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The Heroines. Re-mythicization of the First World War in the Romanian Literature 英雄。罗马尼亚文学对第一次世界大战的再神话化
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.06
Cosmin Borza
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引用次数: 0
The Romanian Novels of the ‘Obsessive Decade’ as Subversive Literature. A Macroanalysis (1971-1979) 作为颠覆性文学的“迷恋十年”罗马尼亚小说。宏观分析(1971-1979)
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.11
D. Bud
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引用次数: 0
New Wine in Old Bottles: Contemporary Chinese Online Allegorical Ghost Stories as Political Commentary 旧瓶装新酒:当代中国网络寓言鬼故事政治评论
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.02
Mengxing Fu
The phenomenal popularity of the Internet literature in China and the potential for freedom of speech in China’s cyberspace have long fascinated scholars of contemporary China. This article examines the interaction between Chinese Internet literature and the ever-increasing online censorship by focusing on one type of Internet literature in China: the allegorical ghost stories. While observers of censorship in China have expressed worries about the tightening censorship in China’s cyberspace and self-censorship’s damaging effect on literature, this article follows the conceptualization of censorship as co-existing with literary production and seeks to explore how censorship shapes literature. Specifically, it analyses how the contemporary online allegorical ghost stories re-appropriate an old Chinese fictional genre zhiguai (i.e. records of the strange) – a genre that has maintained a paradoxical dissenting and conforming relationship with the state orthodoxy – and use a coded, “Aesopian language” to satirize contemporary Chinese politics and revisit historical atrocities. I argue that these negotiations with censorship (or selfcensorship) resurrect the premodern zhiguai, turning it into a historical documentation of the contemporary and constitute a form of resistance that smuggles into the public discourse a usually hidden transcript.
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引用次数: 0
Migrating MUJERES and Gender Bending: Charles Chaplin’s ATELIER and the Education of Spanish Women Painters in Nineteenth-Century Paris 迁移的妇女和性别弯曲:查尔斯·卓别林的工作室和19世纪巴黎西班牙女画家的教育
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.03
Michelle Pauken Cromer
Recommended Citation: Pauken Cromer, Michelle. “Migrating Mujeres and Gender Bending: Charles Chaplin’s Atelier and the Education of Spanish Women Painters in Nineteenth-Century Paris.” Metacritic Journal for Comparative Studies and Theory 5.1 (2019): https://doi.org/10.24193/mjcst.2019.7.03 Abstract: In mid-nineteenth century Paris, when an art education was out of reach for most women artists, several male painters began opening private schools specifically catering to women. In Catholic Spain, opportunities were more restricted; therefore, leaving the country and attending these French ateliers were key to women’s training as no government-sponsored academies accepted women at the time. By means of archival and historical research, this analysis applies theories of Judith Butler to explore the careers of two Spanish women painters: Alejandrina Gessler y Lacroix (1831-1907) and Antonia Bañuelos Thorndike (1856-1921) as they studied under academic painter, Charles Chaplin (1825-1891). Operating outside gendered norms and traveling outside of Spain changed the direction of Spanish women’s art production and exhibition practices allowing them to subvert the conservative limitations in their home country and develop professional careers both within and outside of Spain.
推荐引文:Pauken Cromer,Michelle。《迁徙的女性与性别弯曲:查尔斯·卓别林的工作室与十九世纪巴黎西班牙女画家的教育》,元评论家比较研究与理论杂志5.1(2019):https://doi.org/10.24193/mjcst.2019.7.03摘要:在十九世纪中期的巴黎,当大多数女艺术家无法接受艺术教育时,一些男画家开始开设专门为女性服务的私立学校。在信奉天主教的西班牙,机会更加有限;因此,离开法国并进入这些法国工作室是女性培训的关键,因为当时没有政府资助的学院接受女性。本文运用档案和历史研究的方法,运用朱迪斯·巴特勒的理论,探讨了两位西班牙女画家Alejandrina Gessler y Lacroix(1831-1907)和Antonia Bañuelos Thorndike(1856-1921)师从学院派画家Charles Chaplin(1825-1891)的职业生涯。在性别规范之外运作和在西班牙境外旅行改变了西班牙女性艺术制作和展览实践的方向,使她们能够颠覆本国的保守限制,在西班牙内外发展职业生涯。
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引用次数: 0
The Life and Times of Ceaușescu Jokes Ceaușescu笑话的生活和时代
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.09
Gabriela Glăvan
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引用次数: 3
Matabeleland and the Rulers’ Political Sins: Defining Subversive Art in Zimbabwe 马塔贝莱兰与统治者的政治罪恶:定义津巴布韦的颠覆性艺术
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.04
Khanyile Mlotshwa
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引用次数: 1
Contemporary Art in Liberal Regimes. Interventionist Art and Institutional Power 自由制度下的当代艺术。干预主义艺术与制度权力
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.10
Larisa Prodan
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引用次数: 0
When Censorship Is Over – Ana Blandiana’s Return to Writing after the 1989 Revolution 当审查制度结束——安娜·布兰迪亚娜在1989年革命后重返写作
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.05
Cristina Gogâță
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引用次数: 0
Trauma and Memory in Maya Angelou’s Autobiographical Fiction 玛雅·安杰洛自传体小说中的创伤与记忆
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-01 DOI: 10.24193/MJCST.2019.7.08
N. Roşcan
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引用次数: 1
Arguing for Art, Debating Censorship 为艺术争论,为审查争论
IF 0.3 Q2 Arts and Humanities Pub Date : 2019-07-01 DOI: 10.24193/MJCST.2019.7.01
Liviu Malița
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引用次数: 1
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Metacritic Journal for Comparative Studies and Theory
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