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Cannibalism in the dīkṣā Chapter of the Maitrāyaṇī Saṁhitā Maitrāyaṇī Saṁhitā 的 dīkṣā 章中的食人俗
Q2 Arts and Humanities Pub Date : 2024-06-07 DOI: 10.12797/cis.26.2024.01.08
Kyoko Amano
This paper contributes to the ongoing discourse on human sacrifice and cannibalism in the Vedas by examining newly discovered descriptions in the Maitrāyaṇī Saṁhitā III 6.6. This passage appears to contain fairly specific points that ancient practitioners were meant to consider when engaging in cannibalism, points that are not found elsewhere. Maitrāyaṇī Saṁhitā III 6 is a chapter about the purification (dīkṣā) of the sacrificer before the soma ritual, repeatedly emphasizing sacrificer’s transformation into a suitable sacrificial victim. By compiling and examining such descriptions, the paper demonstrates how concerns related to human sacrifice were deeply embedded in the dīkṣā rite of the Maitrāyaṇī Saṁhitā.
本文通过研究新发现的《Maitrāyaṇī Saṁhitā》III 6.6 中的描述,为正在进行的有关《吠陀》中人类献祭和食人的讨论做出了贡献。这段经文似乎包含古代修行者在从事食人行为时应考虑的相当具体的要点,而这些要点在其他地方是找不到的。Maitrāyaṇī Saṁhitā III 6 是关于祭祀者在索玛仪式前的净化(dīkṣā)的一章,反复强调祭祀者要转变为合适的牺牲品。通过汇编和研究这些描述,本文展示了与人类献祭有关的问题是如何深深嵌入 Maitrāyaṇī Saṁhitā 的 dīkṣā 仪式中的。
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引用次数: 0
Violence in Service of Religion in the Pre-classical Sanskrit Texts 前古典梵文文本中为宗教服务的暴力行为
Q2 Arts and Humanities Pub Date : 2024-06-07 DOI: 10.12797/cis.26.2024.01.07
Edeltraud Harzer
The instances of perpetrated violence represented here in this essay show a sophisticated society taking care of some exceptional (such as saving a widow) or shall we say extraordinary cases (sacrificial practices), that are not a day-to-day practice. Such occurrences demonstrate a responsibility to the society to deal with cases of extraordinary distress of a situation, but they lack sensitivity or compassion. The sacrificial practices show changes, such as using earlier on, a cow, but as time seemed to go by, it occurred that a horse was used instead. The example used here is of a horse. A prepubertal and just “graduated” Vedic scholar “won” the privilege (in getting kali as his “reward” of the last vibhītaka nut/“coin”) in becoming the butcher for the sacrificial animal at an important sacrifice, in this case a horse. In the second instance of violence, as for the widowed woman, young or old, an option is offered to her that certainly is contrary to the societal customs especially for women, though in support of survival. Be it the venue of becoming a common harlot. As for “expeditions”1 of the Vrātyas, and such.
本文所反映的暴力事件表明,一个成熟的社会正在处理一些特殊情况(如拯救寡妇),或者我们可以说是非常情况(祭祀习俗),而这些并非日常做法。这种情况表明,社会有责任处理情况特殊的危难事件,但它们缺乏敏感性或同情心。祭祀习俗显示了一些变化,例如早期使用牛,但随着时间的推移,似乎改用马。这里使用的例子就是马。一个青春期前刚刚 "毕业 "的吠陀学者 "赢得 "了特权(他得到了最后一个 vibhītaka 坚果/"硬币 "的 "奖励"--"卡利"),在一次重要的祭祀中成为祭祀动物的屠夫,在这里是一匹马。在第二种暴力情况中,对于丧偶的妇女,无论年轻还是年老,都会为她提供一种选择,虽然是为了生存,但肯定有悖于社会习俗,尤其是对妇女而言。这就是成为一个普通妓女。至于弗拉蒂亚人的 "远征 "1 等。
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引用次数: 0
Silvia Schwarz Linder. Goddess Traditions in India: Theological Poems and Philosophical Tales in the Tripurārahasya. pp. 316. London: Routledge 2022 西尔维娅-施瓦茨-林德印度的女神传统:Tripurārahasya中的神学诗歌和哲学故事》,第 316 页。316.伦敦:Routledge 2022
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.12
M. Czerniak-Drożdżowicz
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引用次数: 0
Indra-kaví 因陀罗-卡维
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.09
Paola M. Rossi
The paper aims at illustrating the possible interconnection between Ṛgvedic poetry and the bovine environment in relation to which the proto-Vedic clan-based society ensured its own subsistence. Given that the protection of livestock was one of the functions attributed to chieftainship, especially during the phase of clan mobility (yóga), and that the figure of the proto-Vedic kaví, the so-called ‗sage poet,‘ is correlated to the milieu of the lordship, it is most likely that the bovine imagery and rhetorical devices, particularly connected to sonority, stemmed precisely from that environment where the human and animal dimensions were symbiotically associated to ensure clan‘s prosperity. Therefore, Ṛgvedic poetical expressions are not only the artful means to mark the liturgical language, but also a direct output of the expertise of the warrior-cowherd, identified especially with the mythological figure of Indra, who could, by way of sonorous enchanting of both, the livestock and the enemies, yoke the former and keep away the latter, guaranteeing subsistence to his own clan.
本文旨在说明Ṛgvedic 诗歌与原吠陀氏族社会赖以生存的牛群环境之间可能存在的相互联系。鉴于保护牲畜是酋长的职能之一,尤其是在氏族流动(yóga)阶段,而且原吠陀卡维(kaví),即所谓的 "圣贤诗人 "的形象与领主的环境相关、最有可能的是,牛的意象和修辞手法,尤其是与音调有关的意象和修辞手法,正是源于人与动物共生以确保氏族繁荣的环境。因此,Ṛgvedic 诗歌的表达方式不仅是标记礼仪语言的艺术手段,也是牧牛勇士专业技能的直接输出,特别是与神话中的因陀罗形象相吻合。
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引用次数: 0
Crafting of Ornaments and Their Accessories in Folktales and Folksongs among the Nagas 纳迦人民间故事和民歌中的饰品及其配件制作工艺
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.07
Iris Odyuo
Ornaments play a very important and specific role in the life of every Naga tribe; therefore in this paper, I refer to their differentiated meanings and roles. Focusing on the cultural meanings of ornaments, I also examine their crafting and accessories as reflected in the Nagas‘ folktales and folksongs, arguing for their indispensable role in the survival of the Nagas as an ethnic community.
装饰品在每个那加部落的生活中都扮演着非常重要和特殊的角色;因此,在本文中,我提到了装饰品的不同含义和作用。围绕饰品的文化意义,我还研究了纳迦族民间故事和民歌中反映的饰品制作和配饰,论证了饰品在纳迦族生存过程中不可或缺的作用。
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引用次数: 0
Guys Who Bond 结伴同行
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.11
Gregory M. Clines
This article investigates Ācārya Hemacandra‘s 12th-century Sanskrit Triṣaṣṭiśalākāpuruṣacarita (―The Lives of the Sixty-Three Illustrious Men,‖ TŚPC) to understand how Jain authors depict fraternal love as a durable and covert fetter to the world of transmigratory rebirth and re-death (saṃsāra). By examining the stories of the half-brother baladevas and vāsudevas in the TŚPC, the article identifies three consequentially negative characteristics of fraternal relationships: youthful intimacy, inseparability, and emotional turmoil resulting from the relationship‘s dissolution. Finally, the article examines how the figure of the dispassionate Jina in the TŚPC exemplifies the proper orientation towards brothers.
本文通过研究Ācārya Hemacandra 的 12 世纪梵文《地藏经》(The Lives of the Sixty Three Illustrious Men,"TŚPC"),了解耆那教作者如何将兄弟之爱描绘成对转生和再死(saṃsāra)世界的持久而隐蔽的束缚。通过研究《圣战记》中同父异母的兄弟 "巴拉德瓦"(baladevas)和 "瓦苏德瓦"(vāsudevas)的故事,文章指出了兄弟关系的三个负面特征:年轻时的亲密关系、不可分割性以及因关系解体而产生的情感波动。最后,文章探讨了《圣诗和圣歌》中冷静的吉纳形象如何体现了对兄弟的正确态度。
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引用次数: 0
Storied Hills 故事山庄
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.04
Ewa Dębicka-Borek
Taking as the point of departure the Ahobilamāhātmya narratives that depict local hills as Narasiṃha‘s residence, the paper considers those hill narratives as a product of interrelatedness of nature and culture and examines the crucial role such a product may play in vesting Ahobilam with the notion of sacredness. To this end, the narratives‘ ability to mediate various concepts is explored from the wider perspective of cultural ecology of literature, which allows them to be viewed as a site where besides nature and culture other domains can be reintegrated and reconciled, e.g., the elements of local and Brahmanic traditions. In addition, as I argue, such narratives may also convey some shifts in perceiving the landscape.
本文以描绘当地山丘为那拉提迦(Narasiṃha)居所的阿霍比拉姆(Ahobilamāhātmya)叙事为出发点,将这些山丘叙事视为自然与文化相互关联的产物,并探讨了这种产物在赋予阿霍比拉姆神圣性概念方面可能发挥的关键作用。为此,我们从文学的文化生态学这一更广阔的视角探讨了这些叙事对各种概念进行调解的能力,从而将它们视为除了自然和文化之外,其他领域(如地方和婆罗门传统元素)可以重新整合与调和的场所。此外,正如我所论证的那样,此类叙事还可能传达出对景观感知的一些转变。
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引用次数: 0
Along the River, towards God: raṅga Shrines along Rivers 沿着河流,走向神明:河畔的神龛
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.03
M. Czerniak-Drożdżowicz
The article addresses a specific religious phenomenon found in the region of South India and connected to a group of Vaiṣṇava temples hosting the Raṅganātha form of Viṣṇu. The temples in question are located along the rivers, in this case, Kāverī and Pallar. Waters, especially rivers, perceived not only as a means of ensuring vegetation but also as endowed with certain divine attributes and often personified as goddesses, have in addition a place-connecting aspect. Keeping this in mind, the present enquiry takes as the starting point the Raṅganātha temple in Śrīraṅgam on the Kāverī-Kolliṭam river and revisits the concept of the holy sites of Viṣṇu, called raṅgas, situated along the banks of the rivers Kāverī and Pallar, and on their islands. The study, using, among others, some māhātmyas from the region, is the very first, largely preliminary attempt to broach this topic.
这篇文章讨论的是南印度地区的一种特殊宗教现象,它与一组供奉 Raṅganātha 形式的 Viṣṇu 的 Vaiṣṇava 寺庙有关。这些寺庙位于河流沿岸,这里指的是卡韦里河和帕拉尔河。水,尤其是河流,不仅被视为确保植被的手段,还被赋予了某些神圣的属性,并经常被化身为女神,因此还具有连接地方的一面。考虑到这一点,本研究以卡瓦里-科利塔姆河畔圣十字架上的拉加塔神庙为起点,重新审视了位于卡瓦里河和帕拉尔河两岸及其岛屿上的维贾努圣地(称为 raṅgas)的概念。这项研究利用了该地区的一些马哈特米亚(māhātmyas)等人,是首次尝试探讨这一主题,而且基本上是初步尝试。
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引用次数: 0
Medicine within a Cultural Ecosystem 文化生态系统中的医学
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.05
Ilona Kędzia-Warych
The paper examines the concept of Tamil siddha literature as an integrating force for the local cultural ecosystem. The research is based on texts ascribed to two prominent authors of Tamil siddha tradition, namely Siddhar Yākōpu and Siddhar Pōkar (ca. 17th cent.). The first part of the paper looks at representations of nature in the Siddhars‘ texts, and demonstrates that the authors attribute certain extraordinary powers and divinity to nature. This further suggests that such views on nature allow the Siddhars to interconnect different realms typically viewed as separate in the contemporary secular perspective where liberatory practices are positioned apart from domains like nature and medicine. Attempts to integrate various fields of siddha lore are evident in the Siddhars‘ texts, for instance, in Vaittiya Kallāṭam, which is analyzed in the second section of the paper. To this end, among others, the perspective of material ecocriticism is applied to examine the images of natural material substances in Tamil siddha texts.
本文探讨了泰米尔释迦文学作为地方文化生态系统整合力量的概念。研究基于泰米尔释迦传统的两位著名作家--释迦耶跋摩(Siddhar Yākōpu)和释迦波卡(Siddhar Pōkar,约 17 世纪)--的作品。论文的第一部分探讨了释迦族文本中对自然的描述,并证明作者将某些非凡的力量和神性赋予了自然。这进一步表明,对自然的这种看法使悉达多人能够将不同的领域相互联系起来,而在当代世俗观点中,解放实践通常被视为独立于自然和医学等领域之外。在释迦族的文本中,例如在本文第二部分分析的《Vaittiya Kallāṭam》中,整合释迦族不同领域的尝试是显而易见的。为此,本文运用了物质生态批评的视角来研究泰米尔悉达经文中的自然物质形象。
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引用次数: 0
”Dattātreya‘s Dwelling Place” "达塔列亚的居所"
Q2 Arts and Humanities Pub Date : 2023-12-15 DOI: 10.12797/cis.25.2023.01.06
Borayin Larios, Hemant Rajopadhye
The Śrī Gurudeva Datta Mandir is a modern Hindu temple constructed around the udumbara tree (ficus racemora) believed to be the mythical dwelling place of the antinomian god Dattātreya. Originally located in a public park, the temple is now an independently registered trust and is widely recognized as one of the most prominent and celebrated Hindu places of worship in the affluent residential area of Deccan Gymkhana in Pune, India. In this article, we examine how the natural and built environment, along with religious practices, are constantly reconfigured and renegotiated by various actors catering to the contemporary sensitivities of the urban Hindu middle classes. We argue that to understand urban religious spaces like the Śrī Gurudeva Datta Mandir, it is essential to consider how cultural, religious, and political sensitivities converge to give material form to these spaces. Through an analysis of the temple, the deity of Dattātreya, and the udumbara tree, we explore the complex interplay of these forces and their role in shaping contemporary Hindu religious practices and beliefs in urban India.
圣古鲁德瓦达塔曼迪尔(Śrī Gurudeva Datta Mandir)是一座现代印度教寺庙,围绕着被认为是神话传说中反宗教之神达塔雷亚(Dattātreya)的居所的乌杜巴拉树(薜荔树)而建。该寺庙最初位于一个公共公园内,现在是一个独立注册的信托机构,被公认为印度浦那德干吉姆卡纳富人居住区最著名的印度教礼拜场所之一。在本文中,我们研究了自然和建筑环境以及宗教习俗是如何被各种参与者不断重新配置和重新谈判的,以迎合当代城市印度教中产阶级的敏感性。我们认为,要理解像圣十字寺这样的城市宗教空间,就必须考虑文化、宗教和政治敏感性是如何汇聚在一起赋予这些空间以物质形式的。通过对寺庙、达塔雷亚神像和乌敦巴拉树的分析,我们探索了这些力量之间复杂的相互作用,以及它们在塑造印度城市当代印度教宗教实践和信仰中的作用。
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引用次数: 0
期刊
Cracow Indological Studies
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