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Localizing the Narrative: The Representation of the Slave Trade and Enslavement Within Nigerian Museums 本土化叙事:尼日利亚博物馆中奴隶贸易和奴役的表现
Q1 Arts and Humanities Pub Date : 2021-08-18 DOI: 10.1080/21619441.2021.1963034
Faye Sayer
ABSTRACT This paper explores the interpretation and presentation of the transatlantic slave trade in Nigerian museums. It focuses on two contrasting case studies, namely the government-funded Slave History Museum (Calabar) and the privately run Seriki Faremi Williams Abass Slave Museum (Badagry). To investigate the complex and conflicting national and local narrative frameworks by which the slave trade and enslavement are presented to the public, this study focuses on qualitative content analysis of museum displays in addition to visitor observations. Comparative analysis of these museums suggests that this historically complex and emotional heritage cannot be understood in isolation from wider local, national, or global narratives. The paper explores the importance of taking a humanizing and empathetic approach to the presentation of the transatlantic slave trade in museums. I also consider how future practice might include ideas of localization and personalization to decolonize “official” slave trade heritage narratives in Nigeria and beyond.
摘要本文探讨了尼日利亚博物馆对跨大西洋奴隶贸易的解读和展示。它侧重于两个对比鲜明的案例研究,即政府资助的奴隶历史博物馆(卡拉巴尔)和私营的Seriki Faremi Williams Abass奴隶博物馆(Badagry)。为了调查向公众展示奴隶贸易和奴役的复杂和冲突的国家和地方叙事框架,本研究除了关注游客的观察外,还关注博物馆展览的定性内容分析。对这些博物馆的比较分析表明,不能孤立于更广泛的地方、国家或全球叙事来理解这种历史上复杂和情感上的遗产。本文探讨了在博物馆展示跨大西洋奴隶贸易时采取人性化和同理心的方法的重要性。我还考虑了未来的实践如何包括本地化和个性化的想法,以使尼日利亚及其他地区的“官方”奴隶贸易遗产叙事非殖民化。
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引用次数: 1
“To Rise from the Darkest Ignorance”: Black Texans’ Engagement with the Politics of Racial Uplift “从最黑暗的无知中崛起”:德克萨斯黑人参与种族提升政治
Q1 Arts and Humanities Pub Date : 2021-06-10 DOI: 10.1080/21619441.2021.1932387
Nedra K. Lee
ABSTRACT Black newspapers are an important yet underused source for historically contextualizing African American sites. The Black press helped shape notions of African American identity and community through philosophies of racial uplift that promoted a vision of Black achievement and citizenship. Although sociologist E. Franklin Frazier criticized the Black press as elitist, I suggest that non-affluent African Americans were also invested in tenets of racial uplift. To demonstrate this, I examine five Black Texas newspapers and oral histories in conjunction with artifacts recovered from the Ransom and Sarah Williams Farmstead, a postbellum site in Travis County, Texas. The evidence suggests that emancipated Blacks, even in seemingly remote rural communities, mobilized around principles of racial uplift through education, consumer behavior, and religious devotion. I use the newspapers to contextualize the archaeological evidence and highlight the overlaps between messages of racial uplift in the Black press and the actions of the Williams family.
摘要黑人报纸是一个重要但未被充分利用的非裔美国人网站的历史背景来源。黑人媒体通过宣扬黑人成就和公民身份的种族提升哲学,帮助塑造了非裔美国人的身份和社区观念。尽管社会学家E.Franklin Frazier批评黑人媒体是精英主义者,但我认为非富裕的非裔美国人也被灌输了种族提升的原则。为了证明这一点,我检查了五份得克萨斯州黑人报纸和口述历史,以及从得克萨斯州特拉维斯县的Ransom和Sarah Williams Farmstead遗址中发现的文物。证据表明,即使在看似偏远的农村社区,获得解放的黑人也通过教育、消费者行为和宗教信仰,围绕种族提升的原则进行动员。我用报纸将考古证据置于背景中,并强调黑人媒体中种族提升的信息与威廉姆斯家族的行为之间的重叠。
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引用次数: 2
Introduction: African Cities and Urban Slavery in Historiographical Perspective 导言:史学视角下的非洲城市和城市奴隶制
Q1 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/21619441.2021.1977489
E. Mcdougall
ABSTRACT This introductory essay explores the rich historiography lying at the intersection of African urban and African slavery studies. How does the study of slaves, former slaves and those of slave descent in urban environments help us understand emancipation in Africa? How have those experiences of historical and contemporary emancipation shaped African cities? Case studies from Gambia, Mauritania, Niger, Tanzania, and Madagascar address these questions. Contributors question long-held assumptions about cities providing autonomy, anonymity, and prosperity to those of slave origin. They suggest that interconnections between the rural and the urban are both material and ideological; moreover, memories and traditions travel the same migration paths as people. Thus, life histories tracing individual trajectories are key to revealing the humanity of urban slavery. As important as recent cultural studies are, however, labor—what people do, why they do it, and who they do it for—remains central to the urban “post-slave” experience.
摘要:这篇介绍性文章探讨了非洲城市和非洲奴隶制研究交叉点上丰富的史学。对城市环境中的奴隶、前奴隶和奴隶后裔的研究如何帮助我们理解非洲的解放?这些历史和当代解放的经历是如何塑造非洲城市的?冈比亚、毛里塔尼亚、尼日尔、坦桑尼亚和马达加斯加的案例研究解决了这些问题。撰稿人质疑长期以来关于城市为奴隶出身的人提供自治、匿名和繁荣的假设。他们认为,农村和城市之间的相互联系既是物质的,也是意识形态的;此外,记忆和传统与人的迁移路径相同。因此,追踪个人轨迹的生活史是揭示城市奴隶制人性的关键。然而,与最近的文化研究一样重要的是,劳动——人们做什么,为什么做,以及为谁做——仍然是城市“后奴隶”体验的核心。
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引用次数: 0
“Take Heede When Ye Wash”: Recognizing the Labor of Enslaved Laundresses on Southern Plantations “洗叶取德”:认识南方人工林中被奴役的Laundress的劳动
Q1 Arts and Humanities Pub Date : 2021-04-08 DOI: 10.1080/21619441.2021.1908774
Karen E. McIlvoy
ABSTRACT Laundry represented a significant portion of the domestic labor on nineteenth century plantations. However, despite the ubiquity of their task, enslaved African American washerwomen have been neglected in the historical study of plantation labor. By situating archaeological interpretations of enslaved labor within the historical context of laundry, archaeologists can better incorporate this oft-overlooked chore into interpretations of female labor on Southern plantations. Using this technique, this article explores laundering at Poplar Forest, Thomas Jefferson’s retreat home and plantation in central Virginia.
摘要洗衣房在19世纪种植园的家务劳动中占很大一部分。然而,尽管被奴役的非裔美国洗衣女工的任务无处不在,但在种植园劳动力的历史研究中却被忽视了。通过将对奴役劳动的考古解释置于洗衣的历史背景下,考古学家可以更好地将这一经常被忽视的家务劳动纳入对南方种植园女性劳动的解释中。利用这一技术,本文探讨了托马斯·杰斐逊在弗吉尼亚州中部的疗养院和种植园白杨林的洗钱行为。
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引用次数: 2
Sharing Hidden Histories: The XRchaeology at Miller Grove, a Free African American Community in Southern Illinois 分享隐藏的历史:米勒格罗夫的x考古,伊利诺斯州南部的一个自由的非洲裔美国人社区
Q1 Arts and Humanities Pub Date : 2021-03-31 DOI: 10.1080/21619441.2021.1902706
Kayeleigh Sharp, M. R. McCorvie, M. Wagner
ABSTRACT XRchaeology at Miller Grove is a web-based collection of new media components, including digital storytelling, geographic information systems, virtual tours, three-dimensional objects, and web-based virtual reality presentations. XRchaeology contributes to revisions of traditional narratives about free African Americans and the network of escape routes referred to as the Underground Railroad (UGRR). This project focuses attention on potential African American “conductors” in the UGRR and resituates African Americans as the agents of their own freedom. XRchaeology emphasizes that freedom was achieved across a continuum shaped by social, economic, and legal biases and anti-immigration sentiments. The XRchaeology application is designed for both traditional learners and non-specialist members of the public, as the project facilitates self-directed learning and evidence-based inquiry for all interest levels.
Miller Grove的XRchaeology是一个基于网络的新媒体组件集合,包括数字故事、地理信息系统、虚拟游览、三维物体和基于网络的虚拟现实演示。x考古学有助于修订关于自由的非裔美国人和被称为地下铁路(UGRR)的逃跑路线网络的传统叙述。这个项目将注意力集中在潜在的非裔美国人在UGRR中的“指挥者”,并将非裔美国人作为他们自己自由的代理人。XRchaeology强调,自由是在社会、经济、法律偏见和反移民情绪的影响下实现的。XRchaeology应用程序是为传统学习者和非专业公众设计的,因为该项目促进了所有兴趣水平的自主学习和基于证据的探究。
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引用次数: 0
Archaeology of Enslaved Women’s Resistance in the Great Dismal Swamp 大沼泽中被奴役妇女抵抗的考古
Q1 Arts and Humanities Pub Date : 2021-03-31 DOI: 10.1080/21619441.2021.1894539
C. Goode
ABSTRACT Under the conditions of corporate slavery in the Great Dismal Swamp, enslaved women transformed the mechanisms of capitalist exchange into resistance. Archaeological evidence from Dismal Town, a late-eighteenth-century corporate plantation, shows that enslaved women consumed ceramics and clothing adornments that signaled social equality. Their participation in mass consumption was an act of resistive consumption that allowed them to imagine and enact a life outside of slavery, despite their being considered as commodities and exploited for productive and reproductive labor under harsh conditions by the Dismal Swamp Company.
在大沼泽公司奴隶制的条件下,被奴役的妇女将资本主义交换机制转化为反抗。18世纪晚期的企业种植园“忧郁镇”的考古证据表明,被奴役的妇女消费象征社会平等的陶瓷和服装装饰品。他们参与大众消费是一种抵抗消费的行为,这让他们能够想象和制定一种奴隶制之外的生活,尽管他们被视为商品,并在惨淡沼泽公司的恶劣条件下被剥削为生产和生殖劳动。
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引用次数: 2
“But I Am Confident: God Will Not Leave Us This Way”: From Slavery to Post-Slavery in Nouakchott’s bidonvilles, Mauritania “但我很自信:上帝不会这样离开我们”:毛里塔尼亚努瓦克肖特比登维尔从奴隶制到后奴隶制
Q1 Arts and Humanities Pub Date : 2021-03-29 DOI: 10.1080/21619441.2021.1878794
E. Mcdougall
ABSTRACT This article analyzes the urban growth of Nouakchott, capital of Mauritania, between 1960 and 2016. Growth was shaped both by in-migration driven by recurrent droughts, and by the end and subsequent transformation of slavery. Living in Nouakchott’s poor, unplanned bidonville neighborhoods influenced how slaves and slave descendants saw themselves, especially in relation to former masters. Some joined impoverished but non-servile cultivators and herders working in the informal economy. Others used Islam to claim their former masters’ continuing protection. Still others used the urban environment to negotiate new social roles and relationships. Since the 1990s, bidonville life has also shaped how hundreds of thousands of voters expressed themselves at the ballot box. In 2007, this power extended to electing the President himself. This history illuminates how the intertwined transformations of Nouakchott as an urban living space and slavery as a social institution explain Mauritania’s contemporary “post-slave” identity, tensions, and political volatility.
本文分析了毛里塔尼亚首都努瓦克肖特在1960年至2016年间的城市发展。经济增长是由反复干旱导致的移民,以及奴隶制的终结和随后的转变所决定的。生活在努瓦克肖特贫穷的、没有规划的比顿维尔社区,影响了奴隶和奴隶后代如何看待自己,尤其是与前主人的关系。一些人加入了贫困但不奴性的耕种者和牧民,在非正规经济中工作。其他人则利用伊斯兰教要求他们的前主人继续保护他们。还有一些人利用城市环境来谈判新的社会角色和关系。自20世纪90年代以来,比顿维尔的生活也影响了数十万选民在投票箱前表达自己的方式。2007年,这种权力扩大到选举总统本人。这段历史阐明了努瓦克肖特作为城市生活空间和奴隶制作为社会制度的相互交织的转变如何解释毛里塔尼亚当代“后奴隶”身份、紧张局势和政治动荡。
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引用次数: 4
To be Welcome without Reservation: Seeing a Future for Archaeology at Mount Clare 毫无保留地受到欢迎:在克莱尔山看到考古的未来
Q1 Arts and Humanities Pub Date : 2020-12-16 DOI: 10.1080/21619441.2020.1850057
Teresa S. Moyer
ABSTRACT The Mount Clare Museum House in Baltimore, Maryland has potential to offer a new approach to community service in Baltimore inspired by archaeological findings, but one that is different from a traditional historic house model. Facing challenges surrounding relevance and institutional survival, the site as a museum sits at a crossroads. The site managers of Mount Clare, a former plantation, historically erased and muted Black histories. However, those histories now drive the rejuvenation and reinvention of the museum. The move of the archaeological collections to the city’s control opens possibilities for more connected archaeological and community service program with the people who live around and use Carroll Park.
位于马里兰州巴尔的摩市的克莱尔山博物馆(Mount Clare Museum House)受到考古发现的启发,有可能为巴尔的摩市提供一种新的社区服务方式,但它与传统的历史建筑模式不同。面对相关性和机构生存的挑战,该基地作为博物馆坐落在十字路口。克莱尔山(Mount Clare)曾经是一个种植园,这里的管理人员在历史上抹去了黑人的历史,淡化了黑人的历史。然而,这些历史现在推动着博物馆的复兴和改造。将考古收藏转移到城市管理,为与居住和使用卡罗尔公园的人们建立更多联系的考古和社区服务项目提供了可能性。
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引用次数: 0
Pasts Lost: The Wye House Plantation as a Place of Haunting 迷失的过去:怀伊庄园作为一个闹鬼的地方
Q1 Arts and Humanities Pub Date : 2020-11-15 DOI: 10.1080/21619441.2020.1840835
E. Pruitt
ABSTRACT Much of what we know about the Wye House Plantation in Talbot County, Maryland in the nineteenth century comes from the writings of Frederick Douglass, who was enslaved there. His descriptions of the landscape serve as a starting point for thinking about the past experiences of the enslaved people within this place. The terror and violence that the landscape represented in slavery conjures up not only the events of the past, but also the ways that trauma echoes throughout generations. Using Douglass’ autobiographies, archaeology, landscape studies, the works of Toni Morrison, and ideas about the hauntings of place, there are ways to think about this plantation as a landscape of irreparable loss, but also of return and resolution.
我们对19世纪马里兰州塔尔博特县怀伊庄园的了解,大部分来自弗雷德里克·道格拉斯(Frederick Douglass)的著作,他当时是那里的奴隶。他对风景的描述是思考这个地方被奴役者过去经历的起点。奴隶制所代表的恐怖和暴力不仅让人想起过去的事件,也让人想起创伤在几代人身上回响的方式。利用道格拉斯的自传、考古学、景观研究、托妮·莫里森的作品,以及关于这个地方的鬼魂的想法,我们有办法把这个种植园看作是一个不可挽回的损失,但也是一个回归和解决的景观。
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引用次数: 0
Plantation Roads and the Impositions of Infrastructure: An Archaeology of Movement at Good Hope Estate, Jamaica 种植园道路和基础设施的强加:牙买加好望村的运动考古学
Q1 Arts and Humanities Pub Date : 2020-11-15 DOI: 10.1080/21619441.2020.1840834
H. Bassett
ABSTRACT Studies of plantation surveillance have provided important understandings of the material dimensions of elite power and control over enslaved people. These studies have emphasized inter-visibility of managerial housing and the living/working spaces of enslaved people, as a panoptic strategy to enforce self-discipline. This emphasis on inter-visibility of living and working spaces, however, assumes a static population, rather than a complex, industrial society in motion. Using Space Syntax analysis, cartographic records, historic travelers’ accounts, and landscape documentation, this study addresses surveillance and planter control through a mobilities approach, elevating the status of road networks, while identifying the plantation as a carefully orchestrated landscape of movement. I demonstrate how understanding the manner in which movement is limited or itinerated, and for whom, represents a productive avenue of research at the intersection of inequality, control, and mobility. This approach is developed through a distinct archaeology of infrastructure.
对种植园监控的研究提供了对精英权力和对奴隶控制的物质层面的重要理解。这些研究强调了管理住房和被奴役者生活/工作空间的相互可见性,作为一种加强自律的全面战略。然而,这种对生活和工作空间相互可见性的强调,假设了一个静态的人口,而不是一个复杂的、运动中的工业社会。利用空间句法分析、地图记录、历史旅行者记录和景观文献,本研究通过流动性方法解决了监控和种植园控制问题,提升了道路网络的地位,同时将种植园确定为精心策划的运动景观。我展示了如何理解运动被限制或巡回的方式,以及对谁来说,代表了不平等、控制和流动性交叉领域的一种富有成效的研究途径。这种方法是通过独特的基础设施考古发展起来的。
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引用次数: 0
期刊
Journal of African Diaspora Archaeology and Heritage
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