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Marzec a Zagłada – płaszczyzny spotkania
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.014.12397
Sławomir Buryła
MARCH 1968 AND THE SHOAH: THE COMMON GROUNDSThis article is a synthetic study on major issues related to the events of 1968 in Poland and their similarity to the atmosphere at the time of the Holocaust. The author presents analogies and differences between the antisemitic campaign of 1968 and the Shoah, analyzing: (1) the rhetoric of journalistic texts and political speeches; (2) works of art; (3) literary representations; and (4) memories of the victims. The main material for the analysis consists of prose texts—novels and short stories—written both in the late 1960s and after the political transformation of 1989.
1968年3月与大屠杀:共同的基础本文综合研究了与1968年波兰事件有关的主要问题,以及它们与大屠杀时的气氛的相似性。作者对1968年反犹太主义运动与幕府运动的异同进行了分析:(1)新闻文本和政治演讲的修辞;(2) 艺术作品;(3) 文学表征;以及(4)受害者的记忆。分析的主要材料包括20世纪60年代末和1989年政治转型后的散文文本——小说和短篇小说。
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引用次数: 0
Przyczynek do pozagładowego lurianizmu. Droga żelazna Aharona Appelfelda 对外星耸人听闻的贡献。Aharon Appelfeld的钢铁之路
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.013.12396
Przemysław Tacik
A CONTRIBUTION TO THE POST-SHOAH LURIANISM: THE IRON TRACKS BY AHARON APPELFELDThe article reinterprets The Iron Tracks by Aharon Appelfeld as a work of Lurianic Kabbalah adapted to the world after the Shoah. It is a reality of collapsed transcendence in which no divinity or ethics hold universal validity. As in Lurianism, this world contains entrapped sparks of former transcendence: dispersed Jewish survivors, artefacts of Jewish life and a Jewish Communist organization. Appelfeld portrays a post-survival world based on permanent repetition and unrepented guilt. The gist of his novel, however, lies in the slim possibility of redemption which the main protagonist, Erwin Siegelbaum, opens up with an act of vengeance on a war criminal.
对后犹太复国主义的贡献:AHARON Appelfeld的《铁的轨迹》这篇文章将AHARON Appelfeld的“铁的轨迹”重新解释为Lurianic Kabbalah在犹太复国主义之后适应世界的作品。这是一个坍塌的超越的现实,在其中没有神性或伦理具有普遍的有效性。与鲁里安主义一样,这个世界包含着昔日超越的火花:分散的犹太幸存者、犹太生活的手工艺品和犹太共产主义组织。Appelfeld描绘了一个基于永久重复和无悔内疚的后生存世界。然而,他的小说的主旨在于救赎的可能性很小,主人公埃尔温·西格尔鲍姆以对一名战犯的报复行为打开了救赎的大门。
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引用次数: 0
„Wielką jest semicka moc”. Poetyckie strofy w „Roli” Jana Jeleńskiego “伟大的是闪族的力量。”简·耶伦斯基角色中的诗节
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.010.12393
Małgorzata Domagalska
“HOW ENORMOUS IS SEMITIC POWER”: POETRY IN JAN JELEŃSKI’S ROLARola was the first antisemitic weekly in Poland published in Warsaw between 1883 and 1912. According to the nineteenth-century custom, not only journalism, but also novels published in weekly installments, as well as poems were included in the magazine. In poetry, lofty or religious topics were raised at the time of Christmas or Easter, or virulent antisemitic satire was published on various occasions. The antisemitic satire corresponded to the themes taken up in prose and journalism. The themes were dominated by the myth of Judeopolonia, issues of assimilation and social advancement of Jews, attacks on mixed marriages and mockery of Zionism, or the colonies established by Baron Hirsch in Argentina. It can be said that both prose and poetry were servile to journalism and strengthened the antisemitic content dominant in the weekly.
“半国家的力量有多强大”:《简的诗歌》是1883年至1912年间在华沙出版的波兰第一本反犹太主义周刊。按照十九世纪的习惯,杂志上不仅有新闻,还有每周出版的小说和诗歌。在诗歌中,圣诞节或复活节时会提出崇高或宗教的话题,或者在各种场合发表恶毒的反犹太主义讽刺文章。反犹太主义的讽刺与散文和新闻报道中的主题相对应。主题主要是犹太复国主义神话、犹太人的同化和社会进步问题、对混合婚姻的攻击和对犹太复国主义的嘲弄,或者赫希男爵在阿根廷建立的殖民地。可以说,散文和诗歌都对新闻业卑躬屈膝,强化了周刊中占主导地位的反犹太主义内容。
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引用次数: 0
Żydzi sefardyjscy jako „współtwórcy atlantyckiego świata” Sephardic犹太人是“大西洋世界的共同创造者”
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.015.12398
A. Bilewicz
Henryk Szlajfer, Współtwórcy atlantyckiego świata. Nowi chrześcijanie i Żydzi w gospodarce kolonialnej Ameryki Łacińskiej XVI–XVII wieku, Wydawnictwo Naukowe Scholar, Warszawa 2018, ss. 428.
Henryk Szlajfer,《大西洋世界》的联合创作者。《16-17世纪拉丁美洲殖民经济中的新基督徒和犹太人》,学者出版社,华沙,2018,ss。428
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引用次数: 0
Istotność marginesu, czyli wyparte wątki w historiografii Żydów i studiów żydowskich w Polsce. Uwagi wokół polskiego wydania książki Mordechaja Canina Przez ruiny i zgliszcza 边缘的重要性,即在波兰的犹太人史学和犹太研究中被压制的线索。莫德查伊·卡宁《穿越废墟》波兰语版述评
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.016.12399
Kamil Kijek
Mordechaj Canin, Przez ruiny i zgliszcza. Podróżpo stu zgładzonych gminach żydowskich w Polsce, tłum. Monika Adamczyk-Garbowska, Wydawnictwo Nisza, Warszawa 2018, ss. 526.
末底改犬,穿过废墟和废墟。一百个被灭绝的犹太人社区在波兰的旅程,人群。Monika Adamczyk Garbowska,Wydawnictwo Nisza,华沙,2018,ss。526
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引用次数: 1
Najnowsze studia polskojęzyczne nad prasą żydowską na ziemiach polskich. Przegląd badań
Q4 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.4467/24500100stj.19.007.11234
Jolanta Kruszniewska, Anna Łagodzińska-Pietras
W minionym dziesięcioleciu wzrosło zainteresowanie badaczy historii Żydów na ziemiach polskich XIXi XX-wieczną prasą żydowską zarówno w języku polskim, jak i w jidysz oraz hebrajskim. Przyczyny tego można szukać w większym upowszechnieniu źródeł (m.in. poprzez ich postępującą digitalizację), rosnącej liczbie badaczy posługujących się językami żydowskimi, a także w podejmowanych próbach rewizji dotychczasowej narracji historycznej oraz konieczności zapełnienia białych plam na prasoznawczej mapie. Za punkt zwrotny w polskich badaniach ostatniego czasu można uznać Studia z dziejów trójjęzycznej prasy żydowskiej na ziemiach polskich (XIX–XX w.)1, tom wydany w 2012 r. pod redakcją Joanny Nalewajko-Kulikov. Redaktorka otwiera zbiór wprowadzeniem, w którym prezentuje stan badań nad prasą żydowską oraz kreśli perspektywy badawcze. Praca składa się z dwóch części: pierwszą w większości tworzą przyczynkarskie artykuły omawiające wybrane tytuły prasowe, druga zaś zawiera teksty problemowe. Ich spektrum tematyczne uzmysławia czytelnikowi, że prasa może być przedmiotem zarówno badań historycznych, jak i językoznawczych czy socjologicznych. Choć tytuł informuje, że tematem zainteresowania redaktorki jest prasa XIXi XX-wieczna, to jednak reprezentacja tej drugiej jest w zdecydowanej przewadze. Periodyki XIX-wieczne omówione zostały w trzech pracach przedstawiających działalność „Ha-Cefiry” (1862–1931) oraz
在过去的十年里,19世纪波兰土地上的犹太历史学者对波兰语、意第绪语和希伯来语的犹太媒体越来越感兴趣。造成这种情况的原因可以从来源的更多传播中找到(例如,通过逐步数字化),越来越多的研究人员使用犹太语言,以及试图修改迄今为止的历史叙述和填补史前地图上空白的必要性。波兰三语犹太报刊史研究(19–20世纪)1,发表于2012年,由Joanna Nalewajko Kulikov编辑,可以被认为是最近波兰研究的转折点。编辑以引言开场,介绍了犹太媒体的研究现状,并概述了研究视角。本文由两部分组成:第一部分主要是讨论选定新闻标题的文章,第二部分包含有问题的文本。它们的主题范围向读者表明,新闻界可以成为历史、语言学或社会学研究的主题。尽管标题表明编辑感兴趣的主题是19世纪的出版社,但后者的代表性具有决定性优势。19世纪的期刊在三部作品中进行了讨论,介绍了“哈切菲拉”(1862-1931)和
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引用次数: 0
A Present Past: Representations of Polish-Jewish Coexistence in Word and Image 现在的过去:波兰犹太共存在文字和图像中的表现
Q4 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.4467/24500100STJ.19.001.11228
Katarzyna Liszka, Marcos Silber
Scholars have produced important studies emphasizing mutual JewishPolish coexistence, interaction, and “influence.” Despite the growing interest in multi-ethnic and multi-religious everyday coexistence, the subject of its representation has so far received only selective scholarly attention. A handful of comprehensive medium-oriented studies comparing perceptions of Polish-Jewish neighborliness have been produced, dealing primarily with coexistence on a daily basis. By applying a comparative approach and discussing how Polish-Jewish everyday coexistence has been represented in literature and art, this section is an attempt to encourage scholars to deal with this lacuna and create a more thorough picture of the modern cultural memory of “living together.” This collection of articles is partly the result of a workshop held in POLIN Museum in October 2016 that explored how the “past” is “present” in “the present.” The past is being perpetually recreated and used as a tool to construct contemporary times by those presenting and representing it. The expression “a present past” was coined in 1993 by Richard Terdiman to emphasize the persistence of the past in the present.1 We complete Terdiman’s motto by adding John Bodnar’s statement that public memory is not only an inaccurate representation of the past, but is in fact constructed according to the needs of both the present and the dreamed future, as imagined by certain social groups that have obtained the power to represent
学者们进行了重要的研究,强调犹太-波兰人的相互共存、互动和“影响”。尽管人们对多民族和多宗教的日常共存越来越感兴趣,但迄今为止,其代表性问题只受到选择性的学术关注。已经进行了一些全面的以媒体为导向的研究,比较了波兰犹太人对睦邻友好的看法,主要涉及日常共存。通过运用比较方法,讨论波兰-犹太人的日常共存在文学和艺术中是如何表现的,本节试图鼓励学者们处理这一空白,并更全面地描绘“共同生活”的现代文化记忆。“这批文章部分是2016年10月在POLIN博物馆举行的一次研讨会的结果,该研讨会探讨了“过去”在“现在”中是如何“现在”的。过去正在被呈现和代表它的人永久地重新创造,并用作构建当代的工具。“现在的过去”一词由Richard Terdiman于1993年创造,旨在强调过去在现在的持久性。1我们通过添加John Bodnar的声明来完成Terdiman的座右铭,即公共记忆不仅是对过去的不准确表述,而且实际上是根据现在和梦想中的未来的需求构建的,正如某些获得代表权的社会群体所想象的那样
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引用次数: 0
Polish Language in Jewish Daily Life: The Press and Popular Literature in the 1930s 犹太人日常生活中的波兰语:20世纪30年代的新闻与大众文学
Q4 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.4467/24500100stj.19.002.11229
Eugenia Prokop-Janiec
: This article discusses the spread of the Polish language among the Jewish population in the 1930s. Its source is the daily press, which was one of the most important institutions of interwar Jewish culture in the Polish language and one of the key institutions in which Polish served as a means of written communication in Jewish life. The press can be regarded as one of the principle sources indicating the main modern areas of Jewish communication in Polish and documenting the expansion of this communication from the public to the private sphere, from the exchange of opinions on social, political, and artistic problems to the discussion of everyday issues, family life, or even the most intimate subjects. The Polish-Jewish popular daily press created opportunities for speaking about everyday life through journalistic and literary genres dealing with topics related to family, marriage, sex, health, fashion, cooking, housekeeping, raising children, schools and universities, sport, entertainment, etiquette. The appearance of Polish-Jewish sensationalist newspapers at the beginning of the 1930s signaled the emergence of new audiences using the Polish language. The interwar vernacularization of the Polish language manifests itself in its growing instrumental value and change in its symbolic signification. The increasingly widespread use of Polish was accompanied by the weakening of its role as a symbol of integration with Polishness and Polish culture. process
:本文讨论了20世纪30年代波兰语在犹太人中的传播。它的来源是日报,它是波兰语中两次世界大战之间犹太文化最重要的机构之一,也是波兰语作为犹太人生活中书面交流手段的关键机构之一。媒体可以被视为用波兰语展示犹太人现代交流主要领域的主要来源之一,并记录了这种交流从公共领域到私人领域的扩展,从对社会、政治和艺术问题的意见交流到对日常问题、家庭生活甚至最亲密主题的讨论。波兰犹太大众日报通过涉及家庭、婚姻、性、健康、时尚、烹饪、家政、养育孩子、学校和大学、体育、娱乐、礼仪等主题的新闻和文学类型,创造了谈论日常生活的机会。20世纪30年代初,波兰犹太耸人听闻的报纸的出现标志着使用波兰语的新受众的出现。波兰语在两次世界大战之间的本土化表现为其日益增长的工具价值和象征意义的变化。波兰语的使用越来越广泛,同时波兰语作为融合波兰语和波兰文化的象征的作用也在减弱。过程
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引用次数: 0
Metamorfoza antysemity. "Ulica Graniczna" Aleksandra Forda 反犹太主义变态。亚历山大·福特的边境街
Q4 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.4467/24500100stj.19.006.11233
T. Żukowski
The article reconstructs the model of discourse present in Polish culture since the 1940s. Border Street (1949) is one of the first implementations of this model. An antisemite who becomes a righteous gentile is a pars pro toto of the Polish community. Violence is invoked, but its range is limited: Polish antisemitism stops when it comes to harming Jews. Violence that was, according to historical research, the dominant behavior toward Jews during the Nazi occupation is presented as an exteriorized exception. Two other Polish films of the same type are discussed in the article: Just beyond this Forest (1991) and In Darkness (2011).
本文重构了20世纪40年代以来波兰文化中的话语模式。《边境街》(1949)是这一模式的首批实现之一。一个反犹主义者变成了一个正义的外邦人,是波兰社会的pars pro - toto。暴力被提起,但范围有限:波兰的反犹主义在伤害犹太人时停止了。根据历史研究,在纳粹占领期间,暴力是对犹太人的主要行为,但它被视为一种外在的例外。文章中还讨论了另外两部同类型的波兰电影:《森林之外》(1991)和《黑暗中》(2011)。
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引用次数: 0
Antisemitism in the Polish Lands 波兰土地上的反犹太主义
Q4 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.4467/24500100stj.19.008.11235
T. Weeks
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引用次数: 0
期刊
Studia Judaica
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