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RENEGOTIATING GLOBALITY: CATALAN ARCHITECTURE IN A TRANSNATIONAL CONTEXT 重新谈判全球化:跨国背景下的加泰罗尼亚建筑
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3828/catr.37.2
Remei Capdevila-Werning
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引用次数: 0
FUTURES PAST: HORIZONS OF EXPECTATION FOR NORTH AMERICAN CATALAN STUDIES 未来的过去:对北美加泰罗尼亚研究的展望
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3828/catr.37.6
William Viestenz
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引用次数: 0
PAST AND FUTURE: REFRAMING CATALAN STUDIES IN THE MEDITERRANEAN 过去与未来:重塑地中海加泰罗尼亚研究
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3828/catr.37.10
Núria Silleras-Fernández
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引用次数: 0
LA TRISOMIA 21, LA DISCAPACITAT INTEL·LECTUAL I L’ESCRIPTURA DE LA VIDA A BARCELONA 三体21、intellectual DISCAPACITY与巴塞罗那生活的描述
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3828/catr.37.1
Benjamin Fraser
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引用次数: 0
PRESENTS I FUTURS DELS ESTUDIS CATALANS: UNA PERSPECTIVA NORD-AMERICANA :INTRODUCCIÓ 从北美视角看未来的加泰罗尼亚研究
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3828/catr.37.4
A. Aguilar, Maria Dasca, Ignasi GOZALO-SALELLAS, Núria SILLERAS-FERNÁNDEZ
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引用次数: 2
Catalan Review: Volume 35, Issue 1 加泰罗尼亚评论:第35卷,第1期
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3828/catr.2021.issue-35
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引用次数: 0
IN-BETWEENNESS AND HYBRIDITY: IDENTITY AND LINGUISTIC DELECTATION IN SERGI BELBEL’S MEXICATAS 中间性与混杂性:塞尔吉·贝尔贝尔《墨西哥语》中的身份认同与语言愉悦
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3828/catr.35.6
David George
Sergi Belbel’s as yet unpublished play, Mexicatas, premiered in late 2018. In the spring of that year a group of eight Mexican actresses, who now live in Catalonia and are members of the theater group Cor de Maguey, approached Belbel and asked him to write a play about their experiences as Mexican immigrants. My essay examines the collaborative process and the ensuing spectacle. It considers questions of personal and social identity, the attitudes of the Mexican immigrants to the Catalan language and customs, and the humor that derives from these, all within an encompassing framework of in-betweenness and hybridity.
塞尔吉·贝尔贝尔尚未出版的戏剧《墨西哥》于2018年底首演。那一年的春天,一个由八名墨西哥女演员组成的剧团找到贝尔贝尔,请他写一部关于她们作为墨西哥移民经历的剧本。她们现在住在加泰罗尼亚,是戏剧团体Cor de Maguey的成员。我的文章考察了合作过程和随之而来的奇观。它考虑了个人和社会身份的问题,墨西哥移民对加泰罗尼亚语言和习俗的态度,以及由此产生的幽默,所有这些都在一个包容的框架内,中间和混合。
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引用次数: 0
MINORITY LANGUAGE FAMILIES IN DIASPORA: LANGUAGE TRANSMISSION AMONG CATALANS AND GALICIANS IN NEW YORK CITY 散居的少数民族语言家庭:纽约市加泰罗尼亚人和加利西亚人之间的语言传播
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3828/catr.35.2
E. J. Daussà
Understanding why parents transmit which of the languages they speak, and how they do so, is especially interesting in the case of mixed and migrant families, since typically these parents make especially well thought out linguistic choices. In this article is presented one such case, from the USA, a rich multilingual society yet where, due to the hegemony of English, intergenerational transmission of other languages is oftentimes weak. Through a questionnaire and interviews, this article examines linguistic practices and ideologies in multilingual families residing in New York City, in which one parent was born in Catalonia or in Galicia. Potential languages for transmission are two locally available and globally projected languages, English and Spanish; and Catalan or Galician. Not only are these minoritized languages in their countries of origin, but they also have virtually no presence in the American landscape. The two groups differ in the sociolinguistic situation of their homeland: while governmental campaigns succeeded in restoring Catalan in the public sphere and as a symbol for national identity, parallel campaigns have not been comparably successful for Galician. In our sample, transmission of Catalan is higher than of Galician; and in many cases Catalan is transmitted at the cost of Spanish, but this is never the case for Galician, while English remains constant. A motivational analysis reveals that the determining factor is the distribution of integrative and personal values among the languages and their symbolic role in the construction of identity.
对于混合家庭和移民家庭来说,了解父母为什么会传播他们所说的语言以及他们是如何传播的尤其有趣,因为这些父母通常会做出深思熟虑的语言选择。在这篇文章中,美国是一个丰富的多语言社会,但由于英语的霸权,其他语言的代际传递往往很弱。通过问卷调查和访谈,本文考察了居住在纽约市的多语言家庭的语言实践和意识形态,其中父母一方出生在加泰罗尼亚或加利西亚。潜在的传播语言是两种当地可用和全球预测的语言,即英语和西班牙语;以及加泰罗尼亚语或加利西亚语。这些少数民族语言不仅在其原籍国,而且在美国几乎没有出现。这两个群体在其祖国的社会语言学状况上有所不同:虽然政府的运动成功地在公共领域恢复了加泰罗尼亚语,并将其作为国家身份的象征,但对加利西亚人来说,平行的运动却没有取得可比的成功。在我们的样本中,加泰罗尼亚语的传播率高于加利西亚语;在许多情况下,加泰罗尼亚语是以西班牙语为代价传播的,但加利西亚语从来不是这样,而英语保持不变。动机分析表明,决定因素是语言中综合价值观和个人价值观的分布,以及它们在身份建构中的象征作用。
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引用次数: 2
LANGUAGE, CULTURE, AND POWER IN GUILLEM DE TORROELLA’S LA FAULA 论语言、文化与权力
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3828/catr.35.1
Jill Ross
This article examines the role of French language and culture in the fourteenth-century Arthurian text, La Faula, by the Mallorcan, Guillem de Torroella. Reading the appropriation of French language and literary models through the lens of earlier thirteenth-century Occitan resistance to French political and cultural hegemony, La Faula’s use of French dialogue becomes significant in light of the political tensions in the third quarter of the fourteenth century that saw the conquest of the Kingdom of Mallorca by that of Catalonia-Aragon and the subsequent imposition of Catalano-Aragonese political and cultural power. La Faula’s clear intertextual debt to French literary models and its simultaneous ambivalence about the authority and reliability of those models makes French language into a space for the exploration of the dynamics of cultural appropriation and political accommodation that were constitutive of late fourteenth-century Mallorca.
本文探讨了法国语言和文化在14世纪亚瑟王文本《拉·法拉》中的作用,该文本由马略卡人Guillem de Torroella撰写。从十三世纪早期欧西坦人反抗法国政治和文化霸权的角度解读对法语和文学模式的挪用,鉴于14世纪第三季度的政治紧张局势,加泰罗尼亚-阿拉贡征服了马略卡王国,并随后强加了加泰罗尼亚-阿拉贡人的政治和文化权力,拉·法拉对法语对话的使用变得意义重大。La Faula对法国文学模式的明显互文债务,以及同时对这些模式的权威性和可靠性的矛盾心理,使法语成为探索14世纪末马略卡岛文化挪用和政治容纳动态的空间。
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引用次数: 1
“NO M’ESTIMIS MASSA; ESTIMA’M SÀVIAMENT”: LA CONSTRUCCIÓ LITERÀRIA DE LA IDENTITAT MONSTRUOSA DE BARCELONA 没有玛莎·埃斯蒂米斯;埃斯蒂玛的生活&巴塞罗那怪物身份的文学建构
Q2 Arts and Humanities Pub Date : 2021-06-01 DOI: 10.3828/catr.35.3
Margarida Casacuberta
This article aims to analyze the process of literary construction of the “monstrous” identity of Barcelona. Specifically, it examines and contextualizes the literary images of the city-as-woman from the mid-nineteenth century until Francoism. The metaphor of Barcelona as a woman is articulated around two axes: the idealization of the city as a compliant and submissive woman, and its monsterification as a rebel woman. Both processes are inextricable and serve to justify (symbolically and literally) the political control of the city.
本文旨在分析巴塞罗那“怪物”身份的文学建构过程。具体而言,它考察了19世纪中期至弗朗哥主义时期的城市女性文学形象,并将其置于语境中。巴塞罗那作为一个女人的隐喻是围绕两个轴来表达的:一个是将这座城市理想化为一个顺从和顺从的女人,另一个是将其妖魔化为一个反叛的女人。这两个过程都是不可分割的,并为城市的政治控制辩护(象征性和字面上)。
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引用次数: 0
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Catalan Review
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