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Examining Three Populations of Preservice Teachers: SEL and Art Integration in Elementary Classrooms 考察三个职前教师群体:SEL与小学课堂艺术整合
Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/00043125.2023.2235115
Libba Willcox, Kate McCormick
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsLibba WillcoxLibba Willcox, Department of Art Education, Art History, and Art Therapy, Indiana University–Purdue University Indianapolis in Indianapolis. Email: swillcox@indiana.edu.Kate McCormickKate McCormick, State University of New York at Cortland in Cortland. Email: kate.mccormick@cortland.edu
点击放大图片尺寸点击缩小图片尺寸附加信息关于贡献者的说明利巴·威尔考克斯利巴·威尔考克斯,艺术教育、艺术史和艺术治疗系,印第安纳大学-普渡大学印第安纳波利斯。电邮:swillcox@indiana.edu.Kate McCormickKate McCormick,位于科特兰的纽约州立大学。电子邮件:kate.mccormick@cortland.edu
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引用次数: 0
Picture Perfect? Not So Much: How Jeremy Okai Davis Is Giving Voice to Underrepresented Figures 完美的照片吗?没那么多:杰里米·奥凯·戴维斯如何为未被充分代表的人物发声
Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/00043125.2023.2230393
Sarah Ackermann, Daniel Bryant
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsSarah AckermannSarah Ackermann, Executive Director for Teaching Innovation, Division of Online and Strategic Learning, Ball State University in Noblesville, Indiana. Email: sarahcress@gmail.comDaniel BryantDaniel Bryant, Art Teacher, Oakbrook Elementary, Dorchester School District Two in Ladson, South Carolina. Email: dbryant@dorchester2.k12.sc.us
点击放大图片尺寸点击缩小图片尺寸附加信息撰稿人备注sarah Ackermann,印第安纳州诺布尔斯维尔鲍尔州立大学在线与战略学习部门教学创新执行主任。电子邮件:sarahcress@gmail.comDaniel BryantDaniel Bryant,艺术老师,奥克布鲁克小学,多切斯特第二学区在拉德森,南卡罗来纳州。电子邮件:dbryant@dorchester2.k12.sc.us
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引用次数: 0
Using Aesthetic Experiences to Teach Social–Emotional Learning in an Art Classroom 在艺术课堂中运用审美体验教授社会情感学习
Q1 Arts and Humanities Pub Date : 2023-09-03 DOI: 10.1080/00043125.2023.2226566
Vicky Haralovich
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsVicky HaralovichVicky Haralovich, Indiana University Bloomington in Bloomington. Email: vicky@haralovich.org
点击增加图片大小点击减少图片大小附加信息关于贡献者的说明vicky Haralovich,印第安纳大学Bloomington in Bloomington。电子邮件:vicky@haralovich.org
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引用次数: 0
Expanding Creative Communities in the Visual Arts: Using Padlet to Support Student Engagement and Belonging in Stressful Contexts 在视觉艺术中扩展创意社区:在压力环境中使用小板来支持学生的参与和归属感
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2207999
Rhiannan Johnson, Kate Cantrell, Katrina Cutcliffe, B. Batorowicz, Tanya McLean
33 In the wake of this “overnight” shock to the education sector, it is essential to acknowledge that the sudden shift to online learning differs significantly from the gradual introduction of online education in the form of distance courses, hybrid programs, and blended offerings (Ploj-Virtič et al., 2021). The rapid transition to emergency remote learning has placed enormous stress on learning support systems, with the scale of change often surpassing the capacity of available resources and technologies (Hodges et al., 2020). As more university students now study remotely, online collaborative tools are more important than ever for optimizing the student experience and generating meaningful engagement (Frison & Tino, 2019, p. 228). As Lockee (2021) explained, “Though rethinking of instructional approaches was forced and hurried, the [COVID-19] experience has served as a rare chance to reconsider strategies that best facilitate learning within the affordances and constraints of the online context” (p. 6).
在对教育部门的“一夜”冲击之后,有必要认识到,突然转向在线学习与逐步引入远程课程、混合课程和混合课程形式的在线教育有很大不同(ploj - virtije et al., 2021)。向应急远程学习的快速过渡给学习支持系统带来了巨大压力,变化的规模往往超过了现有资源和技术的能力(Hodges et al., 2020)。随着越来越多的大学生现在远程学习,在线协作工具对于优化学生体验和产生有意义的参与比以往任何时候都更加重要(Frison & Tino, 2019, p. 228)。正如Lockee(2021)所解释的那样,“尽管对教学方法的重新思考是被迫和匆忙的,但[COVID-19]的经历提供了一个难得的机会,让我们重新考虑在网络环境的支持和限制下最有利于学习的策略”(第6页)。
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引用次数: 0
Sustainable Paradigm Shifts: Intersections of Past Wisdom and Future Vision 可持续范式的转变:过去智慧与未来愿景的交叉
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2233378
A. Kantawala
increasingly diverse communities, and complex digital classrooms, a multitude of theoretical perspectives continues to illuminate our pathways. As educators, we draw inspiration from influential scholars, each making unique contributions to our educational consciousness and practices. W. E. B. Du Bois (1926), a sociologist and civil rights activist, made lasting marks on our understanding of racial equality. Angela Davis (2016), a philosopher, feminist, and political activist, further illuminates the intersectionality of race, class, and gender in America while spearheading prison abolition movements. Educational theorist Gloria Ladson-Billings (1995) expands our focus on inclusivity and sheds light on the achievement gaps and inequities in education through her work on culturally relevant pedagogy. John Dewey’s (1938) pragmatic philosophy of learning by doing still resonates in classroom settings today that advocate for active student engagement and individual agency. The profound link between the arts and education finds expression in the work of Maxine Greene (2001), who campaigned for a curriculum founded on social imagination to foster creativity and critical thinking. The transformative power of the arts aligns with the strong advocacy of Elliot Eisner (2002), who fuses the educational imagination with mindful learning in the arts to promote an integrated approach to teaching. Finally, our awareness of the pedagogical implications of digital technologies is expanded by Tony Bates (2015), a key researcher in the realm of online and distance education. These perspectives compel us to think beyond traditional boundaries, recognizing the fluidity of art as a discipline and acknowledging the evolving complexities of teaching and learning in our diverse, interconnected worlds. As we grapple with the aftermath of a global pandemic and the effects of dominant social movements, the contributions of scholars like these become our lifeline as educators. They anchor us in foundational principles, concurrently encouraging innovation and adaptation to sustain our teaching and learning practices. They further highlight the distinct role of the arts as a means of expression, a critical lens into societal conditions, and an agent of change, resistance, and enablement. Sustainable Paradigm Shifts Intersections of Past Wisdom and Future Vision Ami Kantawala
越来越多样化的社区和复杂的数字教室,众多的理论视角继续照亮我们的道路。作为教育工作者,我们从有影响力的学者那里汲取灵感,每个人都对我们的教育意识和实践做出了独特的贡献。社会学家和民权活动家杜波依斯(W.E.B.Du Bois,1926)在我们对种族平等的理解上留下了不可磨灭的印记。哲学家、女权主义者和政治活动家Angela Davis(2016)在领导废除监狱运动的同时,进一步阐明了美国种族、阶级和性别的交叉性。教育理论家Gloria Ladson Billings(1995)通过她在文化相关教育学方面的工作,扩大了我们对包容性的关注,并揭示了教育中的成就差距和不平等。约翰·杜威(John Dewey,1938)的实践学习哲学至今仍在倡导学生积极参与和个体能动性的课堂环境中产生共鸣。艺术和教育之间的深刻联系在Maxine Greene(2001)的作品中得到了体现,她致力于建立一个基于社会想象力的课程,以培养创造力和批判性思维。艺术的变革力量与Elliot Eisner(2002)的大力倡导相一致,他将教育想象力与艺术中的专注学习相结合,以促进综合教学方法。最后,在线和远程教育领域的关键研究员Tony Bates(2015)扩大了我们对数字技术教学意义的认识。这些观点迫使我们超越传统的界限进行思考,认识到艺术作为一门学科的流动性,并认识到在我们多样化、相互关联的世界中教学的复杂性。当我们努力应对全球疫情的后果和占主导地位的社会运动的影响时,像这样的学者的贡献成为我们作为教育工作者的生命线。它们将我们锚定在基本原则上,同时鼓励创新和适应,以维持我们的教学实践。它们进一步强调了艺术作为一种表达手段、一种对社会条件的批判视角以及一种变革、抵抗和促进的媒介的独特作用。可持续范式改变了过去智慧和未来愿景的交叉点Ami Kantawala
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引用次数: 0
Reframing Art Teacher Practice: Dialogical Exploration During the Pandemic 重塑美术教师实践:疫情期间的对话探索
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2208491
Che Sabalja
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引用次数: 0
Art Pen Pal: Exchanging Art Letters With My International Friend 艺术笔友:与国际友人交换艺术书信
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2212160
Juyoung Yoo, Megan Lucas-Chong
49 The exchange of pen-pal letters has been widespread for generations (Barksdale et al., 2007). Studies show that pen-pal relationships provide opportunities to improve literacy skills (reading and writing), develop an understanding of other people, and create cross-cultural connections (Barksdale et al., 2007; McCaffrery, 2012; Wilfong & Oberhauser, 2012). Specifically, children develop ways to communicate effectively with a pen pal through letter writing, which generally involves participants constructing meaning solely from written text (Barksdale et al., 2007). Also, pen-pal relationships help establish friends of equal status and help children become aware of the world around them (Wilfong & Oberhauser, 2012). Moreover, communication between pen pals stimulates children to learn more about new cultures and topics (Barksdale et al., 2007). Accordingly, scholars have examined pen-pal projects across curricula, including literacy development (Barksdale et al., 2007), science (McCaffrey, 2012; Wiener & Matsumoto, 2014), math (Crespo, 2003), and cross-curricular learning (Lemkuhl, 2002), as well as in teacher education programs involving communication between teachers and children (McMillon, 2009; Moore & Ritter, 2008; Wilfong & Oberhauser, 2012).
笔友书信的交流已经广泛流传了几代人(Barksdale et al., 2007)。研究表明,笔友关系提供了提高读写能力(阅读和写作)、发展对他人的理解和建立跨文化联系的机会(Barksdale et al., 2007;McCaffrery, 2012;Wilfong & Oberhauser, 2012)。具体来说,孩子们通过写信来发展与笔友有效沟通的方式,这通常涉及参与者仅从书面文本中构建意义(Barksdale等人,2007)。此外,笔友关系有助于建立平等地位的朋友,并帮助孩子了解周围的世界(Wilfong & Oberhauser, 2012)。此外,笔友之间的交流可以刺激孩子更多地了解新的文化和话题(Barksdale et al., 2007)。因此,学者们在课程中考察了笔友项目,包括读写能力发展(Barksdale et al., 2007)、科学(McCaffrey, 2012;Wiener & Matsumoto, 2014)、数学(Crespo, 2003)和跨学科学习(Lemkuhl, 2002),以及涉及教师与儿童之间沟通的教师教育计划(McMillon, 2009;Moore & Ritter, 2008;Wilfong & Oberhauser, 2012)。
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引用次数: 0
Bitmojis and Beyond: Incorporating the Studio Habits of Mind Into Online Art Instruction Bitmojis及其他:将工作室的思维习惯融入在线艺术教学
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2208007
Kayla Lindeman, Troy Hicks
Although our art classrooms are rich with demonstrations, discussions, and artmaking, the COVID-19 pandemic brought unprecedented challenges to art educators wanting to engage students in studio-rich practices. As one solution, Bitmoji classrooms emerged in response to emergency remote teaching (ERT), “a temporary shift of instructional delivery to an alternate delivery mode due to crisis circumstances” (Hodges et al., 2020, para. 13). Bitmoji classrooms— containing an instructor’s avatar (Bitmoji) and typically presented using Google Slides—are virtual spaces populated with images and objects that hyperlink to videos, web tools, games, learning management systems (LMS), texts, and other resources. Bitmoji classrooms often visually mimic a classroom, although sometimes they represent an imagined space.
尽管我们的艺术教室里充满了演示、讨论和艺术创作,但新冠肺炎疫情给希望让学生参与丰富学习实践的艺术教育工作者带来了前所未有的挑战。作为一种解决方案,Bitmoji教室是为了应对紧急远程教学(ERT)而出现的,“由于危机情况,教学交付暂时转变为替代交付模式”(Hodges等人,2020,第13段)。Bitmoji教室——包含教师的化身(Bitmoji),通常使用谷歌幻灯片呈现——是一个虚拟空间,里面有超链接到视频、网络工具、游戏、学习管理系统(LMS)、文本和其他资源的图像和对象。Bitmoji教室通常在视觉上模仿教室,尽管有时它们代表了一个想象中的空间。
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引用次数: 0
BE-ing Here With Transformative Artist Brandan “Bmike” Odums 与变革艺术家布兰登·"迈克"·奥德姆斯在一起
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2213116
Sarah Travis
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引用次数: 0
Navigating the Self: A Path to Social Justice. A Conversation With Yolanda Sealey-Ruiz 导航自我:通往社会正义之路。《与尤兰达·西莉-鲁伊斯的对话
Q1 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/00043125.2023.2233380
A. Kantawala
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引用次数: 0
期刊
Art Education
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