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Transgression of the Self – the Total Act in Jerzy Grotowski’s Laboratory Theater and Jungian archetype experience 自我的越界——格罗托夫斯基《实验室剧场》中的整体行为与荣格原型体验
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.18276/aie.2023.62-08
Patrycja Neumann
Niniejszy artykuł jest poświęcony z najważniejszych odkryć Jerzego Grotowskiego, aktowi całkowitemu, specyficznemu rodzajowi działania i doświadczenia zarazem. Powstało ono w ramach praktyki teatralnej, lecz poza funkcją związaną z dramaturgią przedstawień miało wyższy cel, związany z poszukiwaniem istoty człowieczeństwa i źródeł doświadczenia rzeczywistości. Jerzy Grotowski dążył do transformacji aktorów oraz obserwatorów, otwarcia ich na to, co autentyczne, żywe i obecne. To osiągnięcie stanowiło rodzaj doświadczenia, w którym przezwyciężone zostaje sacrum i profanum. Akt całkowity pozwalał „stać się patrzonym” i, paradoksalnie, pozwalał uczestniczyć w dwoistości biernego działania, w którym człowiek staje się obserwatorem i działającym zarazem. Moim celem jest sproblematyzowanie roli zasady współistnienia przeciwieństw w pracy J. Grotowskiego i opis aktu całkowitego jako możliwości doświadczenia psychofizycznej jedni. Człowiek w tym archetypowym doświadczeniu poprzedza wszelkie różnice, jest w stanie dotrzeć do samego centrum własnego Ja, tego, co Carl Gustav Jung określał mianem Selbst.
这篇文章致力于杰日·格罗托夫斯基最重要的发现,一个完整的行为,一种特定类型的行为和经验。它是作为戏剧实践的一部分创作的,但除了与表演的戏剧化有关的功能外,它还有更高的目的,与寻找人性的本质和现实经验的来源有关。耶日·格罗托夫斯基试图改变演员和观察者,让他们看到真实、鲜活和当下的东西。这一成就是一种克服骶骨和亵渎的经历。整体行为使我们能够“被看到”,矛盾的是,它使我们能够参与被动行为的双重性,在这种双重性中,人成为观察者,同时也在行动。我的目标是质疑J·格罗托夫斯基作品中对立共存原则的作用,并将整体行为描述为一个人的心理物理体验的可能性。在这种原型经验中,人先于一切差异,能够到达自我的中心,卡尔·古斯塔夫·荣格称之为塞尔布斯特。
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引用次数: 0
Inconsistencies in Himma's Intellectual Property Theory 希马知识产权理论的不一致性
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.18276/aie.2023.63-05
Wojciech Gamrot
The intellectual property theory of Kenneth E. Himma aims to vindicate natural rights to the "intellectual content of creations", which is believed to consist of abstract objects. Himma proposes a reformulation of John Locke's well-known argument in terms of value. He maintains that even if abstract objects preexist their alleged creation, then they are not yet ready for consumption until the access to them is provided by the labor of innovators and artists. He declares that making them available is an act of value creation that justifies granting intellectual property rights. In this paper several assumptions on which Himma's theory relies are identified and challenged. Against his claims, it is argued that no human labor can improve the availability of abstract objects. It is then demonstrated that "intellectual commons" cannot be "stocked" by human activities and that the alleged value creation cannot happen, because the concept of value is inapplicable to abstract objects. This derails Himma's IP justification. Finally the meaning of rights envisaged by Himma is investigated. It is shown that they cannot be exercised with respect to causally inert entities.
Kenneth E. Himma的知识产权理论旨在维护“创作的知识内容”的自然权利,这些内容被认为是由抽象的物体组成的。希马从价值的角度对约翰·洛克著名的观点进行了重新表述。他坚持认为,即使抽象对象在它们所谓的创造之前就存在,那么它们还没有准备好被消费,直到创新者和艺术家的劳动提供了对它们的访问。他宣称,提供这些知识产权是一种创造价值的行为,证明授予知识产权是正当的。本文对希马理论所依赖的几个假设进行了识别和挑战。与他的主张相反,有人认为,没有任何人类劳动可以提高抽象对象的可用性。然后证明了“知识公地”不可能被人类活动“储存”,所谓的价值创造不可能发生,因为价值概念不适用于抽象的对象。这详述了Himma的知识产权辩护。最后对希马所设想的权利的意义进行了考察。它表明,它们不能对因果惰性的实体行使。
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引用次数: 0
Towards a Computational Ontology for the Philosophy of Wittgenstein: Representing Aspects of the Tractarian Philosophy of Mathematics 走向维特根斯坦哲学的计算本体论:特拉坎数学哲学的代表方面
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.18276/aie.2023.63-02
Jakub Gomułka
The present paper concerns the Wittgenstein ontology project: an attempt to create a Semantic Web representation of Ludwig Wittgenstein’s philosophy. The project has been in development since 2006, and its current state enables users to search for information about Wittgenstein-related documents and the documents themselves. However, the developers have much more ambitious goals: they attempt to provide a philosophical subject matter knowledge base that would comprise the claims and concepts formulated by the philosopher. The current knowledge representation technology is not well-suited for this task, and a non-standard approach is required. The creators of the Wittgenstein ontology project are aware of this fact; recently, they have been discussing conceptual devices adjusting the technology to their needs. The main goal of this paper is to present examples of a representation of philosophical content that make use of both the devices already proposed and some new inventions. The represented content comes from the Tractatus Logico-Philosophicus; more specifically, its theses concerning the problems in philosophy of mathematics.
本文关注维特根斯坦本体论项目:试图创建维特根斯坦哲学的语义网表示。该项目自2006年以来一直在开发中,目前的状态使用户可以搜索有关维特根斯坦相关文档和文档本身的信息。然而,开发人员有更远大的目标:他们试图提供一个哲学主题知识基础,其中包含哲学家提出的主张和概念。目前的知识表示技术并不适合这项任务,需要一种非标准的方法。维特根斯坦本体论计划的创造者意识到了这一事实;最近,他们一直在讨论调整技术以满足他们需求的概念性设备。本文的主要目的是提出一种哲学内容表示的例子,它既利用了已经提出的设备,也利用了一些新的发明。所代表的内容来自于《逻辑哲学论》;更具体地说,它的论文涉及数学哲学问题。
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引用次数: 0
Imago Dei in St. Thomas Aquinas: a philosophical and anthropological analysis of man created in the Image of God 圣托马斯·阿奎那的上帝形象:对按照上帝形象创造的人的哲学和人类学分析
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.18276/aie.2023.62-03
Wojciech Kilan
Image as a philosophical concept has a long and complex history that begins as early as antiquity. Christian scholars included it in their philosophical studies in the form of imago Dei. In this paper, the author analysed the works of St. Thomas Aquinas to determine the anthropological consequences that follow from the idea of human creation in the image of God. It was first established that man as a being created in the image of God participates through his intellect in God’s nature. Moreover, three stages of human participation in God were presented. Subsequently, the author defended the classical theory of Aquinas against contemporary reinterpretation of his thought. It was argued that Aquinas rightly claims that only the intellectual part of the human soul is, strictly speaking, created in God’s Image, while the human body (and other irrational creatures) resembles God in the likeness of a trace.
图像作为一个哲学概念有着悠久而复杂的历史,早在古代就开始了。基督教学者以意象神的形式将其纳入哲学研究。在本文中,作者分析了圣托马斯·阿奎那的作品,以确定从上帝的形象创造人类的想法所带来的人类学后果。首先确定的是,人是按照上帝的形象被造的,通过他的智力参与上帝的本性。此外,还提出了人类参与上帝的三个阶段。随后,作者为阿奎那的经典理论辩护,反对当代对其思想的重新解读。有人认为,阿奎那正确地宣称,严格地说,只有人类灵魂的智力部分是按照上帝的形象创造的,而人类的身体(和其他非理性的生物)与上帝的痕迹相似。
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引用次数: 0
The Problem of Culture and Nature in Carl Gustav Jung’s Psychoanalytical Concept 荣格精神分析概念中的文化与自然问题
Q4 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.18276/aie.2023.61-03
Patrycja Neumann
According to the classical approach culture is the opposite of nature, and man, as a world-transforming being, is the engine of civilization development. C. G. Jung's writings contain a non-classical concept of culture, according to which the collective unconscious determines the way of interpreting and understanding reality, and thus the development of culture. The psychiatrist considers man as a symbol-forming creature. He wrote about the "symbol drive" which causes the creation of symbols to happen spontaneously. There is a connection between the action of instincts, which have a biological basis, and the archetypal source of symbols. There are forces of nature in the unconscious - in particular, the libido and instincts. Culture arises between the unconscious and consciousness, and at the same time, the process of its development has a species-specific aspect.
根据古典主义的观点,文化是自然的对立面,人作为改变世界的存在,是文明发展的引擎。荣格的著作包含了一种非经典的文化概念,根据这种概念,集体无意识决定了解释和理解现实的方式,从而决定了文化的发展。精神病学家认为人是一种形成符号的生物。他写了“符号驱动”,它使符号的创造自发地发生。具有生物学基础的本能行为与象征的原型来源之间存在联系。无意识中存在着自然的力量——尤其是性欲和本能。文化产生于无意识和意识之间,同时其发展过程具有物种特异性。
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引用次数: 0
Self-interpretation and the problem of “strong valuation” in Charles Taylor’s philosophy 泰勒哲学中的自我诠释与“强价值”问题
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18276/aie.2022.57-04
Mariusz Wojewoda
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引用次数: 0
The Academia Electronica – Vision, Experiment, Future 电子学-视觉,实验,未来
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18276/aie.2022.58-06
M. Ostrowicki
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引用次数: 0
Beyond the Reality Principle: On the Political Role of Imagination in Herbert Marcuse’s Libidinal Economy 超越现实原则:论想象在马尔库塞利比多经济学中的政治作用
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18276/aie.2022.59-03
Barbara Markowska-Marczak
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引用次数: 0
Some accelerationist remarks on Marcuse’s drives theory and his dialectics of civilization 马尔库塞的驱力理论及其文明辩证法的加速主义评述
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18276/aie.2022.59-02
Andrzej Karalus
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引用次数: 0
Capitalocene, ecological economics of degrowth and philosophy of Herbert Marcuse 资本新世、去生长的生态经济学和马尔库塞哲学
Q4 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.18276/aie.2022.59-06
E. Bińczyk
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引用次数: 0
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