramics of the Atlym Culture (Based on the Materials of Settlements of Barsova Gora) 阿特林文化陶瓷工艺特征(以巴索瓦戈拉聚落材料为例)
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-64-78
D. V. Selin, Y. Chemyakin
Purpose. Barsova Gora is a unique archaeological and landscape site located in the Tyumen Region (West Siberia) of the Russian Federation. A technical and technological analysis of ceramics of the Atlym culture from Barsova Gora I/40 (13 vessels), Barsova Gora I/22a (7 vessels) and Barsova Gora IV/4 (9 vessels) settlements was carried out.Results. It was found that for the pottery manufacture potters of the Atlym culture mainly selected ferruginous clays, varying in the degree of sandiness and the presence of natural inclusions of shells and vegetation fragments. At all sites, potters exploited several clay plots. Recipes and assortment of molding masses vary considerably from settlement to settlement. The most stable technology is typical for ceramics from the site Barsova Gora I/22a for which only one recipe (clay + chamotte) has been fixed. It testifies to homogeneity of pottery traditions that existed on this site. A similar trend is demonstrated by ceramics of the site Barsova Gora I/40, where uncalibrated chamotte was used as the main impurity. The pottery technology of these two sites is very similar, and, apparently, these settlements constituted one group of the Atlym population with similar skills. It is possible that representatives of this group could have participated in the genesis of the Krasnoozerskaya culture of the Ishim River basin, as they recorded significant similarities in the adaptive and constructive skills of pottery making. The opposite situation can be observed at the site of Barsova Gora IV/4, where six single and multi-component compositions have been identified, which indicates a mixture of pottery skills and techniques. Several different groups of potters may have lived at this site, using different assortments of impurities to compose the molding masses. Probably, the Barsova Gora IV/4 site was left by another group of the Atlym population with different pottery skills, which differ from the skills of the “Atlym” from Barsova Gora I/22a and I/40 settlements. It can be assumed that the Atlym population of Barsova Gora IV/4 came to Barsova Gora from other territories, possibly from the Lower Priirtysh.Conclusion. The pottery technology of the sites Barsova Gora I/40 and I/22a has no direct analogues in the previously studied complexes of the Atlym culture in Western Siberia. For the vessels manufacturing technology of the Atlym culture in the territories of the Lower Irtysh River basin, Baraba and the Lower Ob River basin, the dominance of reipes with chamotte is not characteristic. At the same time, the use of chamotte as the main mineral additive and organic solutions is typical for ceramics of the later Krasnoozerskaya culture, which may be based on the Atlym culture. Vessel manufacturing techniques are also similar. Ceramics of the Atlym culture from the Barsova Gora IV/4 site demonstrates the greatest technological similarity with the pottery from The Lower Irtysh River basin. Potters of these territories used
目的。Barsova Gora是位于俄罗斯联邦秋明地区(西伯利亚西部)的一个独特的考古和景观遗址。对Barsova Gora I/40(13个容器)、Barsova Gora I/22a(7个容器)和Barsova Gora IV/4(9个容器)聚落的Atlym文化陶瓷进行了技术和工艺分析。研究发现,Atlym文化的陶工主要选择含铁的粘土来制作陶器,这些粘土的砂化程度不同,并且存在贝壳和植被碎片的天然包裹体。在所有的遗址中,陶工们都开发了几块粘土地。配方和成型质量的分类有很大的不同,从沉降到沉降。最稳定的技术是来自Barsova Gora I/22a的陶瓷,只有一种配方(粘土+ chamotte)是固定的。它证明了该遗址存在的陶器传统的同质性。Barsova Gora I/40的陶瓷也显示了类似的趋势,其中未校准的chamotte被用作主要杂质。这两个地点的制陶技术非常相似,显然,这些定居点构成了拥有类似技术的阿特利姆人的一个群体。这个群体的代表可能参与了伊希姆河流域Krasnoozerskaya文化的起源,因为他们在陶器制作的适应性和建设性技能方面记录了显著的相似性。在Barsova Gora IV/4遗址可以观察到相反的情况,在那里发现了六种单一和多成分的成分,这表明了陶器技能和技术的混合。几个不同的陶工群体可能生活在这个地方,使用不同种类的杂质来组成模塑块。Barsova Gora IV/4遗址可能是另一群拥有不同陶器技术的Atlym人留下的,这些技术与Barsova Gora I/22a和I/40定居点的“Atlym”的技术不同。可以假定巴尔索瓦戈拉四/四的阿特利姆人口是从其他领土,可能是从低初级地区来到巴尔索瓦戈拉的。Barsova Gora I/40和I/22a遗址的陶器技术与之前研究的西西伯利亚Atlym文化复合体没有直接的相似之处。在额尔齐斯河下游流域、巴拉巴和鄂毕河下游流域地区的阿特利姆文化的器皿制造技术中,以制罐为主的制罐工艺并不具有特色。同时,使用沙莫特作为主要矿物添加剂和有机溶液是后期Krasnoozerskaya文化陶瓷的典型特征,可能是基于Atlym文化。容器制造技术也很相似。来自Barsova Gora IV/4遗址的Atlym文化陶瓷与来自下伊尔齐斯河流域的陶器在技术上具有最大的相似性。这些地区的陶工使用了类似的矿物添加剂。容器的表面用一种坚硬光滑的工具打磨光滑。这种差异体现在容器的设计上。
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引用次数: 0
Results of Field Archaeological Research at the Razdelniy II Site (Central Kamchatka) in 2022 2022年堪察加中部Razdelniy II遗址现场考古研究结果
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-35-51
A. Fedorchenko, N. Belousova, M. V. Seletsky, I. E. Vorobey, A. Nekrash, A. Ptashinsky
Purpose. This article presents results of the preliminary analysis of archaeological material obtained during the Kamchatka Paleolithic expedition of IAET SB RAS at the Razdelniy II site in Central Kamchatka.Results. It has been established that the earliest habitation episode of the Razdelniy II site is associated with the complex of the cultural horizon 2 dated 12,900–12,600 cal BP. Horizon’s industry is based on the micro-wedge knapping technology, the toolkit included small bifacial leaf-shaped points, transversal burins, high-shaped side-scrapers, and abrasives. The later stage of the site settlement is associated with the Early Holocene assemblage found at the cultural horizon 1, based on the utilization of prismatic cores for the production of blades, bladelets and microblades. The results of field studies indicate the existence of several vast archaeological sites in the interfluve of the Anavgay River and the Razdelniy Creek. On the Kamchatka Peninsula, the studied assemblages demonstrate full compliance with the materials of the Ushki sites, cultural layers IV and VI.Conclusion. The study made it possible to clarify the cultural and chronological sequence of the settlement of the Razdelniy II site in the late Pleistocene and Early Holocene.
目的。本文介绍了IAET SB RAS在勘察加半岛中部Razdelniy II遗址进行勘察加旧石器时代考察时获得的考古材料的初步分析结果。已经确定,Razdelniy II遗址最早的居住时期与12900 - 12600 cal BP的文化地平线2综合体有关。Horizon的行业以微楔扣技术为基础,该工具包括小的双面叶形点、横向燃烧器、高形状的侧刮刀和磨料。遗址定居的后期阶段与在文化层1发现的早全新世组合有关,基于利用棱柱形岩芯生产叶片、叶片和微叶片。实地研究的结果表明,在阿纳夫盖河和拉兹德尔尼河的交汇处存在着几个巨大的考古遗址。在堪察加半岛,所研究的组合与乌什基遗址的第四和第六文化层的材料完全吻合。这项研究使得澄清拉兹德尔尼II号遗址在晚更新世和全新世早期定居的文化和时间顺序成为可能。
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引用次数: 0
Experience in the Development of Archaeological Multimedia Content for Students of Pedagogical Universities 师范院校学生考古多媒体教学内容开发的体会
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-9-19
N. Golovchenko, N. S. Gribanova, D. E. Vaytsel
Purpose. The article is devoted to the generalization of the integrating the Local History Museum and the equipment of the Altai State Pedagogical University Universal Pedagogical Competences Technopark funds with the resources of the historical park of the Novosibirsk region “Russia is My History” experience in order to create multimedia educational content applicable when teaching the “Archaeological tourism” course.Results. The importance of multi-channel perception of archaeological heritage objects (description, photo, drawing, 3D modeling) in the pedagogical process is shown. The development features of a program with elements of the game based on the materials of the archaeological sites of Altai (“Antiquities of Altai”) associated with their attributive and informative properties are discussed. Much attention is paid to the requirements for the description and analysis of the selection criteria for objects exhibited in multimedia. The features of the multimedia content integration into the educational process are considered.Conclusion. It is shown that situational gamification contributes to the figurative perception of specific archaeological eras and the material complex associated with them. It is concluded that the continued introduction of multimedia technologies in the teaching of historical disciplines will increase interest in science among students of the Pedagogical University. The combination of traditional and innovative teaching methods applied in practice both in higher and secondary schools will lead to an increase in the quality of historical and general education.
目的。本文致力于将阿尔泰国立师范大学的地方历史博物馆和设备、通用教学能力科技园资金与新西伯利亚地区历史公园资源“俄罗斯是我的历史”的经验进行整合,以创造适用于“考古旅游”课程教学的多媒体教育内容。展示了考古文物多渠道感知(描述、照片、绘图、三维建模)在教学过程中的重要性。基于阿尔泰考古遗址(“阿尔泰古物”)与其属性和信息属性相关的材料,讨论了具有游戏元素的程序的开发特征。对多媒体展示对象的选择标准的描述和分析的要求受到了很大的关注。探讨了多媒体内容融入教学过程的特点。研究表明,情境游戏化有助于对特定考古时代的具象感知以及与之相关的物质综合体。结论是,在历史学科教学中继续引入多媒体技术将提高师范大学学生对科学的兴趣。将传统的教学方法与创新的教学方法结合起来,在高等学校和中等学校的实践中应用,将导致历史和通识教育质量的提高。
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引用次数: 1
Primary Knapping Methods in Upper Paleolithic Industries at the Ushbulak Site Based on the Results of Refitting (Layer 5.1) 基于整修结果的Ushbulak遗址旧石器时代晚期工业的主要敲击方法(5.1层)
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-20-34
G. Pavlenok, E. Bocharova, Z. Taimagambetov, A. Anoikin
Purpose. The aim of this study is detailed reconstruction of the reduction sequences of the layer 5.1 lithic industry.Results. Through a comprehensive analysis of the material complex from the layer 5.1 we reconstructed three knapping strategies characterizing the industry. The first strategy is based on the usage of the narrow core working surface to obtain blades and lamellar flakes. The second strategy is the alternating usage of the working surface and striking platform aimed at blank production. The reduction sequence is characterized by the usage of narrow surfaces bounded by natural sides. The third strategy is the bladelets and microblades production using one narrow or two adjacent (narrow and wide) working surfaces. The comparison of the material complex of the layer 5.1 with the complexes of layers 7–6 indicates principal differences in the raw material preferences, primary knapping methods and toolkits.Conclusion. Based on the lack of continuity of the primary knapping and the principles of spatial exploitation of Ushbulak site area, we suggest a complete change in the population of the Shilikta valley at the boundary of MIS 3 and MIS 2.
目的。本研究的目的是详细重建5.1层岩屑工业的还原序列。通过对5.1层材料复合物的综合分析,我们重构了具有行业特征的三种抓取策略。第一种策略是基于使用窄芯工作面来获得叶片和片层片。第二种策略是针对毛坯生产的工作面和打孔平台的交替使用。还原序列的特点是使用由自然边包围的狭窄表面。第三种策略是使用一个狭窄或两个相邻(窄和宽)的工作表面进行叶片和微叶片生产。通过对比第5.1层与第7-6层的材料配合物,可以看出在原料偏好、主要包扣方法和工具方面的主要差异。基于Ushbulak遗址区原始人口的不连续性和空间开发原则,我们建议在MIS 3和MIS 2边界的Shilikta山谷人口发生完全变化。
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引用次数: 0
The Problem of the Origin, Localization and Chronology of the Tarya Late Neolithic Culture of Kamchatka 堪察加鞑靼新石器晚期文化的起源、定位与年代问题
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-52-63
A. I. Lebedintsev
Purpose. This article presents one of the most brilliant ancient culture of Kamchatka – Tarya culture of the late Neolithic period. The author discusses the culture’s localization and chronology, lists the most important sites, gives a description of dwellings, characterizes the economy of Tarya people, and presents the culture material complex.Results. Early complexes attributed to the Tarya culture and determined by the 3rd millennium BC are represented by three archeological sites. They are characterized by a combination of small and large stone tools, various leaf-shaped points, sharp-edged adzes and axes, the absence of bone artifacts, and above-ground dwellings. This period is poorly represented in articles and possibly heterogeneous. The most represented period of the Tarya culture, for which the largest number of dates has been established, dates back to the 2nd and even more so to the 1st millennium BC. The main occupation of the Tarya people was fishing, hunting for land animals and catching sea animals in the rookeries.Conclusion. The most ancient sites of this culture are located on the southeast coast. As a result of the contacts of the Tarya coastal population with the inhabitants of the Kamchatka River valley, a continental cultural community of hunters and fishermen arose, which combined the blade technique and tools polishing, as well as, although to a lesser extent, the tradition of using labrets. Dating the Tarya culture should probably be dated to 2nd – 1st millennium BC. The Old Itel’men culture, in which local variants are distinguished, develops on the basis of the Tarya culture from the 1st millennium AD. Northern Kamchatka was probably the place of active cultural contacts between the ancient popu[1]lation of Kamchatka, Priokhot’e and Chukotka, where the local communities having a certain originality were formed.
目的。本文介绍了堪察加半岛最辉煌的古代文化之一——新石器时代晚期的塔里亚文化。作者讨论了塔里亚文化的地域和年代,列出了最重要的遗址,描述了塔里亚人的住宅,描述了塔里亚人的经济特征,并介绍了文化材料的复杂性。早期建筑群归因于塔里亚文化,并在公元前三千年确定,由三个考古遗址代表。它们的特点是小型和大型石器的结合,各种叶子形状的尖,锋利的刀刃和斧头,没有骨制品,地上的住所。这一时期在文章中表现不佳,可能是异质的。塔里亚文化最具代表性的时期,也是确定日期最多的时期,可以追溯到公元前2世纪,甚至更早的公元前1千年。塔里亚人的主要职业是捕鱼、捕猎陆地动物和在栖息地捕捉海洋动物。这种文化最古老的遗址位于东南海岸。由于塔里亚沿海居民与堪察加河流域居民的接触,出现了一个由猎人和渔民组成的大陆文化社区,他们将刀片技术和工具抛光结合在一起,尽管在较小程度上,也有使用拉刀的传统。塔里亚文化的年代应该追溯到公元前2 - 1千年。古伊特尔曼文化是在公元一千年的塔里亚文化的基础上发展起来的,其中有不同的地方变体。堪察加北部很可能是古代堪察加、普里奥浩特和楚科奇的人口聚居区之间文化交流活跃的地方,形成了具有一定独创性的当地社区。
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引用次数: 0
Ethnic and Cultural Affiliation of the Xichaogou Burial Ground Based on Materials of the Xiongnu Culture Belt Plaques 从匈奴文化带牌匾材料看西潮沟墓地的民族文化归属
Q2 Arts and Humanities Pub Date : 2023-05-07 DOI: 10.25205/1818-7919-2023-22-5-79-94
J. Han, I. Kang
Purpose of the work is to determine the ethnic and cultural affiliation of the population that left the Xichaogou burial ground. Xichaogou is an expressive archaeological complex located in the Liaoning region of China. The uniqueness of this necropolis lies in the fact that several hundred burials of varying degrees of preservation have been recorded in it. Inventory complexes of burials include ceramics, objects made of bronze, iron and stone. The materials of the site demonstrate the features of various cultures – Xiongnu, Buyeo, Han, Xianbi and etc. Since the burial inventory of the Xichaogou burial site demonstrates multicultural features, the question of the ethnic and cultural affiliation of the population that created this site is debatable.Materials and methods. In previous works, the problem of ethnic identification of the Xichaogou burial ground was solved on the basis of certain categories of grave artefacts. In this paper, the questions of the ethnic and cultural affiliation of the Xichaogou sie are considered on the material of the belt plaques decorated in the animal style. The main reason for this choice of material is that the shape and ornament of belt plaques reflect the ethnic and cultural identity of an individual or group in nomadic cultures. 17 belt plaques were found at the Xichaogou site. The entire amount of material is divided into 3 types according to such features as shape, rim ornament (teardrop-shaped, dotted, herringbone), manufacturing technique (presence of through openwork holes), method of fastening (presence of eyelets on the back side), function as part of a belt set (presence peg). A search for analogies to the groups of belt plaques in the Xiongnu culture, identified in the materials of the Sichagou site, has been undertaken.Result. It has been established that belt plaques from the materials of the Xichaogou burial ground find analogies in the vast territory of the Xiongnu culture in Northern Eurasia.Conclusion. It can be concluded that the population that created the Xichaogou site does not belong to the Xiongnu by ethnic origin, but was strongly influenced by this culture. The population of Xichaogou was formed on the basis of the local culture of the previous period. Various and diverse cultures of the eastern part of the Liaoning and the western part of the Jilin regions also contributed to its formation. At the current stage it is possible to identify the Xiongnu and Buyeo cultural components.
这项工作的目的是确定离开西潮沟墓地的人口的民族和文化归属。西朝沟是位于中国辽宁地区的一个富有表现力的考古建筑群。这个墓地的独特之处在于,它记录了数百个保存程度不同的墓葬。墓葬的库存复合体包括陶瓷,青铜,铁和石头制成的物品。该遗址的材料展示了各种文化的特征-匈奴,布余,汉族,咸卑等。由于西潮沟墓葬遗址的埋葬清单显示出多元文化特征,因此创建该遗址的人口的民族和文化归属问题存在争议。材料和方法。在以往的工作中,西潮沟墓葬的民族鉴定问题都是在对墓葬文物进行分类的基础上解决的。本文从西朝沟族动物风格饰带牌匾的材质入手,探讨了西朝沟族的民族文化归属问题。选择这种材料的主要原因是,带牌匾的形状和装饰反映了游牧文化中个人或群体的民族和文化身份。在西潮沟遗址共发现17个带斑。整个数量的材料分为3种类型,根据这些特征的形状,边缘装饰(泪滴形,点状,人字形),制造技术(通过开放孔的存在),紧固方法(在背面存在小孔),作为腰带的一部分的功能(存在钉)。研究人员已经开始寻找与四川沟遗址材料中发现的匈奴文化带斑群相似的东西。证实了西潮沟墓葬材料中的带状斑块在欧亚大陆北部广阔的匈奴文化区域中找到了相似之处。可以认为,创造西潮沟遗址的人口在民族上不属于匈奴,但受到匈奴文化的强烈影响。西潮沟人口是在前一时期当地文化的基础上形成的。辽东地区和吉林西部地区的多种多样的文化也促成了它的形成。在目前阶段,有可能确定匈奴和扶余的文化成分。
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引用次数: 0
Folklore Basis of Three Late Tang Period Stories About the Intrusion into Another’s Dream 晚唐三篇入梦故事的民间传说基础
Q2 Arts and Humanities Pub Date : 2023-04-14 DOI: 10.25205/1818-7919-2023-22-4-102-114
A. Starostina
The article aims to explore alleged folklore basis of three Chinese chuanqi tales about a husband's intrusion into his wife's dream written during the middle-late Tang period, namely, the first episode of “A Record of Three Dreams”  by Bai Xingjian, “Student Zhang” by Li Mei, and “Dugu Xiashu” by Xue Yusi. The psychologism inherent in these stories masks their closeness to folklore and literature tales about supernatural or uncommon road encounters. The use of Chinese and foreign comparative material allows us to show that these stories originate in belief in the night feasts of spirits and in the possibility of humans participating in those feasts. Two of the three tales, “Student Zhang” and “Dugu Xiashu”, also contain the international motif of a musician engaged to entertain spirits or devils during their night revels. All three chuanqi are based on a fairy-tale concept of rescuing a spouse: by interrupting his wife’s sleep, the hero thus saves her from spirit possession that could end badly for her. It is possible to conclude that the international tale type of the three tales about a husband's intrusion into his wife's dream come, in some respects, closest to is “The Danced-out Shoes”. About a dozen Chinese narratives of the 8th – 10th centuries in the centre of which is the participation of a woman in the night feasts of spirits including even Daoist immortals, which should be assigned to the same group. Such plots, which have no close analogues in previous and subsequent Chinese tradition, most likely owe their appearance to the influence of folklore and beliefs of the Iranian peoples. 
本文旨在探讨唐中后期三个关于丈夫闯入妻子梦境的传奇故事的民间传说依据,即白行健的《三梦记》第一集、李梅的《学生张》和薛雨思的《独孤下书》。这些故事中固有的心理主义掩盖了它们与关于超自然或不寻常的道路遭遇的民间传说和文学故事的密切关系。中外比较材料的使用使我们能够表明,这些故事起源于对夜间精神盛宴的信仰,以及人类参与这些盛宴的可能性。三个故事中的两个,“学生张”和“独孤下书”,也包含了一个音乐家的国际主题,他们在夜晚狂欢时招待鬼魂或魔鬼。这三个传奇故事都是基于一个拯救配偶的童话概念:通过打断妻子的睡眠,英雄将她从可能对她不利的灵魂附身中拯救出来。我们可以得出结论,在这三个关于丈夫闯入妻子梦境的故事中,在某些方面最接近《被舞出的鞋子》的国际故事类型。大约有十几个8 - 10世纪的中国故事,其中的中心是一个女人参加晚上的精神盛宴,甚至包括道教的神仙,这应该被分配到同一个群体。这样的情节,在之前和之后的中国传统中没有相似的相似之处,很可能是由于伊朗人民的民间传说和信仰的影响。
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引用次数: 0
Features of Parenthetical Constructions in Mo Yan’s Novel “Tired of Being Born and Dying” (2005) 莫言小说《厌生厌死》(2005)中的插入结构特征
Q2 Arts and Humanities Pub Date : 2023-04-14 DOI: 10.25205/1818-7919-2023-22-4-115-126
A. Ignatenko
This article is devoted to the study of parenthetical constructions and structures in the Chinese language of fiction, based on the material of the novel “Tired of being Born and Dying” by Mo Yan (《生死疲劳》莫言,2005) as  a problem of modern semantic-syntactic and functional-stylistic phenomena, which, representing localized fragments of speech as part of the main utterance, emphasize the nonlinearity of linguistic thinking and act as an artistic means of expression. Hence, the purpose of this work is to determine and systematize the features of the use of such plug-in constructions in artistic discourse on the selected material, to fix the beginning of the use of such a language practice not typical for Chinese literary texts previously. In the syntax of the Chinese literary language, such pragmatic inserts, or so-called parenthetics, were completely absent until the last quarter of the 20th century, because they were not  a normative and characteristic means of Chinese grammar. Its active implementation in artistic discourse can be attributed only to the turn of the 20th – 21st centuries and the first quarter of the 21st century. Syntactically parenthetical constructions function at the system (combinatorics of components), pictorial (stylistic labeling) and compositional (organization of text space) levels. Based on the factual material, it has been proven that the use of parenthetical constructions practice is one of the features of Mo Yan’s idiostyle, integrating different narrative plans. The paper also systematizes the main functions of plug-in structures. The results of the study provide a basis for further research of parenthetical constructions in Chinese prose.
本文致力于研究附加建筑物、构筑物的中文小说,基于小说的材料“厌倦了出生和死亡”莫言(“生死疲劳”莫言,2005)作为现代semantic-syntactic functional-stylistic现象的问题,这代表局部片段的言论作为主要的话语的一部分,强调语言的非线性思维,作为一种艺术的表达方式。因此,本研究的目的是确定和系统化这种插入式结构在选定材料的艺术话语中的使用特征,以确定这种语言实践的开始,这种语言实践在以前的中国文学文本中并不典型。在中国文学语言的句法中,这种语用插入,或所谓的括号,直到20世纪最后25年才完全存在,因为它们不是汉语语法的规范和特色手段。它在艺术话语中的积极实施只能归功于20 - 21世纪之交和21世纪的前25年。语法插入结构在系统(组件的组合)、图像(风格标记)和组合(文本空间的组织)层面上起作用。通过对事实材料的分析,证明了插入式结构的运用是莫言独特风格的特征之一,它整合了不同的叙事方案。并对插件结构的主要功能进行了系统的阐述。研究结果为进一步研究汉语散文中的插入结构提供了基础。
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引用次数: 0
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Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya
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