This article takes a closer look at self-referential devices found in the comics of non-academic Scott McCloud. The author of the article discusses the terminology and the state of research on self-referentiality, pointing out that the name [autotematyzm] functions only in Polish scholarly research. Next, the themes of self-referentiality in the comics are addressed. In the key part of the article, the scholar presents how self-referentiality manifests in Scott McCloud’s metacomics (Understanding Comics and Making Comics). Keywords: comics, self-referentiality, narrative
本文将深入研究非学者斯科特·麦克劳德漫画中的自我指涉手法。本文讨论了自指性的术语和研究现状，指出自指性这个名称仅在波兰的学术研究中起作用。接下来，讨论了漫画中的自我参照主题。在文章的关键部分，学者介绍了自我指涉性在Scott McCloud的元经济学(<i>Understanding Comics and Making Comics</i>)中是如何体现的。关键词:漫画，自我指涉，叙事
{"title":"Ośrodek literackich rozważań. Autotematyzm w nie-teoretycznych komiksach Scotta McClouda","authors":"Kamil Wrzeszcz","doi":"10.61269/ffvj9400","DOIUrl":"https://doi.org/10.61269/ffvj9400","url":null,"abstract":"This article takes a closer look at self-referential devices found in the comics of non-academic Scott McCloud. The author of the article discusses the terminology and the state of research on self-referentiality, pointing out that the name [autotematyzm] functions only in Polish scholarly research. Next, the themes of self-referentiality in the comics are addressed. In the key part of the article, the scholar presents how self-referentiality manifests in Scott McCloud’s metacomics (<i>Understanding Comics and Making Comics</i>). Keywords: comics, self-referentiality, narrative","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135466845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The authors of this article use the concepts of agrilogistics (Timothy Morton) and the Plantationo-cene (Anna Tsing, Donna Haraway) to trace the connections between the development of civiliza-tion and the labor of human and non-human actors. Using the example of wheat and its entangle-ments with human history, they show how agrilogistics has enslaved human and non-human bod-ies, harnessing them to work for the development of patriarchal civilization, private property, cap-ital accumulation, etc. The proposed way out of agrilogistics is queer ecology, which transcends the heteronorm and establishes a different, communal, interspecies, positive biopolitics based on intersectional entanglements of humans and non-humans. The authors co-think these issues with several poets and artists: Marcin Ostrychacz, Szymon Szwarc, Edward Pasewicz, Iga Szczepanska, Alevtina Kakhid, and Teresa Tyszkiewicz. Key-words: agrilogistics, Plantationocene, wheat, queer ecology, interspecies intersectionality
本文作者运用农学(Timothy Morton)和种植园文化(Anna Tsing, Donna Haraway)的概念来追溯文明发展与人类和非人类行动者的劳动之间的联系。他们以小麦及其与人类历史的纠缠为例，展示了农学如何奴役人类和非人类的身体，利用它们为父权文明、私有财产、资本积累等的发展而工作。提出的农业生态学的出路是酷儿生态学，它超越了异性恋，建立了一种不同的、公共的、物种间的、积极的基于人类和非人类交叉纠缠的生物政治。作者与几位诗人和艺术家共同思考这些问题:Marcin Ostrychacz, Szymon Szwarc, Edward Pasewicz, Iga Szczepanska, Alevtina Kakhid和Teresa Tyszkiewicz。关键词:农学，种植园新世，小麦，酷儿生态，种间交叉
{"title":"Od agrologistyki do queerowej ekologii","authors":"Patryk Szaj, Iga Szczepańska","doi":"10.61269/ebco2249","DOIUrl":"https://doi.org/10.61269/ebco2249","url":null,"abstract":"The authors of this article use the concepts of agrilogistics (Timothy Morton) and the Plantationo-cene (Anna Tsing, Donna Haraway) to trace the connections between the development of civiliza-tion and the labor of human and non-human actors. Using the example of wheat and its entangle-ments with human history, they show how agrilogistics has enslaved human and non-human bod-ies, harnessing them to work for the development of patriarchal civilization, private property, cap-ital accumulation, etc. The proposed way out of agrilogistics is queer ecology, which transcends the heteronorm and establishes a different, communal, interspecies, positive biopolitics based on intersectional entanglements of humans and non-humans. The authors co-think these issues with several poets and artists: Marcin Ostrychacz, Szymon Szwarc, Edward Pasewicz, Iga Szczepanska, Alevtina Kakhid, and Teresa Tyszkiewicz. Key-words: agrilogistics, Plantationocene, wheat, queer ecology, interspecies intersectionality","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article offers a creative reading of the classic composition Imagine (1971) by Yoko Ono and John Lennon from the perspective of theoretical propositions associated with speculative realism, and in particular, with the concept of hyperobjects by Timothy Morton. As a result of the artistic-theoretical collaboration, the text includes a discussion of Rafał Zapała’s word and music works, which were created as part of a joint practical-theoretical workshop. They illustrate the titular practice of tuning, the idea of which is to change the visual perspective of interaction with the world – understood as the dominant way of experiencing reality – to a sonic one, allowing for a different participation in the surrounding environment. The project encourages the readers to re-spond creatively to the content of the article with instructions and tasks to perform on their own. Key-words: speculative realism, hyperobjects, object-oriented ontology (OOO), listening, sound imagery
{"title":"„Imagine” / Wyobraź sobie… Dostrajanie jako dźwiękowe praktyki spekulatywne","authors":"Tymon Adamczewski, Rafał Zapała","doi":"10.61269/adpu3431","DOIUrl":"https://doi.org/10.61269/adpu3431","url":null,"abstract":"This article offers a creative reading of the classic composition <i>Imagine</i> (1971) by Yoko Ono and John Lennon from the perspective of theoretical propositions associated with speculative realism, and in particular, with the concept of hyperobjects by Timothy Morton. As a result of the artistic-theoretical collaboration, the text includes a discussion of Rafał Zapała’s word and music works, which were created as part of a joint practical-theoretical workshop. They illustrate the titular practice of tuning, the idea of which is to change the visual perspective of interaction with the world – understood as the dominant way of experiencing reality – to a sonic one, allowing for a different participation in the surrounding environment. The project encourages the readers to re-spond creatively to the content of the article with instructions and tasks to perform on their own. Key-words: speculative realism, hyperobjects, object-oriented ontology (OOO), listening, sound imagery","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
We live in a time of planetary climate change. One of its elements is the sixth great extinction of species. The article talks about how difficult the relationship between humans and nature is in these times, citing the examples of three species from the Bovidae: the cow, the aurochs, and the bison. Critical issues of nature conservation in the Anthropocene are presented: restoration of extinct species, wildness, and capacity of ecosystems. Combining elements of scholarly discussion with artistic speculation, this article is an extensive story about the need to recognize the subjectivity of non-human beings for understanding current ecological problems. The readers are invited to participate in five speculative journeys with the Last Female Aurochs, and the guide is Golem – an open interpretive figure, a contribution to reflections on advancement, decline, and the struggle to reverse the world order. Key-words: Anthropocene, wildness, species, golem, breeding, conservation, subjectivity, population, reintroduction, speculation, female aurochs, extinction, dependence, savagery
{"title":"Tęsknię za tobą, Turze","authors":"Joanna Tusznio, Anna Siekierska","doi":"10.61269/ofbd1408","DOIUrl":"https://doi.org/10.61269/ofbd1408","url":null,"abstract":"We live in a time of planetary climate change. One of its elements is the sixth great extinction of species. The article talks about how difficult the relationship between humans and nature is in these times, citing the examples of three species from the Bovidae: the cow, the aurochs, and the bison. Critical issues of nature conservation in the Anthropocene are presented: restoration of extinct species, wildness, and capacity of ecosystems. Combining elements of scholarly discussion with artistic speculation, this article is an extensive story about the need to recognize the subjectivity of non-human beings for understanding current ecological problems. The readers are invited to participate in five speculative journeys with the Last Female Aurochs, and the guide is Golem – an open interpretive figure, a contribution to reflections on advancement, decline, and the struggle to reverse the world order. Key-words: Anthropocene, wildness, species, golem, breeding, conservation, subjectivity, population, reintroduction, speculation, female aurochs, extinction, dependence, savagery","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is a critical analysis of the representations of peasant men and women at the #heritage exhibition (National Museum in Krakow, 2017). It reflects on the exhibits displayed in the “#citizenry” section along with the descriptions included in the exhibition catalog. The author analyzes the presented images of the peasantry in a broader socio-cultural context, contradicting curatorial theses about the attractiveness of Polish culture to the peasantry and its presumed sense of citizenry, while demonstrating that the exhibited images contained other visions of citizenry than those described. The social character of the genre of the portrait and the “folk type,” through which most of the analyzed cases were presented, is also discussed. keywords: #heritage, peasant history, visual arts, photography, folk type, portrait
{"title":"Typowi obywatele ludowi. Reprezentacje chłopów i chłopek na wystawie „#dziedzictwo” (2017)","authors":"Agata Koprowicz","doi":"10.61269/qgjq7068","DOIUrl":"https://doi.org/10.61269/qgjq7068","url":null,"abstract":"This article is a critical analysis of the representations of peasant men and women at the <i>#heritage</i> exhibition (National Museum in Krakow, 2017). It reflects on the exhibits displayed in the “#citizenry” section along with the descriptions included in the exhibition catalog. The author analyzes the presented images of the peasantry in a broader socio-cultural context, contradicting curatorial theses about the attractiveness of Polish culture to the peasantry and its presumed sense of citizenry, while demonstrating that the exhibited images contained other visions of citizenry than those described. The social character of the genre of the portrait and the “folk type,” through which most of the analyzed cases were presented, is also discussed. keywords: #heritage, peasant history, visual arts, photography, folk type, portrait","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"139 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Using the examples of three performative shows created in line with the perspective proposed by the Polish right, this article discusses the right-wing condoned practice of discursively reinforcing national ideology. Orzeł i krzyż [The Eagle and the Cross], Wolność we krwi [Freedom in Blood] and Popiełuszko promote a particular vision of Polishness, suggesting that its traditional characteristics, still relevant today, are the ludic idyll, brave heroism and – inspired by religious ideals – self-sacrifice. The national narratives presented in the text are juxtaposed with the category of turbopatriotism described by Marcin Napiórkowski. A critical look at the politics of memory, implemented through the discussed artistic activities, allows the text to propose a diagnosis of “memory manipulation” (Marcin Król), which in the name of political interests that subordinate national narratives to the practice of retrotopia – through references to tradition, history, and religion – legitimizes conservative power. Keywords: nation, politics of memory, patriotism, retrotopia, power, discourse
本文以波兰右翼所提出的视角所创作的三部表演剧为例，探讨右翼所纵容的以话语强化民族意识形态的做法。<i>奥泽维krzyż</i>[鹰与十字架]，<i>Wolność we krwi</i>[血中的自由]和<i>Popiełuszko</i>宣扬波兰的一种特殊观点，认为波兰的传统特征是滑稽的田园诗、勇敢的英雄主义和受宗教理想启发的自我牺牲精神，这些特征至今仍有意义。文本中呈现的国家叙事与Marcin Napiórkowski所描述的turpar爱国主义类别并列。通过所讨论的艺术活动，对记忆政治进行批判性的审视，允许文本提出对“记忆操纵”的诊断(Marcin Król)，以政治利益的名义，通过对传统、历史和宗教的参考，使国家叙事服从于复古乌托邦的实践，从而使保守权力合法化。关键词:民族，记忆政治，爱国主义，复古乌托邦，权力，话语
{"title":"Polska sielska, bohaterska, ofiarna. Narracje narodowe w widowiskach patriotycznych","authors":"Piotr Dobrowolski","doi":"10.61269/rhpu2055","DOIUrl":"https://doi.org/10.61269/rhpu2055","url":null,"abstract":"Using the examples of three performative shows created in line with the perspective proposed by the Polish right, this article discusses the right-wing condoned practice of discursively reinforcing national ideology. <i>Orzeł i krzyż</i> [The Eagle and the Cross], <i>Wolność we krwi</i> [Freedom in Blood] and <i>Popiełuszko</i> promote a particular vision of Polishness, suggesting that its traditional characteristics, still relevant today, are the ludic idyll, brave heroism and – inspired by religious ideals – self-sacrifice. The national narratives presented in the text are juxtaposed with the category of turbopatriotism described by Marcin Napiórkowski. A critical look at the politics of memory, implemented through the discussed artistic activities, allows the text to propose a diagnosis of “memory manipulation” (Marcin Król), which in the name of political interests that subordinate national narratives to the practice of retrotopia – through references to tradition, history, and religion – legitimizes conservative power. Keywords: nation, politics of memory, patriotism, retrotopia, power, discourse","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135466846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article describes the practice of entering mindfully into a relationship with plants, formulated by the Warsaw-based herbal studio Chwaściarnia [Weedshop]. It presents a several-stage herbal speculative method, developed with reference to the assumptions guiding contemporary posthu-manism. In the first part, the article addresses the practice of conscious breathing with plants, challenging the traditional anthropocentric paradigm of herbalism. It then discusses the successive stages of the method: sensory familiarization with the plant, the role of voice (including call and response), and the importance of performative incantations and murmurs. The problem of the rela-tionship between people and plants in contaminated areas is also addressed. An important part of the method described is speculation, which involves weaving a narrative about the plant and col-lectively creating its imaginative depiction. The practice ends with collating speculation with bo-tanical facts. This method combines mindfulness practices with the development of an approach based on knowledge and care. Key-words: herbal practice, postsecularism, mindfulness, relationality, knowledge and care
{"title":"Fitomisteria. Zielarska praktyka spekulatywna","authors":"Julia Krupa, Joanna Soćko","doi":"10.61269/yzcs3173","DOIUrl":"https://doi.org/10.61269/yzcs3173","url":null,"abstract":"This article describes the practice of entering mindfully into a relationship with plants, formulated by the Warsaw-based herbal studio Chwaściarnia [Weedshop]. It presents a several-stage herbal speculative method, developed with reference to the assumptions guiding contemporary posthu-manism. In the first part, the article addresses the practice of conscious breathing with plants, challenging the traditional anthropocentric paradigm of herbalism. It then discusses the successive stages of the method: sensory familiarization with the plant, the role of voice (including call and response), and the importance of performative incantations and murmurs. The problem of the rela-tionship between people and plants in contaminated areas is also addressed. An important part of the method described is speculation, which involves weaving a narrative about the plant and col-lectively creating its imaginative depiction. The practice ends with collating speculation with bo-tanical facts. This method combines mindfulness practices with the development of an approach based on knowledge and care. Key-words: herbal practice, postsecularism, mindfulness, relationality, knowledge and care","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"331 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article problematizes the interdisciplinary project Musica Posthumana in the context of Ka-ren Barad’s philosophy of agential realism. Using selected terminology proposed by the philoso-pher, the creators of the project describe the process of permeating the agency of the phenomena that comprise it and include reflection on the agency of non-human elements in the creative pro-cess. The motion capture technology used in the project will be analyzed through the prism of a research tool as understood by Karen Barad. Its status will be expanded from creating representa-tions to actively making sense and participating in the process of materializing relationships and meanings. The interlacing agency of the project’s sound, motion, and technological phenomena will be presented and described through intra-actions. The onto-epistemological status of the body in the technological environment will also be discussed. Key-words: agential realism, motion capture, Musica Posthumana, intra-actions, sound, dance, technology
{"title":"Ruch, dźwięk, motion capture: projekt „Musica Posthumana\" w kontekście realizmu sprawczego Karen Barad","authors":"Przemysław Degórski, Anna Kamińska","doi":"10.61269/knoy7848","DOIUrl":"https://doi.org/10.61269/knoy7848","url":null,"abstract":"This article problematizes the interdisciplinary project Musica Posthumana in the context of Ka-ren Barad’s philosophy of agential realism. Using selected terminology proposed by the philoso-pher, the creators of the project describe the process of permeating the agency of the phenomena that comprise it and include reflection on the agency of non-human elements in the creative pro-cess. The motion capture technology used in the project will be analyzed through the prism of a research tool as understood by Karen Barad. Its status will be expanded from creating representa-tions to actively making sense and participating in the process of materializing relationships and meanings. The interlacing agency of the project’s sound, motion, and technological phenomena will be presented and described through intra-actions. The onto-epistemological status of the body in the technological environment will also be discussed. Key-words: agential realism, motion capture, Musica Posthumana, intra-actions, sound, dance, technology","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135469241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2008-05-12DOI: 10.1109/WCNC.2003.1200701
Takahiko Yamada, P. T. Hoa
This paper proposes a mobile multimedia metropolitan area network (MM-MAN) which provides IP-based VPN connections between mobile terminals on business activities around metropolitan area, and LAN in their own home office. To make VPN circuit handed over on cell-by-cell traverse, a VPN agent exists in MM-MAN access networks, and VPN server in each office network. Tunneling between VPN server in LAN of home office, and VPN agent in the MM-MAN is used to support macro-mobility. To support high level business activities, all information which can reveal business activities should be hidden from the third party. To be neutral, private address is used as a source and destination in each VPN connection even to designate IP terminals in its own office, and is used even during the VPN setup to terminals in the Internet. Micro-mobility support for high-speed and high-bit rate terminals is a role of PON (passive optical network) as an access network. Multicast communication is used in a PON access network to construct logical macro-cell in order to allow smooth handover for high-speed terminal.
{"title":"Mobile multimedia metropolitan area network","authors":"Takahiko Yamada, P. T. Hoa","doi":"10.1109/WCNC.2003.1200701","DOIUrl":"https://doi.org/10.1109/WCNC.2003.1200701","url":null,"abstract":"This paper proposes a mobile multimedia metropolitan area network (MM-MAN) which provides IP-based VPN connections between mobile terminals on business activities around metropolitan area, and LAN in their own home office. To make VPN circuit handed over on cell-by-cell traverse, a VPN agent exists in MM-MAN access networks, and VPN server in each office network. Tunneling between VPN server in LAN of home office, and VPN agent in the MM-MAN is used to support macro-mobility. To support high level business activities, all information which can reveal business activities should be hidden from the third party. To be neutral, private address is used as a source and destination in each VPN connection even to designate IP terminals in its own office, and is used even during the VPN setup to terminals in the Internet. Micro-mobility support for high-speed and high-bit rate terminals is a role of PON (passive optical network) as an access network. Multicast communication is used in a PON access network to construct logical macro-cell in order to allow smooth handover for high-speed terminal.","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"1 1","pages":"2047-2052 vol.3"},"PeriodicalIF":0.0,"publicationDate":"2008-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74187487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2005-03-01DOI: 10.1109/WCNC.2003.1200615
Jun Ye, Xuemin Shen, J. Mark
A novel call admission control (CAC) scheme using fuzzy interference for a wideband code division multiple access (CDMA) cellular system is proposed. The fuzzy CAC first estimates the newly arriving mobile station's (MS) effective bandwidth and its mobility information, and then makes a decision to accept or reject the MS's connection request based on the estimates and the system status. Numerical results are given to demonstrate the performance of the proposed fuzzy CAC scheme in terms of new call blocking probability, handoff call dropping probability, outage probability and resource utilization.
{"title":"Call admission control in wideband CDMA cellular networks by using fuzzy logic","authors":"Jun Ye, Xuemin Shen, J. Mark","doi":"10.1109/WCNC.2003.1200615","DOIUrl":"https://doi.org/10.1109/WCNC.2003.1200615","url":null,"abstract":"A novel call admission control (CAC) scheme using fuzzy interference for a wideband code division multiple access (CDMA) cellular system is proposed. The fuzzy CAC first estimates the newly arriving mobile station's (MS) effective bandwidth and its mobility information, and then makes a decision to accept or reject the MS's connection request based on the estimates and the system status. Numerical results are given to demonstrate the performance of the proposed fuzzy CAC scheme in terms of new call blocking probability, handoff call dropping probability, outage probability and resource utilization.","PeriodicalId":36912,"journal":{"name":"Czas Kultury","volume":"20 1","pages":"1538-1543 vol.3"},"PeriodicalIF":0.0,"publicationDate":"2005-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75468832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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