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The Beginning of Chinese Cavalry and the Use of Horses in Northwest of Han Empire 中国骑兵的起源与汉帝国西北地区的马匹使用
Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.25205/18187919-2023-22-4-9-17
E. Girchenko
The article examines the processes of the gradual introduction of cavalry troops based on the “barbarian model” into the Chinese army to counter the nomads near the northwestern borders of the empire. The author gives some examples from the written sources of the Zhanguo and Qin Dynasty periods, presenting the gradual transformation of the role of the horse rider as a separate combat unit, but also in combination with chariots. During the Han dynasty, the immediate threat from the Xiongnu by the borders and the need to secure trade routes to the West were the impetus for the reorganization of the army in general and the cavalry in particular. In order to study the peculiarities of horse use for transport needs and military operations in the north-west of the Western Han empire, besides the chronicles, documents of administrative and commercial content – bamboo slips with characters, hanjian, were being used. They were found in large numbers in border fortresses and can significantly supplement the information from the written sources of the Han period and make it possible to reconstruct not only the specifics of inner workings of the northwestern prefectures of China at the turn of the eras but also the peculiarities of horse use for the needs of postal service, patrols and the internal everyday life of garrisons.
本文考察了基于“蛮族模式”的骑兵部队逐渐引入中国军队以对抗帝国西北边境附近的游牧民族的过程。作者从战国和秦朝时期的文字资料中列举了一些例子,展示了骑兵作为一个单独的作战单位的作用逐渐转变,也与战车结合起来。在汉朝,匈奴对边境的直接威胁和确保通往西方的贸易路线的需要是军队重组的动力,特别是骑兵。为了研究西汉帝国西北地区运输用马和军事行动的特点,除了使用编年史外,还使用了行政和商业内容的文件-带有汉字的竹简。它们在边境要塞中被大量发现,可以极大地补充汉代的文字资料,不仅可以重建中国西北州在时代交替时的内部工作细节,还可以重建邮政服务、巡逻和驻军内部日常生活所需的马的特点。
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引用次数: 0
Guizhou Ethnic Groups in the Qing Dynasty Miao Albums: Miao, Yizu, Gelao 清代贵州少数民族苗族图集:苗族、彝族、仡佬族
Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.25205/1818-7919-2023-22-4-47-60
E. A. Zavidovskaуa
This paper aims to evaluate textual descriptions of Guizhou ethnic groups found in the Qing dynasty Miao albums as  a source for the study of history of large ethnic groups such as Miao, Yizu and Gelao. Two Miao albums about ethnic groups of Guizhou are housed at the library of Saint Petersburg State University, one of them has 72 descriptions with hand-drawn plates, only 28 out of 40 descriptions with plates remain in the other one. Among them are dozens of descriptions of Miao groups, several groups of Yizu, Buyi and Gelao, mainly with information on their costume and customs. Scarce information on history is found only in the descriptions of Yizu, since Yizu had been holding positions of local tusi chieftains and had established their own polities which the Chinese empire was forced to interact with. Rare descriptions of Miao have mentions of historical events. This study traces the historical sources, starting from the Han dynasty, where information was borrowed from, for the Miao albums. The paper restores these pieces of information and provides a commentary. Apparently, the value of Miao albums is presented by their visual images of Guizhou people together with accompanying ethnographic notes rather than the historical accounts. 
本文旨在对清代苗籍中有关贵州少数民族的文字描述进行评价,为苗族、彝族、仡佬族等大民族的历史研究提供参考。圣彼得堡国立大学图书馆收藏了两本贵州苗族画册,其中一本有72张手绘图版,另一本有40张图版的画册只剩下28张。其中有几十个苗族、几个彝族、布依族和仡佬族的描述,主要是关于他们的服装和习俗的信息。由于彝族一直担任当地土司首领的职务,并建立了自己的政治体系,华夏帝国被迫与之交往,因此有关彝族的历史信息很少,只能在彝族的描述中找到。罕见的苗语描述提到了历史事件。本研究以汉代为起点,追溯了苗籍的史料来源。本文对这些信息进行了还原,并进行了评论。显然,苗族画册的价值在于其贵州人的视觉形象及其附带的民族志注释,而不是历史记载。
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引用次数: 0
The Jinlianshan Graveyard and Its Role in the Study of the Dong Son – Dian Civilization 金莲山墓地及其在东孙滇文明研究中的作用
Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.25205/1818-7919-2023-22-4-32-46
S. Komissarov, A. I. Solovyev
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引用次数: 0
Three Elite Burials of the Northern Zhou Period from Guyuan in Ningxia, China 宁夏固原地区北周时期的三个精英墓葬
Q2 Arts and Humanities Pub Date : 2023-04-12 DOI: 10.25205/1818-7919-2023-22-4-18-31
M. Kudinova, D. P. Shulg
The materials of elite burial complexes of the Northern Zhou period (557–581) discovered in the 1980–1990s in the vicinity of Guyuan City in the Ningxia-Hui Autonomous Region of China are analyzed in this article. Due to the epitaphs engraved on stone slabs found inside the tombs, the names of the buried individuals and the exact dates of the complexes are known: the tombs belong to high-ranking officials of Northern Zhou: Yuwen Meng (565), Li Xian (569) and Tian Hong (574). The complexes under consideration demonstrate a high degree of unification of the funeral rite, which is manifested in the similarity of tomb structures, decor and accompanying grave goods. The features of architectural structures and grave goods of these burials continue the traditions of the previous periods of the Sixteen Barbarian States and the Northern Wei. With a general similarity to the synchronous complexes of the Northern Qi (550– 577), the materials of these tombs allow to distinguish specific features of the Northern Zhou funerary practice: the absence of porcelain items, the use of ritual nephrites, and the secular nature of mural paintings. Against the background of the prevailing influence of the Chinese-Han funerary tradition, there are signs of the influence of the steppe (probably Xianbei) funeral and memorial rituals. Prestigious items imported from Iran, Central Asia, Byzantium testify to the significant role of contacts along the Silk Road in the economical and cultural development of Northern Zhou. Despite the available data from written and epigraphic sources, the problem of identifying the ethnicity of the buried has not yet been resolved. However, the version of their non-Chinese origin seems to be the most probable.
本文对20世纪80年代至90年代在宁夏回族自治区固原市附近发现的北周(557-581)精英墓葬群的材料进行了分析。由于在墓葬内发现的石板上刻有墓志铭,被埋葬的人的名字和确切的时间是已知的:这些墓葬属于北周的高级官员:玉文孟(565),李显(569)和田弘(574)。所考虑的建筑群显示出葬礼仪式的高度统一,这表现在坟墓结构,装饰和陪葬品的相似性上。这些墓葬的建筑结构和陪葬品的特点延续了以前的十六国和北魏时期的传统。这些墓葬的材料与北齐(550 - 577)的同步复群大体相似,可以区分北周丧葬实践的具体特征:没有瓷器,使用仪式用软玉,壁画的世俗性。在中国汉族丧葬传统盛行的背景下,有迹象表明草原(可能是鲜卑)丧葬和纪念仪式的影响。从伊朗、中亚、拜占庭进口的名品证明了丝绸之路沿线的交往在北周经济和文化发展中的重要作用。尽管有书面和碑文资料,但确定埋葬者种族的问题尚未解决。然而,非中国起源的说法似乎是最有可能的。
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引用次数: 0
The Funeral Rite of the Russians of the Omsk Irtysh Region on a Boundary of the Epochs (1870s – 1920s) and Pottery as an Element of Its Structure 鄂木斯克额尔齐斯河地区俄国人在时代边界上的丧葬仪式(19世纪70年代至20世纪20年代)和作为其结构元素的陶器
Q2 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.25205/1818-7919-2023-22-3-125-139
Philipp S. Tataurov, K. O. Sopova
Purpose. The main elements of the structure of the funeral rite of the late 19th – early 20th centuries are analyzed based on the materials of the necropolis Yevgashino IV. That necropolis date to 1870–1920 by archaeology materials. The purpose of the study is to identify the main elements of the structure of the Russian funeral rite in the Omsk Irtysh region.Results. The place and features of the burials, the funerary clothing were analyzed in the course of the study. A systematic analysis of the collection of funerary pottery was also carried out. The collection of funerary pottery includes 79 archaeologically intact vessels. Various types of funeral pottery were determined by the method of V. F. Gening. There is also an analysis of the cult copper plastics, such as pectoral crosses, copper diptych. The collection of crosses obtained on the site reflects the process of transition from the “Old Believers” forms of cult casting to stamped products of generally low quality which is an important chronological marker.Conclusion. The results of the research will allow make a chronological scale of Russian funeral rite in the second half of the 19th – early 20th centuries from the time of the arrival of Russians in the region to the present.
目的。根据考古资料,对19世纪末至20世纪初墓地叶夫加西诺四世(Yevgashino IV)的材料分析了葬礼仪式结构的主要元素。该墓地的历史可追溯到1870-1920年。本研究的目的是确定鄂木斯克额尔齐斯河地区俄罗斯葬礼仪式结构的主要要素。在研究的过程中,分析了墓葬的地点和特征,以及墓葬的服装。对随葬陶器的收藏也进行了系统的分析。这批陪葬陶器包括79件考古学上完好无损的器皿。各种类型的丧葬陶器是用V. F. Gening的方法测定的。还有一种分析膜拜铜塑,如胸十字、铜双连画。现场获得的十字架收藏品反映了从“旧信徒”形式的邪教铸造到普遍低质量的冲压产品的过渡过程,这是一个重要的时间标记。根据研究结果,从19世纪下半叶到20世纪初,从俄罗斯人到达该地区到现在,俄罗斯丧葬仪式将按时间顺序进行排序。
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引用次数: 0
The Horse in the Wedding Ceremony of the Khakass (Late 19th – Mid 20th Century) 哈卡斯人婚礼上的马(19世纪末至20世纪中期)
Q2 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.25205/1818-7919-2023-22-3-140-154
V. A. Burnakov
Purpose. The purpose of the article is to present the characteristics of the horse as a key object in the wedding tradition of Khakass.The chronological framework of the work covers the late 19th – mid 20th centuries. The choice of such time limits is determined by the state of the source base on the research topic. The principle when any cultural phenomenon is considered in development and taking into account a specific situation, the principle of historicism, is leading in the study. The research methodology is based on historical and ethnographic methods: remnants (relic) and semantic analysis.Results. In the traditional Khakass culture, the horse and its image play an important role. This animal was extremely in demand due to its utilitarian and sacred significance. In practical terms, it was perceived as the main means of transport and an affordable source of meat. In religious and mythological terms, it acted as a symbolic projection – a “replacement” of the human soul, which had a close connection with the world of ancestors and deities. The image of the horse was steadily associated with the idea of vitality and fertility, being endowed with apotropaic properties. All this naturally contributed to its inclusion in the wedding ceremony.One of the main components of the marriage ritual was the mutual gift exchange. The horse was one of the key objects of it. This animal was an indispensable element of the kalym and all the gifts replacing it, as well as the bride's dowry and the groom's share. At the same time, the gift horse was a kind of pledge and a symbol of the conclusion of an unwritten marriage contract. The possession of a horse and the presence of expensive decorative elements in its ammunition not only emphasized its aesthetic preferences, but also served as a marker of the social status and prestige of the horse owner. This norm was observed in the wedding procession.Conclusion. The role of the horse in the ritual and socionormative practice associated with marriage is one of the components of the multifaceted image of this animal in the Khakass culture. Such a wide functionality of the horse people’s lives obviously may indicate the nomadic roots of the phenomenon of horse veneration.
目的。本文的目的是为了呈现马在哈卡斯婚礼传统中作为重要对象的特点。作品的时间框架涵盖了19世纪末至20世纪中期。这些时间限制的选择取决于基于研究课题的源的状态。这一研究的主导原则是历史决定论原则,即把任何一种文化现象置于发展之中并考虑到具体情况的原则。研究方法基于历史和民族志方法:残余(遗迹)和语义分析。在传统的哈卡斯文化中,马及其形象扮演着重要的角色。由于它的实用性和神圣意义,这种动物非常受欢迎。实际上,它被认为是主要的交通工具和负担得起的肉类来源。在宗教和神话的术语中,它作为一种象征性的投射——人类灵魂的“替代品”,与祖先和神灵的世界有着密切的联系。马的形象一直与活力和生育力的概念联系在一起,被赋予了祛风的特性。这一切自然促成了它被纳入婚礼仪式。结婚仪式的主要组成部分之一是相互交换礼物。马是它的主要对象之一。这种动物是kalym和所有替代它的礼物,以及新娘的嫁妆和新郎的份额中不可或缺的元素。同时,礼物马也是一种承诺,象征着不成文的婚姻契约的缔结。拥有一匹马及其弹药中昂贵的装饰元素的存在不仅强调了其审美偏好,而且还成为马主社会地位和声望的标志。这一规范在婚礼游行中得到了遵守。马在与婚姻相关的仪式和社会规范实践中的作用是哈卡斯文化中这种动物的多方面形象的组成部分之一。如此广泛的功能性马人的生活显然可以说明游牧民族崇拜马现象的根源。
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引用次数: 0
The History of Naming among the Baunt Evenks 博特埃文克斯人的命名史
Q2 Arts and Humanities Pub Date : 2023-03-06 DOI: 10.25205/1818-7919-2023-22-3-155-167
O. Buraeva, E. F. Afanasyeva
Purpose. The purpose of this article is to explore the naming system of Baunt Evenks – local group of Evenks in Buryatia. For centuries, each nation has developed its own anthroponymicon – a register of personal names, which had its own characteristics in each historical period.Results. We examined this process using the example of the personal names of the Baunt Evenks – a local group of the indigenous people of the Republic of Buryatia, currently living in the Bauntovsky Evenk district. Name played a very important role in an Evenk’s life. It was individual, rarely repeated and perceived as something alive. In the process of research, the original Evenk names of the 17th – 21st centuries, unknown to modern Evenks, have been revealed. It was established that the most common male names among the Baunt Evenks were formed with the suffix -wul. The next in the frequency of use were names ending in -cha, -nay, -nei, -ni, -tu / -ltu, -kta / -to, -no, -nya, -chan, -ko. Most female names were formed with the suffix -k. We have recorded Russian and Buryat names that appeared in the Evenks anthroponymicon as a result of the establishment of cultural relations between peoples. The frequency of their use has been also determined. It has been found that since the end of the 19th century, the Evenks have mainly been using three-word names: first name, patronymic, surname.Conclusion. In the naming system of the Evenks, there were a number of conventions and prohibitions. Firstly, a person could not exist without a name. Secondly, the Evenks treated personal names as something intimate. Thirdly, the naming process was not instantaneous. Fourth, the name of the Evenks was a new word. And fifth, the formation of personal names among the Evenks was subject to certain linguistic norms.
目的。本文的目的是探讨布里亚特当地的埃文克斯群体——博特埃文克斯的命名系统。几个世纪以来,每个民族都发展了自己的人名登记簿,在每个历史时期都有自己的特点。我们以目前居住在Bauntovsky Evenk地区的布里亚特共和国土著人民的一个当地群体Baunt Evenks的人名为例审查了这一过程。名字在埃文人的一生中起着非常重要的作用。它是个人的,很少被重复,被视为有生命的东西。在研究过程中,揭示了现代埃文人所不知道的17 - 21世纪埃文人的原始名字。人们已经确定,在博特埃文克斯人中,最常见的男性名字是由后缀-wul组成的。其次是以-cha, -nay, -nei, -ni, -tu / -ltu, -kta / -to, -no, -nya, -chan, -ko结尾的名字。大多数女性的名字都以-k为后缀。我们已经记录了俄罗斯人和布里亚特人的名字,这些名字出现在《埃文人编》中,这是各民族之间建立文化关系的结果。它们的使用频率也已确定。人们发现,自19世纪末以来,埃文人主要使用三个词的名字:名,父姓,姓。在埃文人的命名系统中,有许多惯例和禁忌。首先,一个人没有名字就无法存在。其次,埃文人把个人的名字当作亲密的东西。第三,命名过程不是瞬间完成的。第四,埃文克斯人的名字是一个新词。第五,埃文人名字的形成受到一定的语言规范的制约。
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引用次数: 0
Pottery of the Kalinkino Culture from the Barsov Gorodok III/2 Settlement: Technical and Technological Characteristics 来自Barsov Gorodok III/2聚落的卡林基诺文化的陶器:技术和工艺特征
Q2 Arts and Humanities Pub Date : 2023-03-05 DOI: 10.25205/1818-7919-2023-22-3-72-84
D. V. Selin, Y. Chemyakin
Purpose. Barsova Gora is a unique archaeological and landscape site located in the Tyumen Region (West Siberia) of the Russian Federation. The technical and technological analysis of Kalinkino ceramics from the Barsov gorodok III/2 settlement (25 vessels) was performed in accordance with the method developed by A. A. Bobrinsky.Results. For the manufacture of vessels at the Barsov gorodok III/2 settlement, ferruginous clays were selected. Five subspecies of clay have been identified, differing in the sandiness degree and natural impurities composition. The most common subspecies of clay is weakly sandy clay with natural inclusions of brown ironstone. Three recipes for molding compond were defined: 1) clay + chamotte (21 vessels); 2) clay + chamotte + sand (3 vessels); 3) clay + sand (1 vessel). Vessels were made using patchwork molding, presumably on a base mold. Surfaces of vessels were processed by mechanical smoothing and glossing. There are 10 variants of combining different tools. The most common variant is smoothing vessel both surfaces using a serrated tool. Firing of pottery could take place in reducing or semireducing gas environment.Conclusion. A comparison of pottery traditions of the Kalinkino culture from the Barsov gorodok III/2 settlement and the Barsova Gora III/20 settlement revealed their similarity. It is manifested in the selection of weakly sandy ferruginous clays for vessels production. The dominant recipe for molding compound on both sites is clay + chamotte. Vessels were made using patchwork overlay. There are differences in the range of artificial additives used in the ceramic production, recipes for molding compound, surface treatment options. Pottery of the Kalinkino culture from the Barsov Gorodok III/2 settlement demonstrates similarity with the Barsovo culture products. The similarity is manifested in the use of weakly sanded ferruginous clays and the use of chamotte as the main mineral impurity. It also converges with the pottery of the Surgut variant of the Kulay cultural-historical community due to use of chamotte and patchwork overlay. However, there are significant differences between ceramics of the Surgut variant of the Kulay cultural-historical community and the Kalinkino culture from the Barsov gorodok III/2 settlement manifested: it lies in the use of shadings and flap veneer in the Kulay pottery.
目的。Barsova Gora是位于俄罗斯联邦秋明地区(西伯利亚西部)的一个独特的考古和景观遗址。采用A. A. bobrinsky的方法对Barsov gorodok III/2(25个容器)的Kalinkino陶瓷进行了技术和工艺分析。为了在Barsov gorodok III/2定居点制造容器,选择了含铁粘土。粘土的五个亚种已被确定,不同的砂度和天然杂质组成。粘土最常见的亚种是带有褐色铁矿天然包裹体的弱砂质粘土。确定了三种成型复合材料配方:1)粘土+灰浆(21个容器);2)粘土+沙土+沙子(3个容器);3)粘土+沙子(1个容器)。容器是用拼接成型的,大概是在一个基础模具上。对容器表面进行机械平滑和上光处理。有10种组合不同工具的变体。最常见的变体是使用锯齿状工具平滑容器的两个表面。在还原性或半还原性气体环境下均可烧制陶器。通过对Barsov gorodok III/2和Barsova Gora III/20定居点的陶器传统的比较,发现了它们的相似性。这表现在为容器生产选择弱砂质含铁粘土上。在这两个地点的主要配方成型化合物是粘土+灰浆。容器是用拼凑的覆盖物制成的。在陶瓷生产中使用的人造添加剂的范围、成型化合物的配方、表面处理选择等方面存在差异。来自Barsov Gorodok III/2聚落的Kalinkino文化陶器显示出与Barsovo文化产品的相似性。相似之处表现在使用弱砂质含铁粘土和使用灰铁作为主要矿物杂质。它也与Kulay文化历史社区的苏尔古特变体的陶器汇合,因为使用了沙莫特和拼凑覆盖。然而,库莱文化历史社区苏尔古特变体的陶瓷与巴尔索夫戈罗多克III/2聚落的卡林基诺文化的陶瓷存在显著差异,表现在库莱陶瓷对遮阳和皮瓣饰面的使用上。
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引用次数: 0
The Phenomenon of the “Golden Statue of a Man for Sacrifices to Heaven” in Xiongnu Culture 匈奴文化中的“金像祭天”现象
Q2 Arts and Humanities Pub Date : 2023-03-05 DOI: 10.25205/1818-7919-2023-22-3-99-113
I. Kang
Purpose. The purpose of the work is to search for evidence of the “golden statue of a man for sacrifices to Heaven” existence in the material culture of the early Xiongnu for the subsequent interpretation of this phenomenon.Materials. To achieve this goal, the reports of Chinese historical records on the culture of the early Xiongnu, which contain references to the “golden statue of a person for sacrifices to Heaven” were analyzed. Information from the historical records was compared with archaeological materials of synchronous archaeological cultures with numerous gold items in the territory of Northern Eurasia. Basically, the comparison was made with the “golden culture” of the Sakas of Kazakhstan.Result. It has been established that the “golden statue of a person for sacrifices to Heaven” in the culture of the early Xiongnu did not imply a golden statue, similar to later statues of Buddha, but the tradition of the deceased rulers clothes decorating with gold implements in the process of the ritual exposure of the deceased body. This tradition is widely known from the materials of the Sakas culture of Kazakhstan as a rite of creating a “golden man”. It is suggested that this tradition was borrowed by the Xiongnu in the course of contacts with the Saka population of Kazakhstan in the 4th century BC and existed among the Xiongnu until the 2nd century BC. The contacts between the Xiongnu and the Scythian and Saka nomadic population of Central Asia are confirmed by the excavations materials from the Chikhertyn Zoo burial ground in Mongolia.Conclusion. As a result of the work carried out, it was possible to identify some material and spiritual culture features of the early Xiongnu (4th – 2nd centuries BC).
目的。本研究的目的是在早期匈奴的物质文化中寻找“祭天金像”存在的证据,为后续对这一现象的解释提供依据。为了实现这一目标,我们分析了中国关于早期匈奴文化的历史记载,这些记载中提到了“祭祀天人的金像”。将历史记载资料与同时代的考古文化的考古资料与欧亚大陆北部地区大量的金器进行了比较。基本上是与哈萨克斯坦萨卡人的“黄金文化”进行比较。可以确定的是,早期匈奴文化中的“祭天金像”并不是指类似于后来的佛像的金像,而是已故统治者在仪礼暴露死者遗体的过程中,用金器装饰衣服的传统。这一传统从哈萨克斯坦萨卡斯文化的材料中广为人知,是一种创造“金人”的仪式。有人认为,这一传统是在公元前4世纪匈奴与哈萨克斯坦萨卡人接触的过程中被匈奴借用的,并在匈奴中一直存在到公元前2世纪。蒙古齐克尔廷动物园墓地的发掘资料证实了匈奴与中亚斯基泰人和萨卡游牧民族的接触。通过这项工作,我们可以识别出早期匈奴(公元前4 - 2世纪)的一些物质和精神文化特征。
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引用次数: 0
Raw Materials Sources and Technical and Typological Characteristics of the Zhalgyz-agym Site in the Northern Aral Sea Region 咸海北部地区张吉孜遗址的原料来源及其技术和类型学特征
Q2 Arts and Humanities Pub Date : 2023-03-05 DOI: 10.25205/1818-7919-2023-22-3-49-60
Y. Kurmaniyazov, A. Chekha, R. Darmenov, A. Z. Nazarov
Purpose. In 2020, an expedition of the Korkyt Ata Kyzylorda University under the leadership of A. A. Tazhekeev and Y. S. Kurmaniyazov has examined the surface of the Zhalgyz-agym parking lot and collected archaeological material. Also in the local history and Local lore museum of the Aral Siti, Y. S. Kurmaniyazov has processed a previously unexplored collection of stone artifacts, storing in the funds, from the Zhalgyz-agym site.Results. The Zhalgyz-agym Site is located on the border of the territory of the Aral Karakum Desert and the Aral Sea in the vicinity of Saryshyganak Bay. Like most of the early sites of the Celteminar culture located in the vicinity of Aralsk Siti and st. Saksaulskaya, the Site are confined to the surface of somewhat compacted and humified soil, the layer of which is now exposed by terraces on the slopes of sandy mounds. On the surface of this layer, one can find vertically standing core, piles of flakes, ash residues and osteological materials.The collection of the Zhalgyz-agym Site, both collected and provided by the museum fund, is represented by 547 stone artifacts.The technology of primary knapping contains a number of features that allow these atrifacts to be attributed to the Mesolithic tradition. This is evidenced by both the shapes of the core – end, wedge-shaped, pencil-shaped – and the technology of their production and knapping.Conclusion. The Zhalgyz-agym site can be attributed to the Celteminar culture, but since the collection of archaeological material took place from the surface of the site, its chronological and cultural characteristics were determined only by applying a technical and typological analysis of stone artifacts.
目的。2020年,在A. A. Tazhekeev和Y. S. Kurmaniyazov的领导下,科尔基特·阿塔·基齐洛尔达大学的一支考察队检查了扎尔盖兹-agym停车场的表面,并收集了考古材料。此外,在阿拉尔西蒂的当地历史和当地文化博物馆,Y. S. Kurmaniyazov处理了一组以前未被探索过的石头文物,这些文物储存在基金中,来自扎尔盖兹-agym遗址。扎尔吉兹-阿格姆遗址位于咸海卡拉库姆沙漠和咸海的边界,位于Saryshyganak湾附近。像大多数位于Aralsk Siti和st. Saksaulskaya附近的Celteminar文化的早期遗址一样,该遗址被限制在一些夯实和腐湿土壤的表面,这一层现在被沙丘斜坡上的梯田暴露出来。在这一层的表面,人们可以发现垂直站立的岩心,成堆的薄片,灰烬残留物和骨材料。由博物馆基金收集和提供的扎吉兹广场遗址的藏品有547件石制文物。原始敲击技术包含了许多特征,使这些文物可以归因于中石器时代的传统。这一点可以从芯端、楔形、铅笔形的形状以及它们的制作和捏制技术上得到证明。张吉孜-阿格姆遗址可以归因于Celteminar文化,但由于考古材料的收集是从遗址的表面进行的,因此其时间和文化特征只能通过对石制文物进行技术和类型学分析来确定。
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Vestnik Novosibirskogo Gosudarstvennogo Universiteta, Seriya: Istoriya, Filologiya
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