Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.014.18126
Olga Grodecka
The article addresses the issue of protection of fictional characters in the context of their location in popular culture. The author, on the basis of case law and doctrine, analyzes the prerequisites for granting protection under copyright law and industrial property law, emphasizing first of all the location of the fictional character in pop culture. The article analyzes the case law of Polish courts and European countries. The author emphasizes that the right to the integrity of the work is directly linked to its cultural context.
{"title":"Prawna ochrona postaci fikcyjnej a jej znaczenie kulturowe","authors":"Olga Grodecka","doi":"10.4467/2450050xsnr.23.014.18126","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.014.18126","url":null,"abstract":"The article addresses the issue of protection of fictional characters in the context of their location in popular culture. The author, on the basis of case law and doctrine, analyzes the prerequisites for granting protection under copyright law and industrial property law, emphasizing first of all the location of the fictional character in pop culture. The article analyzes the case law of Polish courts and European countries. The author emphasizes that the right to the integrity of the work is directly linked to its cultural context.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.011.18123
Ryszard Nowicki
The source article presents problems related to the functioning of Maria Ogińska’s private estate in Rietavas, Lithuania, during the First World War. A handwritten report of Kazimierz Rzeszowski, the estate’s manager, found in the National Archives in Krakow, enabled the creation of this article. The estates were located in the territory of the Russian Partition. From 1915, they were under German occupation. For several years, the plenipotentiary took formal and informal measures to secure the Duchess’s assets. As a result of his personal intervention, a palace in Pojeziory, owned by Zygmunt Nagurski, was saved from being burned down. After the end of the war and the establishment of the Lithuanian state, the Rietavas estates were nationalized. The unique manuscript provides information about the fate of the cultural property gathered in the palace in Rietavas. It is a proof of the destruction and dispersion of cultural heritage valuable for Lithuanians and Poles, related to the large private landed property of Ogiński’s princes.
{"title":"Prywatna wielka własność ziemska na Litwie. Dobra retowskie Marii z Potulickich Ogińskiej w okresie I wojny światowej","authors":"Ryszard Nowicki","doi":"10.4467/2450050xsnr.23.011.18123","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.011.18123","url":null,"abstract":"The source article presents problems related to the functioning of Maria Ogińska’s private estate in Rietavas, Lithuania, during the First World War. A handwritten report of Kazimierz Rzeszowski, the estate’s manager, found in the National Archives in Krakow, enabled the creation of this article. The estates were located in the territory of the Russian Partition. From 1915, they were under German occupation. For several years, the plenipotentiary took formal and informal measures to secure the Duchess’s assets. As a result of his personal intervention, a palace in Pojeziory, owned by Zygmunt Nagurski, was saved from being burned down. After the end of the war and the establishment of the Lithuanian state, the Rietavas estates were nationalized. The unique manuscript provides information about the fate of the cultural property gathered in the palace in Rietavas. It is a proof of the destruction and dispersion of cultural heritage valuable for Lithuanians and Poles, related to the large private landed property of Ogiński’s princes.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.016.18128
Alicja Jagielska-Burduk, Małgorzata Herbich
The article presents the Polish UNESCO Associated Schools Network (ASPnet). The Polish ASPnet was established in 1956. The activities undertaken in 2023 (for instance, the international Gift a Poem campaign) are presented together with the Polish celebrations of the 70th anniversary of this oldest UNESCO network. The analysis of the reports submitted by the Polish network members is provided with a special focus on networks, cooperation with other UNESCO family members, and UNESCO designations.
{"title":"Współpraca ASPnet w ramach sieci UNESCO. 70-lecie Sieci Szkół Stowarzyszonych UNESCO","authors":"Alicja Jagielska-Burduk, Małgorzata Herbich","doi":"10.4467/2450050xsnr.23.016.18128","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.016.18128","url":null,"abstract":"The article presents the Polish UNESCO Associated Schools Network (ASPnet). The Polish ASPnet was established in 1956. The activities undertaken in 2023 (for instance, the international Gift a Poem campaign) are presented together with the Polish celebrations of the 70th anniversary of this oldest UNESCO network. The analysis of the reports submitted by the Polish network members is provided with a special focus on networks, cooperation with other UNESCO family members, and UNESCO designations.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.006.18118
Ewa Milczarek
The Internet has fundamentally influenced all aspects of life – including culture, increasing access to such goods. This access has become faster, simpler and cost-free, including access from illegal sources, thus potentially violating the rights of creators. For years, public debate has raised the problem of the “copyright crisis”, which has been unable to meet the challenges of our information society. The EU’s response to increasing protection for creators is Directive 2019/790 on copyright and related rights in the Digital Single Market. Article 17 of this directive imposes an obligation on providers of online content sharing services to preventively control content posted by users – the so-called liability mechanism. This preventive control raises concerns about the potential violation of users’ right to freedom of expression. The article analyzes the mechanisms of the liability system, including the identification of subjective and objective aspects of the imposed obligations. This analysis was compiled with the standards of protection and restriction of freedom of expression in the conditions of the information society. The aim of the work is to assess whether the mechanism of the accountability system violates the essence of freedom of expression.
{"title":"Interferencja mechanizmu systemu odpowiedzialności wprowadzonego dyrektywą 2019/790 na wolność wypowiedzi","authors":"Ewa Milczarek","doi":"10.4467/2450050xsnr.23.006.18118","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.006.18118","url":null,"abstract":"The Internet has fundamentally influenced all aspects of life – including culture, increasing access to such goods. This access has become faster, simpler and cost-free, including access from illegal sources, thus potentially violating the rights of creators. For years, public debate has raised the problem of the “copyright crisis”, which has been unable to meet the challenges of our information society. The EU’s response to increasing protection for creators is Directive 2019/790 on copyright and related rights in the Digital Single Market. Article 17 of this directive imposes an obligation on providers of online content sharing services to preventively control content posted by users – the so-called liability mechanism. This preventive control raises concerns about the potential violation of users’ right to freedom of expression. The article analyzes the mechanisms of the liability system, including the identification of subjective and objective aspects of the imposed obligations. This analysis was compiled with the standards of protection and restriction of freedom of expression in the conditions of the information society. The aim of the work is to assess whether the mechanism of the accountability system violates the essence of freedom of expression.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.003.18115
Olivia Rybak-Karkosz
This paper aims to analyse challenges and perspectives related to NFTs that Polish museums would need to consider regarding their activities, as described in art. 2 of the Act on Museums of 21 November 1996. These activities include collecting, maintaining, securing, and exhibiting artwork as well as conducting educational and research activities. Therefore, one must con-sider whether NFTs are a long-term opportunity for museums to fulfill their goals and activities or a temporary solution providing financial aid during the post-pandemic crisis. In this paper, the author describes the importance of NFTs for the art world and quotes examples of museums that already collect and exhibit NFTs or organise events about them. The paper also includes the results of a survey conducted among Polish museum professionals to obtain their opinions on this matter.
{"title":"NFT w muzeum – wyzwania i perspektywy w świetle art. 2 ustawy o muzeach","authors":"Olivia Rybak-Karkosz","doi":"10.4467/2450050xsnr.23.003.18115","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.003.18115","url":null,"abstract":"This paper aims to analyse challenges and perspectives related to NFTs that Polish museums would need to consider regarding their activities, as described in art. 2 of the Act on Museums of 21 November 1996. These activities include collecting, maintaining, securing, and exhibiting artwork as well as conducting educational and research activities. Therefore, one must con-sider whether NFTs are a long-term opportunity for museums to fulfill their goals and activities or a temporary solution providing financial aid during the post-pandemic crisis. In this paper, the author describes the importance of NFTs for the art world and quotes examples of museums that already collect and exhibit NFTs or organise events about them. The paper also includes the results of a survey conducted among Polish museum professionals to obtain their opinions on this matter.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.004.18116
Anna Gerecka-Żołyńska, Zofia Branicka
In the search for an optimal pattern of conduct for the settlement of disputes concerning the ownership of cultural property, the article characterises the legal means and conciliation initiatives available to states. The discussion is limited to the forms of cooperation confirmed in international law instruments, developed especially in the framework of UNESCO’s period of activity, as adopted in the second half of the 20th century and thereafter. In this context, the use of litigation before both the International Court of Justice and national courts is discussed. Attention is also given to conciliatory forms of dispute resolution, distinguishing between consensus initiatives involving only the states interested in resolving the dispute and forms extended to include the participation of impartial mediators supporting the parties in their search for a satisfactory solution. The article assumes that the development of an out-of-court compromise is particularly desirable when the settlement of a dispute concerning the ownership of a cultural asset by an international tribunal or national courts, due to the legal status in force, limits the prospect of obtaining a substantive settlement satisfactory to all parties involved in the conflict.
{"title":"Formy współpracy między państwami w celu odzyskania utraconych dóbr kultury – uwagi wokół poszukiwania optymalnego wzorca Forms of cooperation between","authors":"Anna Gerecka-Żołyńska, Zofia Branicka","doi":"10.4467/2450050xsnr.23.004.18116","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.004.18116","url":null,"abstract":"In the search for an optimal pattern of conduct for the settlement of disputes concerning the ownership of cultural property, the article characterises the legal means and conciliation initiatives available to states. The discussion is limited to the forms of cooperation confirmed in international law instruments, developed especially in the framework of UNESCO’s period of activity, as adopted in the second half of the 20th century and thereafter. In this context, the use of litigation before both the International Court of Justice and national courts is discussed. Attention is also given to conciliatory forms of dispute resolution, distinguishing between consensus initiatives involving only the states interested in resolving the dispute and forms extended to include the participation of impartial mediators supporting the parties in their search for a satisfactory solution. The article assumes that the development of an out-of-court compromise is particularly desirable when the settlement of a dispute concerning the ownership of a cultural asset by an international tribunal or national courts, due to the legal status in force, limits the prospect of obtaining a substantive settlement satisfactory to all parties involved in the conflict.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135585840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.010.18122
Agnieszka Wysocka
During 1954-1958 the building of the Pomeranian Philharmonic was erected in Bydgoszcz. From the 1970s its interiors were decorated with sculptures, tapestries and graphic artworks by contemporary Polish artists. Sculptures additionally stood in front of the building and in the park, creating an outdoor gallery of virtuosos and composers. The originator of this collection was the long-time director of the Philharmonic, Andrzej Szwalbe (1923-2002). The idea of combining music with various fields of art was implemented consistently until the 1990s. For the “temple of music” in Bydgoszcz, works were prepared by artists such as Barbara Zbrożyna, Adam Myjak, Michał Kubiak, Józef Makowski (sculptures), Kiejstut Bereźnicki, Józefa Wnukowa, Magdalena Heyda-Usarewicz, and Tadeusz Brzozowski (tapestry designs). The “Collection of Painting and Graphic Art Tadeusz Brzozowski” includes works by – among others – Magdalena Abakanowicz, Jan Tarasin, Stefan Gierowski. The works not only decorate the interiors, but also document the achievements of Polish artists in the 1970s and 1990s. The art collection has been on the Register of Historic Places since 1990.
1954年至1958年间，波美拉尼亚爱乐乐团的建筑在比得哥什建成。从20世纪70年代开始，它的内部装饰着当代波兰艺术家的雕塑、挂毯和图形艺术品。此外，雕塑还矗立在建筑前面和公园里，形成了一个艺术大师和作曲家的户外画廊。这个收藏的发起者是长期担任爱乐乐团总监的安德烈·什瓦尔贝(1923-2002)。直到20世纪90年代，将音乐与各种艺术领域相结合的想法一直在实施。对于比得戈什的“音乐神庙”，艺术家们的作品是由Barbara Zbrożyna, Adam Myjak, michaowkubiak, Józef Makowski(雕塑)，Kiejstut Bereźnicki, Józefa Wnukowa, Magdalena Heyda-Usarewicz和Tadeusz Brzozowski(挂毯设计)等艺术家准备的。“Tadeusz Brzozowski绘画与平面艺术作品集”包括Magdalena Abakanowicz、Jan Tarasin、Stefan Gierowski等人的作品。这些作品不仅装饰了室内，还记录了波兰艺术家在20世纪70年代和90年代的成就。自1990年以来，这些艺术品收藏一直被列入《历史遗迹名录》。
{"title":"Nie tylko muzyka. Kolekcje dzieł sztuki Filharmonii Pomorskiej im. I.J. Paderewskiego w Bydgoszczy","authors":"Agnieszka Wysocka","doi":"10.4467/2450050xsnr.23.010.18122","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.010.18122","url":null,"abstract":"During 1954-1958 the building of the Pomeranian Philharmonic was erected in Bydgoszcz. From the 1970s its interiors were decorated with sculptures, tapestries and graphic artworks by contemporary Polish artists. Sculptures additionally stood in front of the building and in the park, creating an outdoor gallery of virtuosos and composers. The originator of this collection was the long-time director of the Philharmonic, Andrzej Szwalbe (1923-2002). The idea of combining music with various fields of art was implemented consistently until the 1990s. For the “temple of music” in Bydgoszcz, works were prepared by artists such as Barbara Zbrożyna, Adam Myjak, Michał Kubiak, Józef Makowski (sculptures), Kiejstut Bereźnicki, Józefa Wnukowa, Magdalena Heyda-Usarewicz, and Tadeusz Brzozowski (tapestry designs). The “Collection of Painting and Graphic Art Tadeusz Brzozowski” includes works by – among others – Magdalena Abakanowicz, Jan Tarasin, Stefan Gierowski. The works not only decorate the interiors, but also document the achievements of Polish artists in the 1970s and 1990s. The art collection has been on the Register of Historic Places since 1990.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.018.18130
Anne-Sophie V. Radermecker
Santander Art and Culture Law Review » 2023 » 1/2023 (9) » MOOVA – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century A A A
《当代艺术与文化》，2009年第1期(9);21世纪文物的文化、经济挑战与可持续发展机遇[A]
{"title":"MOOVA – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century","authors":"Anne-Sophie V. Radermecker","doi":"10.4467/2450050xsnr.23.018.18130","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.018.18130","url":null,"abstract":"Santander Art and Culture Law Review » 2023 » 1/2023 (9) » MOOVA – Making Old Objects Valuable Again. The Cultural, Economic Challenges and Sustainability Opportunities of Antiques in the 21st Century A A A","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.013.18125
Aleksandra Główczewska
The purpose of this article is to review the case law of administrative courts from recent years concerned with the removal of a monument from the monuments register. This procedure should be applied with extreme caution, in accordance with the legal rules and interpretation of the administrative courts, in particular with regard to the premise of destroying a monument connected with losing its values as a monument. The study draws attention to the problem of the failure of the owner or holder of a building to fulfil his duty of care towards a monument. It can be drawn from the examined judgments, that such omissions cannot serve as a reason for the removal of a monument from the register.
{"title":"Brak działań właściciela w celu należytej opieki nad zabytkiem nieruchomym a wykreślenie obiektu z rejestru zabytków – przegląd wybranych orzeczeń sądów administracyjnych","authors":"Aleksandra Główczewska","doi":"10.4467/2450050xsnr.23.013.18125","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.013.18125","url":null,"abstract":"The purpose of this article is to review the case law of administrative courts from recent years concerned with the removal of a monument from the monuments register. This procedure should be applied with extreme caution, in accordance with the legal rules and interpretation of the administrative courts, in particular with regard to the premise of destroying a monument connected with losing its values as a monument. The study draws attention to the problem of the failure of the owner or holder of a building to fulfil his duty of care towards a monument. It can be drawn from the examined judgments, that such omissions cannot serve as a reason for the removal of a monument from the register.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135586188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-27DOI: 10.4467/2450050xsnr.23.012.18124
Marceli Tureczek
The paper attempts to address contemporary selected phenomena that form the context of cultural heritage in western Poland. The statement refers to some social, legal and economic aspects that affect changes in the perception of cultural heritage in western Poland. Although the problems of cultural heritage in western Poland have been of interest to researchers for many years, new issues are emerging. According to the author, phenomena that can be observed in recent years are particularly interesting. These include the pronounced generational transformation in Poland and Germany, which is redefining the social perception of these problems. References to the significance of the German-Polish treaties in the perspective of the last several years are also interesting. The article poses the question of the real meaning of common heritage in the dimension of Polish-German relations.
{"title":"Na marginesie traktatów. Dziedzictwo kulturowe zachodniej Polski w perspektywie ostatnich 30 lat – wybrane zagadnienia","authors":"Marceli Tureczek","doi":"10.4467/2450050xsnr.23.012.18124","DOIUrl":"https://doi.org/10.4467/2450050xsnr.23.012.18124","url":null,"abstract":"The paper attempts to address contemporary selected phenomena that form the context of cultural heritage in western Poland. The statement refers to some social, legal and economic aspects that affect changes in the perception of cultural heritage in western Poland. Although the problems of cultural heritage in western Poland have been of interest to researchers for many years, new issues are emerging. According to the author, phenomena that can be observed in recent years are particularly interesting. These include the pronounced generational transformation in Poland and Germany, which is redefining the social perception of these problems. References to the significance of the German-Polish treaties in the perspective of the last several years are also interesting. The article poses the question of the real meaning of common heritage in the dimension of Polish-German relations.","PeriodicalId":36554,"journal":{"name":"Santander Art and Culture Law Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135585999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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