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Dainos by Martin Ludwig Rhesa and other Lithuanian Heritage in Moscow 由Martin Ludwig Rhesa和其他立陶宛遗产在莫斯科设计的Dainos
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.118
Kotryna Rekašiūtė
The State Public Historical Library of Russia is storing some significant 18th and 19th century Lithuanian publications related with Prussian Lithuania. They include a copy of the first edition (1825) of the first collection of Lithuanian folk songs Dainos oder Litthauische Volkslieder (en. Dainos [lt. Songs] or Lithuanian Folk Songs) by Martin Ludwig Rhesa (1776–1840) which used to belong to one of reviewers of this publication. On the grounds of the provenience inscriptions, the article is striving to establish the former owners of the copy of the first ever Lithuanian collection of songs and to discuss some of the Lithuanian culture publications related with Prussian Lithuania stored at the Russian Historical Library. The full list of the Lituanistics related publications and their library classification sygnatures are presented in the Annex to this article.
俄罗斯国家公共历史图书馆收藏了一些与普鲁士立陶宛有关的18世纪和19世纪立陶宛的重要出版物。其中包括马丁·路德维希·瑞萨(1776-1840)的立陶宛民歌《Dainos or Lithauische Volkslieder》(en。Dainos[lt.songs]或立陶宛民歌)的第一版(1825年),该版本曾属于本出版物的一位评论家。基于这些原始铭文,本文试图确定有史以来第一本立陶宛歌曲集的前所有者,并讨论俄罗斯历史图书馆中存储的一些与普鲁士立陶宛有关的立陶宛文化出版物。与文学相关的出版物及其图书馆分类系统的完整列表见本文附件。
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引用次数: 0
Odinian Sources of Simonas Daukantas
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.120
Roma Bončkutė
The article discusses the sources used by the national Lithuanian historian Simonas Daukantas (1793–1864) which determined the inclusion of Odin in the ranks of Lithuanian/Baltic cultural heroes in the work BUDĄ Senowęs-Lëtuwiû Kalnienû ĩr Ƶámajtiû (en. The Character of the Ancient Lithuanians–Highlanders and Lowlanders, 1845). The first source discussed is the article “De l’ère primitive des législations sacerdotales” (“On the legislative power of the priests of primeval times”) published in the magazine “Le Catholique” in 1826, on which S. Daukantas mainly relied when discussing the figure of Odin. Upon investigation, this source does not consider Odin to be the hero of the Baltic people, either. It is speculated that S. Daukantas was impressed by the laconic biography of Odin and the note added at the end that the royal families of Saxony and Denmark, the Merovingian dynasty and the Lombard princes included Odin in their genealogy. S. Daukantas analogously states that Odin is also a Lithuanian hero because, even ‘now’, there are people with the surname Odinas living in Lithuania and Samogitia. Actually, S. Daukantas’s mother was née Odinaitė.This article further discusses two other sources: Geschichte Preußens (1827, vol. 1) by Johannes Voigt (1786–1863), and Geschichte von Littauen, Kurland und Liefland (1785) by Ludwig Albrecht Gebhardi (1735–1802). It was determined that only J. Voigt briefly indicated that Odin founded Asgard near Daugava. S. Daukantas adopted this opinion in his work.On February 12, 1845, in a letter to Teodoras Narbutas (1784–1864), S. Daukantas reproached him for not including Odin in the ranks of Lithuanian cultural heroes and mentioned Le Catholique and Jntrodukcyi Maleta do historyi Dunskiej as important sources for the research pertaining to the possible Baltic origins of Odin. This inspires a hypothesis that S. Daukantas made a mistake in specifying the name of the Swiss-born historian Paul Henri Mallet because he did not write about Odin as a Lithuanian/Baltic hero in his work on Danish history. The article investigates which author’s introduction to a book on Danish history led S. Daukantas to a belief that he found information about the Lithuanian/Baltic Odin. It must have been an authoritative historian because S. Daukantas did not change his opinion about Odin when he wrote Pasakojimas apej Wejkałus Lietuwiû tautos senowie (Stories about Events in Ancient Lithuania, 1850) and emphasized that Northern writers refer to Odin as having lived and worked in Lithuania. After getting acquainted with Peter Friedrich Suhm’s introduction (Einleitung oder kritische Muthmaſsungen über die teste Abstammung und Geschichte der Nordischen Nation) to Geschichte der Dänen (1803), the study reaches the conclusion that it determined S. Daukantas’s decision about Odin’s Baltic origins. It is likely that an interdisciplinary study of the figure of Odin would finally allow us to confirm or reject this belief of S. Daukantas.
本文讨论了立陶宛国家历史学家Simonas Daukantas(1793-1864)使用的来源,该来源确定了奥丁在作品BUDĄSenowÉs-LëtuwiûKalnienûĩrƵámajtiû(en。《古立陶宛人的性格——高地人和低地人》,1845年)中被列入立陶宛/波罗的海文化英雄的行列。讨论的第一个来源是1826年发表在《天主教》杂志上的文章“De l’ère primitive des législations sacerdotales”(“论原始时期牧师的立法权”),S.Daukantas在讨论奥丁的形象时主要依赖这篇文章。经调查,该消息来源也不认为奥丁是波罗的海人民的英雄。据推测,S.Daukantas对奥丁简洁的传记印象深刻,并在结尾添加了萨克森和丹麦王室、墨洛温王朝和伦巴第王子将奥丁纳入他们的家谱的注释。S.Daukantas类似地说,奥丁也是立陶宛的英雄,因为即使“现在”,立陶宛和萨莫吉希亚也有奥丁斯姓的人。事实上,S.Daukantas的母亲是née Odinaitï。本文进一步讨论了另外两个来源:Johannes Voigt(1786-1863)的《Geschchte Preußens》(1827,第1卷)和Ludwig Albrecht Gebhardi(1735-1802)的《Gerschchte von Littauen,Kurland und Liefland》(1785)。据确定,只有J.Voigt简要指出奥丁在道加瓦附近建立了阿斯加德。S.Daukantas在他的作品中采纳了这一观点。1845年2月12日,S.Daukantas在给Teodoras Narbutas(1784-1864)的一封信中指责他没有将奥丁列入立陶宛文化英雄的行列,并提到Le Catholique和Jntrodukcyi Maleta do historyi Dunskiej是研究奥丁可能的波罗的海起源的重要来源。这激发了一种假设,即S.Daukantas在指定瑞士出生的历史学家Paul Henri Mallet的名字时犯了一个错误,因为他在丹麦历史著作中没有将奥丁描述为立陶宛/波罗的海英雄。这篇文章调查了哪位作者对一本关于丹麦历史的书的介绍使s.Daukantas相信他发现了立陶宛/波罗的海奥丁的信息。这一定是一位权威历史学家,因为S.Daukantas在撰写《古立陶宛事件》(Pasakojimas apej Wejkałus Lietuwiûtautos senowie,1850)并强调北方作家称奥丁在立陶宛生活和工作时,并没有改变他对奥丁的看法。在了解了彼得·弗里德里希·苏姆(Peter Friedrich Suhm,1803年)对戴宁的介绍(Einleitung or kritische Muthmaſsungenüber die teste Absammung und Geschichte der Nordischen Nation)后,本研究得出结论,它决定了s.Daukantas关于奥丁波罗的海起源的决定。对奥丁形象的跨学科研究很可能最终会让我们确认或拒绝S.Daukantas的这种信仰。
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引用次数: 0
Publishing National Cultural Periodicals in Lithuania: A Reflection of Cultural Functions in 2000–2015 立陶宛民族文化期刊出版:2000-2015年文化功能的反映
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.122
Asta Urbanavičiūtė-Globienė
Cultural periodicals, as a specific part of the field of culture and publishing, can be studied in several directions: 1) by analysing the conceptual aspect of cultural periodicals, i.e., realisation of their cultural functions; 2) by taking into account the general models of publishing periodicals; 3) by analysing other aspects of publishing that are specific to cultural periodicals only, for example, the specific features of funding. This article analyses how the cultural functions of national periodicals were realised in the context of the virtualisation of cultural periodicals in the period under research (in 2000–2015). (In this article, the virtualisation of cultural publications is understood as the transfer of cultural periodicals (magazines, newspapers) into the virtual space or their creation in that space (blogs, portals, social networks)). Cultural periodicals as a part of the cultural field were relevant in the period under research: 1. It is relevant to transmit and preserve cultural information (in this case, the communicative link between the cultural message and the cultural space and the lasting value of cultural texts); 2. To form new addressees to receive the cultural message (each publication brings together its own audience and thus complements the overall cultural field, thus attracting new readers by disseminating cultural information); 3. To actualise the message being sent through more diverse channels (the importance of internationality), to expand the possibilities of accessibility and availability of cultural texts; changes in the media (social networks, portals, websites) have created a broader, more modern and more diverse cultural field of communication. Between the years 2000 and 2015, media change gradually turned into a necessity. First of all, it was undertaken as a way to reach more readers. Due to the specific content, cultural publications were moderate in their approach to the changes in form during the period under analysis: to maintain a high-quality printed version was a priority to them. On the other hand, cultural publications, although not always willingly, began to recognize the importance of the Internet and to consider it as a platform for disseminating cultural information. This aspect became an important turning point in the publishing of cultural periodicals.
文化期刊作为文化出版领域的一个特殊组成部分,可以从以下几个方面进行研究:1)分析文化期刊的概念方面,即其文化功能的实现;2)借鉴期刊出版的一般模式;3)分析文化期刊出版的其他方面,如经费的具体特点。本文分析了所研究时期(2000-2015年)在文化期刊虚拟化背景下,民族期刊的文化功能是如何实现的。(在本文中,文化出版物的虚拟化被理解为将文化期刊(杂志、报纸)转移到虚拟空间或在该空间(博客、门户网站、社交网络)中进行创作)。文化期刊作为文化领域的一部分,在研究时期具有相关性:1。与文化信息的传递和保存相关(在这种情况下,文化信息与文化空间之间的交流联系以及文化文本的持久价值);2. 形成接受文化信息的新受众(每份出版物汇集了自己的受众,从而补充了整个文化领域,从而通过传播文化信息吸引新的读者);3.实现通过更多样化的渠道传递信息(国际化的重要性),扩大文化文本的可及性和可用性的可能性;媒体(社交网络、门户网站、网站)的变化创造了一个更广泛、更现代、更多样化的传播文化领域。从2000年到2015年,媒介变革逐渐成为一种必然。首先,这是一种接触更多读者的方式。由于具体的内容,文化出版物在分析所涉期间对形式变化的处理是温和的:保持高质量的印刷版本是它们的优先事项。另一方面,文化出版物,虽然不总是愿意,开始认识到互联网的重要性,并认为它是一个传播文化信息的平台。这方面成为文化期刊出版的一个重要转折点。
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引用次数: 0
A McLuhanian Approach to the Typewriter Century 麦克卢汉式的打字机世纪观
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.130
Kšištof Tolkačevski
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引用次数: 0
Lithuanian Language and Literature Program – a Medium for Deep Reading Education 立陶宛语言文学课程——深度阅读教育的媒介
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.123
Arūnas Šileris
Researchers have been observing the deteriorating deep reading skills among pupils and highlighting the necessity to nurture them. Yet the concept of what ‘reading’ means (and ‘deep reading’ in particular) seems elusive. Deep reading may be interpreted in a number of ways. The difference in the notion of what constitutes deep reading calls for a closer investigation, with the view to delineating the two concepts. By drawing on the theoretical framework of Self-Determination Theory and Transportation theory, the article analyses two different approaches to deep reading in the light of a the recent draft curriculum of the Lithuanian language and literature for grades 5–12 of high school in Lithuania. The analysis has revealed that the current draft seems to be less focused on promoting the first type of deep reading associated with the deep emotional engagement (and hence higher levels of internal motivation) with literary texts. It is rather focused on the second type of deep reading that seeks to engage cognitive processes (and is more related to external motivation). Irrespective of the fact that the draft curriculum does make references to concepts associated with deep emotional involvement of readers (such as the pleasure of reading), this type of deep reading is not the main focus of the new curriculum.
研究人员一直在观察学生的深度阅读能力,并强调培养他们的必要性。然而,“阅读”(尤其是“深度阅读”)的概念似乎难以捉摸。深度阅读可以有多种解释。在什么是深度阅读的概念上的差异需要更深入的研究,以描绘这两个概念。本文以自主决定理论和运输理论为理论框架,结合立陶宛高中5-12年级语文课程草案,分析了两种不同的深度阅读方式。分析显示,目前的草案似乎不太注重促进与文学文本的深层情感投入(因此是更高层次的内在动机)相关的第一种深度阅读。它更侧重于第二种类型的深度阅读,这种阅读旨在参与认知过程(与外部动机更相关)。尽管课程草案确实提到了与读者深度情感参与相关的概念(比如阅读的乐趣),但这种深度阅读并不是新课程的主要重点。
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引用次数: 0
Levas Vladimirovas – Vilniaus universiteto bibliotekos vadovas Levas Vladimirov-维尔纽斯大学图书馆馆长
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.132
E. Akstinaitė-Veličkienė
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引用次数: 0
The Concept of ‘Play’ from the Point of View of Theories of Museology 从博物馆学理论看“游戏”的概念
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.125
Indrė Jovaišaitė-Blaževičienė
In the first decades of the 21st century, the topic of the ‘playing’ person has become the core of interdisciplinary research on human activity. As museums have been adopting a new approach towards cultural dissemination and educational goals, the discourse of play is also becoming one of the current fields of research in museology. Although the cultural aspects of play and game have been discussed for a long time, the interpretation of the concept of play from the museological point of view is a relatively new field which requires the definition of the synonymously used terms and the respective concepts. The aim of this article is to highlight the concept and function of play in museology based on the analysis of museology theories, to identify the preconditions for the formation of play communication, and to identify the directions of the development of the concept of play in the contemporary museological research. The article is based on an integrated literature review of the analysis of the concept of play while focusing on theoretical texts and monographs of scholars studying the phenomenon of play, as well as on theoretical and empirical research articles analysing the expression of play in all types of museums. This paper also discusses the linguistic use of the terms play and game. In the Lithuanian language, we not only have to deal with the synonymous use of play (žaismas)/game (žaidimas) in the translation of spel, play, spielen, but also with the use of play in the translation of both play and game used in different contexts in the English-language literature. Since game is a structured form of play, and, in the museological research and practice, game is more commonly defined as the digital expression and referred to as gamification, it is suggested that play (as an action and a state of being) should be distinguished from game (as a structured form of action) by using two different terms in the Lithuanian language. The literature reviewed in this article has highlighted that the concept of play in the museum is linked to the development of new theories of museology, and it reveals itself as a creative construct that is shaped and sustained by the institution. Play is defined as the concept for communicating the theme of the museum, manifested through the act of play and the elements of game. This approach to the dissemination of content and the organisation of activities is expressed through the application of play and game methods which allow the audience to engage in a more intensive relationship with the museum’s theme and exhibits. Play becomes a necessary medium for the museum’s metagame which includes and expresses playfulness, play action, playful elements, real and digital games, whereas the audience is engaged by play to satisfy its educational and entertainment needs. To summarise on the interdisciplinary context of the phenomenon of play, in museology, it is most appropriate to associate play with an intellectual or conce
在21世纪的头几十年里,“游戏”人的话题已经成为人类活动跨学科研究的核心。随着博物馆在文化传播和教育目标上采取新的方式,游戏话语也成为博物馆学当前的研究领域之一。虽然关于玩和游戏的文化方面的讨论已经进行了很长时间,但从博物馆学的角度解释玩的概念是一个相对较新的领域,需要对同义使用的术语和各自的概念进行定义。本文旨在通过对博物馆学理论的分析,突出游戏在博物馆学中的概念和功能,确定游戏传播形成的前提条件,并确定游戏概念在当代博物馆学研究中的发展方向。本文基于对游戏概念分析的综合文献综述,同时重点关注研究游戏现象的学者的理论文本和专著,以及分析游戏在各类博物馆中的表现的理论和实证研究文章。本文还讨论了play和game这两个术语的语言用法。在立陶宛语中,我们不仅要处理在翻译spel, play, spielen时play (žaismas)/game (žaidimas)的同义用法,还要处理在英语文学中不同语境中play和game的翻译中play的用法。由于游戏是一种结构化的游戏形式,并且在博物馆学研究和实践中,游戏更常被定义为数字表达,并被称为游戏化,因此建议使用立陶宛语言中的两个不同术语来区分游戏(作为一种行动和存在状态)和游戏(作为一种结构化的行动形式)。本文回顾的文献强调了博物馆中玩耍的概念与博物馆学新理论的发展有关,它揭示了自己是一个由机构塑造和维持的创造性结构。游戏被定义为传达博物馆主题的概念,通过游戏行为和游戏元素表现出来。这种传播内容和组织活动的方法是通过应用游戏和游戏方法来表达的,这使得观众能够与博物馆的主题和展品建立更紧密的关系。游戏成为博物馆元游戏的必要媒介,其中包括并表达可玩性、游戏动作、游戏元素、真实游戏和数字游戏,而观众则通过游戏来满足其教育和娱乐需求。总结一下游戏现象的跨学科背景,在博物馆学中,将游戏与涉及交流、变化和游戏行为的智力或概念状态联系起来是最合适的。在博物馆学语境中,“游戏”一词更常用于指代特定的空间、时间或基于规则的行动,而在博物馆实践中,这更常与游戏化联系在一起。
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引用次数: 0
Liudvikas Adomas Jucevičius, vicar of Švenčionys Parish: the Environment of the Clergyman and his Academic-Publicist Activity 柳德维卡斯·阿多马斯·朱塞维<e:1>, Švenčionys堂区代牧:神职人员的环境和他的学术宣传活动
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.119
D. Burba
The article is researching the life events of the Lithuanian man of letters, clergyman, ethnographer, folklorist, writer, publicist, historian and translator Liudvikas Adomas Jucevičius (Ludwik Adam Jucewicz, 1813–1846) while focusing on the years 1838–1840 when he was serving as the vicar in Švenčionys Parish. It was during these years that such famous works as literary legends as Baltijos jūros karalienė (en. The Queen of the Baltic Sea) and Džiugo kalnas (en. Džiugas Hill) were created. Simultaneously, Liudvikas Adomas Jucevičius created the works Lietuvių liaudies priežodžiai (en. Lithuanian Folk Proverbs) and Žemaitijos bruožai (en. The Features of Samogitia) which are still of high relevance to the Lithuanian academic community. The article reveals the starting point of the academic-publicist activity of this prominent personality at Vilnius Roman Catholic Spiritual academy which encouraged his academic pursuits in Švenčionys. The article also explores his deeds for the benefit of Švenčionys Parish. Finally, the academic, publicist and creative activity of Liudvikas Adomas Jucevičius during this period is researched. The focus is laid on the creative path of the personality in the context of the contemporary political and cultural developments in the society. Thereby, the emphasis of the article is not on the investigation of the content of the texts by Liudvikas Adomas Jucevičius, but rather on their spread and transfer to other publications thus highlighting the popularity of his writings at the time with the objective to trace the causes of the success of the texts.
本文是研究立陶宛人的生活事件的文学家,牧师,民族志学家,民民学家,作家,公关,历史学家和翻译家柳德维卡斯·阿多马斯·朱塞维(路德维克亚当·朱塞维茨,1813年至1846年),而重点是1838年至1840年,当他担任Švenčionys教区的牧师。正是在这些年间,诸如文学传奇《波罗的海》jūros karalienkv (en。波罗的海女王)和Džiugo卡尔纳斯(英文)。Džiugas Hill)被创建。与此同时,柳德维卡斯·阿多马斯·犹塞维创作了作品《柳德维伊·柳德维伊》priežodžiai (en)。立陶宛民间谚语)和Žemaitijos bruožai(英文)。萨莫吉希亚的特点),这仍然是高度相关的立陶宛学术界。文章揭示了这位杰出人物在维尔纽斯罗马天主教精神学院的学术宣传活动的起点,鼓励了他在Švenčionys的学术追求。文章还探讨了他的事迹,为Švenčionys教区的利益。最后,对这一时期的学术、宣传和创作活动进行了研究。重点是在当代社会政治和文化发展的背景下,人格的创造路径。因此,本文的重点不是对Liudvikas Adomas jucevi文本内容的调查,而是对其传播和转移到其他出版物的研究,从而突出了他的作品在当时的受欢迎程度,目的是追踪文本成功的原因。
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引用次数: 0
Catching the context: the first genre-determined reading of Francysk Skaryna’s portrait 抓住语境:对弗兰西斯克·斯卡琳娜肖像的第一次类型决定阅读
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.129
O. Shutova
Лемешкин, Илья / Lemeškinas, Ilja / Lemeškin, Il’ja, Портрет Франциска Скорины. К 550-летию со дня рождения книгоиздателя / Pranciškaus Skorinos portretas. 550-ąsias gimimo metines minint / Portrait de Francisk Skorina. En commémorant le 550e anniversaire de sa naissance (1470–2020), (The portrait of Francysk Skaryna. To mark the 550th anniversary [1470–2020] of the publisher), travaux du cercle linguistique de prague, nouvelle série, vol. 10. Vilnius-Prague: Lietuvių kalbos institutas (Institut national de langue lituanienne), cercle linguistique de Prague, 2020, 298 p.; la 2e édition, revue et augumentée, 2021, 314 p.; the 3rd edition, in Lithuanian, 2022, 310 p.
Пции,Гя/Lemeškinas,Ilja/LemeŠkin,Ilja,П。550-Pranciškaus skorinos portretas。550-ąsias Gimimo Metines采矿/弗朗西斯·斯科里纳肖像。纪念他诞辰550周年(1470-2020年),《弗朗西斯克·斯卡里纳肖像》,纪念出版商诞辰550周年[1470-2020],布拉格语言圈作品,新系列,第1卷。维尔纽斯-布拉格:LietuviųKalbos Institutas(立陶宛国家语言研究所),布拉格语言圈,2020年,298页。;第二版,修订和补充,2021年,314页。;第三版,立陶宛语,2022年,310页。
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引用次数: 0
Attempts of Lithuanian State Archive Institutions to Search for Archived Heritage Exported from Lithuania in the Past or Related to Lithuania 立陶宛国家档案机构寻找立陶宛过去输出或与立陶宛有关的档案遗产的尝试
Q2 Arts and Humanities Pub Date : 2022-12-30 DOI: 10.15388/knygotyra.2022.79.128
D. Lukšaitė
As archival institutions are operating under the conditions of globalization, digital culture, and technological changes, displaced archives are evaluated from various aspects (theoretical, sociopolitical, or technological). Ensuring the accessibility of displaced archives remains the fundamental goal of archives, which is inseparable from the strategies of document heritage accumulation (acquisition) in archives, the application of archival principles or document concepts, knowledge of the history of a country or a specific region, and knowledge of the legal system. The research and good practice of displaced archives is also of importance for the state archives of Lithuania. Professor Zigmantas Kiaupa discussed the efforts by archives in an attempt to recover documents illegally exported from Lithuania. However, searches for the archival heritage by the Lithuanian state archives after 1990 have not become the object of scientific publications. The article gives a review of the actions of the state archives system since 1990 which was aimed at identifying the documentary heritage related to Lithuania but preserved abroad. The focus of attention is on the creation of legal regulation, accumulation of documents, and information about the identified documents related to Lithuania and the further activities of state archives. Archival sources show that, since 1990, the identification of documents related to Lithuania and preserved abroad along with the activity of their storage in Lithuania is a continuous and consistent process, although the scope of this activity is not large, and only a few archives have been participating in its implementation. The review of the activity of the Office of the Chief Archivist of Lithuania and the state archives proves that international agreements or agreements of cooperation between two countries contribute to the establishment of close professional relationships, but it is not a prerequisite for the document search. It is more important to provide methodological assistance to those who have preserved the documents related to Lithuania (especially to Lithuanians living abroad) as well as to coordinate the activities related to document management, their description, digitization, and publication, as these activities require different competencies. The article concludes that the legislative regulation of Lithuania created legal opportunities for the state archives to make independent decisions regarding the strategy of collecting documents related to Lithuania and to be more actively involved in the activities of digital cultural heritage actualization. The state archives of Lithuania do not associate the accumulation of documentary heritage related to Lithuania only with the physical form of documents. The article argues that the accumulation of digital cultural objects and the dissemination of descriptive information in archives using several information retrieval tools further complicates the accessibility of
由于档案机构在全球化、数字文化和技术变革的条件下运作,流离失所的档案从各个方面(理论、社会政治或技术)进行评估。确保流离失所档案的可及性仍然是档案的根本目标,这与档案的文献遗产积累(获取)策略、档案原则或文献概念的应用、对一个国家或特定地区历史的了解以及对法律制度的了解是分不开的。流离失所档案的研究和良好实践对立陶宛国家档案馆也具有重要意义。齐格曼塔斯·基奥帕教授讨论了档案馆为恢复从立陶宛非法出口的文件所作的努力。然而,1990年以后立陶宛国家档案馆对档案遗产的搜索并没有成为科学出版物的对象。文章回顾了1990年以来国家档案系统的行动,旨在确定与立陶宛有关但保存在国外的文献遗产。重点关注法律法规的制定、文件的积累以及与立陶宛有关的已确定文件的信息以及国家档案馆的进一步活动。档案资料表明,自1990年以来,鉴定与立陶宛有关并保存在国外的文件及其在立陶宛的储存活动是一个连续和一致的过程,尽管这项活动的范围并不大,而且只有少数档案馆参与了这项工作。对立陶宛首席档案员办公室和国家档案馆活动的审查证明,国际协定或两国之间的合作协定有助于建立密切的专业关系,但这不是文件检索的先决条件。更重要的是,为保存立陶宛相关文件的人(尤其是居住在国外的立陶宛人)提供方法上的协助,并协调与文件管理、描述、数位化和出版相关的活动,因为这些活动需要不同的能力。文章的结论是,立陶宛的立法规定为国家档案馆在收集与立陶宛有关的文件的战略上做出独立决策,并更积极地参与数字文化遗产实现活动创造了法律机会。立陶宛国家档案馆并不把与立陶宛有关的文献遗产的积累仅仅与文献的实物形式联系起来。本文认为,数字文物的积累和档案中描述性信息的传播使用多种信息检索工具,进一步复杂化了信息的可及性。这就是为什么应将根据一站式服务原则积累信息并向用户提供信息视为优先事项的原因。
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