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Painting architectural heritage in modern Baghdad: The art of Lorna Selim 现代巴格达的建筑遗产绘画:洛娜·塞利姆的艺术
Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1386/jciaw_00045_1
Mysa Kafil-Hussain
This article explores the work of the artist Lorna Selim in the context of a period of modernization and urbanization in Baghdad, the city she moved to in 1950 with her husband, fellow artist Jewad Selim. Following the neglect and destruction of thousands of traditional houses in Baghdad, the landscape of the city was changing rapidly over time. Modernist architects and planners fuelled these changes, with little consideration for issues of conservation. I aim to show the impact of a variety of policies, historical events and new architectural trends on the Iraqi environment, and show how Lorna captured a snapshot of Iraqi cultural and architectural history which has since been lost.
这篇文章探讨了艺术家洛娜·塞利姆(Lorna Selim)在巴格达现代化和城市化时期的作品,她于1950年与她的丈夫、同为艺术家的杰沃德·塞利姆(Jewad Selim)搬到了巴格达。在巴格达成千上万的传统房屋遭到忽视和破坏之后,这座城市的景观随着时间的推移而迅速变化。现代主义建筑师和规划师推动了这些变化,很少考虑保护问题。我的目的是展示各种政策、历史事件和新建筑趋势对伊拉克环境的影响,并展示洛娜如何捕捉到伊拉克文化和建筑历史的快照,这些历史已经消失了。
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引用次数: 0
Where have all the colours gone?: Land of Darkness in the work of Dia al-Azzawi 所有的颜色都到哪里去了?迪亚·阿扎维的作品《黑暗之地》
Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1386/jciaw_00047_1
Louisa Macmillan
This article is an overview of the evolution of the ongoing series Land of Darkness by Dia al-Azzawi (born in Baghdad in 1939), which is marked by a lack of colour unusual to Azzawi’s work. This article argues that, although he initially chose the term ‘darkness’ as an ironic reinterpretation of a historic name for Iraq for the title of a single artwork about a specific tragedy, Azzawi was compelled to return to it time and again as he witnessed the ongoing deterioration of his homeland from afar. It also examines how and why, for nearly three decades after the Gulf War of 1991, Azzawi has constantly turned his focus towards Iraq, criticizing its enemies and defending its future, and continuing to make works about the plight of the Land of Darkness.
这篇文章概述了迪亚·阿扎维(Dia al-Azzawi,1939年出生于巴格达)正在进行的系列作品《黑暗之地》的演变,其特点是缺乏阿扎维作品中不同寻常的色彩。这篇文章认为,尽管阿扎维最初选择“黑暗”一词作为对伊拉克历史名称的讽刺性重新解释,作为一件关于特定悲剧的艺术品的标题,但当他从远处目睹祖国的持续恶化时,他不得不一次又一次地回到这个词。它还探讨了在1991年海湾战争后的近三十年里,阿扎维是如何以及为什么不断将注意力转向伊拉克,批评其敌人并捍卫其未来,并继续创作关于黑暗之地困境的作品。
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引用次数: 0
The art of nature in Iraq’s marshes: Images of the occupation 伊拉克沼泽地的自然艺术:占领时期的图像
Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1386/jciaw_00046_1
Bridget Guarasci
In August 2003, Iraqi exile Zaid Kubra returned to Baghdad to restore and conserve the country’s marshes, once drained by Saddam Hussein, as the signature emblem for the new state. Under Kubra’s leadership Iraq’s marshes conservation initiative became the ‘success story of the war’. Photographic images of Iraq’s restored marshes were potent markers of this success, used by more than 75 news articles since 2003 to fuel special interest good news reportage. Through a comparative of occupation imagery with the Iraqi canon of literary and visual arts centring on the marshes, the article analyses how Iraqi exiles cultivated an occupation aesthetics of the marshes that deployed images of wetlands’ nature – its towering reeds and its soaring birds – to advance the occupation.
2003年8月,伊拉克流亡人士扎伊德·库布拉返回巴格达,恢复和保护该国曾经被萨达姆·侯赛因抽干的沼泽地,作为新国家的标志。在库布拉的领导下,伊拉克的沼泽保护计划成为“战争的成功故事”。伊拉克沼泽地修复后的照片是这一成功的有力标志,自2003年以来,已有75多篇新闻文章使用了这些照片来激发人们对好消息的兴趣。通过将占领图像与伊拉克以沼泽为中心的文学和视觉艺术经典进行比较,文章分析了伊拉克流亡者如何培养沼泽的占领美学,利用湿地的自然图像——高耸的芦苇和翱翔的鸟类——来推进占领。
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引用次数: 0
A revolutionary monument: Reclaiming the Naṣb al-Ḥurrīyya in Baghdad 一座革命纪念碑:在巴格达收复Naṣb al-Ḥurrīyya
Q2 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1386/jciaw_00038_1
Z. Bahrani
The monument that stands in Tahrir Square in Baghdad, known as Naṣb al-Ḥurrīyya (the Freedom Monument), is a site-specific work. Spatial in its conception from the very start, this monument came to exceed both primary historical event and iconographic representation to become the heart of the identity of the protest movement in the city of Baghdad, and to define its terrain. And it has now come to signify people’s rights across all of Iraq today. Commissioned soon after the 1958 revolution that overthrew the Hashemite Dynastic house, the Hurriyya monument has to do with the Event of revolution in the sense of event as defined in the philosophical writings of Alain Badiou, as a moment which emerges outside of, and changes the conditions and the frame of existence of its appearance. Thus, the Hurriyya monument commemorated historically the 14 July 1958 revolution in Iraq (the 14 Tammuz Revolution), yet it exceeded historical commemoration to signify the Evental character of a people’s revolution and its reclaiming of the city space.
矗立在巴格达解放广场的纪念碑,名为Naṣb al-Ḥurrīyya(自由纪念碑)是一个特定地点的作品。从一开始,这座纪念碑的概念就具有空间性,它超越了主要的历史事件和图像表现,成为巴格达市抗议运动的核心,并定义了其地形。如今,它已经成为整个伊拉克人民权利的象征。Hurriyya纪念碑是在1958年推翻哈希姆王朝的革命后不久委托建造的,它与阿兰·巴迪乌哲学著作中定义的事件意义上的革命事件有关,是一个出现在外部并改变其外观的条件和存在框架的时刻。因此,Hurriyya纪念碑在历史上纪念1958年7月14日伊拉克革命(14 Tammuz革命),但它超越了历史纪念,象征着人民革命的事件性及其对城市空间的开垦。
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引用次数: 0
Injazat al-Iraq al-diplomasiyah athna’ al-ahad al-malaki 1921‐58 (Iraq’s Diplomatic Achievements During the Royal Regine: 1921‐58), Mamoon Amin Zaki (2020) 《伊拉克王室统治时期的外交成就:1921 - 58》,马蒙·阿明·扎基(2020)
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00035_5
T. Ismael
Review of: Injazat al-Iraq al-diplomasiyah athna’ al-ahad al-malaki 1921‐58 (Iraq’s Diplomatic Achievements During the Royal Regine: 1921‐58), Mamoon Amin Zaki (2020)London: Dar al-Hikmah, 313 pp.,ISBN 978-1-78481-161-7, p/bk, USD 17.00
Review of: Injazat al-Iraq al-diplomasiyah athna ' al-ahad al-malaki 1921 - 58(伊拉克皇室统治时期的外交成就:1921 - 58),Mamoon Amin Zaki(2020),伦敦:Dar al-Hikmah, 313页,ISBN 978-1-78481-161-7, p/bk, 17.00美元
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引用次数: 0
Introduction 介绍
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00027_2
T. Ismael
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引用次数: 0
Do FDI and domestic investment affect unemployment in MENA countries? Dynamic panel data analysis 外国直接投资和国内投资对中东和北非国家的失业有影响吗?动态面板数据分析
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00031_1
Mufeed Almula-Dhanoon, Marwan Abdul-Malik Dhannoon, Mohannad Muneer Al-Salman, Mustafa Fadhil Hammadi
Over recent decades, countries have been competing to attract foreign investments to benefit from the advantages they offer in financing economic development, providing modern technology and effective administrative methods, as well as providing job opportunities. In addition to the problems of financing development, Middle East and North African (MENA) countries experience high unemployment rates. We therefore believe that one way to overcome this issue is to bring in FDI as more investment provides new job opportunities. This article explores the dynamic relationship between FDI and domestic investment (DI) on unemployment in MENA countries using panel data for the period 2003‐18. The empirical analysis, based on the Seemingly Unrelated Regression (SUR) model, finds that FDI increases unemployment and domestic investment reduces it. Further, the findings show that the prominent determinant of unemployment rates is corruption.
近几十年来,各国一直在竞相吸引外国投资,以利用它们在资助经济发展、提供现代技术和有效的行政方法以及提供就业机会方面所提供的优势。除了发展融资问题外,中东和北非国家的失业率也很高。因此,我们认为克服这个问题的一个方法是引入外国直接投资,因为更多的投资可以提供新的就业机会。本文利用2003 - 18年期间的面板数据,探讨了中东和北非国家外国直接投资和国内投资(DI)对失业率的动态关系。基于看似无关回归(SUR)模型的实证分析发现,FDI增加了失业率,而国内投资减少了失业率。此外,调查结果表明,失业率的主要决定因素是腐败。
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引用次数: 2
The Iraqi spectres of Marx 马克思的伊拉克幽灵
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00028_1
M. Al-Musawi
This reading attempts to trace the awareness and mention of Marx in Iraqi writing, focusing on some signposts that also shed light on the intellectual history of Iraq since 1914. It argues its case through an exploration of texts and recollections to present another side of this history as a controversial narrative of multiple positions and contentions. If the spectre of Marx shocked conservatives and was widely manipulated in Cold War politics, its theoretical permeation of an Iraqi discourse of social justice cannot be ignored. Almost every Iraqi narrative, poem, or essay speaks of the need for equitable balance of power, social justice, and social and political emancipation. To have these concerns materialize, there has been a need for some organized forum, a party, society, or a forum. British intelligence service began to trace the specters of Marx early on, and held all, even nationalists, suspect. The trepidations of the Empire were well conveyed in the reports of its agents in Iraq.
本文试图追溯伊拉克写作中对马克思的认识和提及,重点关注自1914年以来伊拉克思想史上的一些标志。它通过对文本和回忆的探索来论证自己的观点,以多种立场和争论的有争议的叙述来呈现这段历史的另一面。如果说马克思的幽灵震惊了保守派,并在冷战政治中被广泛操纵,那么它在伊拉克社会正义话语中的理论渗透是不容忽视的。几乎每一篇伊拉克的叙事、诗歌或散文都谈到了权力的公平平衡、社会正义以及社会和政治解放的必要性。为了实现这些关注,需要一些有组织的论坛、政党、社会或论坛。英国情报部门很早就开始追踪马克思的幽灵,并对所有人,甚至民族主义者,都持怀疑态度。帝国在伊拉克的代理人的报告很好地表达了帝国的恐惧。
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引用次数: 0
The neighbourhood of Al-Mutanabbi Street, Baghdad: A personal narrative and recollections of a childhood in Baghdad in the 1940s 巴格达Al-Mutanabbi街附近:20世纪40年代巴格达童年的个人叙述和回忆
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00032_1
G. Karim
These notes are a continuation of the recollections of the author’s personal experiences growing up in 1940s Baghdad while actively engaged in the family business of book selling in the old Suq Al-Saray which was located in the centre of what is now identified as ‘old’ Baghdad City. Reflecting the experience of being born and raised within a block of the now world famous Al-Mutanaby Street, aspects of these recollections were recently published in the form of two articles published in the International Journal of Contemporary Iraqi Studies (9:3, pp. 165‐90) and Journal of Contemporary Iraq & the Arab World (13:2, pp. 217‐25). The present contribution represents a continuation of these personal recollections together with some associated historical commentary that terminates in October 1951 on the author’s departure from Baghdad to study engineering in England.
这些笔记是作者对20世纪40年代巴格达成长经历的回忆的延续,当时他在位于现在被称为“老”巴格达市中心的旧Suq Al-Saray积极从事家族图书销售业务。这些回忆反映了他在现在世界著名的Al-Mutanaby街的一个街区内出生和长大的经历,最近以两篇文章的形式发表在《当代伊拉克研究国际杂志》(9:3,165 - 90页)和《当代伊拉克与阿拉伯世界杂志》(13:2,217 - 25页)上。本文是这些个人回忆的延续,并附有一些相关的历史评论,这些评论于1951年10月作者离开巴格达到英国学习工程学时结束。
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引用次数: 0
Should I stay, or should I go? Migration attitudes after the financial crisis (2014‐19) among students from Halabja (KRI) 我该留下还是走?金融危机后哈拉布贾(KRI)学生的移民态度(2014 - 19)
Q2 Arts and Humanities Pub Date : 2020-09-01 DOI: 10.1386/jciaw_00030_1
Silvia Nicola, Shahen Mohammaed Faraj
Students from the University of Halabja were asked in a survey conducted in April 2019 about their attitudes towards emigration in the wake of a prolonged financial crisis burdening the Kurdistan Region of Iraq (KRI) since 2014. While these students are not yet migrants, researching the reasons for their envisaged migration helps to better understand the challenges they face. Despite a continuous development of its post-secondary education sector, the KRI still struggles with low absorption rates of graduates. At the same time, the KRI exhibits a growing youth bulge, as well as high unemployment levels among its young population. These unfavourable conditions might cause a brain drain, pushing the educated youth to leave the country in search of better financial means, as well as waves of social unrest as seen throughout Iraq and the wider Middle East. First results show that more than half of the surveyed students have considered emigrating. Local job opportunities would, however, diminish their percentage.
在2019年4月进行的一项调查中,哈拉布贾大学(University of Halabja)的学生被问及他们对移民的态度。自2014年以来,伊拉克库尔德斯坦地区(KRI)经历了旷日持久的金融危机。虽然这些学生还不是移民,但研究他们设想移民的原因有助于更好地了解他们面临的挑战。尽管高等教育部门不断发展,但韩国经济研究院的毕业生吸收率仍然很低。与此同时,韩国经济也呈现出青年膨胀和青年失业率高企的现象。这些不利的条件可能会导致人才流失,迫使受过教育的年轻人离开这个国家去寻找更好的经济手段,以及在整个伊拉克和更广泛的中东地区看到的社会动荡浪潮。初步结果显示,超过一半的受访学生考虑过移民。然而,当地的就业机会将减少他们的比例。
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引用次数: 0
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Journal of Contemporary Iraq and the Arab World
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