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Community engagement through archaeological ethnography: learning in situ with a field school in Gonies Maleviziou, Crete 通过考古人种学的社区参与:在克里特岛Gonies Maleviziou的一所实地学校就地学习
Q3 Arts and Humanities Pub Date : 2018-04-23 DOI: 10.23914/AP.V7I0.180
Eleni Stefanou, A. Anagnostopoulos, Vangelis Kyriakidis
If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Citation for published version Anagnostopoulos, Aris and Stefanou, Eleni and Kyriakidis, Evangelos (2018) Community engagement through archaeological ethnography: learning in situ with a field school in Gonies Maleviziou, Crete. AP: Online Journal in Public Archaeology, 7 . pp. 85-100. ISSN 2171-6315.
如果您认为本文档侵犯了版权,请联系KAR管理团队,并在http://kar.kent.ac.uk/contact.html出版版本引用Anagnostopoulos,Aris和Stefanou,Eleni和Kyriakidis,Evangelos(2018)通过考古民族志进行社区参与:在克里特岛Gonies Maleviziou的野外学校现场学习。美联社:公共考古在线期刊,7。第85-100页。ISSN 2171-6315。
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引用次数: 2
Altamira vista por los españoles 西班牙人看到的阿尔塔米拉
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.135
David Barreiro
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引用次数: 1
Droping the Trowel: Three Discourses and One Creative Archaeology 放下泥铲:三种话语和一种创造性考古学
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.132
José Antonio Mármol Martínez
Archaeology offers insight into the values of the contemporary world. From three separate discourses, which address different temporalities and sites, an overarching archaeological narrative has been established, which reflects the role of art and heritage in artistic destruction; education and archaeology as an educational and social tool; and materiality (in the present case, the Chinese pottery sherds in Al-Andalus) in the interpretations and acts of archaeologists. The visual values of archaeology and the role of the archaeological imagination to unify disparate archaeological practices will be explored here. The permeability of the spheres of archaeology and art allow us to explore both archaeological and artistic practices, as well as reflect on universal convictions and on the potentiality of archaeological practice to intervene in social contexts. With all this, archaeology acquires relevance insofar as it is a practice that is able to address the problems of the present day. In line with the so-called ‘creative archaeologies’, with their experimentation and creation of artistic works (in this case photographic), this paper aims to reflect on new ways to ‘see’ archaeology, which has never been more necessary.
考古学提供了对当代世界价值观的洞察。从三个不同的论述(涉及不同的时间和地点)中,建立了一个总体的考古叙事,反映了艺术和遗产在艺术破坏中的作用;作为教育和社会工具的教育和考古;以及考古学家的解释和行为中的物质性(在本案中,是安达卢斯的中国陶器碎片)。这里将探讨考古学的视觉价值以及考古学想象力在统一不同考古实践方面的作用。考古和艺术领域的渗透性使我们能够探索考古和艺术实践,并反思普遍的信念和考古实践干预社会环境的潜力。有了这一切,考古学就有了相关性,因为它是一种能够解决当今问题的实践。根据所谓的“创造性考古学”,通过他们对艺术作品的实验和创作(在本例中为摄影),本文旨在反思“看待”考古学的新方法,这是前所未有的必要。
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引用次数: 0
Destruction of Cultural Heritage in 19th-century France: Old Stones versus Modern Identities 19世纪法国文化遗产的破坏:古老的石头与现代的身份
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/ap.v6i0.136
Nathan Schlanger
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引用次数: 2
Tribal versus Academic Archaeology: Power Dynamics and Cultural Sensitivity 部落与学术考古:权力动态与文化敏感性
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/ap.v6i0.133
R. C. Rogers, M. Case
Over recent years archaeology has developed into an increasingly scientific and specialised/professionalised method of collecting the material evidence of the past. Therefore personal memories, local myths and community traditions often go unresearched and unrecorded by archaeologists. However with the recent economic downturn affecting developer-financed, commercial archaeological projects, and the growth in funded heritage themed investigations there is now greater room than ever for oral history to be included as part of the archaeological process. This has resulted in an increased community involvement in archaeology in the form of oral history, and particularly memories related to place (Moshenska 2007). The memories of oral history participants provide a more personal and private interpretation of the archaeology uncovered during excavation. This has been particularly relevant to the exploration, remembrance and memorialisation of traumatic events in individuals’ lives (Andrews et al. 2006).
近年来,考古学已经发展成为一种越来越科学和专业化的收集过去物证的方法。因此,个人记忆、当地神话和社区传统往往没有被考古学家搜索和记录。然而,随着最近的经济衰退影响到开发商资助的商业考古项目,以及资助的遗产主题调查的增长,现在口述历史作为考古过程的一部分比以往任何时候都有更大的空间。这导致社区以口述历史的形式越来越多地参与考古,尤其是与地方有关的记忆(Moshenska,2007年)。口述历史参与者的记忆为挖掘过程中发现的考古提供了更个人化和私人的解释。这与探索、记忆和纪念个人生活中的创伤事件特别相关(Andrews等人,2006)。
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引用次数: 0
Community archaeology Personal thoughts from Slovenia 来自斯洛文尼亚的个人想法
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.134
Jošt Hobič
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引用次数: 0
Prompt in Theory and Delay in Practice: a case study in museum ethics 理论上的及时与实践上的延误——以博物馆伦理学为例
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.129
C. Tsirogiannis
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引用次数: 0
Editorial: Conflict and Change 社论:冲突与变革
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.128
Jaime Almansa Sánchez, E. Papagiannopoulou
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引用次数: 0
Public participation in Archaeology 公众参与考古
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/AP.V6I0.137
A. Harvey
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引用次数: 17
Participating in the contingency. Painting, sweeping and cooking 参与应急。画画、扫地和做饭
Q3 Arts and Humanities Pub Date : 2017-03-08 DOI: 10.23914/ap.v6i0.131
Jaime Delgado Rubio
The aim of this article is to identify, document and analyse three participatory actions undertaken in Mexico. They offer an alternative ground for analysis and reflection, as they were conducted outside the control of the State, offering the possibility to use different methodologies that contain key elements to think about a reorganization of the existing relation between Institutions and society. Based on extremely simple principles of action (painting, sweeping and cooking) their effects can help reshape the value and use of archaeological heritage in Mexico.
本文的目的是确定、记录和分析在墨西哥开展的三项参与性行动。它们为分析和反思提供了另一种基础,因为它们是在国家控制之外进行的,提供了使用不同方法的可能性,这些方法包含了思考机构与社会之间现有关系重组的关键要素。基于极其简单的行动原则(绘画、清扫和烹饪),它们的效果可以帮助重塑墨西哥考古遗产的价值和利用。
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引用次数: 1
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