{"title":"Contemporary Women’s Post-Apocalyptic Fiction","authors":"Ana-Karina Schneider","doi":"10.2478/abcsj-2021-0025","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0025","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"21 1","pages":"172 - 177"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72552894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Scottish author Irvine Welsh has crafted an internally cohesive cosmology, grounded in mapping a somewhat loosely defined “chemical generation” that helped spearhead a personal brand of anti-Thatcherite counterculture (with an especially heavy focus on the marginalized, disgruntled and boisterous youths of Edinburgh). Examining some of the writer’s most recent and lesser-known works, my essay will argue that a series of archaic mythical patterns, symbols and cosmological coordinates can be shown to guide a large number of the axioms that Welsh employs to refine his own vision of a modern, emergent mythos.
{"title":"Violence, Innocence and Redemption in Irvine Welsh’s Chemical Mythos","authors":"Andrei-Călin Zamfirescu","doi":"10.2478/abcsj-2021-0018","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0018","url":null,"abstract":"Abstract Scottish author Irvine Welsh has crafted an internally cohesive cosmology, grounded in mapping a somewhat loosely defined “chemical generation” that helped spearhead a personal brand of anti-Thatcherite counterculture (with an especially heavy focus on the marginalized, disgruntled and boisterous youths of Edinburgh). Examining some of the writer’s most recent and lesser-known works, my essay will argue that a series of archaic mythical patterns, symbols and cosmological coordinates can be shown to guide a large number of the axioms that Welsh employs to refine his own vision of a modern, emergent mythos.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"10 1","pages":"67 - 84"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78866509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The purpose of this essay is to demonstrate how Ali Smith’s novel There But For The (2011) foregrounds a temporality in which the scenario of hospitality is encoded into the characters’ perception of the future, while the welcoming scenarios in which they engage are themselves marked by the awareness of futurity. To this end, I rework Levinas’s equation of the future as the Other, as well as Derrida’s notions of conditional and unconditional hospitality, of the future as the expected/unexpected event, and of “choratic space.” The subsequent analysis of the novel proves how these notions are thematized both through the characters’ inner and intersubjective discourse, and via the authorial construction of imagery and the deictics of the spaces they inhabit. As such, the characters’ conversations bear the marks of an uncertain causality springing from the welcoming scenario; attitudes towards futurity are faced with the disquieting awareness of the conflict between the expected and the unexpected event; while the choratic space acts as the possibility of an ethical reaction to the strangers’ singularity, through a linguistic reorientation which employs the contingency of the linguistic sign as a site for hospitality.
本文的目的是展示阿里·史密斯(Ali Smith)的小说《There But For The》(2011)如何突出了一种时间性，在这种时间性中，好客的场景被编码到人物对未来的感知中，而他们参与的欢迎场景本身也以未来的意识为标志。为此，我将列维纳斯关于未来作为他者的等式，以及德里达关于有条件和无条件的款待，关于未来作为预期/意外事件，以及“合唱空间”的概念进行了重新研究。随后对小说的分析证明了这些概念是如何通过人物的内在和主体间话语，以及通过作者对意象的建构和他们所居住的空间的指示而被主题化的。因此，角色的对话带有不确定的因果关系的标记，这些因果关系来自于一个受欢迎的场景;对未来的态度面临着预期事件与意外事件之间冲突的不安意识;而合唱空间作为对陌生人奇点的伦理反应的可能性，通过语言重新定位，利用语言符号的偶然性作为招待场所。
{"title":"The Future as a Scenario of Hospitality in Ali Smith’s There But For The","authors":"Andrei-Bogdan Popa","doi":"10.2478/abcsj-2021-0016","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0016","url":null,"abstract":"Abstract The purpose of this essay is to demonstrate how Ali Smith’s novel There But For The (2011) foregrounds a temporality in which the scenario of hospitality is encoded into the characters’ perception of the future, while the welcoming scenarios in which they engage are themselves marked by the awareness of futurity. To this end, I rework Levinas’s equation of the future as the Other, as well as Derrida’s notions of conditional and unconditional hospitality, of the future as the expected/unexpected event, and of “choratic space.” The subsequent analysis of the novel proves how these notions are thematized both through the characters’ inner and intersubjective discourse, and via the authorial construction of imagery and the deictics of the spaces they inhabit. As such, the characters’ conversations bear the marks of an uncertain causality springing from the welcoming scenario; attitudes towards futurity are faced with the disquieting awareness of the conflict between the expected and the unexpected event; while the choratic space acts as the possibility of an ethical reaction to the strangers’ singularity, through a linguistic reorientation which employs the contingency of the linguistic sign as a site for hospitality.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"246 1","pages":"29 - 47"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82550773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unnatural Narratology: Extensions, Revisions, and Challenges","authors":"Ada Beleuță","doi":"10.2478/abcsj-2021-0024","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0024","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"8 1","pages":"166 - 171"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75370464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Scotland and Scottishness: From Tradition to Modernity","authors":"Dragoş Ivana","doi":"10.2478/abcsj-2021-0022","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0022","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"25 1","pages":"157 - 161"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74005125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Starting from a brief examination of Muriel Spark’s position as a Scottish novelist within the framework of her anti-essentialist, anti-authoritative aesthetics, my essay will take a seemingly abrupt, but in fact consequential turn to investigate the complex antinomies involved in her fictional representation of the lives of others. Although at home and abroad she is hailed as Scotland’s most celebrated author of the twentieth century, Spark’s writerly practice consists of regularly dismantling grand narratives or fixed, stable identities, often clashing with more localized or prescriptive views on the social and national functions of narrative. My argument, however, is that it is the very unease of her “Scottishness” that acts as one of the foundations of her literary ethics, embodied in her acute awareness of the antinomies involved in textualizing the lives of others. Spark’s shrewdly metafictional Loitering with Intent (1981) openly thematizes both the obligation, and the risks of telling one’s own and other people’s stories, performing a radical ethics of narrative alterity through its staging of the enmeshments of writing, (auto)biography and experience.
{"title":"“In came the self-evident and luminous little mess”: Ethical Life Writing in Muriel Spark’s Loitering with Intenti","authors":"Petronia Popa-Petrar","doi":"10.2478/abcsj-2021-0017","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0017","url":null,"abstract":"Abstract Starting from a brief examination of Muriel Spark’s position as a Scottish novelist within the framework of her anti-essentialist, anti-authoritative aesthetics, my essay will take a seemingly abrupt, but in fact consequential turn to investigate the complex antinomies involved in her fictional representation of the lives of others. Although at home and abroad she is hailed as Scotland’s most celebrated author of the twentieth century, Spark’s writerly practice consists of regularly dismantling grand narratives or fixed, stable identities, often clashing with more localized or prescriptive views on the social and national functions of narrative. My argument, however, is that it is the very unease of her “Scottishness” that acts as one of the foundations of her literary ethics, embodied in her acute awareness of the antinomies involved in textualizing the lives of others. Spark’s shrewdly metafictional Loitering with Intent (1981) openly thematizes both the obligation, and the risks of telling one’s own and other people’s stories, performing a radical ethics of narrative alterity through its staging of the enmeshments of writing, (auto)biography and experience.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"19 1","pages":"48 - 67"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90158862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present essay seeks to analyze Scottish science fiction writer Ken MacLeod’s The Corporation Wars trilogy (2016-2017) as an amalgam of politico-philosophical ideas set against the background of posthumanism. MacLeod’s far-future posthuman world-building relies on the conventional tropes of science fiction (man-machine hybrids, brain uploading, digital resurrection, and the agency of sentient machines) to engage with pressing ideologies (the master-slave dialectics, the historical perpetuation of age-old conflict between progressive and reactionary forces, the ethics of machinic consciousness). MacLeod’s novels project a postbinarist worldview where outmoded binary oppositions between life and death, the real and the virtual, the human and the machinic are constantly abolished, but which still preserves persistent ideological divisions.
{"title":"The Battle Within and the Battle Without: The Posthuman Worldview of Ken MacLeod’s The Corporation Wars Trilogy","authors":"Indrajit Patra","doi":"10.2478/abcsj-2021-0019","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0019","url":null,"abstract":"Abstract The present essay seeks to analyze Scottish science fiction writer Ken MacLeod’s The Corporation Wars trilogy (2016-2017) as an amalgam of politico-philosophical ideas set against the background of posthumanism. MacLeod’s far-future posthuman world-building relies on the conventional tropes of science fiction (man-machine hybrids, brain uploading, digital resurrection, and the agency of sentient machines) to engage with pressing ideologies (the master-slave dialectics, the historical perpetuation of age-old conflict between progressive and reactionary forces, the ethics of machinic consciousness). MacLeod’s novels project a postbinarist worldview where outmoded binary oppositions between life and death, the real and the virtual, the human and the machinic are constantly abolished, but which still preserves persistent ideological divisions.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"43 1","pages":"85 - 104"},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86737116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article focuses on Virginia Woolf’s novel, The Waves, a sui generis work, in which the writer explores metaphysical and epistemological issues such as the meaning of selfhood, time and identity as flux, silence and language, the self as defined by language, and other fundamental concerns. These topics are explored through a dualistic perspective. This duality permeates the entire structure of the novel through binary oppositions: the self as one/the self as plural; the lyrical/the novelistic; the mystical/the rational; narrative/formlessness; the embodied/the disembodied; potentiality/actuality; language/silence. Woolf’s ambivalent approach is also at work in the way she uses language in the novel. The urge towards a teleological existence prompts her characters to turn events into a narrative that would arrange and combine them into one thread. The present article, however, shows that in The Waves the very human propensity to turn experience into a coherent story is countered by the opposite perception that this narrativizing drive is only an illusion.
{"title":"Dualistic Vision in Virginia Woolf’s The Waves","authors":"Loran Gami","doi":"10.2478/abcsj-2021-0004","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0004","url":null,"abstract":"Abstract The article focuses on Virginia Woolf’s novel, The Waves, a sui generis work, in which the writer explores metaphysical and epistemological issues such as the meaning of selfhood, time and identity as flux, silence and language, the self as defined by language, and other fundamental concerns. These topics are explored through a dualistic perspective. This duality permeates the entire structure of the novel through binary oppositions: the self as one/the self as plural; the lyrical/the novelistic; the mystical/the rational; narrative/formlessness; the embodied/the disembodied; potentiality/actuality; language/silence. Woolf’s ambivalent approach is also at work in the way she uses language in the novel. The urge towards a teleological existence prompts her characters to turn events into a narrative that would arrange and combine them into one thread. The present article, however, shows that in The Waves the very human propensity to turn experience into a coherent story is countered by the opposite perception that this narrativizing drive is only an illusion.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"50 1","pages":"49 - 66"},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86759885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The article introduces and discusses a corpus-assisted study that sets out to identify and analyse how self-mention is employed in science communication associated with COVID-19 research disseminated to the general public by leading universities in the United Kingdom (the UK) and the United States of America (the USA). The corpus of the study is comprised of computer-mediated communication related to the COVID-19 pandemic on the official websites of Johns Hopkins University (the USA) and University College London (the UK). The corpus was examined quantitatively for the presence of self-mentions, such as I, my, me, mine, myself, and we, our, ours, ourselves, and us. The results of the quantitative analysis indicated that computer-mediated communicative practices associated with COVID-19 discourse and communication by these scientific institutions exhibit similarities in terms of the use of self-mentions. However, in contrast to COVID-19-related discourse communicated by Johns Hopkins University, the self-mention I and its forms were used more liberally in COVID-19-related discourse and communication disseminated by University College London. These findings are further discussed in the article from the vantage point of the current Anglo-Saxon tradition of academic writing in English.
{"title":"Self-Mention in Science Communication Associated with COVID-19 Research: A Comparison of Computer-Mediated Communicative Practices in the United Kingdom and the United States of America","authors":"Oleksandr (Alexander) Kapranov","doi":"10.2478/abcsj-2021-0008","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0008","url":null,"abstract":"Abstract The article introduces and discusses a corpus-assisted study that sets out to identify and analyse how self-mention is employed in science communication associated with COVID-19 research disseminated to the general public by leading universities in the United Kingdom (the UK) and the United States of America (the USA). The corpus of the study is comprised of computer-mediated communication related to the COVID-19 pandemic on the official websites of Johns Hopkins University (the USA) and University College London (the UK). The corpus was examined quantitatively for the presence of self-mentions, such as I, my, me, mine, myself, and we, our, ours, ourselves, and us. The results of the quantitative analysis indicated that computer-mediated communicative practices associated with COVID-19 discourse and communication by these scientific institutions exhibit similarities in terms of the use of self-mentions. However, in contrast to COVID-19-related discourse communicated by Johns Hopkins University, the self-mention I and its forms were used more liberally in COVID-19-related discourse and communication disseminated by University College London. These findings are further discussed in the article from the vantage point of the current Anglo-Saxon tradition of academic writing in English.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"206 1","pages":"131 - 153"},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77051907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Proust in Transylvania: Smell and Memory in Romania","authors":"Sebastian Groes, Tom Mercer","doi":"10.2478/abcsj-2021-0009","DOIUrl":"https://doi.org/10.2478/abcsj-2021-0009","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"29 1","pages":"154 - 174"},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77332473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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