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Journal of African Diaspora Archaeology and Heritage最新文献

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Reconnecting Tswana Archaeological Sites with their Descendants: The Challenge of Developing Southern Africa’s Cultural Heritage for Everyone 将茨瓦纳考古遗址与其后裔重新联系起来:为每个人开发南部非洲文化遗产的挑战
Q1 Arts and Humanities Pub Date : 2018-09-02 DOI: 10.1080/21619441.2018.1537101
F. Morton
ABSTRACT Archaeologists in southern Africa who wish to provide public access to visible sites face the challenge of widespread farm privatization and the associated displacement of African communities. Most of today’s six million Tswana speakers cannot access the private farms where many stonewall settlements built by their ancestors are located. Recent research in southern Botswana identified a site on communal land in close proximity to people who can identify it as part of their heritage. In 2017, preparations got underway to develop the large stonewall capital of Makolontwane as a cultural heritage tourism destination. Makolontwane was built by the Tswana-speaking (Ba)Ngwaketse in the eighteenth century as part of their raiding state. Efforts to preserve and restore Makolontwane are grounded in a desire to make such history accessible to all visitors, including Tswana speakers who have been routinely alienated from their own archaeological heritage.
摘要:南部非洲的考古学家希望为公众提供参观可见遗址的机会,他们面临着广泛的农场私有化和相关的非洲社区流离失所的挑战。今天的600万茨瓦纳语使用者中,大多数人无法进入他们祖先建造的许多石墙定居点所在的私人农场。博茨瓦纳南部最近的研究在公共土地上发现了一处遗址,该遗址距离能够将其视为其遗产一部分的人很近。2017年,正在筹备将大型石墙之都Makolontwane开发为文化遗产旅游目的地。Makolontwane由讲茨瓦纳语的(Ba)Ngwaketse在18世纪建造,是他们袭击国家的一部分。保护和修复Makolontwane的努力是基于让所有游客都能了解这段历史的愿望,包括那些经常与自己的考古遗产疏远的茨瓦纳语使用者。
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引用次数: 2
Turtle Feasts and the Commensal Politics of Food: Teasing Out the Flavors of African-American Foodways in New England 甲鱼盛宴与食物的赞扬政治:品尝新英格兰非裔美国人的美食
Q1 Arts and Humanities Pub Date : 2018-09-02 DOI: 10.1080/21619441.2018.1626051
D. Landon
ABSTRACT This article focuses on four sites in Massachusetts: the eighteenth-century Isaac Royall House in Medford; the late-eighteenth and early-nineteenth-century Boston-Higginbotham House on Nantucket; the early nineteenth-century Joy Street tenement house in Boston; and the early nineteenth-century African Meeting House in Boston. These are domestic contexts, with the exception of the African Meeting House, which also includes remains from community and catered events. The Royall House site was home to enslaved Africans and African Americans, but free blacks occupied the other three sites. Analysis of these sites suggests that in New England other factors besides African heritage influenced the types of meat and plants people consumed, including urban or rural locations, economic status of individuals, and home-raising of animals. Minor and idiosyncratic items in assemblages help identify features of African-American foodways in New England. Close contextual analysis of such items highlights their cultural importance and role in the region’s commensal politics.
摘要本文聚焦于马萨诸塞州的四处遗址:位于梅德福的十八世纪艾萨克皇家宅邸;位于楠塔基特的18世纪末和19世纪初的波士顿希金波坦故居;波士顿19世纪早期的欢乐街公寓;以及19世纪初在波士顿的非洲会议室。这些都是国内背景,但非洲会议室除外,该会议室还包括社区和餐饮活动的遗体。皇家之家是被奴役的非洲人和非裔美国人的家园,但自由黑人占据了其他三个地方。对这些遗址的分析表明,在新英格兰,除了非洲遗产之外,其他因素也影响了人们食用的肉类和植物的类型,包括城市或农村地区、个人的经济地位以及在家饲养动物。组合中的次要和特殊物品有助于识别新英格兰非裔美国人饮食方式的特征。对这些项目的密切语境分析突出了它们在文化上的重要性和在该地区的评论政治中的作用。
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引用次数: 2
Owning Slavery: An Interview with Katrina Browne 拥有奴隶制:卡特里娜·布朗访谈录
Q1 Arts and Humanities Pub Date : 2018-09-02 DOI: 10.1080/21619441.2018.1527977
Rachel Ama Asaa Engmann
ABSTRACT The transatlantic slave trade and heritage lie at the center of Katrina Browne’s work as a filmmaker, writer and activist. Her film, Traces of the Trade: A Story from the Deep North (2008), which was received to critical acclaim, depicts the story of her family’s attempt to come to terms with their role in the history and legacies of the transatlantic slave trade and slavery. Since the film, she co-founded the Tracing Center on Histories and Legacies of Slavery, a non-profit organization, and has worked as a public speaker, facilitator and trainer at universities, colleges, schools, museums, historic sites, religious congregations, workplaces and professional conferences, nationally and internationally on “racial equity and healing.” In this interview, Katrina discusses the film, her work since then surrounding the history and legacies of the transatlantic slave trade and slavery, as well as the current controversies in relationship to their role in heritage.
摘要跨大西洋的奴隶贸易和遗产是卡特里娜·布朗作为电影制作人、作家和活动家工作的核心。她的电影《贸易痕迹:来自北方腹地的故事》(2008)获得了评论界的好评,讲述了她的家人试图接受他们在跨大西洋奴隶贸易和奴隶制历史和遗产中的角色的故事。自电影上映以来,她与人共同创立了非营利组织奴隶制历史和遗产追踪中心,并在大学、学院、学校、博物馆、历史遗址、宗教集会、工作场所和专业会议上担任演讲人、主持人和培训师,在国内外举办了关于“种族公平和治愈”的演讲,卡特里娜讨论了这部电影,她从那时起围绕跨大西洋奴隶贸易和奴隶制的历史和遗产所做的工作,以及目前与他们在遗产中的角色有关的争议。
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引用次数: 1
Moravian Cemeteries on Barbados: Sites of Historical, Social, and Political Change 巴巴多斯的摩拉维亚墓地:历史、社会和政治变革的遗址
Q1 Arts and Humanities Pub Date : 2018-09-02 DOI: 10.1080/21619441.2019.1628420
Helen C. Blouet
ABSTRACT In the nineteenth century, African Moravians used Moravian church cemeteries on Barbados, and their use of such spaces was mediated by their situations in contexts of race, class, and religion. Mortuary practices from slavery to freedom represented social constraints as well as social freedom for individuals and communities. The extent to which we can explore through burials the history and development of mortuary practices in Moravian cemeteries is complicated by each cemetery’s preservation and modification projects. Church cemeteries exist in varying degrees of stability, use, and disrepair. They may have been destroyed, as in the case of Bunker’s Hill, or they may have been differentially preserved and modified as reflected in the Sharon, Mt. Tabor, Calvary, and Clifton Hill cemeteries. Through church cemetery care and analysis, it is possible to enhance awareness of historical complexity in African Moravian life and death on Barbados.
19世纪,非洲摩拉维亚人在巴巴多斯使用摩拉维亚教堂墓地,他们对这些空间的使用受到种族、阶级和宗教背景的影响。从奴隶制到自由的太平间实践既代表了个人和社区的社会约束,也代表了社会自由。我们可以通过埋葬探索摩拉维亚墓地太平间实践的历史和发展的程度,由于每个墓地的保存和修改项目而变得复杂。教堂墓地以不同程度的稳定、使用和失修而存在。它们可能已经被摧毁,就像邦克山的情况一样,或者它们可能被不同地保存和修改,如沙伦、塔博尔山、各各他山和克利夫顿山的墓地。通过教堂墓地的照料和分析,有可能提高对巴巴多斯非洲摩拉维亚人生死的历史复杂性的认识。
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引用次数: 2
Shit, Blood, Artifacts, and Tears: Interrogating Visitor Perceptions and Archaeological Residues at Ghana's Cape Coast Castle Slave Dungeon 屎、血、文物和眼泪:加纳海岸角城堡奴隶地牢的游客感知和考古遗迹
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2018.1578480
W. Apoh, J. Anquandah, Seyram Amenyo-Xa
ABSTRACT Involuntary servitude, trade, and exchange in humans occurred among communities in parts of what is today known as Ghana before the advent of European involvement. However, with Europeans’ involvement and subsequent colonialism, this practice rapidly evolved into the heinous transatlantic chattel slave trade. Scholars studying slavery know that the material vestiges and memories of this phenomenon persist in the present. Yet, how public audiences engage with slavery’s past is determined by more than the transmission of such academic expertise. Visitors arrive to slave-related heritage sites typically having already had significant exposure to histories of slavery through public discourse and their own schooling. Public tours at such sites also may not relay all types of relevant evidence equally. Historical evidence may be given more attention than archaeological evidence. A monument’s architecture may be given more attention than less obvious material residues. This article explores visitor experiences at Ghana’s Cape Coast Castle, with particular attention given to visitor perceptions of the monument and of the history of slavery. We analyze how these perceptions are affected by visitors’ exposure to information on archaeological residues identified in Cape Coast Castle’s dungeons and in broader historical contextualization of the site.
摘要在欧洲介入之前,在今天被称为加纳的部分地区,社区之间发生了非自愿的奴役、贸易和人类交换。然而,随着欧洲人的介入和随后的殖民主义,这种做法迅速演变成了令人发指的跨大西洋动产奴隶贸易。研究奴隶制的学者们知道,这种现象的物质遗迹和记忆一直存在。然而,公众如何参与奴隶制的过去,不仅仅取决于这种学术专业知识的传播。游客来到与奴隶有关的遗产地,通常已经通过公共话语和自己的学校教育大量接触了奴隶制的历史。在这些地点的公众参观也可能无法平等地传递所有类型的相关证据。历史证据可能比考古证据更受关注。纪念碑的建筑可能比不太明显的材料残留物更受关注。本文探讨了游客在加纳海岸角城堡的体验,特别关注游客对纪念碑和奴隶制历史的看法。我们分析了游客接触到海岸角城堡地牢中发现的考古遗迹信息以及该遗址更广泛的历史背景对这些看法的影响。
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引用次数: 8
Histories and Material Manifestations of Slavery in the Upper Gambia River Region: Preliminary Results of the Bandafassi Regional Archaeological Project 上冈比亚河地区奴隶制的历史和物质表现:班达法西地区考古项目的初步结果
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2019.1589712
M. Kroot, Cameron D. Gokee
ABSTRACT The Bandafassi Regional Archaeological Project (BRAP) explores a multiethnic landscape in the upper Gambia River region heavily impacted by slavery. The project assesses discourses of different stakeholders to see what is silenced, acknowledged, centered, and decentered in historical narratives. This article compares if and how slavery is invoked by narrators discussing the Atlantic era history of our study area, a region that today includes the UNESCO World Heritage cultural landscape of Bassari Country. Narratives presented by local guides specializing in tours of specific, ethnic communities emphasize intercommunity or interethnic politics and militarism. Narratives used in applications for and recognition of World Heritage status focused on interethnic ecological complementarities. Archaeological evidence for changes in settlement patterns and defensive architecture highlight the local effects of Atlantic entanglements and slaving on the landscape. BRAP’s work complements other regional narratives by analyzing the politics of the historiography of Atlantic era West Africa.
摘要班达法西地区考古项目(BRAP)探索了受奴隶制严重影响的冈比亚河上游地区的多民族景观。该项目评估了不同利益相关者的话语,以了解历史叙事中沉默、承认、集中和分散的内容。本文比较了讨论我们研究地区大西洋时代历史的叙述者是否以及如何援引奴隶制,该地区今天包括联合国教科文组织世界遗产巴萨里国家的文化景观。专门从事特定民族社区旅游的当地导游介绍的故事强调相互交流或种族间的政治和军国主义。申请和承认世界遗产地位时使用的叙述侧重于种族间的生态互补性。定居点模式和防御建筑变化的考古证据突出了大西洋纠缠和奴役对景观的局部影响。BRAP的作品通过分析大西洋时代西非的史学政治,补充了其他地区叙事。
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引用次数: 2
Introduction: Landscapes of Slavery in Africa 简介:非洲的奴隶制景观
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2019.1589713
L. Marshall
ABSTRACT This thematic collection of articles on landscapes of slavery in Africa examines how landscapes form and reform over time and explores a diversity of heritage and memory investments of displaced peoples. These studies expand and complicate ongoing discussions in archaeology and history about the ways in which the operations and impacts of slavery were inscribed into landscapes. Resident and displaced populations today confront challenges in how to interpret, memorialize, and commemorate those cultural landscapes.
这本关于非洲奴隶制景观的专题文集考察了景观如何随着时间的推移而形成和改革,并探讨了流离失所者遗产和记忆投资的多样性。这些研究扩展并复杂化了考古学和历史学中关于奴隶制的运作和影响被刻在景观中的方式的讨论。今天,居民和流离失所的人面临着如何解释、纪念和纪念这些文化景观的挑战。
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引用次数: 0
History, Materialization, and Presentation of Slavery in Tanzania 坦桑尼亚奴隶制的历史、物质化和呈现
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2019.1589714
D. Rhodes
ABSTRACT East Africa has been part of an Indian Ocean trading network connecting it with the Arab world since at least the eighth century CE. This trade included the trafficking of humans. A number of sites associated with slave trading in East Africa are open to public display while some are also incorporated into local folklore. This article explores the historical interpretation of slavery presented at several sites in Zanzibar and mainland Tanzania. Analysis of these sites demonstrates that the public narratives accepted and presented about them are influenced by the region's colonial past and nineteenth-century European dominated cultural constructs.
至少从公元八世纪起,东非就已成为连接其与阿拉伯世界的印度洋贸易网络的一部分。这种贸易包括贩卖人口。一些与东非奴隶贸易有关的遗址向公众开放,一些还融入了当地民间传说。本文探讨了桑给巴尔和坦桑尼亚大陆的几个遗址对奴隶制的历史解释。对这些遗址的分析表明,人们接受和呈现的关于它们的公共叙事受到了该地区殖民历史和19世纪欧洲主导的文化结构的影响。
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引用次数: 5
Landscape Transformation under Slavery, Indenture, and Imperial Projects in Bras d’Eau National Park, Mauritius 毛里求斯Bras d'Eau国家公园奴隶制、契约和帝国项目下的景观改造
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2018.1578484
J. Haines
ABSTRACT The archaeology of Bras d’Eau National Park, Mauritius provides a case study of transformations in physical and social landscapes under the coercive labor regimes of slavery and indenture, and twentieth-century colonial and post-colonial environmental projects. This article considers the regional and domestic spatial practices in the Bras d’Eau site that, over the course of three centuries, transitioned from farm, to sugar plantation, to forestry crown lands, to national park. Archaeological analysis and archival documentation show that the material traces of each phase of occupation are layered in Bras d’Eau’s landscape like a palimpsest. The built infrastructure of the estate facilitated movement and access to broader island resources essential to later sugar production, but the organization of the estate was also embedded within emerging everyday Mauritian expressions of agency, health, and environment. Today, ancient roads, village ruins, and the forest together form a heritage of environmental and cultural preservation and loss.
摘要毛里求斯Bras d'Eau国家公园的考古提供了一个关于奴隶制和契约等强制性劳动制度下的物质和社会景观变化的案例研究,以及20世纪殖民地和后殖民地环境项目。本文考虑了Bras d’Eau遗址的区域和国内空间实践,在三个世纪的过程中,这些实践从农场、甘蔗种植园、林业皇冠地到国家公园。考古分析和档案文件显示,在Bras d'Eau的景观中,每个占领阶段的物质痕迹都像重写本一样分层。庄园已建成的基础设施有助于移动和获得更广泛的岛屿资源,这对后来的制糖生产至关重要,但庄园的组织也嵌入了毛里求斯日常表达的机构、健康和环境中。如今,古道、村庄废墟和森林共同构成了环境和文化保护与流失的遗产。
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引用次数: 11
The Landscapes of Slavery in Kenya 肯尼亚的奴隶制景观
Q1 Arts and Humanities Pub Date : 2018-05-04 DOI: 10.1080/21619441.2019.1589711
H. Kiriama
ABSTRACT Cultural landscapes impacted by slavery and its effects in eighteenth-century Kenya included coastal trading entrepôts, interior caravan trade routes, coastal plantation complexes, European mission stations, freed slave settlements, and runaway slave settlements. Landscapes represent the values, symbols, and meanings that societies have imbued upon them. A cultural landscape is not only a physical place, but also encompasses the memories associated with that space. Studies of such landscapes enable understanding of the histories of peoples, places, and events. This article works to understand how the people who lived in landscapes of slavery in Kenya perceived and interacted with those terrains. Former slaves and their descendants used tangible and intangible elements of landscapes to construct places of memory; these memories not only connect them to the landscapes they presently occupy but also to an imaginary, ancestral homeland that they have never seen.
18世纪肯尼亚受奴隶制及其影响的文化景观包括沿海贸易entrepôts、内陆商队贸易路线、沿海种植园建筑群、欧洲传教站、自由奴隶定居点和逃亡奴隶定居点。景观代表了社会赋予它们的价值、符号和意义。文化景观不仅是一个物理场所,还包含与该空间相关的记忆。对这些景观的研究使人们能够理解民族、地点和事件的历史。本文旨在了解生活在肯尼亚奴隶制地区的人们是如何感知并与这些地形互动的。昔日的奴隶和他们的后代利用有形和无形的景观元素来构建记忆的场所;这些记忆不仅将他们与他们目前所处的风景联系起来,而且还将他们与他们从未见过的想象的祖先家园联系起来。
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引用次数: 5
期刊
Journal of African Diaspora Archaeology and Heritage
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