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Kobiety w Palestynie oczyma polskojęzycznej prasy syjonistycznej 从讲波兰语的犹太复国主义媒体的视角看巴勒斯坦妇女
Q4 Arts and Humanities Pub Date : 2019-05-14 DOI: 10.4467/24500100STJ.18.013.10264
Anna Landau–Czajka, Instytut Historii Pan
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引用次数: 0
Audycje w języku jidysz w Polskim Radiu po II wojnie światowej 第二次世界大战后波兰电台播放意第绪语
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.016.10267
Anna Rozenfeld, Berlin Selma Stern Zentrum für Jüdische Studien Berlin-Brandenburg
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引用次数: 0
Mojżesz Merin – zbawca, kolaborant czy zagubiony człowiek? 摩西·梅林——救世主、合作者还是迷失的人?
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.014.10265
M. Misztal, Polska Opole pl. Kopernika a Uniwersytet Opolski
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引用次数: 0
„Starajcie się o dobre imię, o spokojność sumienia” – testament Tekli Kronenberg
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.017.10268
Anna Dybała-Pacholak
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引用次数: 0
Najnowsze publikacje w języku polskim poświęcone dziejom Bundu. Próba przeglądu 最新的波兰语出版物专门介绍外滩的历史。审查尝试
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.018.10269
M. Kozłowska
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引用次数: 0
Tematyka żydowska w twórczości Józefa Pankiewicza w kontekście społeczno-politycznym 社会政治语境下Józef Pankiewicz作品中的犹太问题
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.011.10262
Michał Haake
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引用次数: 0
„To was tutaj tak strasznie biją? […] Nie, nas nie. Tylko Żydów”: Żydzi w obozie na Majdanku w świetle relacji polskich więźniów “这就是他们把你打得如此厉害的地方吗?[…]不,不是我们。只有犹太人”:根据波兰囚犯的描述,Majdanek营地的犹太人
Q4 Arts and Humanities Pub Date : 2019-05-13 DOI: 10.4467/24500100STJ.18.015.10266
M. Grudzińska, M. Kubiszyn
„To was tutaj tak strasznie biją? […] Nie, nas nie. Tylko Żydow”: Żydzi w obozie na Majdanku w świetle relacji polskich wieźniow
“这就是他们把你打得如此厉害的地方吗?[…]不,不是我们。只有犹太人”:根据波兰囚犯的描述,Majdanek营地的犹太人
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引用次数: 0
Żyd patrzy na chłopa… Wiejskie przestrzenie i chłopscy bohaterowie. Kilka przykładów z literatury jidysz 犹太人看着农民…农村地区和农民英雄。意第绪语文学中的一些例子
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.4467/24500100stj.19.003.11230
Alina Molisak
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引用次数: 0
Post-Holocaust Subjective Memories of the Eastern Carpathians Ethnic Diversity 大屠杀后东喀尔巴阡人种族多样性的主观记忆
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.4467/24500100stj.19.005.11232
Dorota Burda-Fischer
The article examines subjective memories of two writers, Stanisław Vincenz and Aharon Appelfeld, who both omit central historical aspects while describing their Holocaust experiences. The works of the Polish writer Stanisław Vincenz and an excerpt from a work by the Israeli writer Aharon Appelfeld are interpreted while considering the role of historiographic metafiction in modern literature. Though the experiences of both authors are fairly different, their silence may be treated as an act of conscious forgetting, or as a mindful choice of Holocaust recollection. It is suggested that this silence actually offers a valuable perspective for both literary and historical research. While Appelfeld’s experience of the Holocaust was different from that of Vincenz, the silence of the authors carries profound meanings. Reading Vincenz and Appelfeld as historiographic metafiction is to read their silence.
这篇文章考察了两位作家Stanisław Vincenz和Aharon Appelfeld的主观记忆,他们在描述大屠杀经历时都忽略了核心的历史方面。本文通过对波兰作家Stanisław Vincenz的作品和以色列作家Aharon Appelfeld的一段节选进行解读,同时考虑到史学元小说在现代文学中的作用。虽然两位作者的经历截然不同,但他们的沉默可能被视为一种有意识的遗忘行为,或者是一种有意识的大屠杀记忆选择。这种沉默实际上为文学和历史研究提供了一个有价值的视角。虽然阿佩尔菲尔德对大屠杀的经历与文森兹不同,但两位作者的沉默却有着深刻的意义。把文森兹和阿佩尔菲尔德作为历史元小说来阅读,就是在阅读他们的沉默。
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引用次数: 0
Copper and Its Meanderings: Perspectives on Jewish Metaloplastics in a Polish Context 铜和它的曲折:透视波兰背景下的犹太金属塑料
Q4 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.4467/24500100stj.19.004.11231
A. Livnat
Historic copper repoussé was advanced and rejuvenated by the work of Jewish artists in Poland in the period between the two world wars. Numerous metaloplastics exhibitions were held in Warsaw and Łódź, engendering interest in artistic circles and among critics. Through works from the Jewish metaloplastic art scene, copper reliefs by Marek Szwarc, Chaim Hanft, Józef Śliwniak, and Arieh Merzer, the author attempts to shed new light on these very significant modern expressions of Jewish-Polish interactions created with copper. In the context of Polish culture and the art scene, copper was also making its comment on the fragile and complicated contacts between Poles and Jews with its inner spiritual essence of unity and within its depths.
在两次世界大战之间的时期,波兰犹太艺术家的作品推动了历史性的铜制艺术的发展和复兴。在华沙和Łódź举办了许多金属塑料展览,引起了艺术界和评论家的兴趣。通过来自犹太金属造型艺术场景的作品,Marek Szwarc, Chaim Hanft, Józef Śliwniak和Arieh Merzer的铜浮雕,作者试图揭示这些非常重要的现代表达,即犹太人与波兰人用铜创造的互动。在波兰文化和艺术场景的背景下,铜也在以其内在的统一精神本质和深度来评论波兰人与犹太人之间脆弱而复杂的联系。
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引用次数: 0
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Studia Judaica
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