Abstract In their landmark text The Madwoman in the Attic: The Woman Writer and the Nineteen Century Literary Imagination (1970), Sandra Gilbert and Susan Gubar pose a series of hypotheses concerning women-authored fiction in the nineteenth century, identifying two archetypical female figures in patriarchal literary contexts – the Angel in the House, and the Monstrous (Mad)Woman. Gilbert and Gubar echo a Woolf-ian call to action that women writers must destroy both the angel and the monster in their fiction, and many contemporary women authors have answered that call – examining and complicating Gilbert and Gubar’s original dichotomy to reflect contemporary concerns with female violence and feminism. Gillian Flynn’s Gone Girl (2012), and in particular the character of Amy Elliott Dunne, explores modern iterations of the Angel v. Monster dynamic in the guise of the “Cool Girl,” thus revising these stereotypes to fit them in a postmodern socio-historical context. The controversy that surrounds the text, as well as its incredible popularity, indicates that the narrative has struck a chord with readers and critics alike. Both Amy and Nick Dunne represent the Angel and the Monster in their marriage, embodying Flynn’s critical feminist commentary on white, upper-middle class, heterosexual psychopathy.
{"title":"“Catastrophically Romantic”: Radical Inversions of Gilbert and Gubar’s Monstrous Angel in Gillian Flynn’s Gone Girl","authors":"Ashley Christensen","doi":"10.2478/abcsj-2020-0018","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0018","url":null,"abstract":"Abstract In their landmark text The Madwoman in the Attic: The Woman Writer and the Nineteen Century Literary Imagination (1970), Sandra Gilbert and Susan Gubar pose a series of hypotheses concerning women-authored fiction in the nineteenth century, identifying two archetypical female figures in patriarchal literary contexts – the Angel in the House, and the Monstrous (Mad)Woman. Gilbert and Gubar echo a Woolf-ian call to action that women writers must destroy both the angel and the monster in their fiction, and many contemporary women authors have answered that call – examining and complicating Gilbert and Gubar’s original dichotomy to reflect contemporary concerns with female violence and feminism. Gillian Flynn’s Gone Girl (2012), and in particular the character of Amy Elliott Dunne, explores modern iterations of the Angel v. Monster dynamic in the guise of the “Cool Girl,” thus revising these stereotypes to fit them in a postmodern socio-historical context. The controversy that surrounds the text, as well as its incredible popularity, indicates that the narrative has struck a chord with readers and critics alike. Both Amy and Nick Dunne represent the Angel and the Monster in their marriage, embodying Flynn’s critical feminist commentary on white, upper-middle class, heterosexual psychopathy.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"4 1","pages":"86 - 110"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87268046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The publication of Germaine Greer’s The Change: Women, Aging and the Menopause presents a manifesto for women’s emancipation and their imminent embarkment on the avenue of freedom towards the liberation from the male gaze. In a similar vein, Edna O’Brien, a pioneer of the literary treatment of female agency and sexuality in the Irish literary canon, moves past the age when women enjoy visibility. Age liberates O’Brien from her entrapment in the public persona and her anxious relationship with the public opinion. It has the power to enhance the possibility of women’s difference. Nowadays, the commitment to women’s cause, the inherent element of O’Brien’s narratives, continues to mark out the uncompromising discourse of transgression of the standard as well as her vigilant condemnation of violence against women. In time, O’Brien has become both a foremother author and a legend. She has embraced her unrepressed femininity and the personification of a female sage that Irish women writers have long lacked and may thus represent a role model for authors who wish to transgress the discriminatory standards and defend the female voice.
杰曼·格里尔的《变化:女性、衰老和更年期》的出版是女性解放的宣言，也是她们即将从男性的注视中解放出来的自由之路的宣言。同样，埃德娜·奥布莱恩(Edna O 'Brien)——爱尔兰文学经典中女性能动性和性取向文学研究的先驱——也走过了女性享有知名度的时代。年龄将奥布莱恩从公众形象的束缚以及她与公众舆论的焦虑关系中解放出来。它有能力增强女性与众不同的可能性。如今，对妇女事业的承诺，奥布莱恩叙事的内在元素，继续标志着对违反标准的不妥协的论述，以及她对暴力侵害妇女行为的警惕谴责。随着时间的推移，奥布莱恩成为了一位作家的先驱和传奇人物。她欣然接受了自己不受压抑的女性气质和爱尔兰女作家长期缺乏的女性圣人的化身，因此可能成为那些希望突破歧视标准、捍卫女性声音的作家的榜样。
{"title":"Becoming a Legend: Edna O’Brien and Her Life-Long Journey","authors":"Zuzanna Zarebska","doi":"10.2478/abcsj-2020-0020","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0020","url":null,"abstract":"Abstract The publication of Germaine Greer’s The Change: Women, Aging and the Menopause presents a manifesto for women’s emancipation and their imminent embarkment on the avenue of freedom towards the liberation from the male gaze. In a similar vein, Edna O’Brien, a pioneer of the literary treatment of female agency and sexuality in the Irish literary canon, moves past the age when women enjoy visibility. Age liberates O’Brien from her entrapment in the public persona and her anxious relationship with the public opinion. It has the power to enhance the possibility of women’s difference. Nowadays, the commitment to women’s cause, the inherent element of O’Brien’s narratives, continues to mark out the uncompromising discourse of transgression of the standard as well as her vigilant condemnation of violence against women. In time, O’Brien has become both a foremother author and a legend. She has embraced her unrepressed femininity and the personification of a female sage that Irish women writers have long lacked and may thus represent a role model for authors who wish to transgress the discriminatory standards and defend the female voice.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"54 1","pages":"133 - 151"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76935855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This essay delivers an analysis of the innovative short fiction of contemporary British writer Sarah Hall. It gives particular consideration to the first two collections of short stories published by the author, The Beautiful Indifference (2011) and Madame Zero (2017), as well as looking into the possibilities offered by her latest collection, Sudden Traveler (2019). Hall focuses attention on such varied contemporary preoccupations as identity, gender, violence and death. My goal is to discuss the way that identities are subverted or transgressed in her short stories and how the topic of identity representation intersects with other themes becoming a fundamental and empowering factor in the narrative structure. Hall’s short story collections present an interesting case study, not only because they display the writer’s quest for a unity of subject-matter, but also because they evince the strength and vitality of the short story as a genre.
{"title":"Transgression and Empowerment in Sarah Hall’s Short Fiction","authors":"A. Fernandes","doi":"10.2478/abcsj-2020-0021","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0021","url":null,"abstract":"Abstract This essay delivers an analysis of the innovative short fiction of contemporary British writer Sarah Hall. It gives particular consideration to the first two collections of short stories published by the author, The Beautiful Indifference (2011) and Madame Zero (2017), as well as looking into the possibilities offered by her latest collection, Sudden Traveler (2019). Hall focuses attention on such varied contemporary preoccupations as identity, gender, violence and death. My goal is to discuss the way that identities are subverted or transgressed in her short stories and how the topic of identity representation intersects with other themes becoming a fundamental and empowering factor in the narrative structure. Hall’s short story collections present an interesting case study, not only because they display the writer’s quest for a unity of subject-matter, but also because they evince the strength and vitality of the short story as a genre.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"3 1","pages":"152 - 172"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88319588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In Among Others, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova as much as the extended family who provide the more conventional parenting in the absence of the father who deserted her as an infant and the presence of the mother whose unacknowledged psychiatric condition prevented appropriate caregiving. Laden with allusions to science fictional texts of the nineteen-seventies and earlier, this epistolary novel defines and redefines both family and community, challenging the groups in which we live through the fairies who taught Mor about magic and the texts which offer speculations on alternative mores. This article argues that Mor’s approach to the magical world she inhabits is productively informed and futuristically oriented by her reading in science fiction. Among Others demonstrates a restorative power of agency in the formation of all social and familial groupings, engaging in what Donna J. Haraway has described as a transformation into a Chthulucene period which supports the continuation of kin-communities through a transformation of the outcast. In Among Others, the free play between fantasy and science fiction makes kin-formation an ordinary process thereby radically transforming the social possibilities for orphans and others.
在乔·沃尔顿关于一个科幻迷的童话故事《Among Others》中，科幻小说作为一种体裁和档案，充当了莫文娜·马科娃(Morwenna Markova)的养父母，在她的父亲在婴儿时期抛弃了她的情况下，在她的母亲(未被承认的精神疾病无法得到适当照顾)的存在下，这个大家庭提供了更传统的养育方式。这本书信体小说充满了对20世纪70年代及更早时期科幻小说文本的典故，它定义并重新定义了家庭和社区，通过教授更多魔法的仙女和提供替代习俗推测的文本，挑战了我们生活的群体。本文认为，莫尔对她所居住的魔法世界的态度是富有成效的，并以未来主义为导向的，因为她读的是科幻小说。在所有社会和家庭群体的形成过程中，都展示了代理的恢复性力量，参与了Donna J. Haraway所描述的向Chthulucene时期的转变，通过对被抛弃者的转变来支持亲属社区的延续。在《Among Others》中，奇幻小说和科幻小说之间的自由游戏使亲属形成成为一个普通的过程，从而从根本上改变了孤儿和其他人的社会可能性。
{"title":"You’re an Orphan When Science Fiction Raises You","authors":"Jenni G. Halpin","doi":"10.2478/abcsj-2020-0017","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0017","url":null,"abstract":"Abstract In Among Others, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova as much as the extended family who provide the more conventional parenting in the absence of the father who deserted her as an infant and the presence of the mother whose unacknowledged psychiatric condition prevented appropriate caregiving. Laden with allusions to science fictional texts of the nineteen-seventies and earlier, this epistolary novel defines and redefines both family and community, challenging the groups in which we live through the fairies who taught Mor about magic and the texts which offer speculations on alternative mores. This article argues that Mor’s approach to the magical world she inhabits is productively informed and futuristically oriented by her reading in science fiction. Among Others demonstrates a restorative power of agency in the formation of all social and familial groupings, engaging in what Donna J. Haraway has described as a transformation into a Chthulucene period which supports the continuation of kin-communities through a transformation of the outcast. In Among Others, the free play between fantasy and science fiction makes kin-formation an ordinary process thereby radically transforming the social possibilities for orphans and others.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"27 1","pages":"68 - 85"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90164061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract A.S. Byatt has expressed deep misgivings regarding the role which the human species has played in mis/shaping the natural world due to the wilful blindness which guides human behaviour in this respect. In fact, Byatt has focussed on the destruction of the planet caused by greedy and environmentally-unaware human beings in fictional texts such as Ragnarök: The End of the Gods (2011) or “Sea Story” (2013), as well as in critical pieces such as “Thoughts on Myth” (2011). Hence, I am particularly interested in investigating how Byatt’s texts have been shaped by environmental concerns, as expressed in both her fiction and her critical work. My reading of Byatt’s ecopoetics will therefore be set within the theoretical framework of ecocriticism. Finally, I will also examine Byatt’s argument that in a way her early fictional work was “a questioning quarrel” with her former Cambridge teacher F.R. Leavis’s, whose “vision and values” she nevertheless “inherit[s] and share[s]” (Passions of the Mind, 2) in light of Leavis’s discussion of “the organic community” as proto-ecocritical writing.
{"title":"“I Have This Kind of Grief for the Earth”: A.S. Byatt’s Ecopoetics in Ragnarök, “Thoughts on Myth” and “Sea Story”","authors":"Alexandra Cheira","doi":"10.2478/abcsj-2020-0016","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0016","url":null,"abstract":"Abstract A.S. Byatt has expressed deep misgivings regarding the role which the human species has played in mis/shaping the natural world due to the wilful blindness which guides human behaviour in this respect. In fact, Byatt has focussed on the destruction of the planet caused by greedy and environmentally-unaware human beings in fictional texts such as Ragnarök: The End of the Gods (2011) or “Sea Story” (2013), as well as in critical pieces such as “Thoughts on Myth” (2011). Hence, I am particularly interested in investigating how Byatt’s texts have been shaped by environmental concerns, as expressed in both her fiction and her critical work. My reading of Byatt’s ecopoetics will therefore be set within the theoretical framework of ecocriticism. Finally, I will also examine Byatt’s argument that in a way her early fictional work was “a questioning quarrel” with her former Cambridge teacher F.R. Leavis’s, whose “vision and values” she nevertheless “inherit[s] and share[s]” (Passions of the Mind, 2) in light of Leavis’s discussion of “the organic community” as proto-ecocritical writing.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"50 1","pages":"44 - 67"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85104324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Olivia Chirobocea-Tudor. History and Fiction in American Postmodernist Novels: Kurt Vonnegut, Joseph Heller and Thomas Pynchon. Constanța: Ovidius University Press, 2019. Pp 262. ISBN: 978-606-060-000-8","authors":"R. Rogoveanu","doi":"10.2478/abcsj-2020-0024","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0024","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"50 1","pages":"183 - 186"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89087717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article examines how Palestinian American novelist Hala Alyan employs sea imagery in her debut novel Salt Houses (2017) to reflect her characters’ emotions and thoughts. In particular, this article shows that by examining a number of events in which characters are sitting by the sea or wading into the waters of the sea, the reader is given an insight into these characters’ inner feelings and beliefs and the way they perceive their identities and contextualise their experiences as they move from one city to another. As the novel relates the narratives of four generations of a Palestinian family, sometimes using flashbacks, sea imagery increasingly occupies central positions in these narratives which reveal Alia’s and her descendants’ endeavours to express their opinions through memories and experiences of displacement, exile and estrangement. Although the title of the novel rightly heralds the significance of houses, it is the sea that forcefully emerges as a pivotal component in the narratives that these characters relate in their quests for a homeland that lives in the older generation’s memories and the young people’s imaginations. As Alia’s granddaughter, Manar, visits Palestine in the final chapter of the novel and draws the family tree of the Yacoubs on Jaffa’s beach, including her unborn baby, memories and imaginations merge to assert the right of Palestinians to “belong” to their homeland.
{"title":"Sea Imagery in Hala Alyan’s Salt Houses","authors":"Yousef Awad","doi":"10.2478/abcsj-2020-0015","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0015","url":null,"abstract":"Abstract This article examines how Palestinian American novelist Hala Alyan employs sea imagery in her debut novel Salt Houses (2017) to reflect her characters’ emotions and thoughts. In particular, this article shows that by examining a number of events in which characters are sitting by the sea or wading into the waters of the sea, the reader is given an insight into these characters’ inner feelings and beliefs and the way they perceive their identities and contextualise their experiences as they move from one city to another. As the novel relates the narratives of four generations of a Palestinian family, sometimes using flashbacks, sea imagery increasingly occupies central positions in these narratives which reveal Alia’s and her descendants’ endeavours to express their opinions through memories and experiences of displacement, exile and estrangement. Although the title of the novel rightly heralds the significance of houses, it is the sea that forcefully emerges as a pivotal component in the narratives that these characters relate in their quests for a homeland that lives in the older generation’s memories and the young people’s imaginations. As Alia’s granddaughter, Manar, visits Palestine in the final chapter of the novel and draws the family tree of the Yacoubs on Jaffa’s beach, including her unborn baby, memories and imaginations merge to assert the right of Palestinians to “belong” to their homeland.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"162 1","pages":"23 - 43"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82701532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Vanessa Guignery and Wojciech Drąg, eds. The Poetics of Fragmentation in Contemporary British and American Fiction, Wilmington, DE: Vernon Press, 2019. (£24.00 Hb.). Pp 235. ISBN 9780691159492","authors":"Corina Selejan","doi":"10.2478/abcsj-2020-0022","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0022","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"21 3 1","pages":"173 - 176"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80349928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract It is apodictic that postmodernism gravitates towards fragmented narratives, apparently “real” diegesis and characters in a chaos-ridden frame. The postmodern novel is a “looking glass” that delineates the vertigo instigated by “reality,” which is an artifice that leads to amending interpretations. The paradox of “fictionalizing the reality” creates heterogeneous reverberations among individuals. There is no preconception, but moments of revelation and realization. The theories of language alleviate the transcription of the intense and inevitable relationship between the text and the reader. The theoretical underpinnings, formulated on the basis of the multiple interpretations emanated by readers, foreground the fact that texts are constituents of our linguistic community, and are diversified with individual and cultural experiences. In this way, the consideration of the text extends beyond its stature of being a mere “object.” Joyce Carol Oates’ Wonderland is a text which abounds in intertextual references in the postmodern context. Oates has taken up the issues of destiny and identity from Lewis Carroll’s Alice’s Adventures in Wonderland, as the thematic source. The protagonist, Jesse, does not enter a world of fantasy; rather, she enters a world that is real, absurd and phantasmagorical. The article purports to analyse Wonderland as “hypertext” and accentuate how the fragments of discourses in it, based on Carroll’s work as the hypotext, have acquired a transpositional change of meaning.
{"title":"Mystified Life: Joyce Carol Oates’ Adaptation of Wonderland","authors":"R. Nagalakshmi, K. Tamilmani","doi":"10.2478/abcsj-2020-0019","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0019","url":null,"abstract":"Abstract It is apodictic that postmodernism gravitates towards fragmented narratives, apparently “real” diegesis and characters in a chaos-ridden frame. The postmodern novel is a “looking glass” that delineates the vertigo instigated by “reality,” which is an artifice that leads to amending interpretations. The paradox of “fictionalizing the reality” creates heterogeneous reverberations among individuals. There is no preconception, but moments of revelation and realization. The theories of language alleviate the transcription of the intense and inevitable relationship between the text and the reader. The theoretical underpinnings, formulated on the basis of the multiple interpretations emanated by readers, foreground the fact that texts are constituents of our linguistic community, and are diversified with individual and cultural experiences. In this way, the consideration of the text extends beyond its stature of being a mere “object.” Joyce Carol Oates’ Wonderland is a text which abounds in intertextual references in the postmodern context. Oates has taken up the issues of destiny and identity from Lewis Carroll’s Alice’s Adventures in Wonderland, as the thematic source. The protagonist, Jesse, does not enter a world of fantasy; rather, she enters a world that is real, absurd and phantasmagorical. The article purports to analyse Wonderland as “hypertext” and accentuate how the fragments of discourses in it, based on Carroll’s work as the hypotext, have acquired a transpositional change of meaning.","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"62 1","pages":"111 - 132"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84289915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Welcome to the New Millennium","authors":"A. Fernandes","doi":"10.2478/abcsj-2020-0013","DOIUrl":"https://doi.org/10.2478/abcsj-2020-0013","url":null,"abstract":"","PeriodicalId":37404,"journal":{"name":"American, British and Canadian Studies","volume":"37 1","pages":"1 - 4"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87189701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：