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How do I see Public Archaeology in ten years in Peru 我如何看待秘鲁十年的公共考古
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.306
Daniel Dante Saucedo Segami
While thinking about how Public Archaeology would be in ten years from now in Peru, I just realized that it has been almost ten years since we held the first International Symposium of Public Archaeology in 2011 in Lima city. At that time, the concept of Public Archaeology was mostly unknown by local researchers, but there was an increasing interest, especially among young scholars. This interest contrasted with the few spaces to discuss the situation of archaeological remains in the present, their use and their relation to modern population. All these topics were considered outside of the idea of “academic archaeology”, regarding them as just practical issues relate not worthy of deep analysis, and usually related to outreach activities like education or heritage management. Therefore, this Symposium became an important milestone to open a new world of possibilities for the archaeological field in Peru, especially after the creation of the Ministry of Culture in 2010.
当我思考十年后秘鲁的公共考古会是什么样子时,我才意识到,自2011年我们在利马市举办第一届国际公共考古研讨会以来,已经快十年了。当时,公共考古的概念大多不为当地研究人员所知,但人们越来越感兴趣,尤其是年轻学者。这种兴趣与少数讨论考古遗迹现状、用途及其与现代人口关系的空间形成了鲜明对比。所有这些主题都是在“学术考古学”的概念之外考虑的,认为它们只是不值得深入分析的实际问题,通常与教育或遗产管理等外联活动有关。因此,本次研讨会成为一个重要的里程碑,为秘鲁考古领域打开了一个充满可能性的新世界,特别是在2010年成立文化部之后。
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引用次数: 0
Toward a Decolonial and Denationalized Public Archaeology 走向非殖民化和非民族化的公共考古
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.301
R. Greenberg
It has been more than a decade since I completed my own participation in a public archaeology project at Rogem Gannim, in West Jerusalem (Natasha Dudinski, “The Past on our Doorstep,” https://www.youtube.com/watch?v=ef3fPcrB11c); since then, in the role  of an archaeological activist and advocate, I have observed the progress of public archaeology in Israel and abroad and participated in the local and global dialogue (Clark and Horning 2019), without initiating new fieldwork. This brief note, though looking toward the future as requested by the editors, is therefore retrospective in origin, rather than being a missive from the front lines.
十多年前,我完成了自己在西耶路撒冷Rogem Gannim的公共考古项目(Natasha Dudinski,“我们家门口的过去”https://www.youtube.com/watch?v=ef3fPcrB11c);从那时起,作为一名考古活动家和倡导者,我观察了以色列和国外公共考古学的进展,并参与了地方和全球对话(Clark and Horning 2019),但没有发起新的实地调查。这篇简短的笔记,虽然是根据编辑的要求展望未来,但它的起源是回顾性的,而不是来自前线的信件。
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引用次数: 0
An Interview with Tim Schadla-Hall 采访Tim Schadla-Hall
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.291
Tim Schadla‐Hall, Jaime Almansa Sánchez
14:36 – I am slightly late, but Tim is still there with his previous meeting, finishing lunch. This table has witnessed hundreds of conversations and is surely a landmark for public archaeology. I am not going to make a biography here, maybe you can learn something about him from the interview. If you follow this journal, and public archaeology, you probably know something about him already.
14:36 -我有点晚了,但蒂姆还在那里参加他之前的会议,吃完午饭。这张桌子见证了数百次对话,无疑是公共考古学的一个里程碑。我不打算在这里写传记,也许你可以从采访中了解他。如果你关注这本日记和公共考古学,你可能已经对他有所了解了。
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引用次数: 0
From present to future. An academic perspective of Public Archaeology in Spain 从现在到未来。西班牙公共考古的学术视野
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.296
A. Mena
Ten years seems little time to assess the future of such a relatively young topic as Public Archaeology (PA) is, in special in Spain and in the academic arena. I divide my answer in two classic parts: present and future. By understanding the present (based on the past) we can try to guess (more or less) the future… Even if we think in the context of a pandemic, predicting the future of anything becomes really uncertain and reckless. If I may write, there is a high level of uncertainty and luck in getting it right.
十年似乎没有时间来评估公共考古(PA)这样一个相对年轻的话题的未来,尤其是在西班牙和学术界。我把我的答案分为两个经典部分:现在和未来。通过理解现在(基于过去),我们可以尝试猜测(或多或少)未来……即使我们在大流行的背景下思考,预测任何事情的未来都会变得非常不确定和鲁莽。如果我可以写的话,在把它写对的过程中有很大的不确定性和运气。
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引用次数: 0
Indigenous views on the future of public archaeology in Australia 土著人对澳大利亚公共考古未来的看法
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.293
K. Pollard, Claire Smith, Jasmine Willika, V. Copley, V. Copley, Christopher Willson, Emily Poelina-Hunter, Julie Ah Quee
This paper was written in response to a request by the editors of the AP: Online Journal of Public Archaeology, Jaime Almansa Sánchez and Elena Papagiannopoulou, for Claire Smith to write on the future of public archaeology in Australia In Australia, public archaeology focusses on high profile colonial sites such as The Rocks in Sydney (Karskens 1999) and Port Arthur in Tasmania (Steele et al 2007;Frew 2012), tourism (e g Cole and Wallis 2019) or enhancing school curricula (Nichols et al 2005;Owens and Steele 2005) However, given her decades-long relationships with Jawoyn and Ngadjuri people (Smith 1999;Smith et al 2016;Smith et al 2020), Claire Smith decided that a useful way of approaching this topic would be to obtain Indigenous views on the subject Accordingly, she contacted the Aboriginal co-authors of this article and invited them to co-author the paper The possibility to write in free form was a boon The ‘conversation’ format we settled on was designed to facilitate the voices of individuals, to present a range of Indigenous views, to allow people to express their views frankly, and to deal with the constraints of people being located in different parts of Australia as well as occasional lock-downs due to COVID-19 We decided on five topics/questions that would be the basis of the conversation Each Aboriginal author gave their views either by email or by phone These views were interwoven into a ‘conversation’ The language has been edited lightly for clarity and to simulate a real-life conversation The final text was approved by all authors © 2020, LAP: Online Journal in Public Archaeology All Rights Reserved
本文是应美联社编辑的要求而写的:公共考古学在线杂志,Jaime Almansa Sánchez和Elena Papagiannopoulou,为Claire Smith撰写关于澳大利亚公共考古学的未来在澳大利亚,公共考古学专注于高调的殖民遗址,如悉尼的岩石(Karskens 1999)和塔斯马尼亚的亚瑟港(Steele等人2007;Frew 2012),旅游业(例如Cole和Wallis 2019)或加强学校课程(Nichols等人2005;Owens和Steele 2005)。考虑到她与Jawoyn和Ngadjuri人长达数十年的关系(Smith 1999;Smith et al 2016;Smith et al 2020),克莱尔·史密斯(Claire Smith)认为,处理这一主题的有效方法是获取土著对这一主题的看法。因此,她联系了本文的土著合著者,并邀请他们共同撰写论文。以自由形式写作的可能性是一种福音,我们确定的“对话”形式旨在促进个人的声音。提出一系列土著人的观点,让人们坦率地表达自己的观点,和处理约束的人位于澳大利亚的不同部分以及偶尔锁定由于COVID-19五个主题/问题,我们决定将谈话的基础上每个土著给作者自己的观点通过电子邮件或电话这些观点交织成一个“谈话”的语言编辑轻了清晰和模拟一个真实的对话最终文本经所有作者©2020,腿上:公共考古在线期刊版权所有
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引用次数: 2
“Let's send millions of qualified public archaeology cadres to the new museums and commercial units!” “把几百万合格的公共考古干部送到新建的博物馆和商业单位!”
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.304
G. Moshenska
An obsession with origins is a hallmark of pseudoarchaeology, while the celebration of arbitrary anniversaries is one of the more meaningless conceits of the heritage industry. In that spirit, I would like to wish a happy tenth anniversary to AP: Online Journal in Public Archaeology, and to extend my warmest congratulations to the editorial team.
对起源的痴迷是伪考古学的一个标志,而武断地庆祝周年纪念则是遗产行业更为无意义的自负之一。本着这种精神,我谨祝《美联社公共考古在线杂志》创刊十周年快乐,并向编辑团队致以最热烈的祝贺。
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引用次数: 0
Public Archaeology in Nepal: Now and in the next 10 years 尼泊尔公共考古:现在和未来10年
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.297
Neel Kamal Chapagain
In Nepal – and perhaps true in other South Asian countries as well, the term ‘public archaeology’ is not very frequently used among heritage professionals. Though it exists in limited use, largely the heritage practice including archaeology in Nepal is experts or authority driven. Perhaps the primary reason for this is the lack of a critical mass of archaeologists and broader heritage practitioners as well as a general lack of awareness among the public. There are disciplinary crisis situations prevalent across heritage related studies and practice areas in Nepal. However, with the increasing landscape of academic programmes and professional awareness among younger generations, we can be hopeful. Hence, I would expect that we will be able to create sufficient interests among students and younger professionals towards archaeology and heritage.
在尼泊尔——也许在其他南亚国家也是如此,“公共考古”一词在遗产专业人士中并不经常使用。尽管它的使用有限,但在尼泊尔,包括考古在内的遗产实践在很大程度上是由专家或权威驱动的。也许造成这种情况的主要原因是缺乏足够数量的考古学家和更广泛的遗产从业者,以及公众普遍缺乏意识。尼泊尔与遗产相关的研究和实践领域普遍存在纪律危机情况。然而,随着年轻一代的学术计划和专业意识的不断提高,我们可以充满希望。因此,我希望我们能够在学生和年轻的专业人士中对考古和遗产产生足够的兴趣。
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引用次数: 0
Dealing with a hangover of Public Archaeology: Scattered thoughts on the Italian ‘Archeologia Pubblica’ 处理公共考古的后遗症:对意大利“公共考古”的零散思考
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.294
F. Benetti
Public Archaeology is a young discipline, we all know that. It’s even younger in Italy, where public archaeology has not even reached ‘adulthood’. Cited for the first time by Armando De Guio in 2000 (De Guio and Bressan 2000), it was only a decade later that Public Archaeology has started to become ‘a thing’, thanks to some pioneering experiences at the University of Florence (Bonacchi 2009; Vannini 2011), and especially after a national conference in 2012 (in Florence: see Zuanni 2013 for a summary). Italian archaeologists’ first reaction was to overlap the new discipline with the experiences already in place, which in Italy were under the category of ‘valorizzazione’ (enhancement). They were not exactly the same: while Public Archaeology is characterised by a reflection on the objectives of the research from the very start, a focus on having a reliable methodology, and a strong element linked to evaluation, ‘enhancement’ experiences – while often valuable and successful – lacked the same structure and reliability. This is probably due to an underestimation of these practices as a scientific topic, thus deserving the same structure required for any other type of research. Often this resulted in a mere description of the activities carried out, with a generic objective like ‘increasing the knowledge of archaeology in the public sphere’ without really evaluating if the activities worked or not. Public Archaeology became a sort of a trendy subject, outdating the term ‘valorizzazione’, at least in most of the university milieu, and creating confusion on the subject and the methodology. This sometimes has led to a sort of ‘hangover’ effect, similar to what happens with summer songs: they sound fun when you first hear them, but after months you just want to move on! Few doctoral theses awarded in Archaeology have been devoted to topics related to Public Archaeology up to the present date and the risk is that after this ‘hangover’ the subject will be penalised in comparison to others.
我们都知道,公共考古学是一门年轻的学科。在意大利甚至更年轻,那里的公共考古甚至还没有“成熟”。2000年,Armando De Guio首次引用了公共考古学(De Guio and Bressan 2000),仅仅十年后,由于佛罗伦萨大学的一些开创性经验,公共考古学开始成为“一件事”(Bonacchi 2009;Vannini 2011),尤其是在2012年的一次全国会议之后(在佛罗伦萨:见Zuanni 2013的摘要)。意大利考古学家的第一反应是将新学科与已有的经验重叠起来,这些经验在意大利属于“强化”的范畴。它们并不完全相同:虽然公共考古学的特点是从一开始就对研究目标进行反思,关注可靠的方法,以及与评估相关的强大元素,但“增强”经验-虽然通常是有价值和成功的-缺乏相同的结构和可靠性。这可能是由于低估了这些实践作为一个科学主题,因此应该为任何其他类型的研究提供相同的结构。这通常导致了对所进行的活动的简单描述,带有诸如“在公共领域增加考古学知识”之类的一般目标,而没有真正评估这些活动是否有效。公共考古学成为了一门时髦的学科,至少在大多数大学环境中,它已经过时了“价值”这个词,并且在这个学科和方法论上造成了混乱。这有时会导致一种“宿醉”效应,就像夏天的歌曲一样:当你第一次听到它们时,它们听起来很有趣,但几个月后,你只想继续前进!迄今为止,很少有获得考古学博士学位的论文致力于与公共考古学相关的主题,风险在于,在“宿醉”之后,与其他学科相比,该学科将受到惩罚。
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引用次数: 0
Editorial: A big thank you and a new era ahead 社论:非常感谢,新时代即将到来
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.290
Jaime Almansa-Sánchez, E. Papagiannopoulou
It seems like it was only yesterday that the Spanish government was giving away domains and Jaime got arqueologiapublica.es without really knowing what to do with it yet. A couple of years later, this domain became the home of a new journal and a dream came true. Today, after much hard work, a lot of perseverance and having overcome many challenges, we are pleased to announce the publication of the tenth volume and getting ready to embrace a new era for the journal that will hopefully bring about further improvements.
似乎就在昨天,西班牙政府才开始赠送域名,詹姆在还不知道该怎么办的情况下获得了arqueologiapublica.es。几年后,这个领域成为了一本新杂志的所在地,一个梦想实现了。今天,经过大量的努力、毅力和克服了许多挑战,我们很高兴地宣布第十卷的出版,并准备迎接该杂志的新时代,这将有望带来进一步的改进。
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引用次数: 0
When divulgation reaches us 当我们被泄露的时候
Q3 Arts and Humanities Pub Date : 2021-03-21 DOI: 10.23914/AP.V10I0.299
Jaime Delgado Rubio
In 2018, Mexico held its presidential election; its results soon clearly indicated that the left-wing candidate, with a degree in political science and a fierce critic of the ruling political system, Andrés Manuel López Obrador, would become President. Following his triumph, many cultural organizations, unions and employees of the field jubilantly celebrated what they thought would mean a strengthening of cultural policies and a kind of return to the years of President Lázaro Cárdenas del Río who put archeology, indigenism and culture at the heart of his government policies.
2018年,墨西哥举行了总统选举;选举结果很快明确表明,拥有政治学学位、对执政政治制度持强烈批评态度的左翼候选人安德烈斯·曼努埃尔·洛佩斯·奥夫拉多尔将成为总统。在他获胜后,许多文化组织、工会和该领域的员工都兴高采烈地庆祝他们认为这意味着加强文化政策,并回归总统Lázaro Cárdenas del Río的时代,他将考古学、本土主义和文化置于政府政策的核心。
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引用次数: 0
期刊
AP Arqueologia Publica
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