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Modeling Municipal Heritage Management 城市遗产管理建模
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.266
Adriaan De Man, J. Tavares
The resources medium-sized municipalities allocate in the process of both creating and maintaining instruments for heritage management have increased in the last decades. There are first and foremost legal reasons for this, as European national laws translate societal concerns on the preservation and commodification of the past. Sustainable solutions may be achieved through the understanding of heritage assets, and their use in the support of responsible, data-driven choices. This paper analyses a case of local tangible heritage administration in Oliveira de Azeméis, Portugal.
在过去几十年中,中型城市在创建和维护遗产管理工具的过程中分配的资源有所增加。这首先有法律上的原因,因为欧洲国家的法律转化了社会对过去的保护和商品化的关注。可持续的解决方案可以通过理解遗产资产,并在支持负责任的、数据驱动的选择中使用遗产资产来实现。本文分析了葡萄牙奥利维拉德阿泽姆萨伊斯的地方物质遗产管理案例。
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引用次数: 1
Entertainment outreach projects without losing scientific content: A Neolithic puppet show by senior citizens and Roma women 不失科学内涵的娱乐推广项目:由老年人和罗姆妇女表演的新石器时代木偶戏
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.273
Millán Mozota, Santiago Higuera, Vanessa Guzmán, G. Remolins, J. Gibaja
In this work, we present the genesis, development, and results of a set of inclusive outreach activities developed through a puppet theatre play about the Neolithic. We present our methodology and techniques for outreach activities, showing the advantages of collaborative work and bottom-up approaches. The text also explains how the initiative was born and how the contacts for its realization consolidated. All the activities were carried out with the utmost care for the scientific content since it is essential that the public comes to understand all the archaeological information and differentiates it from the entertaining and dramatic elements.
在这项工作中,我们通过一个关于新石器时代的木偶剧,展示了一套包容性的外展活动的起源、发展和结果。我们介绍了我们的方法和技术外展活动,展示了协作工作和自下而上的方法的优势。本文还解释了该倡议是如何产生的,以及如何巩固其实现的联系。所有的活动都是在对科学内容的最大关注下进行的,因为公众必须了解所有的考古信息,并将其与娱乐和戏剧元素区分开来。
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引用次数: 0
Assessing endangerment of archaeological heritage in Latvia: legal framework and socio-economic aspects 评估拉脱维亚考古遗产的危害:法律框架和社会经济方面
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.281
Andris Kairišs, Irina Oļevska
The aim of the article is to reflect the currently existing regulatory environment for damages caused to archaeological sites by illegal human intervention and its implementation by law enforcement sector and the courts in Latvia. The article is mostly focused on legal and socio-economic consequences of endangerment of archaeological sites. It analyses liability aspects, examines case law, determines the existing challenges and proposes basis for improvement in administrative and legal procedures. Methods applied in the research are literature review, legal framework and documentary analysis, statistical and case law analysis. The results of the research could be used inter alia for the purposes of criminal, civil and administrative proceedings, amending legal regulation and damage assessment mechanisms.
这篇文章的目的是反映拉脱维亚目前对人为非法干预对考古遗址造成损害的现行监管环境以及执法部门和法院对其的执行情况。这篇文章主要集中在考古遗址濒危的法律和社会经济后果。它分析责任方面,审查判例法,确定现有的挑战,并提出改进行政和法律程序的基础。研究方法主要有文献分析法、法律框架与文献分析法、统计法与判例法分析法。研究结果除其他外可用于刑事、民事和行政诉讼、修订法律条例和损害评估机制。
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引用次数: 1
Building heritage communities online: The experience of the Summer School Program ‘Engaging Communities in Cultural Heritage’ 在线遗产社区建设:暑期学校项目“社区参与文化遗产”的经验
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.284
Claudia Hatsumi Uribe Chinen
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引用次数: 0
Editorial: 2021, a new decade starts 社论:2021年,新的十年开始
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.323
Jaime Almansa-Sánchez
We have just celebrated ten years of open access public archaeology, and now we carry on with our venture. Volume 11 brings with it a new layout and format, as well as a new timing for publication. Since our inclusion in Scopus, improving quality goes in hand with the improvement of publication time. This is why, from now on (although this year is still a transitional period), volumes will open in January and close in October, with articles being published when they are ready. We are also starting a new section for shorter articles, aimed at the reporting of projects or ideas with a more formal format than our section Points of You, which will continue to retain its op-ed style. Of course, the philosophy does not change. We want to continue to be an opportunity of wider accessibility for authors and readers, and to continue exploring the physical and thematic frontiers of the discipline.
我们刚刚庆祝了开放获取公共考古的十周年,现在我们将继续我们的冒险。第11卷带来了新的布局和格式,以及新的出版时间。自从我们被纳入Scopus以来,质量的提高与出版时间的改善是同步的。这就是为什么从现在开始(尽管今年仍是过渡期),图书将在1月开放,10月关闭,文章准备好了就出版。我们还开设了一个短篇文章栏目,旨在以比“你的观点”栏目更正式的形式报道项目或观点,“你的观点”栏目将继续保留其专栏风格。当然,哲学并没有改变。我们希望继续为作者和读者提供更广泛的访问机会,并继续探索该学科的物理和主题前沿。
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引用次数: 0
Review: Educación y divulgación del patrimonio arqueológico 回顾:考古遗产的教育和传播
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.324
Eduardo Cerrato Casado
A popular proverb states ‘Don't play with your food’. This  maxim that not only concerns those of us who have the immense fortune of dedicating our working hours (and more if possible) to the noble discipline of archaeology and historical research. If anything is really clear to us, it is that Heritage (from the perspective of investigation, safeguard and management) is more than  the ‘food’ of a couple of professors and four tourist guides, but of many thousands whose income depends on it essentially through tourism. In fact, tourism in Spain in 2019 before the pandemic yielded 154,487 million Euros to the economy, representing 12.4% of its GDP. In fact, dear reader, please reflect on what drives you to go on vacation? And what leads you to choose one tourist destination over another? The response is simple: diversity. It represents a search for something that is unknown where you reside, something unique and unrepeatable that is only found at a particular destination, a unique setting offering an aesthetic or gastronomic experience that otherwise would not be worth the visiting. This book under review delves precisely into the question of this diversity we seek when traveling as it is Heritage (either material or intangible, artistic, monumental, archaeological or natural) that gives an identity to each city, each community. Heritage renders them different from other neighbouring cities. From a material point of view, Heritage is what attracts tourists and, even more, from a sentimental point of view, it is what offers signs of identity to locals. Thus in the end we are not only talking about ‘things to eat’.
一个流行的谚语是“不要玩弄你的食物”。这句格言不仅关系到我们这些拥有巨大财富,将我们的工作时间(如果可能的话)奉献给考古和历史研究这一崇高学科的人。如果有什么对我们来说是真正清楚的,那就是遗产(从调查、保护和管理的角度来看)不仅仅是几个教授和四个导游的“食物”,而是成千上万人的收入主要依靠旅游业。事实上,疫情前的2019年,西班牙旅游业为经济创造了1544.87亿欧元,占其GDP的12.4%。事实上,亲爱的读者,请反思一下是什么驱使你去度假?是什么让你选择一个旅游目的地而不是另一个呢?答案很简单:多样性。它代表了对你所居住的地方未知的东西的寻找,只有在特定的目的地才能找到的独特和不可重复的东西,一个独特的环境,提供一种美学或美食体验,否则不值得一游。这本书深入探讨了我们在旅行时所寻求的多样性问题,因为它是遗产(无论是物质的还是无形的,艺术的,纪念性的,考古的还是自然的),赋予了每个城市,每个社区一个身份。遗产使他们有别于其他邻近的城市。从物质的角度来看,遗产是吸引游客的东西,更重要的是,从情感的角度来看,它为当地人提供了身份的标志。因此,最后我们谈论的不仅仅是“吃的东西”。
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引用次数: 0
The Gods die in museums 众神死在博物馆里
Q3 Arts and Humanities Pub Date : 2021-11-07 DOI: 10.23914/ap.v11i0.308
Jaime Delgado Rubio
Recently, Johannes Neurath’s book, titled Subdue the gods, doubt the images (2020) was published, which, among other things, warns that, in the archaeological museums of Mexico, including the National Institute of Anthropology and History of Mexico City, there has been an “ontological mistreatment” of the sacred images of the pre-Hispanic era through their removal from their original locations and indistinct placement in large and cold rooms packed with monoliths, without any consideration for the fact that some were – and continue to be – images bestowed with power and influence by many communities today.
最近,约翰内斯·纽拉特(Johannes Neurath)的《征服众神,怀疑这些图像》(2020)一书出版,该书除其他外警告说,在墨西哥的考古博物馆,包括墨西哥城的国家人类学和历史研究所,前西班牙时代的神圣图像受到了“本体论上的虐待”,通过将它们从原来的位置移走,并模糊地放置在满是巨石的又大又冷的房间里。没有考虑到这样一个事实,即有些人曾经——并将继续——被今天许多社区赋予权力和影响力的形象。
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引用次数: 0
After the Pandemic: Reflections from an uncertain present on the futures of public archeology 大流行之后:从一个不确定的现在对公共考古学未来的思考
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.305
A. Saladino, Leonardo Faryluk
There are moments in history, perceived both individually and collectively, in which proposing to imagine—even project—becomes an apparently unattainable task. 2020 took us socially unprepared and, although in some places the current situation is deeply serious while others feel more tolerable, we have a total uncertainty about the future. We can consider that the information that allows us to visualize the indicators leading to situations like the current one is available. However, not all of us have the tools to interpret them, and the voices of those who do have them are not echoed strong enough, unlike those who in spaces of power, political or economic with the means and will to bring fear to wide sectors of the population.
在历史上,无论是个人还是集体,都有一些时刻,在这些时刻,提出想象——甚至是计划——显然成为一项无法实现的任务。2020年让我们在社会上措手不及,尽管在一些地方,目前的情况非常严重,而在另一些地方,我们觉得还可以忍受,但我们对未来充满了不确定性。我们可以认为,使我们能够可视化导致当前这种情况的指标的信息是可用的。然而,并不是我们所有人都有解释它们的工具,而那些拥有它们的人的声音也没有得到足够强烈的回应,不像那些在权力、政治或经济领域拥有手段和意愿的人,他们给广大人民带来恐惧。
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引用次数: 2
‘Public Archaeology in 10 years? We will hopefully learn to share more, and better’ “10年后的公共考古学?”希望我们能学会更多更好地分享。”
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.298
S. D. Nardi
Do we need a roadmap to the future? Or do we ‘wing it’, making it up as we go along? Big questions, but never more important than now, in this current time of uncertainty.Let’s start small, and refocus the question on our professional and scholarly area of interest and activities. While the future of the world of work certainly looks different – will robots do digging, recording and interpretation work in 2030?-  I think that the key to prepare suitable strategies for going forward is to be clear about our purpose(s). For what, and for whom, are we and will we be doing research and knowledge sharing? With whom will we operate and work in our capacity as scholars, practitioners, teachers? Even asking why do archaeology may seem straightforward now, but it isn’t. At least, it shouldn’t be.
我们需要未来的路线图吗?还是我们“即兴发挥”,边做边编?这是个大问题,但在这个充满不确定性的时代,从来没有比现在更重要的了。让我们从小事开始,把问题重新集中在我们的专业和学术领域的兴趣和活动上。虽然未来的工作世界看起来肯定会有所不同——2030年机器人会从事挖掘、记录和口译工作吗?-我认为为未来准备合适策略的关键是要明确我们的目标。为了什么,为了谁,我们在做研究和知识共享?作为学者、实践者、教师,我们将与谁合作?即使是问为什么考古学现在看起来很简单,但事实并非如此。至少,它不应该是。
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引用次数: 0
Archaeology in the Public Space in Nigeria 尼日利亚公共空间的考古学
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.300
C. Folorunso
Nigeria, with over 200 million people, covers an area of 923,768 km2 and it occupies the eastern section of the West African region (Figure 1). The regions of Nigeria have prehistoric sites spanning from the Early Stone Age through the Middle Stone Age, the Late Stone Age/Neolithic to the Iron Age and the beginning of urbanization. Several historic empires, states and polities developed within the geographical area now occupied by Nigeria and had left archaeological relics.
尼日利亚人口超过2亿,面积923768平方公里,占据西非地区的东部(图1)。尼日利亚地区的史前遗址从早期石器时代到中期石器时代、晚期石器时代/新石器时代到铁器时代和城市化开始。几个历史悠久的帝国、国家和政体在现在被尼日利亚占领的地理区域内发展起来,并留下了考古遗迹。
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引用次数: 1
期刊
AP Arqueologia Publica
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