Pub Date : 2021-06-17DOI: 10.5604/01.3001.0014.9466
Magdalena Skrejko
The protagonist of the paper is Władysław Klimczak, a long-standing President of the Cracow Photographic Association as well as the founder and the first director of Cracow’s Museum of History of Photography. The portrait of W. Klimczak is outlined: a controversial individual of a clear-cut personality, eccentric, dynamic and hard-working, he was nevertheless extremely professional in his activities. The documentary exhibitions as well as the ‘Venus’ controversial ones mounted and curated by Władysław Klimczak are discussed.
{"title":"WŁADYSŁAW KLIMCZAK (1923–2021), NAMELY\u0000PERSISTENCE IN ACHIEVING GOALS","authors":"Magdalena Skrejko","doi":"10.5604/01.3001.0014.9466","DOIUrl":"https://doi.org/10.5604/01.3001.0014.9466","url":null,"abstract":"The protagonist of the paper is Władysław\u0000Klimczak, a long-standing President of the Cracow\u0000Photographic Association as well as the founder and the\u0000first director of Cracow’s Museum of History of Photography.\u0000The portrait of W. Klimczak is outlined: a controversial\u0000individual of a clear-cut personality, eccentric, dynamic and\u0000hard-working, he was nevertheless extremely professional\u0000in his activities. The documentary exhibitions as well as\u0000the ‘Venus’ controversial ones mounted and curated by\u0000Władysław Klimczak are discussed.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46750015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.5604/01.3001.0014.9359
E. Drygalska
An overview of literature on and state of knowledge of the application of user-centred design methodologies are discussed. Based on the experience with creating digital products and multi-media exhibitions, the Author claims that the role of users/visitor experience testing in the process of designing and implementing technological projects is of key importance. Using the example of the work on the new version of the multimedia display titled ‘Experiencing Chopin’ (2020) at Warsaw’s Fryderyk Chopin Museum, the paper discusses means of adaptation of the most popular research and evaluation techniques in usercentred testing in the museum context.
{"title":"HOW TO CREATE DIGITAL VISITOR EXPERIENCE?\u0000RESEARCH AND TESTING AS THE GROUNDS FOR\u0000DESIGNING MUSEUM’S DIGITAL PRODUCTS","authors":"E. Drygalska","doi":"10.5604/01.3001.0014.9359","DOIUrl":"https://doi.org/10.5604/01.3001.0014.9359","url":null,"abstract":"An overview of literature on and state of\u0000knowledge of the application of user-centred design\u0000methodologies are discussed. Based on the experience with\u0000creating digital products and multi-media exhibitions, the\u0000Author claims that the role of users/visitor experience testing\u0000in the process of designing and implementing technological\u0000projects is of key importance. Using the example of the\u0000work on the new version of the multimedia display titled\u0000‘Experiencing Chopin’ (2020) at Warsaw’s Fryderyk Chopin\u0000Museum, the paper discusses means of adaptation of the\u0000most popular research and evaluation techniques in usercentred\u0000testing in the museum context.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"100-110"},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47350092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.5604/01.3001.0014.9346
Magdalena Skrejko, Katarzyna Žák-Caplot
The phenomenon of a museum library in Poland is the only topic of the present paper. Addressed to the academics dealing with the issues related to museum organization or collection development, it is also, or maybe first of all, targeted at the higher-ranking management staff, since it does not only offer an introduction to the discussed issue, but also an attempt at mapping problematic questions along the relation: parent museum – museum library, as well as challenges connected with legal solutions and the museum librarian job.
{"title":"KNOWN, YET UNDISCOVERED. INTRODUCTION\u0000TO THE QUESTIONS OF MUSEUM LIBRARIES\u0000IN POLAND","authors":"Magdalena Skrejko, Katarzyna Žák-Caplot","doi":"10.5604/01.3001.0014.9346","DOIUrl":"https://doi.org/10.5604/01.3001.0014.9346","url":null,"abstract":"The phenomenon of a museum library in\u0000Poland is the only topic of the present paper. Addressed to\u0000the academics dealing with the issues related to museum\u0000organization or collection development, it is also, or maybe\u0000first of all, targeted at the higher-ranking management staff,\u0000since it does not only offer an introduction to the discussed\u0000issue, but also an attempt at mapping problematic questions\u0000along the relation: parent museum – museum library, as well\u0000as challenges connected with legal solutions and the museum\u0000librarian job.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"84-92"},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46213460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.5604/01.3001.0014.9355
A. R. Chodyński
Released in three separate volumes, the publication continues the Polish museology series published for several years now and related to the losses incurred as a result of WW II within the borders of today’s Republic of Poland. The Preface to Volume I on the war losses of the Town Hall of the Main City of Gdańsk by the Director of the Museum in Gdańsk Waldemar Ossowski, contains reflections essential for the discussed issue. The three-volume series opens with the War Losses of the Town Hall of the Main City of Gdańsk (Vol. I). Briefly, the most essential facts have been highlighted in the story of its raising, and the functions of the major Town Hall interiors, both sumptuous and serving as offices, have been described: the Grand Hallway, the Grand Room called Red or Summer Room, the Small Room of the Council called Winter Room, the Grand Room of the City Council, the Treasury, and the Deposit Room. In the final months of WW II, Gdańsk lost about 80% of its most precious historic substance within the Main City. As early as in April 1945, the search for and the recovery of the dispersed cultural heritage began. War Losses of the Artus Manor and the Gdańsk Hallway in Gdańsk (Vol. 2) begins with a sepia photograph from 1879. As of October 1943 to January 1945, the following took place: dismantling together with signing and numbering of the objects, packing into wooden chests, and evacuation to several localities outside Gdańsk. It has already been ascertained that as early as in mid-June 1942, some dozen of the most precious historic monuments were evacuated from the Artus Manor, of which several items have not been recovered: late- -mediaeval paintings (Boat of the Church, Siege of Marienburg, Our Lady with Child, and Christ, Salvator Mundi), several elements from the four sets of tournament armours from the section of the Brotherhood of St Reinold, the sculpture Saturn with a Child, the sculpture group Diana’s Bath and Actaeon’s Metamorphosis, as well as some dozen elements of the décor of the Grand Hall. All these historic pieces were transferred to the village of Orle (Germ. Wordel) on the Sobieszewo Island on 16 June 1942. Only fragments of tournament armours have been recovered: they were found at various locations under the circumstances hard to clarify many years later. The most extensive war losses have been presented for the Uphagen House (Vol. 3). The majority of the gathered art works, the interior equipment and usable objects essential in the burgher’s tenement house transformed into a museum in the early 20th century have not been found, thus they have not returned to their original location.
该出版物分三卷发行，延续了几年来出版的波兰博物馆学系列，涉及二战在今天的波兰共和国境内造成的损失。格但斯克博物馆馆长瓦尔德马尔·奥索夫斯基为第一卷撰写的关于格但斯克主城市政厅战争损失的序言，包含了对所讨论问题的基本思考。三卷本系列以《格但斯克主城市政厅的战争损失》（第一卷）开篇。简单地说，最重要的事实已经在它的建造过程中得到了强调，市政厅内部的主要功能，无论是豪华的还是用作办公室的，都得到了描述：大厅、称为红色或夏季房间的大房间、称为冬季房间的议会小房间、市议会大房间、财政部，在第二次世界大战的最后几个月，格但斯克失去了大约80%的主要城市内最珍贵的历史物质。早在1945年4月，就开始了对分散文化遗产的寻找和恢复。《阿图斯庄园和格但斯克大厅的战争损失》（第二卷）以1879年的一张棕褐色照片开始。从1943年10月到1945年1月，发生了以下事件：拆除并签署和编号物品，装进木箱，疏散到格但斯克以外的几个地区。早在1942年6月中旬，阿图斯庄园就有十几座最珍贵的历史遗迹被疏散，其中有几件物品尚未找到：中世纪晚期的绘画作品（《教堂之舟》、《马里恩堡围城战》、《带孩子的圣母》和《基督，救世主蒙迪》），圣雷诺德兄弟会（Brotherhood of St Reinold）部分的四套锦标赛盔甲中的几个元素，雕塑《与孩子同行》（Saturnwith a Child），雕塑团体《戴安娜的浴缸》（Diana‘s Bath）和《变形》（Actaeon’s Metamorphosis），以及大礼堂装饰的十几个元素。所有这些历史文物于1942年6月16日被转移到索比泽沃岛上的奥尔村（Germ.Wordel）。只发现了锦标赛盔甲的碎片：它们是在多年后难以澄清的环境下的不同地点发现的。Uphagen House（第3卷）展示了最广泛的战争损失。在20世纪初被改建为博物馆的堡式公寓中，大多数收集的艺术品、内部设备和可用物品都没有找到，因此它们没有回到原来的位置。
{"title":"WAR LOSSES: A THREE-VOLUME PUBLICATION\u0000OF THE MUSEUM OF GDAŃSK","authors":"A. R. Chodyński","doi":"10.5604/01.3001.0014.9355","DOIUrl":"https://doi.org/10.5604/01.3001.0014.9355","url":null,"abstract":"Released in three separate volumes, the\u0000publication continues the Polish museology series published\u0000for several years now and related to the losses incurred as\u0000a result of WW II within the borders of today’s Republic of\u0000Poland. The Preface to Volume I on the war losses of the Town\u0000Hall of the Main City of Gdańsk by the Director of the Museum\u0000in Gdańsk Waldemar Ossowski, contains reflections essential\u0000for the discussed issue.\u0000The three-volume series opens with the War Losses of the\u0000Town Hall of the Main City of Gdańsk (Vol. I). Briefly, the most\u0000essential facts have been highlighted in the story of its raising,\u0000and the functions of the major Town Hall interiors, both sumptuous\u0000and serving as offices, have been described: the Grand\u0000Hallway, the Grand Room called Red or Summer Room, the\u0000Small Room of the Council called Winter Room, the Grand\u0000Room of the City Council, the Treasury, and the Deposit Room.\u0000In the final months of WW II, Gdańsk lost about 80% of its most\u0000precious historic substance within the Main City. As early as in\u0000April 1945, the search for and the recovery of the dispersed\u0000cultural heritage began.\u0000War Losses of the Artus Manor and the Gdańsk Hallway in\u0000Gdańsk (Vol. 2) begins with a sepia photograph from 1879. As\u0000of October 1943 to January 1945, the following took place:\u0000dismantling together with signing and numbering of the objects,\u0000packing into wooden chests, and evacuation to several\u0000localities outside Gdańsk. It has already been ascertained\u0000that as early as in mid-June 1942, some dozen of the most\u0000precious historic monuments were evacuated from the Artus\u0000Manor, of which several items have not been recovered: late-\u0000-mediaeval paintings (Boat of the Church, Siege of Marienburg,\u0000Our Lady with Child, and Christ, Salvator Mundi), several elements\u0000from the four sets of tournament armours from the section\u0000of the Brotherhood of St Reinold, the sculpture Saturn\u0000with a Child, the sculpture group Diana’s Bath and Actaeon’s\u0000Metamorphosis, as well as some dozen elements of the décor\u0000of the Grand Hall. All these historic pieces were transferred to\u0000the village of Orle (Germ. Wordel) on the Sobieszewo Island\u0000on 16 June 1942. Only fragments of tournament armours have\u0000been recovered: they were found at various locations under the\u0000circumstances hard to clarify many years later.\u0000The most extensive war losses have been presented for\u0000the Uphagen House (Vol. 3). The majority of the gathered art\u0000works, the interior equipment and usable objects essential in\u0000the burgher’s tenement house transformed into a museum in\u0000the early 20th century have not been found, thus they have not\u0000returned to their original location.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"93-99"},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46779489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-24DOI: 10.5604/01.3001.0014.8978
Elżbieta Błotnicka-Mazur
The implementation of the new ideological and artistic concept of the Museum and Memorial Site in Sobibór on the site of the former Nazi German death camp selected in the 2013 competition is discussed. The winning design is analysed; apart from the arranging of the area of the former camp, it also envisaged raising of a museum, the latter stage already completed with the building opened to the public in 2020. The concept of ‘commitment space’ is proposed by the Author as best characterising a memorial site created on the premises of the former Nazi concentration camps and death camps for the people of Jewish descent. As a departure point, earlier examples of commemorating similar sites are recalled, beginning with the early monuments from the 1940s, through the 1957 competition for the International Monument to the Victims of the Auschwitz-Birkenau Camp, the latter of major impact on the process of the redefinition of monuments. The then awarded design of the The Road Monument by Oskar Hansen and his team, however unimplemented owing to the protest of former Auschwitz prisoners, became from that time onwards a benchmark for subsequent concepts. Also the mentioned memorial design on the area of the former Belzec extermination camp from 2004 is related to James E. Young’s concept of a counter-monument. The main subject of the paper’s analysis is, however, the reflection on means thanks to which the currently mounted Museum and Memorial Site in Sobibór, including the permanent display at the newly-raised Museum, become ‘commitment space’ for contemporary public on different perception levels of their multi-sensual activity essential in the process of remembrance.
{"title":"MEMORIAL SITE AS COMMITMENT SPACE.\u0000IDEOLOGICAL AND ARTISTIC CONCEPT OF THE\u0000MUSEUM AND MEMORIAL SITE IN SOBIBÓR","authors":"Elżbieta Błotnicka-Mazur","doi":"10.5604/01.3001.0014.8978","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8978","url":null,"abstract":"The implementation of the new ideological and\u0000artistic concept of the Museum and Memorial Site in Sobibór\u0000on the site of the former Nazi German death camp selected\u0000in the 2013 competition is discussed. The winning design is\u0000analysed; apart from the arranging of the area of the former\u0000camp, it also envisaged raising of a museum, the latter stage\u0000already completed with the building opened to the public\u0000in 2020. The concept of ‘commitment space’ is proposed by\u0000the Author as best characterising a memorial site created on\u0000the premises of the former Nazi concentration camps and\u0000death camps for the people of Jewish descent. As a departure\u0000point, earlier examples of commemorating similar sites\u0000are recalled, beginning with the early monuments from the\u00001940s, through the 1957 competition for the International\u0000Monument to the Victims of the Auschwitz-Birkenau Camp,\u0000the latter of major impact on the process of the redefinition\u0000of monuments. The then awarded design of the The Road\u0000Monument by Oskar Hansen and his team, however unimplemented\u0000owing to the protest of former Auschwitz prisoners,\u0000became from that time onwards a benchmark for subsequent\u0000concepts. Also the mentioned memorial design on the area of\u0000the former Belzec extermination camp from 2004 is related to\u0000James E. Young’s concept of a counter-monument.\u0000The main subject of the paper’s analysis is, however, the\u0000reflection on means thanks to which the currently mounted\u0000Museum and Memorial Site in Sobibór, including the permanent display at the newly-raised Museum, become\u0000‘commitment space’ for contemporary public on different\u0000perception levels of their multi-sensual activity essential\u0000in the process of remembrance.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"73-83"},"PeriodicalIF":0.0,"publicationDate":"2021-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49150533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-13DOI: 10.5604/01.3001.0014.8839
Marta Saszkiewicz, Joanna Ślaga
Establishing and organising university museums at higher-education institutions demonstrates an increased interest in the history of the given institution, its bonds with the region, yet first and foremost it points to the need to preserve traces of academic heritage constituting an important component of national heritage. To-date, university museums in Poland have been dedicated neither an unequivocal definition, nor specific legal regulations. These organizations are characterized by differentiated management modes, formulation of goals, as well as varied policies of amassing collections. An attempt at defining university museums and their legal status, as well as their positioning in tertiary-education institutions’ structure has been made. Moreover, the nuances resulting from the failure to have included university museums in the Act on Museums of 21 November 1996 have been clarified. Additionally, a list of university museums for 2020, put together as a result of the research conducted by the paper’s Authors and based on the documents available in the archive of the Association of University Museums (SMU), has been presented.
{"title":"UNIVERSITY MUSEUMS: MUSEUMS AT\u0000UNIVERSITIES. GUARDIANS OF ACADEMIC\u0000HERITAGE, IN THE LIGHT OF LEGAL\u0000REGULATIONS AND PRAXIS","authors":"Marta Saszkiewicz, Joanna Ślaga","doi":"10.5604/01.3001.0014.8839","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8839","url":null,"abstract":"Establishing and organising university museums\u0000at higher-education institutions demonstrates an increased\u0000interest in the history of the given institution, its bonds\u0000with the region, yet first and foremost it points to the\u0000need to preserve traces of academic heritage constituting\u0000an important component of national heritage. To-date,\u0000university museums in Poland have been dedicated neither\u0000an unequivocal definition, nor specific legal regulations.\u0000These organizations are characterized by differentiated\u0000management modes, formulation of goals, as well as varied\u0000policies of amassing collections. An attempt at defining\u0000university museums and their legal status, as well as their\u0000positioning in tertiary-education institutions’ structure has\u0000been made. Moreover, the nuances resulting from the failure\u0000to have included university museums in the Act on Museums\u0000of 21 November 1996 have been clarified. Additionally, a list\u0000of university museums for 2020, put together as a result of\u0000the research conducted by the paper’s Authors and based on\u0000the documents available in the archive of the Association of\u0000University Museums (SMU), has been presented.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"58-67"},"PeriodicalIF":0.0,"publicationDate":"2021-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47339163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-13DOI: 10.5604/01.3001.0014.8840
Bożena Danielska
Przemysław Wiater PhD was a historian, art historian, museum curator, and a regionalist. In 1994–2020, he worked as a certified curator at the Carl and Gerhart Hauptmann House in Szklarska Poręba. In February 2020, he became Director of the Karkonosze Museum in Jelenia Góra. Furthermore, in 2008–2017, he ran courses at the Higher School of Management in Legnica. Committed to recovering historic monuments from Lower Silesia, he also served as a councillor for several terms of office in Szklarska Poręba, where he lived. An outstanding regionalist, Wiater focused on investigating the history of Lower Silesia, particularly the Karkonosze and Izera Mountains. He was the first to undertake research into the local tangible and non-tangible cultural heritage, popularizing it in publications describing the history of Szklarska Poręba, Walloon mineral and gem prospectors, old herbalists and laborants, history of glassworks, or the figure and legend of the Spirit of the Mountains. Having discovered the phenomenon of artistic colonies, he popularized it and adapted to harmonize with contemporary times. His idea was to culturally integrate the region basing on historical cultural contents and the heritage imported by post- -WW II settlers. Sharing his knowledge in a popular way, he infected others with his passion, particularly young people to whom he provided support and inspiration. It was at his instigation that the W.E. Peuckert Guild of the Sudety Mountains Guides was formed; member of the Chapter of the Sudety Mountains Walloon Brotherhood, he was also the knight of the informal Society of the Evening Castle, additionally cooperating with the Izery Society. Originator of the Izery Retro Run and the Flannel Rally, he inspired the formation of several tourist routes, such as the ‘Juliusz Naumonowicz Walloon Hiking Trail’, contributing to the creation of the ‘W.E. Peuckert Trail’ and the Polish-Czech ‘Laborants’ Trail’.
Przemysław Wiater博士是一位历史学家、艺术家、博物馆馆长和地区主义者。1994年至2020年，他在Szklarska的Carl and GerhartHauptmann House担任认证策展人Poręba。2020年2月，他成为Karkonosze博物馆馆长(JeleniaGóra)。此外，2008年至2017年，他在列格尼察高等管理学院开设课程。他致力于修复下西里西亚的历史遗迹，还曾在他居住的地方Poręba担任过几届议员。作为一名杰出的地区学家，维特专注于调查下西里西亚的历史，特别是卡尔科诺泽山脉和伊泽拉山脉。他是第一个对当地的物质和非物质文化遗产进行研究的人，并在描述Szklarska Poręba的历史、瓦隆矿物和宝石勘探者、老草药医生和工人、玻璃厂的历史或山之灵的人物和传说的出版物中普及了这些遗产。他发现了艺术殖民地现象，并加以推广，使之与时代相适应。他的想法是基于历史文化内容和二战后定居者输入的遗产，在文化上整合该地区。他以一种流行的方式分享他的知识，用他的激情感染了其他人，特别是他为他们提供支持和激励的年轻人。在他的鼓动下，苏迪山向导W.E.佩克特公会成立了;他是苏德迪山脉瓦隆兄弟会的成员，也是夜城堡非正式协会的骑士，此外还与伊泽里协会合作。伊泽里复古跑和法兰绒拉力赛的创始人，他启发了几条旅游路线的形成，如“Juliusz Naumonowicz Walloon徒步旅行路线”，为“wwe”的创建做出了贡献“Peuckert Trail”和波兰-捷克“Laborants”Trail。
{"title":"CHARMED BY THE KARKONOSZE MOUNTAINS:\u0000PRZEMYSŁAW WIATER (1958–2020)","authors":"Bożena Danielska","doi":"10.5604/01.3001.0014.8840","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8840","url":null,"abstract":"Przemysław Wiater PhD was a historian, art\u0000historian, museum curator, and a regionalist. In 1994–2020,\u0000he worked as a certified curator at the Carl and Gerhart\u0000Hauptmann House in Szklarska Poręba. In February 2020,\u0000he became Director of the Karkonosze Museum in Jelenia\u0000Góra. Furthermore, in 2008–2017, he ran courses at the\u0000Higher School of Management in Legnica. Committed to\u0000recovering historic monuments from Lower Silesia, he\u0000also served as a councillor for several terms of office in\u0000Szklarska Poręba, where he lived.\u0000An outstanding regionalist, Wiater focused on investigating\u0000the history of Lower Silesia, particularly the\u0000Karkonosze and Izera Mountains. He was the first to undertake\u0000research into the local tangible and non-tangible\u0000cultural heritage, popularizing it in publications describing\u0000the history of Szklarska Poręba, Walloon mineral and\u0000gem prospectors, old herbalists and laborants, history of\u0000glassworks, or the figure and legend of the Spirit of the\u0000Mountains. Having discovered the phenomenon of artistic\u0000colonies, he popularized it and adapted to harmonize with\u0000contemporary times.\u0000His idea was to culturally integrate the region basing on historical\u0000cultural contents and the heritage imported by post-\u0000-WW II settlers. Sharing his knowledge in a popular way,\u0000he infected others with his passion, particularly young\u0000people to whom he provided support and inspiration. It was at his instigation that the W.E. Peuckert Guild of the\u0000Sudety Mountains Guides was formed; member of the\u0000Chapter of the Sudety Mountains Walloon Brotherhood, he\u0000was also the knight of the informal Society of the Evening\u0000Castle, additionally cooperating with the Izery Society.\u0000Originator of the Izery Retro Run and the Flannel Rally,\u0000he inspired the formation of several tourist routes, such as\u0000the ‘Juliusz Naumonowicz Walloon Hiking Trail’, contributing\u0000to the creation of the ‘W.E. Peuckert Trail’ and the Polish-Czech ‘Laborants’ Trail’.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"68-72"},"PeriodicalIF":0.0,"publicationDate":"2021-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47014354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-07DOI: 10.5604/01.3001.0014.8755
Marek Wrede
The paper focuses on a private collection of woodworking tools created in Warsaw in 1982–2020, covering over 400 items, mainly Polish, but also German, Austrian, English, French, and American. It presents the genesis of the collection, methods of its development, internal structure, and the collection study modes. The presentation is accompanied by comments dealing with the importance of a collection of tools, or more broadly of items not widely considered to be socially prestigious, seen against the phenomenon of collecting perceived as an element of ‘luxury consumption for show’, as well as by the first attempts at comparing collecting realities and the position of woodworking tools in the hierarchy of museum objects in Poland and European countries.
{"title":"TRADITIONAL WOODWORKING TOOLS.\u0000A HISTORIAN’S COLLECTION","authors":"Marek Wrede","doi":"10.5604/01.3001.0014.8755","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8755","url":null,"abstract":"The paper focuses on a private collection of\u0000woodworking tools created in Warsaw in 1982–2020,\u0000covering over 400 items, mainly Polish, but also German,\u0000Austrian, English, French, and American. It presents the\u0000genesis of the collection, methods of its development,\u0000internal structure, and the collection study modes.\u0000The presentation is accompanied by comments dealing\u0000with the importance of a collection of tools, or more broadly\u0000of items not widely considered to be socially prestigious,\u0000seen against the phenomenon of collecting perceived as\u0000an element of ‘luxury consumption for show’, as well as by\u0000the first attempts at comparing collecting realities and the\u0000position of woodworking tools in the hierarchy of museum\u0000objects in Poland and European countries.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"41-52"},"PeriodicalIF":0.0,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44543019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-07DOI: 10.5604/01.3001.0014.8756
J. Wasilewska
In the tribute the personality of Andrzej Wawrzyniak (1931–2020), the founder and long-standing Director of the Asia and Pacific Museum in Warsaw (bearing his name since 2017), is presented. Working as a diplomat in Indonesia in the 1960s, he amassed a sizeable collection of artefacts from the Malay Archipelago, large even if compared to similar ones worldwide, which allowed to set up a new museum in Warsaw in 1973. The Museum soon extended the sphere of its interests, today boasting collections from almost the whole of continental Asia and a substantial part of Oceania. For 40 years the collection was shaped mainly by the collecting choices of its founder and surprisingly numerous donations. As a result, a unique collection was formed, documenting a wide range of cultures, at the same time bearing testimony to its author’s personality. Furthermore, the issues of the perception of the Asia and Pacific Museum as well as of Asia’s cultures are discussed in the paper, and so are later alterations of this perception. Additionally, the questions of selection criteria and evaluation of museum objects are tackled.
{"title":"A SEAMAN, DIPLOMAT, AND COLLECTOR:\u0000ANDRZEJ WAWRZYNIAK 1931–2020","authors":"J. Wasilewska","doi":"10.5604/01.3001.0014.8756","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8756","url":null,"abstract":"In the tribute the personality of Andrzej\u0000Wawrzyniak (1931–2020), the founder and long-standing\u0000Director of the Asia and Pacific Museum in Warsaw (bearing\u0000his name since 2017), is presented. Working as a diplomat\u0000in Indonesia in the 1960s, he amassed a sizeable collection\u0000of artefacts from the Malay Archipelago, large even\u0000if compared to similar ones worldwide, which allowed to\u0000set up a new museum in Warsaw in 1973. The Museum\u0000soon extended the sphere of its interests, today boasting\u0000collections from almost the whole of continental Asia and\u0000a substantial part of Oceania. For 40 years the collection\u0000was shaped mainly by the collecting choices of its founder\u0000and surprisingly numerous donations. As a result, a unique\u0000collection was formed, documenting a wide range of\u0000cultures, at the same time bearing testimony to its author’s\u0000personality. Furthermore, the issues of the perception\u0000of the Asia and Pacific Museum as well as of Asia’s cultures\u0000are discussed in the paper, and so are later alterations of this\u0000perception. Additionally, the questions of selection criteria\u0000and evaluation of museum objects are tackled.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"53-57"},"PeriodicalIF":0.0,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44454691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-28DOI: 10.5604/01.3001.0014.8573
M. Bieczyński
The questions related to museums’ operations worldwide in 2020, namely during the so-called enforced quarantine resulting from the COVID-19 pandemic, are tackled. The actions of museums and other cultural institutions in reaction to the unexpected world pandemic and henceforth derived sanitary restrictions aborting the regular operations of museum as well as the fulfilment of their statutory mission are discussed. Statistical data and conditionings of museums’ activities in different countries are analysed. Furthermore, the major documents issued by organizations such as UNESCO or ICOM are presented and briefly characterized. Additionally, the focus is put on the analysis of cultural policies with museology in mind proposed domestically and internationally, and aiming at providing institutional and financial support to museums’ operations. Moreover, questions are posed related to the possible direction of changes in museology caused by the pandemic. A subjective selection of the most interesting online events of the first pandemic wave has been presented. Also, an attempt has been made to diagnose the future of exhibiting in the digital era.
{"title":"‘CULTURAL SHOCK’: MUSEUMS’ ACTIVITY\u0000DURING THE PANDEMIC","authors":"M. Bieczyński","doi":"10.5604/01.3001.0014.8573","DOIUrl":"https://doi.org/10.5604/01.3001.0014.8573","url":null,"abstract":"The questions related to museums’ operations\u0000worldwide in 2020, namely during the so-called enforced\u0000quarantine resulting from the COVID-19 pandemic, are tackled.\u0000The actions of museums and other cultural institutions in\u0000reaction to the unexpected world pandemic and henceforth\u0000derived sanitary restrictions aborting the regular operations\u0000of museum as well as the fulfilment of their statutory mission\u0000are discussed. Statistical data and conditionings of museums’\u0000activities in different countries are analysed. Furthermore, the\u0000major documents issued by organizations such as UNESCO or\u0000ICOM are presented and briefly characterized. Additionally, the\u0000focus is put on the analysis of cultural policies with museology\u0000in mind proposed domestically and internationally, and aiming\u0000at providing institutional and financial support to museums’\u0000operations. Moreover, questions are posed related to the\u0000possible direction of changes in museology caused by the\u0000pandemic. A subjective selection of the most interesting online\u0000events of the first pandemic wave has been presented. Also,\u0000an attempt has been made to diagnose the future of exhibiting\u0000in the digital era.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"23-29"},"PeriodicalIF":0.0,"publicationDate":"2021-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42671071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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