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The Quality of Vital Registration of the Jews in East-Central Europe in the Nineteenth Century 19世纪中东欧犹太人生命登记的质量
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.4467/24500100stj.20.013.13656
T. Jankowski
Vital records are one of the main sources providing insight into the demographic past. For most of the nineteenth century, however, the degree of under-registration of vital events among Jews was much higher than among non-Jews. These omissions undermine the credibility of demographic data on fertility and mortality published in contemporary statistical yearbooks. The analysis shows that the male-to-female ratio at birth aggregated on a regional level reveals the highest under-registration among Jews in the Russian Empire, including Congress Poland, until World War I. On the other hand, Prussian registration covers the Jewish population most completely and already in the 1820s shows no signs of under-registration. Despite the general low quality of registration systems, records from selected individual towns still pass quality tests. Top-down imposition of the registration duties, corporatism, defective legal regulations, bureaucratic inefficiency and personal characteristics of civil registrars were the main reasons for under-registration.
生命记录是了解人口历史的主要来源之一。然而,在19世纪的大部分时间里,犹太人对重大事件的未登记程度远高于非犹太人。这些遗漏破坏了当代统计年鉴中发表的关于生育率和死亡率的人口数据的可信度。分析显示,在地区层面上,男女出生比例的总和显示,直到第一次世界大战之前,俄罗斯帝国(包括波兰议会)的犹太人登记不足率最高。另一方面,普鲁士的登记覆盖了最完整的犹太人人口,并且在19世纪20年代就没有显示出登记不足的迹象。尽管登记系统的质量普遍较低,但个别城镇的记录仍然通过了质量测试。自上而下的登记义务、社团主义、法律规定不完善、官僚主义效率低下和民事登记员的个人特点是登记不足的主要原因。
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引用次数: 1
Obraz kobiety wykorzenionej w prozie nowohebrajskiej na przykładzie opowiadań Icchaka Dowa Berkowicza 新布拉迪斯拉发散文中一个被连根拔起的女人的形象——以Icchak Dow Berkowicz的故事为例
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.4467/24500100stj.21.014.15069
Agata Jaworska
An Image of an Uprooted Woman in New Hebrew Prose on the Basis of Short Stories by Isaac Dov Berkowitz The uprooted hero is one of the leading themes in Hebrew prose at the turn of the nineteenth and twentieth centuries. It also occupies a central place in the stories of Isaac Dov Berkowitz. The uproot metaphor reflects the hero’s alienation in many aspects of life. In a broader sense, it is a reaction to the sense of suspension between the traditions of their ancestors and the progressive secularization of their world. The exceptions are stories whose protagonist is an uprooted female figure. This is a unique phenomenon considering the lower hierarchical position of women in Judaism and the limited access to religious and secular literature at the time. The female uprooting results from other factors. Women do not follow science or ideology, they want to free themselves from the norms of Jewish customs, escape loneliness and experience individualism. The objective of the paper is to present the image of Berkowitz’s heroines and compare them from the perspective of alienation. The starting point for consideration is the classification of the uprooted and the division of Berkowitz’s heroes according to Nurit Govrin and variants of the uprooting by Simon Halkin.
从短篇小说的角度看新希伯来散文中一个背叛者的形象背叛者的英雄形象是十九、二十世纪之交希伯来散文的主要主题之一。它在艾萨克·多夫·伯科维茨的故事中也占据着中心位置。连根拔起的隐喻反映了主人公在生活的许多方面的异化。从更广泛的意义上说,这是对他们祖先的传统和他们的世界的逐步世俗化之间的悬浮感的反应。例外的是那些主人公是一个背井离乡的女性形象的故事。考虑到女性在犹太教中较低的等级地位,以及当时接触宗教和世俗文学的机会有限,这是一个独特的现象。女性连根拔起是由其他因素造成的。女性不遵循科学或意识形态,她们想从犹太习俗的规范中解脱出来,逃离孤独,体验个人主义。本文的目的是呈现伯科维茨笔下的女主人公形象,并从异化的角度对她们进行比较。本文的出发点是对被连根拔起的人进行分类,并根据Nurit Govrin和Simon Halkin对连根拔起的变体对Berkowitz的英雄进行划分。
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引用次数: 0
Homoerotyka i autocenzura. Nowe spojrzenie na wczesną twórczość poetycką Szmuela Jankewa Imbera 同性恋和自我审查。对扬基早期诗歌作品的新认识
Q4 Arts and Humanities Pub Date : 2020-10-20 DOI: 10.4467/24500100STJ.20.004.12918
A. Stepnowski
Homoerotics and self-censorship: New views on the early poetry of shmuel yankev imber This article explores queer traits in the early poetry of Shmuel Yankev Imber. The paper identifies those spaces, where the sexual identity of the lyrical “I”was fluid and defied the sexual, social and literary norms of the poet’s time. The article emphasizes acts of self-censorship that occurred within Imber’s oeuvre in the short period between 1909 and 1914 when the poet published his second book. The article also discusses the social and literary context in which Imber lived and worked.
同性恋与自我审查:对杨克夫早期诗歌的新认识。这篇论文确定了这些空间,在那里,抒情的“我”的性身份是流动的,并挑战了诗人时代的性、社会和文学规范。这篇文章强调了在1909年至1914年诗人出版第二本书的短暂时期内,在英伯的作品中发生的自我审查行为。文章还讨论了因贝尔生活和工作的社会和文学背景。
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引用次数: 1
Rzemiosło żydowskie w Lublinie i jego instytucje w latach trzydziestych XX wieku 20世纪30年代卢布林的犹太工艺及其制度
Q4 Arts and Humanities Pub Date : 2020-10-20 DOI: 10.4467/24500100STJ.20.006.12920
Piotr Sewruk
Jewish crafts in Lublin and their institutions in the 1930s The paper attempts to reconstruct the condition of Jewish crafts in Lublin in the 1930s after the new legal regulations for industry were introduced in 1927 (“The act on industry law”). Crafts in Lublin in this period were ethnically strongly polarized between the two groups. Jews owned 60 percent of all the workshops in the city, while Poles held the rest of the crafts and services. Jewish craftsmen dominated mainly in textile (tailoring) and leather (shoemaking) industries and services like hairdressing or photography. The article focuses primarily on quantitative and statistic aspects of the discussed topic. Jewish craft organizations (craft guilds), supporting institutions (credit institutions for craftsmen) and Jewish personnel of the Lublin Chamber of Crafts are also presented.
20世纪30年代卢布林的犹太工艺及其制度本文试图重建1927年新的工业法规(《工业法法案》)出台后30年代卢柏林犹太工艺的状况。这一时期卢布林的手工艺品在两个群体之间存在着强烈的种族两极分化。犹太人拥有该市60%的作坊,而波兰人拥有其余的工艺品和服务。犹太工匠主要在纺织(裁缝)和皮革(制鞋)行业以及美发或摄影等服务业占主导地位。本文主要集中在所讨论的主题的定量和统计方面。还介绍了犹太工艺组织(工艺行会)、支持机构(工匠信贷机构)和卢布林工艺商会的犹太人员。
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引用次数: 0
The Old Privileges and the New Spirit of Law: Jewish Residential Areas in the Duchy of Warsaw 旧特权与新法律精神:华沙公国的犹太人居住区
Q4 Arts and Humanities Pub Date : 2020-10-20 DOI: 10.4467/24500100STJ.20.002.12916
Aleksandra Oniszczuk
Among the most important aspects of government policy aimed at Jews in the nineteenth-century Polish lands was the issue of where Jews could reside. Medieval in its roots, the conviction that some form of separation was needed was vested in contemporary arguments. Pertinent in this context was the stance taken by the authorities of the Duchy of Warsaw. The article discusses the question whether old city privileges imposing restrictions on Jews were in force at that time. The author claims—contrary to previous historiography—that this question cannot be reduced to a simple “yes”or “no”answer. Referring to the concepts of sociology of law, the double dimension of law (law in books and law in action) can be identified. The issue may serve as an interesting example of legal pluralism and the power of law-convictions. Based on ministerial and local correspondence, the analysis leads to two major conclusions. First, while in theory old city privileges were no longer in force— and this was clearly stated by ministers—the latter decided to refrain from announcing this to the public. Moreover, they agreed to develop an unofficial policy of resolving some cases “as if the old privileges were still binding.”Second, the officially introduced concept of district (rewir) was designed to replace the old privileges, as it offered a variety of new justifications. These were linked to the modernization policy, with claims regarding the integration of acculturated individuals, order, sanitation, and safety.
在19世纪的波兰土地上,政府针对犹太人的政策最重要的方面之一是犹太人可以居住在哪里的问题。在中世纪的根源上,认为需要某种形式的分离的信念被赋予了当代的论点。与此相关的是华沙公国当局所采取的立场。这篇文章讨论了对犹太人施加限制的老城特权在当时是否有效的问题。作者声称——与以前的史学相反——这个问题不能简化为一个简单的“是”或“否”的答案。参考法律社会学的概念,可以识别法律的双重维度(书中的法律和行动中的法律)。这个问题可以作为法律多元化和法律定罪的力量的一个有趣的例子。根据部长和地方的信件,分析得出两个主要结论。首先,虽然理论上老城特权不再有效——部长们明确表示了这一点——但后者决定不向公众宣布这一点。此外,他们同意制定一项非官方政策,“就好像旧的特权仍然具有约束力”来解决一些案件。其次,官方引入的地区(重新布线)概念旨在取代旧的特权,因为它提供了各种新的理由。这些都与现代化政策有关,主张融合文化适应的个人、秩序、卫生和安全。
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引用次数: 0
XVII-wieczne macewy z Chęcin – aspekty historyczne i kulturowe 来自ChÉcin的17世纪马泽瓦斯——历史和文化方面
Q4 Arts and Humanities Pub Date : 2020-10-20 DOI: 10.4467/24500100STJ.20.001.12915
A. Trzciński
Seventeenth-century matzevot from Chęciny: Historical and cultural aspects The article focuses on the seventeenth-century Jewish tombstones made of a decorative limestone (the so-called Chęciny marble) in stonecutters’ workshops operating from the early seventeenth century in Chęciny. It discusses matzevot produced in this town both for clients from other localities (including Lublin and Kraków) and for local population (matzevot preserved at the local Jewish cemetery). It analyzes their artistic and technical values as well as the situation of producers and clients in a broader historical context (such as wars and epidemics in the mid-century). It also explores the tombstones preserved in Chęciny itself as historical sources for the study of the local Jewish community and the cemetery as such. The last part of the article includes a catalogue of eleven best preserved matzevot from the Jewish cemetery at Chęciny.
17世纪的matzevot来自Chęciny:历史和文化方面本文主要关注17世纪初在Chęciny的石匠作坊里用装饰性石灰石(所谓的Chęciny大理石)制成的17世纪犹太墓碑。它讨论了该镇为其他地区(包括卢布林和Kraków)的客户和当地居民(保存在当地犹太公墓的matzevot)生产的matzevot。它分析了它们的艺术和技术价值,以及生产者和客户在更广泛的历史背景下(如世纪中叶的战争和流行病)的情况。它还探索了保存在Chęciny本身的墓碑,作为研究当地犹太社区和墓地的历史资料。文章的最后一部分包括11个保存最完好的犹太墓地matzevot目录,网址为Chęciny。
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引用次数: 0
Sprawa Asterblumowej. Lustro polsko-żydowskich podziałów i rozczarowań końca lat trzydziestych XX wieku Asterblum案。20世纪30年代末波兰犹太人分裂和失望的镜像
Q4 Arts and Humanities Pub Date : 2020-10-20 DOI: 10.4467/24500100STJ.20.005.12919
Sandra Tomczak
Asterblumowa’s case: some reflections on Polish-Jewish divisions and disappointments of the late 1930s Cywja Asterblumowa was a first-year law student at the University of Warsaw when during one of many antisemitic riots in 1936 she was beaten and accused of insulting the Polish nation. In the trial, the judge and the prosecutor, taking into consideration her religious faith, refused her the right to feel Polish. The author of the article presents not only Asterblumowa’s case—from her enrolling in the university to being imprisoned—but above all, concentrates on the reactions of the public opinion in which the discussion centered on the Polishness and Jewishness as well as the truth and the usurpation. In Asterblumowa’s case and the discussion surrounding it, all the divisions, prejudices, stereotypes, fierceness, disappointment and resignation, which the late 1930s brought upon the Polish-Jewish relations, are clearly visible.
阿斯特布鲁莫瓦的案例:对20世纪30年代末波兰犹太人分裂和失望的一些反思Cywja Asterblumowa是华沙大学法律系的一年级学生,在1936年的一次反犹骚乱中,她被殴打并被指控侮辱波兰民族。在审判中,法官和检察官考虑到她的宗教信仰,拒绝给予她感觉自己是波兰人的权利。这篇文章的作者不仅介绍了Asterblumowa的案例——从她进入大学到被监禁——但最重要的是,关注了公众舆论的反应,其中讨论集中在波兰和犹太人以及真相和篡夺上。在阿斯特布鲁莫瓦的案例和围绕它的讨论中,所有的分裂、偏见、刻板印象、激烈、失望和辞职,这些都是20世纪30年代末波兰与犹太人关系所带来的,都清晰可见。
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引用次数: 0
Koncepcja praw noachickich w Sefer ha-chinuch Sefer ha chinuch中的Noachi权利概念
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.009.12392
Piotr Majdanik
THE CONCEPT OF NOAHIDE LAWS IN SEFER HA-CHINUCHSefer ha-chinuch is one of the earliest and most interesting works created after Maimonides which deal more broadly with the issue of Noahide laws (laws given according to the Judaic tradition to all humanity). The purpose of the article is to present the original views of the author of this book on the issue of seven Noahide laws, and in particular on their relations to the 613 commandments of Israel. Discussion on the Noahide laws in Sefer ha-chinuch is not organized in a systematic way. The originality and value of this work lies, firstly, in the very approach to this topic in a general way (the inspiration was certainly Maimonides); secondly, in the concept of Noahide laws as categories, the details of which are comparable, although not identical, to the Israeli commandments. This concept resulted in an innovative construction involving the incorporation of the Noahide commandments into a discussion on individual Israeli commandments. Thirdly, the originality of the work is manifested also in certain halachic concepts concerning aspects of specific Noahide laws, often departing from Maimonides’ solutions.
SEFER HA-CHINUCHSefer ha-chinuch是迈蒙尼德之后创作的最早和最有趣的作品之一,它更广泛地处理了诺亚律法(根据犹太教传统给予全人类的律法)的问题。这篇文章的目的是呈现本书作者对诺亚七条律法问题的原始观点,特别是它们与以色列613条诫命的关系。关于《塞弗哈钦奇法》的讨论没有系统地组织起来。这部作品的独创性和价值在于,首先,它以一种普遍的方式来探讨这个话题(灵感当然来自迈蒙尼德);第二,诺亚律法作为类别的概念,其细节与以色列的诫命虽然不完全相同,但可以比较。这一概念产生了一种创新的结构,涉及将挪亚得诫命纳入对以色列个别诫命的讨论中。第三,作品的原创性也体现在某些哈拉奇概念中,涉及具体的诺亚律法的各个方面,经常偏离迈蒙尼德的解决方案。
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引用次数: 0
Człowiek w objęciach systemu. O Podróży do krainy zeków Julija Margolina 系统中的人。关于河流之地之旅Julia Margolina
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.012.12395
A. Lenart
THE MAN IN THE GRIP OF THE SOVIET SYSTEM: ON JULIUS MARGOLIN’S WORK JOURNEY TO THE LAND OF THE ZE-KAThe article focuses on Julius Margolin’s life and memoirs. Margolin was born in Pinsk, survived the Sovietization of Poland, and then spent five years in Soviet gulags. He witnessed the cruel history and functioning of the Soviet regime. The analysis is made on the basis of Margolin’s work Journey to the Land of the Ze-Ka, in which he wanted to show to the world the truth about the Soviet totalitarian system. In that way he intended to fight for freedom of millions of people and for human rights.
苏联体制下的男人:论朱利叶斯·马戈林的作品《泽卡之地之旅》这篇文章聚焦于朱利叶斯·马戈林(JULIUS MARGOLIN)的生平和回忆录。马戈林出生在平斯克,在波兰苏维埃化后幸存下来,然后在苏联古拉格集中营度过了五年。他亲眼目睹了苏联政权的残酷历史和运作。本文以马戈林的作品《泽卡之旅》为蓝本,试图向世界展示苏联极权制度的真相。通过这种方式,他打算为数百万人的自由和人权而战。
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引用次数: 0
Reforma żydowskiej muzyki liturgicznej w Galicji na przełomie XIX i XX wieku 19世纪和20世纪之交加利西亚犹太礼拜音乐的改革
Q4 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.4467/24500100stj.19.011.12394
Sylwia Jakubczyk-Ślęczka
THE REFORM OF JEWISH LITURGICAL MUSIC IN GALICIA AT THE TURN OF THE NINETEENTH AND TWENTIETH CENTURIESThe article presents the issue of the reform of Jewish liturgical music in Galicia at the turn of the nineteenth and twentieth centuries. Its main question concerns the essence of the reform, the novelty of which relied rather on the introduction of a modern way of performance of traditional music than replacing it with a new repertoire. The text discusses the role of new music performers such as cantors, choirs and organists in Galician Temples. It draws attention to the aesthetic changes of synagogue music and its ideological foundations. It also presents the attitude of progressive Galician Jews toward the repertoire of West European synagogues as well as to the music composed by local orthodox cantors, such as Baruch Schorr, Baruch Kinstler or Eliezer Goldberg. As the analysis of the historical material shows, their musical tastes and strong attachment to tradition tied them more closely to the Galician orthodoxy than to the German reform.
十九世纪和二十世纪之交加利西亚犹太礼仪音乐的改革本文介绍了十九世纪和20世纪之交在加利西亚的犹太礼仪音乐改革问题。它的主要问题涉及改革的本质,改革的新颖之处在于引入了传统音乐的现代演奏方式,而不是用新的曲目取代它。本文讨论了新音乐表演者,如唱诗班和管风琴师在加利西亚神庙中的作用。它提请人们注意犹太音乐的美学变化及其思想基础。它还展示了进步的加利西亚犹太人对西欧犹太教堂曲目以及当地正统歌手创作的音乐的态度,如巴鲁克·绍尔、巴鲁克·金斯特勒或埃利泽·戈德堡。正如对史料的分析所表明的那样,他们的音乐品味和对传统的强烈依恋将他们与加利西亚正统派联系得比与德国改革联系得更紧密。
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引用次数: 0
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Studia Judaica
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