{"title":"Daniel Johansen, Da makten fikk et ansikt: Den offentlige iscenesettelsen av kongemakten i det tidlige dansk-norske eneveldet 1660–1746, NTNU - Norges teknisk-naturvitenskaplige universitet (Trondheim: NTNU-trykk, 2014). 357 s.","authors":"Alexander Engström","doi":"10.7557/4.4489","DOIUrl":"https://doi.org/10.7557/4.4489","url":null,"abstract":"","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88182874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article investigates how recent biopics of eighteenth-century women can be seen to form and/or revise the cultural memory of the period, with a particular emphasis on how the individuals represented in biographical texts are portrayed as figures with which a modern audience can sympathize as the material is adapted for the screen. An analysis of changes that have been made in the adaptation processes of The Duchess (2009), A Royal Affair (2012), and The Scandalous Lady W (2015) shows some of the ways in which the concerns of the present are central to representations of the past. The cultural memory of eighteenth-century womanhood as constructed by and represented in biographical films of the past decade is inherently paradoxical: the almost exclusive focus on ‘scandalous’ women co-exists with consistent attempts to purge their life stories of elements that are regarded as scandalous today.
{"title":"From Biographical Text to Biopic: Adapting the Cultural Memory of the Eighteenth Century","authors":"Eli Løfaldli","doi":"10.7557/4.4481","DOIUrl":"https://doi.org/10.7557/4.4481","url":null,"abstract":"The article investigates how recent biopics of eighteenth-century women can be seen to form and/or revise the cultural memory of the period, with a particular emphasis on how the individuals represented in biographical texts are portrayed as figures with which a modern audience can sympathize as the material is adapted for the screen. An analysis of changes that have been made in the adaptation processes of The Duchess (2009), A Royal Affair (2012), and The Scandalous Lady W (2015) shows some of the ways in which the concerns of the present are central to representations of the past. The cultural memory of eighteenth-century womanhood as constructed by and represented in biographical films of the past decade is inherently paradoxical: the almost exclusive focus on ‘scandalous’ women co-exists with consistent attempts to purge their life stories of elements that are regarded as scandalous today.","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88461609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
‘Blond Souls’: Johan Runius, Masculinity, Nation and Genre in Literary HistoryThis paper shows that the historiographical accounts of Johan Runius (1679–1713) remain remarkably stable, from the early stages of national literary history of the nineteenth century to the late twentieth century, despite the radical theoretical shifts taking place during the period. The poet Runius is generally described as an occasional poet, a rhyme virtuoso, a good-tempered man, and as a precursor of the celebrated Carl Michael Bellman, considered a uniquely Swedish genius. These features are connected to nineteenth- and early twentieth-century ideals of masculinity and the nation. Whereas Runius in the early nineteenth century was described as childish, during the later nineteenth century his good temper was interpreted as an ideal, steadfast masculinity in the face of the hardships of early eighteenth-century Sweden. Further, the historiographical tradition set greater store by poems defined as lyrical. The hailed poems were, in fact, occasional poems, but they were recontextualised by the literary historians as proof of Runius’ personal feelings. The article ends with new suggestions for reading Runius beyond nation as the ordering principle of literary history.
{"title":"Blonda själar: Johan Runius, maskulinitet, nation och genre i litteraturhistorien","authors":"Anna Cullhed","doi":"10.7557/4.4482","DOIUrl":"https://doi.org/10.7557/4.4482","url":null,"abstract":"‘Blond Souls’: Johan Runius, Masculinity, Nation and Genre in Literary HistoryThis paper shows that the historiographical accounts of Johan Runius (1679–1713) remain remarkably stable, from the early stages of national literary history of the nineteenth century to the late twentieth century, despite the radical theoretical shifts taking place during the period. The poet Runius is generally described as an occasional poet, a rhyme virtuoso, a good-tempered man, and as a precursor of the celebrated Carl Michael Bellman, considered a uniquely Swedish genius. These features are connected to nineteenth- and early twentieth-century ideals of masculinity and the nation. Whereas Runius in the early nineteenth century was described as childish, during the later nineteenth century his good temper was interpreted as an ideal, steadfast masculinity in the face of the hardships of early eighteenth-century Sweden. Further, the historiographical tradition set greater store by poems defined as lyrical. The hailed poems were, in fact, occasional poems, but they were recontextualised by the literary historians as proof of Runius’ personal feelings. The article ends with new suggestions for reading Runius beyond nation as the ordering principle of literary history.","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76644941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gunnar Artéus, Anna Maria Lenngren: Ett kvinnoliv (Stockholm, Carlssons förlag, 2018). 128 s.","authors":"Elisabeth Mansén","doi":"10.7557/4.4495","DOIUrl":"https://doi.org/10.7557/4.4495","url":null,"abstract":"","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82789123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jens Dufner, ’Æneas i Carthago’ von Joseph Martin Kraus: Oper als Spiegelbild der schwedischen Hofkultur, Perspektiven der Opernforschung 23 (Frankfurt am Main: Peter Lang, 2015). 287 pp.","authors":"Bertil van Boer","doi":"10.7557/4.4488","DOIUrl":"https://doi.org/10.7557/4.4488","url":null,"abstract":"","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85992784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the last two decades, the spatial culture of urban societies has been explored with Geographical Information Systems (GIS) tools. This article explores the meanings of ‘centrality’, substantial in the field of urban geography but relatively seldom studied by urban historians, through the simultaneous interpretation of quantitative and qualitative spatial descriptions and datasets from the eighteenth-century Swedish town of Turku (Åbo). The concept of ‘city centre’ and ‘centrality’ emerged only at the end of the nineteenth century, and the article strives to understand how eighteenth-century townspeople conceptualised their city and how various quantifiable phenomena exhibit the spatial hierarchies, differences and thresholds of the urban topography. The empirical material consists of court minutes, newspapers, academic dissertations, various tax registers and documents of the town administration. The simultaneous examination of linguistic descriptions of the topography, the spatial distribution of property values and restaurant entrepreneurs, and spatial practices of control unveils how the town was spatially structured, experienced and conceptualised. The study reveals the different and changing patterns of geographical centrality and, moreover, raises the recently highlighted importance of spatial culture in the early modern urban experience.
{"title":"The Meaning of Urban Centrality in a Medium-Sized Eighteenth-Century Town","authors":"P. Savolainen","doi":"10.7557/4.4483","DOIUrl":"https://doi.org/10.7557/4.4483","url":null,"abstract":"During the last two decades, the spatial culture of urban societies has been explored with Geographical Information Systems (GIS) tools. This article explores the meanings of ‘centrality’, substantial in the field of urban geography but relatively seldom studied by urban historians, through the simultaneous interpretation of quantitative and qualitative spatial descriptions and datasets from the eighteenth-century Swedish town of Turku (Åbo). The concept of ‘city centre’ and ‘centrality’ emerged only at the end of the nineteenth century, and the article strives to understand how eighteenth-century townspeople conceptualised their city and how various quantifiable phenomena exhibit the spatial hierarchies, differences and thresholds of the urban topography. The empirical material consists of court minutes, newspapers, academic dissertations, various tax registers and documents of the town administration. The simultaneous examination of linguistic descriptions of the topography, the spatial distribution of property values and restaurant entrepreneurs, and spatial practices of control unveils how the town was spatially structured, experienced and conceptualised. The study reveals the different and changing patterns of geographical centrality and, moreover, raises the recently highlighted importance of spatial culture in the early modern urban experience.","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83242818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Arne Jonsson & Gregor Vogt-Spira (eds.), The Classical Tradition in the Baltic Region: Perceptions and Adaptations of Greece and Rome, Spudasmata, Band 17 (Hildesheim/Zurich/New York: Georg Olms Verlag, 2017). 600 pp.
回顾Arne Jonsson和Gregor Vogt-Spira(编)，波罗的海地区的古典传统:希腊和罗马的感知和适应，Spudasmata, Band 17 (Hildesheim/Zurich/New York: Georg Olms Verlag, 2017)。600页。
{"title":"Arne Jönsson & Gregor Vogt-Spira (eds.), The Classical Tradition in the Baltic Region: Perceptions and Adaptations of Greece and Rome. Spudasmata, Band 17 (Hildesheim/Zurich/New York: Georg Olms Verlag, 2017). 600 pp.","authors":"Elena Dahlberg","doi":"10.7557/4.4499","DOIUrl":"https://doi.org/10.7557/4.4499","url":null,"abstract":"Review of Arne Jonsson & Gregor Vogt-Spira (eds.), The Classical Tradition in the Baltic Region: Perceptions and Adaptations of Greece and Rome, Spudasmata, Band 17 (Hildesheim/Zurich/New York: Georg Olms Verlag, 2017). 600 pp.","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80154246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anna Agnarsdóttir, (ed.), Sir Joseph Banks, Iceland and the North Atlantic, 1772–1820: Journals, Letters and Documents, Hakluyt Society, Third Series, 30), (London: Routledge, 2016). xxvi, 681 pp.","authors":"Andrew N. Wawn","doi":"10.7557/4.4493","DOIUrl":"https://doi.org/10.7557/4.4493","url":null,"abstract":"","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77198725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Panu Savolainen, Teksteistä rakennettu kaupunki: Julkinen ja yksityinen tila turkulaisessa kielenkäytössä ja arkielämässä 1740–1810 [Offentliga och privata rum i språkbruk och vardagspraxis i Åbo 1740–1810]. Bibliotheca Sigillumiana 2 (Turku: Sigillum, 2017). 327 s.","authors":"Juha-Matti Granqvist","doi":"10.7557/4.4491","DOIUrl":"https://doi.org/10.7557/4.4491","url":null,"abstract":"","PeriodicalId":37573,"journal":{"name":"Sjuttonhundratal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89005806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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