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Braided Environments. A Call to Explore Rhetoric and Materiality through Augmentative Technologies 编织环境。通过增强技术探索修辞和物质性的呼吁
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-12-18 DOI: 10.24193/mjcst.2018.6.01
Steven Smith
This research proposes that augmented reality technologies have the capabilities of intertwining natural spaces, material spaces, and networked (or immaterial) spaces together through the author's original idea of the between, which can in turn be used to further explore rhetorical discourse and im/materiality and bolster emerging discourse within the digital humanities. By using a variety of contemporary research on diverse topics within augmented reality and the humanities, such as the inside/outside model and the regenerative/transformative concept (each proposed by Victoria Gallagher in her works on visual rhetoric), as well as an examination of current augmented reality applications (Wikitude and Pokémon Go), the author argues that emerging applications in AR can offer scholars a variety of possibilities to explore new media and the humanities, as well as more interdisciplinary fields such as public spaces, natural spaces, digital spaces, rhetoric, science, technology, and critical cultural theory.
本研究提出,增强现实技术具有将自然空间、物质空间和网络(或非物质)空间交织在一起的能力,通过作者对两者之间的原始想法,可以反过来用于进一步探索修辞话语和非物质性,并支持数字人文学科中的新兴话语。通过使用增强现实和人文学科中不同主题的各种当代研究,例如内/外模型和再生/变革概念(每个都由维多利亚·加勒格尔在她的视觉修辞学作品中提出),以及对当前增强现实应用(Wikitude和pok mon Go)的检查,作者认为AR中的新兴应用可以为学者提供探索新媒体和人文学科的各种可能性。以及更多的跨学科领域,如公共空间、自然空间、数字空间、修辞学、科学、技术和批判文化理论。
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引用次数: 1
Eutopizing the Dystopia. Gender Roles, Motherhood and Reproduction in Murata Sayaka’s "Satsujin Shussan" 反乌托邦的反乌托邦。村田早香《斋津书山》中的性别角色、母性与生殖
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-05 DOI: 10.24193/MJCST.2018.5.06
Anna Specchio
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引用次数: 2
The Great Female Unread. Romanian Women Novelists in the First Half of the Twentieth Century: a Quantitative Approach 伟大的未读女性。20世纪上半叶罗马尼亚女小说家的数量分析
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-05 DOI: 10.24193/mjcst.2018.5.07
Daiana Gârdan
The following paper intends to investigate the main junctures and disjunctures of Romanian prose written by women in the first half of the twentieth century from a quantitative perspective. The paper will employ a macroanalysis of both the novels written in this period and the prose written by female writers, in order to establish a pattern in the modernisation and institutionalisation of Romanian literature in the inter-war period, more specifically in the 1930s, the decade that saw the emergence of the main canonical Romanian novels. The paper will also delve into the main principles and discussions surrounding early Romanian feminism. Aspects such as import literature, translations, and the circulation of Western literary trends in the Romanian cultural field will be critical to understand how Romanian prose written by women evolved over the course of the twentieth century and established an alternative literary canon.
本文拟从数量的角度考察二十世纪上半叶罗马尼亚女性散文的主要转折点和转折点。本文将对这一时期的小说和女性作家的散文进行宏观分析,以建立一种罗马尼亚文学在两次战争之间的现代化和制度化模式,更具体地说是在20世纪30年代,这十年见证了罗马尼亚主要经典小说的出现。本文还将深入探讨早期罗马尼亚女权主义的主要原则和讨论。进口文学、翻译和西方文学潮流在罗马尼亚文化领域的传播等方面,对于理解女性创作的罗马尼亚散文如何在20世纪演变并建立一种替代文学经典至关重要。
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引用次数: 11
The Futility of Chasing Shadows of Patriarchal Liberation: the African National Congress Women’s League (ANCWL) and Anti-Colonial Feminist Politics 追寻父权解放阴影的徒劳:非洲人国民大会妇女联盟与反殖民女权主义政治
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-05 DOI: 10.24193/MJCST.2018.5.04
Khanyile Mlotshwa
In this paper, I combine critical feminist theories and postcolonial/decolonial feminist theories to examine the persistence of patriarchy in South Africa’s postcolonial moment. The postcolonial is taken as both the time that comes after settler rule is over and the recognition that colonialism continues in another form even after settler rule is over (Hall, Post-colonial 244). I ask how is it that at a postcolonial time, when South Africans seem to have made strides on the liberation of women, especially black women, political parties are still reluctant to elect females to lead. Through a close reading of the election of five men and only one woman to lead the ruling African National Congress (ANC) for the next five years – as a news event – I argue that the reasons include an ineffectual liberal feminist praxis adopted by the leaders of the African National Congress Women’s League (ANCWL) as some kind of ‘depoliticised politics’ (Jorgensen and Phillips, Wodak and Meyer, Fairclough). This lack of ideological clarity is characterised by reluctance to tackle patriarchy head on by the women leaders.
在本文中,我将批判女权主义理论与后殖民/非殖民女权主义理论相结合,来考察父权制在南非后殖民时代的持久性。后殖民主义既被视为定居者统治结束后的时间,也被视为即使在定居者统治结束之后殖民主义仍以另一种形式继续的认识(Hall,后殖民244)。我想知道,在后殖民时代,当南非人似乎在解放妇女,特别是黑人妇女方面取得了长足进步时,政党为什么仍然不愿意选举女性领导。通过仔细阅读五名男性和一名女性在未来五年领导执政的非洲人国民大会(ANC)的选举——作为一个新闻事件——我认为原因包括非洲人国民大会妇女联盟(ANCWL)领导人采用的无效的自由主义女权主义实践,认为这是某种“非政治化政治”(约根森和菲利普斯,沃达克和迈耶,费尔克劳夫)。这种意识形态缺乏明确性的特点是女性领导人不愿正面解决父权制问题。
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引用次数: 1
Take Lemons and Make Lemonade: Serial Girls and the Question of Race 拿柠檬做柠檬水:连环女孩和种族问题
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-05 DOI: 10.24193/MJCST.2018.5.03
M. Delvaux
This paper addresses the question of race in relation to the image of serial girls. I reflect on how seriality affects women of colour and how it operates by imposing an ideal white female body and an ideal image of femininity. I am also interested in the way seriality is used by artists of colour, as a means for resistance against white cultural supremacy and (white) misogyny. Beyoncé is one example of how seriality can be reproduced in order to resist. Some relevant proof I analyse in this paper are the 2016 Superbowl performance and the film-album Lemonade. In this context, the image of serial girls appears both as a symptom of racism and as a possibility of anti-racist engagement.
本文探讨了与连环少女形象相关的种族问题。我思考了顺序性是如何影响有色人种女性的,以及它是如何通过强加一个理想的白人女性身体和一个理想的女性形象来发挥作用的。我也对有色艺术家使用序列的方式感兴趣,作为抵抗白人文化霸权和(白人)厌女症的一种手段。beyonc是一个例子,说明如何通过复制序列来抵抗。本文分析的一些相关证据是2016年超级碗的表演和电影专辑《Lemonade》。在这种情况下,连续女孩的形象既是种族主义的症状,也是反种族主义参与的可能性。
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引用次数: 0
A Kynical View on Corporeality: Jeanette Winterson’s Non-Philosophy in "Written on the Body" 体现观:珍妮特·温特森《写在身体上》中的非哲学
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-05 DOI: 10.24193/MJCST.2018.5.05
Cristina Diamant
: Science-fiction writers tend to side either with the flesh, holding that “ all is body/matter, ” or with the machine, believing that “ all is mind, ” and these two divergent perspectives translate into either a protectionist or an accelerationist attitude. They can, however, be seen as interpenetrating agencements (Charles T. Wolfe), as is the case of Donna Haraway ’ s “ cyborg ” as an emerging political form, especially in feminist science-fiction works. Jeanette Winterson ’ s novels may seem to slowly turn away from the flesh since Written on the Body , from Gut Symmetries to The PowerBook and The Stone Gods . The present paper aims to suggest that what Written on the Body expresses is the heightening of kynicism (Peter Sloterdijk) towards both the flesh and the machine, all while rejecting cynical reason. The novel offers the reader an ec-static understanding of desire and loss, as well as the possibility of spiritual rather than spiritualist sans-philosophie (François Laruelle).
:科幻作家倾向于要么站在肉体一边,认为“一切都是身体/物质”,要么站在机器一边,相信“一切皆是思想”,这两种不同的观点转化为保护主义或加速主义的态度。然而,他们可以被视为相互渗透的机构(查尔斯·T·沃尔夫),就像唐娜·哈拉韦的“半机械人”作为一种新兴的政治形式一样,尤其是在女权主义科幻作品中。珍妮特·温特森的小说从《写在身上》、《肠道对称》到《权力书》和《石头神》,似乎都在慢慢地远离肉体。本文旨在表明,《写在身上》所表达的是对肉体和机器的kynicism(彼得·斯洛特迪克)的强化,同时拒绝愤世嫉俗的理性。这部小说为读者提供了对欲望和损失的静态理解,以及无哲学的精神主义者(François Laruelle)的可能性。
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引用次数: 0
An Agential Realist Approach to Posthumanist Relational Subjectivity in Jeanette Winterson’s "The Stone Gods" 珍妮特·温特森《石神》中后人类主义关系主体性的代理现实主义解读
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-01 DOI: 10.24193/MJCST.2018.5.02
A. Preda
This paper examines, through the lenses of agential realism, the uncanny sense of posthumanist relational subjectivity that Winterson’s utopia evokes through the twofold romantic encounter between female scientist Billie Crusoe and humanized sherobot Spike. This same-sex cross-species futuristic love affair that develops across two different space-times succeeds in blurring the boundaries between humans and machines, thus prompting readers to overcome their anthropocentric worldview and to abandon the deep yet narrow concern for the moral and cognitive implications of the humans’ fate at the end of the de-centring process brought about by the posthuman turn, urging them to consider, instead, more significant and wider issues such as accountability and responsibility. Thus, it can be viewed as a fictional narrative embodiment of Karen Barad’s theoretical reconfiguration of materiality as discursive and of performativity as a dynamic process of constraining iterative intra-actions rather than of determining interactions.
本文通过代理现实主义的镜头,通过女科学家比莉·克鲁索和人性化的雪洛博特·斯派克之间的双重浪漫邂逅,审视了温特森乌托邦所唤起的后人文主义关系主体性的神秘感。这种跨越两个不同时空的同性跨物种未来主义爱情成功地模糊了人类和机器之间的界限,从而促使读者克服他们以人类为中心的世界观,在后人类转向带来的去中心化过程结束时,放弃对人类命运的道德和认知影响的深刻而狭隘的关注,敦促他们考虑更重要、更广泛的问题,如问责和责任。因此,它可以被视为一个虚构的叙事化身,体现了Karen Barad将物质性重新配置为话语性,将表演性重新配置为由约束迭代内部行动而非决定互动的动态过程。
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引用次数: 0
Combined and Uneven Feminism: Intersectional and Post-Constructivist Tendencies 组合与不均衡的女权主义:交叉与后建构主义倾向
IF 0.3 Q2 Arts and Humanities Pub Date : 2018-07-01 DOI: 10.24193/MJCST.2018.5.01
Anamaria Deliu, L. T. Ilea
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引用次数: 4
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