Pub Date : 2022-12-19DOI: 10.12797/cis.24.2022.02.09
Cezary Galewicz
{"title":"Transposition and Transformation, Controversy and Discovery. On the Christian Encounter with the Religions of Eighteenth and Nineteenth-Century India, ed. by Karin Preisendanz and Johanna Buss, Wien: Samlung de Nobili 2021, pp. 243 + XVII + 2","authors":"Cezary Galewicz","doi":"10.12797/cis.24.2022.02.09","DOIUrl":"https://doi.org/10.12797/cis.24.2022.02.09","url":null,"abstract":"","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47983042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.12797/cis.24.2022.02.02
G. Colas, Usha Colas-Chauhan, Francis Richard
The manuscript now preserved as Indien 745 in the Manuscript Department of the Bibliothèque nationale de France (BnF) contains 137 paintings by an Indian artist, each accompanied by an explanation in French. These paintings depict deities and sages in static posture or narrative mode, as well as icons associated with temples. The present contribution forms a preliminary study of this manuscript in our project on South Indian manuscripts with paintings of deities preserved in the BnF.
{"title":"Text and Paintings","authors":"G. Colas, Usha Colas-Chauhan, Francis Richard","doi":"10.12797/cis.24.2022.02.02","DOIUrl":"https://doi.org/10.12797/cis.24.2022.02.02","url":null,"abstract":"The manuscript now preserved as Indien 745 in the Manuscript Department of the Bibliothèque nationale de France (BnF) contains 137 paintings by an Indian artist, each accompanied by an explanation in French. These paintings depict deities and sages in static posture or narrative mode, as well as icons associated with temples. The present contribution forms a preliminary study of this manuscript in our project on South Indian manuscripts with paintings of deities preserved in the BnF.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44867294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.12797/cis.24.2022.02.06
Charlotte Schmid
In many of the oldest known sites of the Pāṇḍya country located not far from the Kāverī River in Tamil Nadu, a dual Hindu obedience, Vaiṣṇava and Śaiva, was developed concomitantly. Alongside these Bhakti deities, others are present in these places of communication with the sacred. As stone figures attached to the site and texts evoking the place are the two means used to give form to their deities, one would expect these two mediums to interact, but it is often difficult to correlate them in the Tamil country of the first millennium. This paper aims at exploring such possible relationships at Tiruveḷḷaṟai, the earliest remains of which date to the 8th c. The site has unique archaeological features, such as a svastika-shaped well and the earliest known depictions of some of Kṛṣṇa’s feats; it inspired hymns of the Tamil Vaiṣṇava devotional corpus, the Divyaprabandham, and offers numerous inscriptions. The link between Śiva, Viṣṇu and local goddesses proves to be as remarkable here as that between texts and archaeology.
{"title":"The Archaeology of Kṛṣṇa at Tiruveḷḷaṟai, a Site for Tamil Poetry in the 7th–9th Centuries","authors":"Charlotte Schmid","doi":"10.12797/cis.24.2022.02.06","DOIUrl":"https://doi.org/10.12797/cis.24.2022.02.06","url":null,"abstract":"In many of the oldest known sites of the Pāṇḍya country located not far from the Kāverī River in Tamil Nadu, a dual Hindu obedience, Vaiṣṇava and Śaiva, was developed concomitantly. Alongside these Bhakti deities, others are present in these places of communication with the sacred. As stone figures attached to the site and texts evoking the place are the two means used to give form to their deities, one would expect these two mediums to interact, but it is often difficult to correlate them in the Tamil country of the first millennium. This paper aims at exploring such possible relationships at Tiruveḷḷaṟai, the earliest remains of which date to the 8th c. The site has unique archaeological features, such as a svastika-shaped well and the earliest known depictions of some of Kṛṣṇa’s feats; it inspired hymns of the Tamil Vaiṣṇava devotional corpus, the Divyaprabandham, and offers numerous inscriptions. The link between Śiva, Viṣṇu and local goddesses proves to be as remarkable here as that between texts and archaeology.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45246776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.02
L. Sudyka
No abstract is available for this article.
这篇文章没有摘要。
{"title":"The Sense of Self in Early Modern South and Southeast India","authors":"L. Sudyka","doi":"10.12797/cis.24.2022.01.02","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.02","url":null,"abstract":"No abstract is available for this article.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41541709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.05
Sivan Goren-Arzony
This paper studies Naiṣadha in Our Language (Bhāṣānaiṣadhacampu), a 16th-century Maṇipravāḷam retelling of the Nala and Damayantī tale from Kerala. It focuses on two main aspects of this text, both illustrated by different expressive modes: one ‘high,’ pulling towards the polished, dense literature of the Sanskrit style, and the other ‘low,’ pulling towards the performative, the local, and the colloquial. The first is exemplified by reading several verses where Damayantī is struggling to formulate an answer to Nala. Here, I discuss a heightened interest in the depiction of the individual, encapsulated in his or her relationship with and separation from other individuals. The second is illustrated by long prose sections describing men on their way to the wedding. Here, I discuss several allusions to Kerala’s contemporary society and literature, and the expressive possibilities of Maṇipravāḷam prose. The association with Śrīharṣa’s canonical Sanskrit Naiṣadhacaritam serves as a roadmap to some of the intriguing literary selections of this text.
{"title":"On Brewing Love Potions and Crafting Answers","authors":"Sivan Goren-Arzony","doi":"10.12797/cis.24.2022.01.05","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.05","url":null,"abstract":"This paper studies Naiṣadha in Our Language (Bhāṣānaiṣadhacampu), a 16th-century Maṇipravāḷam retelling of the Nala and Damayantī tale from Kerala. It focuses on two main aspects of this text, both illustrated by different expressive modes: one ‘high,’ pulling towards the polished, dense literature of the Sanskrit style, and the other ‘low,’ pulling towards the performative, the local, and the colloquial. The first is exemplified by reading several verses where Damayantī is struggling to formulate an answer to Nala. Here, I discuss a heightened interest in the depiction of the individual, encapsulated in his or her relationship with and separation from other individuals. The second is illustrated by long prose sections describing men on their way to the wedding. Here, I discuss several allusions to Kerala’s contemporary society and literature, and the expressive possibilities of Maṇipravāḷam prose. The association with Śrīharṣa’s canonical Sanskrit Naiṣadhacaritam serves as a roadmap to some of the intriguing literary selections of this text.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46396885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.07
A. Wójcik
Kārtikā Tirunāḷ Bālarāma Varma (r. 1758–1798) was the ruler of the South Indian state of Travancore and the author of a Sanskrit treatise on theatrology, the Bālarāmabharata. His reign constituted an important period of patronage of arts and literature, especially in the field of performing arts. The king was not only an outstanding patron but also an eminent scholar and an accomplished author. As the evidence of this great variety of roles, the paper proposes to analyse the opening passages of the Bālarāmabharata where Kārtikā Tirunāḷ Bālarāma Varma presents himself in a self-portrait of sorts: as a ruler, patron, scholar and poet. He inscribes himself in the patronage tradition of the rulers of Travancore as well as in the line of the continuators of Bharata’s Nāṭyaśāstra while simultaneously showcasing his literary prowess and practical experience in the contemporary tradition of performing arts.
{"title":"Kārtikā Tirunāḻ Bālarāma Varma’s Self-portrait in Bālarāmabharata","authors":"A. Wójcik","doi":"10.12797/cis.24.2022.01.07","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.07","url":null,"abstract":"Kārtikā Tirunāḷ Bālarāma Varma (r. 1758–1798) was the ruler of the South Indian state of Travancore and the author of a Sanskrit treatise on theatrology, the Bālarāmabharata. His reign constituted an important period of patronage of arts and literature, especially in the field of performing arts. The king was not only an outstanding patron but also an eminent scholar and an accomplished author. As the evidence of this great variety of roles, the paper proposes to analyse the opening passages of the Bālarāmabharata where Kārtikā Tirunāḷ Bālarāma Varma presents himself in a self-portrait of sorts: as a ruler, patron, scholar and poet. He inscribes himself in the patronage tradition of the rulers of Travancore as well as in the line of the continuators of Bharata’s Nāṭyaśāstra while simultaneously showcasing his literary prowess and practical experience in the contemporary tradition of performing arts.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43821111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.09
M. Czerniak-Drożdżowicz
{"title":"Peter C. Bisschop: The Vārāṇasī Māhātmya of the Bhairavaprādurbhāva (A Twelfth-Century Glorification of Vārāṇasī), Collection Indologie n˚148, Institut Français de Pondichéry / École française d’Extrême-Orient 2021, pp. 190.","authors":"M. Czerniak-Drożdżowicz","doi":"10.12797/cis.24.2022.01.09","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.09","url":null,"abstract":"","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45199150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.06
D. Shevchenko
This article explores artistic innovations in Kūṭiyāṭṭam theater through the lens of critique developed in the Naṭāṅkuśa—a polemical treatise composed, perhaps, in the 15th century Kerala. The focus is on the Naṭāṅkuśa’s fierce disapproval of the performance of multiple roles by an actor dressed as one and the same character—for example, switching from the role of Hanumān to that of Rāma, while still in Hanumān’s costume and make-up. The author of the Naṭāṅkuśa utilizes epistemological arguments to demonstrate the impossibility of accommodating more than one character in a single actor’s mind. Nor can a spectator have a stable cognition of the second- order characters. The fact that the author attributes to the opponent— a Kūṭiyāṭṭam performer—a non-dualist theory of cognition, suggests that the theory of Kūṭiyāṭṭam was inspired by Advaita Vedāntin and the non-dualist Śaiva epistemological presuppositions.
{"title":"The Many Selves of an Actor","authors":"D. Shevchenko","doi":"10.12797/cis.24.2022.01.06","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.06","url":null,"abstract":"This article explores artistic innovations in Kūṭiyāṭṭam theater through the lens of critique developed in the Naṭāṅkuśa—a polemical treatise composed, perhaps, in the 15th century Kerala. The focus is on the Naṭāṅkuśa’s fierce disapproval of the performance of multiple roles by an actor dressed as one and the same character—for example, switching from the role of Hanumān to that of Rāma, while still in Hanumān’s costume and make-up. The author of the Naṭāṅkuśa utilizes epistemological arguments to demonstrate the impossibility of accommodating more than one character in a single actor’s mind. Nor can a spectator have a stable cognition of the second- order characters. The fact that the author attributes to the opponent— a Kūṭiyāṭṭam performer—a non-dualist theory of cognition, suggests that the theory of Kūṭiyāṭṭam was inspired by Advaita Vedāntin and the non-dualist Śaiva epistemological presuppositions.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45044005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.12797/cis.24.2022.01.01
D. Shulman
In contrast to the many South Asian texts that explore deep, metaphysically oriented states of mind, introspection of a personal, empirical, everyday kind is relatively rare in the textual archive until the early modern period, beginning roughly in the 16th century. At that time a remarkable richness of personal introspective works is evident in all the major south Indian languages. This article explores some of the features of that literature, with representative examples of literary, musical, and philosophical sources focused on the individual and on her or his sense of self.
{"title":"Seeing into the Mind in Early Modern South India","authors":"D. Shulman","doi":"10.12797/cis.24.2022.01.01","DOIUrl":"https://doi.org/10.12797/cis.24.2022.01.01","url":null,"abstract":"In contrast to the many South Asian texts that explore deep, metaphysically oriented states of mind, introspection of a personal, empirical, everyday kind is relatively rare in the textual archive until the early modern period, beginning roughly in the 16th century. At that time a remarkable richness of personal introspective works is evident in all the major south Indian languages. This article explores some of the features of that literature, with representative examples of literary, musical, and philosophical sources focused on the individual and on her or his sense of self.","PeriodicalId":36623,"journal":{"name":"Cracow Indological Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43848348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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