Pub Date : 2023-12-20DOI: 10.22586/rch.v19i1.28476
Mirela Krešić
The aim of the paper is to explore the interaction between regulatory provisions governing the status of women, which were part of Croatia’s legal system as it developed in the period of history called the short 19th century (1848-1914). The Austrian General Civil Code, the Hungarian-Croatian Trade Code and Industry Act and the Croatian School Act constitute the backbone of the research. More specifically, the focus is on the provisions that enabled the economic emancipation of women in the context of guaranteed gender equality and access to education. Given the economic circumstances in the period under review, the opportunities as well as the restrictions faced by women in the labour market of the time, our intention is to ascertain whether and if so in what way the Austrian and Hungarian-Croatian acts, accompanied by Croatia’s autonomous legislative framework, influenced the process of transformation of the traditional understanding of the status of women in society.
{"title":"In Pursuit of Economic Emancipation","authors":"Mirela Krešić","doi":"10.22586/rch.v19i1.28476","DOIUrl":"https://doi.org/10.22586/rch.v19i1.28476","url":null,"abstract":"The aim of the paper is to explore the interaction between regulatory provisions governing the status of women, which were part of Croatia’s legal system as it developed in the period of history called the short 19th century (1848-1914). The Austrian General Civil Code, the Hungarian-Croatian Trade Code and Industry Act and the Croatian School Act constitute the backbone of the research. More specifically, the focus is on the provisions that enabled the economic emancipation of women in the context of guaranteed gender equality and access to education. Given the economic circumstances in the period under review, the opportunities as well as the restrictions faced by women in the labour market of the time, our intention is to ascertain whether and if so in what way the Austrian and Hungarian-Croatian acts, accompanied by Croatia’s autonomous legislative framework, influenced the process of transformation of the traditional understanding of the status of women in society.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":"72 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138956669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-20DOI: 10.22586/rch.v19i1.28478
Teodora Shek Brnardić
In recent Enlightenment studies, a trend can be termed as the “classical turn” because it places a focus on the classical heritage as an integral part of the eighteenth-century culture. Interest in antiquity encompassed Greek and Roman literature, philosophy, and art, and Enlightenment thinkers were particularly fascinated and inspired by the rationalism, humanism, and civic virtues of the ancient world. Archaeological excavations in Italy supported the development of neoclassical style, experiencing a true revival with Rome as its centre. Countless translations of classical authors were in line with “the taste of the time”, and improvisations of poetry from contemporary languages into Latin were especially valued. The Piarist from Dubrovnik, Marko Faustin Galjuf (1765-1834), was one of the most renowned Latin improvisers of his time. He began his teaching career in Rome and later became politically and academically engaged in the pro-French Roman and Ligurian Republics. After the fall of Napoleon’s Empire in 1815, Galjuf fell out of favour due to his past. In 1833, he published an apology for the use of the Latin language titled Essay on the Fortune of the Latin Language (Specimen de fortuna Latinitatis), seeking a way to return to the unforsaken Rome under the rule of Pope Gregory XVI. This paper will explore the Enlightenment socio-cultural context of the creation and arguments of this forgotten but significant piece for the history of cultural patterns of that period. It will be argued that Galjuf’s intention for writing his apology was of an enlightened rather than a conservative nature.
{"title":"The Enlightened Apology of the Latin Language by Marko Faustin Galjuf from Dubrovnik","authors":"Teodora Shek Brnardić","doi":"10.22586/rch.v19i1.28478","DOIUrl":"https://doi.org/10.22586/rch.v19i1.28478","url":null,"abstract":"In recent Enlightenment studies, a trend can be termed as the “classical turn” because it places a focus on the classical heritage as an integral part of the eighteenth-century culture. Interest in antiquity encompassed Greek and Roman literature, philosophy, and art, and Enlightenment thinkers were particularly fascinated and inspired by the rationalism, humanism, and civic virtues of the ancient world. Archaeological excavations in Italy supported the development of neoclassical style, experiencing a true revival with Rome as its centre. Countless translations of classical authors were in line with “the taste of the time”, and improvisations of poetry from contemporary languages into Latin were especially valued. The Piarist from Dubrovnik, Marko Faustin Galjuf (1765-1834), was one of the most renowned Latin improvisers of his time. He began his teaching career in Rome and later became politically and academically engaged in the pro-French Roman and Ligurian Republics. After the fall of Napoleon’s Empire in 1815, Galjuf fell out of favour due to his past. In 1833, he published an apology for the use of the Latin language titled Essay on the Fortune of the Latin Language (Specimen de fortuna Latinitatis), seeking a way to return to the unforsaken Rome under the rule of Pope Gregory XVI. This paper will explore the Enlightenment socio-cultural context of the creation and arguments of this forgotten but significant piece for the history of cultural patterns of that period. It will be argued that Galjuf’s intention for writing his apology was of an enlightened rather than a conservative nature.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":"120 34","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138953721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-20DOI: 10.22586/rch.v19i1.28481
Marijan Šabić
Based on previous research, the author attempts to identify the key points for the research of Croatian-Czech-Slovak literary and cultural relations in the period of neo-absolutism (1852-1859). Citing relevant examples, he refers above all to the abundant correspondence of Croatian, Czech and Slovak intellectuals from that period, and to literary periodicals, which he regards as indicators of the mutual reception of the literary production of these three nations.
{"title":"Croatian-Czech and Croatian-Slovak Literary Relations in Neo-Absolutism","authors":"Marijan Šabić","doi":"10.22586/rch.v19i1.28481","DOIUrl":"https://doi.org/10.22586/rch.v19i1.28481","url":null,"abstract":"Based on previous research, the author attempts to identify the key points for the research of Croatian-Czech-Slovak literary and cultural relations in the period of neo-absolutism (1852-1859). Citing relevant examples, he refers above all to the abundant correspondence of Croatian, Czech and Slovak intellectuals from that period, and to literary periodicals, which he regards as indicators of the mutual reception of the literary production of these three nations.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":"37 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138994227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-20DOI: 10.22586/rch.v19i1.28482
Marina Protrka Štimec
The heteroimage of the Southeast European semiperiphery was subjected for centuries to geopolitical stereotypes of the Slav, either as a noble savage, as in the works of Fortis and Herder in the 18th and 19th centuries, or as a political “powder keg”, as a Balkan barbarian in more recent perspective. In such a geopolitical imaginary, the Balkans were perceived (described) primarily negatively, representing not only an Oriental Other, but above all a European semi-Other, a barbaric and primitive “Other within” (Todorova). The image of the “noble savage” in the exotic vision, which sets the world in binary oppositions, is used and reinterpreted by the artists of the (pre) Avant-Garde. The movement's inherent impulse to resist and re-evaluate traditional aesthetics, history and institutions, as well as to transgressively redefine both the instances of authorship and the criteria for creating and evaluating artworks, is evident in the way barbarism and primitivism are used as counterparts to the bourgeois normative value system. Their artistic texts and performances have an inherent orientation towards the primitive and the barbaric, which are traditionally presented in opposition to Western culture and civilisation, i.e. the politics of globalisation. At the level of artistic transgression, this transposed “otherness” is treated as a dialogical opponent, an object of fascination and identification, and a site of appropriation of time. This article deals with the way the primitive and the barbaric were treated in the Yugoslav avant-garde, either in some collective undertakings (Zenitism, Surrealism) or in individual creations (Ujević, Krleža). This topic will be addressed in three steps: 1. in the context of reflections on literature as a response to geopolitical prejudices (stereotypes); more specifically, in the concepts of the centre (especially Eurocentrism), civilisation and primitivism; 2. in a consideration of the use of primitivism, barbarism and bohemianism as expressions of aesthetic and public (political) resistance to regulated social practises and value systems; 3. an interpretation of these phenomena in the context of either imaginary or actual literary and social transformations.
{"title":"Re-Evaluation of the Barbarian and the Primitive in the (Pre) Avant-Garde","authors":"Marina Protrka Štimec","doi":"10.22586/rch.v19i1.28482","DOIUrl":"https://doi.org/10.22586/rch.v19i1.28482","url":null,"abstract":"The heteroimage of the Southeast European semiperiphery was subjected for centuries to geopolitical stereotypes of the Slav, either as a noble savage, as in the works of Fortis and Herder in the 18th and 19th centuries, or as a political “powder keg”, as a Balkan barbarian in more recent perspective. In such a geopolitical imaginary, the Balkans were perceived (described) primarily negatively, representing not only an Oriental Other, but above all a European semi-Other, a barbaric and primitive “Other within” (Todorova). The image of the “noble savage” in the exotic vision, which sets the world in binary oppositions, is used and reinterpreted by the artists of the (pre) Avant-Garde. The movement's inherent impulse to resist and re-evaluate traditional aesthetics, history and institutions, as well as to transgressively redefine both the instances of authorship and the criteria for creating and evaluating artworks, is evident in the way barbarism and primitivism are used as counterparts to the bourgeois normative value system. Their artistic texts and performances have an inherent orientation towards the primitive and the barbaric, which are traditionally presented in opposition to Western culture and civilisation, i.e. the politics of globalisation. At the level of artistic transgression, this transposed “otherness” is treated as a dialogical opponent, an object of fascination and identification, and a site of appropriation of time. This article deals with the way the primitive and the barbaric were treated in the Yugoslav avant-garde, either in some collective undertakings (Zenitism, Surrealism) or in individual creations (Ujević, Krleža). This topic will be addressed in three steps: 1. in the context of reflections on literature as a response to geopolitical prejudices (stereotypes); more specifically, in the concepts of the centre (especially Eurocentrism), civilisation and primitivism; 2. in a consideration of the use of primitivism, barbarism and bohemianism as expressions of aesthetic and public (political) resistance to regulated social practises and value systems; 3. an interpretation of these phenomena in the context of either imaginary or actual literary and social transformations.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":"29 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138994232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24296
Natko Martinić Jerčić
Based on archival sources and relevant literature, this paper portrays political circumstances and security situation in Western Slavonia from 1989, that is, from collapse of the communist systems in Europe and destabilisation of Yugoslavia by the political leadership of the Socialist Republic of Serbia, up until August 1991 when the overt Greater-Serbian Aggression started in Western Slavonia. Democratic processes in Europe also seized western Yugoslav republics, Slovenia and Croatia. These republics advocated either the restructure of Yugoslavia as a confederal state, or their independence in case that the political agreement with other republics about common state system was not feasible. Conversely, Serbian political leadership’s goal, supported by pro-Serbian oriented leadership of the federal Yugoslav People’s Army, was to impose Yugoslavia as a centralized state under the domination of Serbs, as the most numerous Yugoslav nation. After this policy failed, Serbian leadership attempted to create Greater Serbia which would comprise all territories which Serbian leadership considered as historically and ethnically a Serbian territory. Among others, that also included Western Slavonia where a certain part of population were ethnic Serbs. Part of these Serbs, as well as ethnic Serbs in certain other parts of Croatia, supported by Belgrade, gradually commenced rebellion against the Croatian authorities. Insurgency was led by representatives of Serbian Democratic Party whose centre was in town Knin. In the first phase of destabilisation the emphasis was on the thesis that the Serbs were endangered in Western Slavonia, in order to radicalize as many as possible, which was successfully implemented, and finally led to terrorist actions culminating with the open aggression in Western Slavonia.
{"title":"Political circumstances and security situation in Western Slavonia on the eve of the Greater-Serbian Aggression in 1991","authors":"Natko Martinić Jerčić","doi":"10.22586/review.v18i1.24296","DOIUrl":"https://doi.org/10.22586/review.v18i1.24296","url":null,"abstract":"Based on archival sources and relevant literature, this paper portrays political circumstances and security situation in Western Slavonia from 1989, that is, from collapse of the communist systems in Europe and destabilisation of Yugoslavia by the political leadership of the Socialist Republic of Serbia, up until August 1991 when the overt Greater-Serbian Aggression started in Western Slavonia. Democratic processes in Europe also seized western Yugoslav republics, Slovenia and Croatia. These republics advocated either the restructure of Yugoslavia as a confederal state, or their independence in case that the political agreement with other republics about common state system was not feasible. Conversely, Serbian political leadership’s goal, supported by pro-Serbian oriented leadership of the federal Yugoslav People’s Army, was to impose Yugoslavia as a centralized state under the domination of Serbs, as the most numerous Yugoslav nation. After this policy failed, Serbian leadership attempted to create Greater Serbia which would comprise all territories which Serbian leadership considered as historically and ethnically a Serbian territory. Among others, that also included Western Slavonia where a certain part of population were ethnic Serbs. Part of these Serbs, as well as ethnic Serbs in certain other parts of Croatia, supported by Belgrade, gradually commenced rebellion against the Croatian authorities. Insurgency was led by representatives of Serbian Democratic Party whose centre was in town Knin. In the first phase of destabilisation the emphasis was on the thesis that the Serbs were endangered in Western Slavonia, in order to radicalize as many as possible, which was successfully implemented, and finally led to terrorist actions culminating with the open aggression in Western Slavonia.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46991829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24286
Željko Heimer
Milan Sunko (Zidani Most, 5 December 1860 – Zagreb, 9 March 1891) was a heraldic artist, numismatist, and collector, who studied and started his carrer in Vienna working with the most renowned heraldists of the “classical” Austrian heraldic period. He moved to Zagreb where he made number of well received paintings and graphics and was supported by the intelectual elite of the fastly developing city. His brief spectacular carrier was abruptly ended by laryngeal tuberculosis, and he died in his 31st year. His works are preserved in several museums and galleries in Zagreb, and his heraldic lithographs and ex libris bookplates are remembered in specialized bibliography. However, the Croatian heraldic historiography has forgotten all about him and this paper attempts to remedy this. After the establishment of the Brotherhood of Croatian Dragon Society – one of its founders being Emilij Laszowski, notable Croatian heraldist; it took upon a project to preserve Sunko’s grave, exhuming his remains and providing a modest but dignified grave for him at the Zagreb cemetary in 1910. To achieve that, the Draconian Society raised funds in an international action, activating his foreign friends and fans, documenting the project in respectable heraldic periodicals.
{"title":"Milan Sunko","authors":"Željko Heimer","doi":"10.22586/review.v18i1.24286","DOIUrl":"https://doi.org/10.22586/review.v18i1.24286","url":null,"abstract":"Milan Sunko (Zidani Most, 5 December 1860 – Zagreb, 9 March 1891) was a heraldic artist, numismatist, and collector, who studied and started his carrer in Vienna working with the most renowned heraldists of the “classical” Austrian heraldic period. He moved to Zagreb where he made number of well received paintings and graphics and was supported by the intelectual elite of the fastly developing city. His brief spectacular carrier was abruptly ended by laryngeal tuberculosis, and he died in his 31st year. His works are preserved in several museums and galleries in Zagreb, and his heraldic lithographs and ex libris bookplates are remembered in specialized bibliography. However, the Croatian heraldic historiography has forgotten all about him and this paper attempts to remedy this. After the establishment of the Brotherhood of Croatian Dragon Society – one of its founders being Emilij Laszowski, notable Croatian heraldist; it took upon a project to preserve Sunko’s grave, exhuming his remains and providing a modest but dignified grave for him at the Zagreb cemetary in 1910. To achieve that, the Draconian Society raised funds in an international action, activating his foreign friends and fans, documenting the project in respectable heraldic periodicals.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44446168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24276
Petra Plantosar
The paper explains the distribution, based on sources and historiographical works, of settlements on the Vérvár and Otok estate in the Vukovo County in Hungarian-Croatian Kingdom in the Late Middle Ages. The central part of the paper is the analysis of medieval documents with lists of settlements from 1437, 1446 and 1476. A brief overview of the ownership of the estate was made and the issue of the Selna estate becoming property of the Otok estate was presented. According to the lists of settlements and the years stated in them, geographical maps of the estate were made.
{"title":"Topography of the Vérvár and Otok estate in the Late Middle Ages","authors":"Petra Plantosar","doi":"10.22586/review.v18i1.24276","DOIUrl":"https://doi.org/10.22586/review.v18i1.24276","url":null,"abstract":"The paper explains the distribution, based on sources and historiographical works, of settlements on the Vérvár and Otok estate in the Vukovo County in Hungarian-Croatian Kingdom in the Late Middle Ages. The central part of the paper is the analysis of medieval documents with lists of settlements from 1437, 1446 and 1476. A brief overview of the ownership of the estate was made and the issue of the Selna estate becoming property of the Otok estate was presented. According to the lists of settlements and the years stated in them, geographical maps of the estate were made.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45704966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24285
A. Feldman
This paper intends to explain not only the origins of the modern woman in a changing political and social environment in a newly established state after First World War, but also the development of ideas formulated by women in their intellectual endeavors, through their influence and criticism, and their hopes and expectations of the new state. It focuses on Croat and South Slavic spaces in the process of unification of the State of Serbs, Croats and Slovenes in 1918 (called the Kingdom of SHS, Kingdom of Yugoslavia from 1929). This period saw the unprecedented involvement of women in political and public life with the aim of achieving political and legal equality. Examining the complex structural changes that took place amidst great economic, social, and political commotion, the paper encompasses the personalities and ideas that challenged the established understanding of the status of women and analyses the ways and forms of some of their social and public actions. The most important among them was Zovka Kveder Demetrović, a journalist and editor of a prominent women’s magazine Ženski svijet/Jugoslavenska žena [Women’s World/The Yugoslav Woman] whose advocacy of women’s issues is the focus of this paper. It informs the reader on new possibilities of understanding the intellectual and political contribution of women, and identifies the most important, if generally unknown, women authors from the region whose work contributed to the general advancement of women’s issues in the aftermath of First World War.
{"title":"New women in a new state","authors":"A. Feldman","doi":"10.22586/review.v18i1.24285","DOIUrl":"https://doi.org/10.22586/review.v18i1.24285","url":null,"abstract":"This paper intends to explain not only the origins of the modern woman in a changing political and social environment in a newly established state after First World War, but also the development of ideas formulated by women in their intellectual endeavors, through their influence and criticism, and their hopes and expectations of the new state. It focuses on Croat and South Slavic spaces in the process of unification of the State of Serbs, Croats and Slovenes in 1918 (called the Kingdom of SHS, Kingdom of Yugoslavia from 1929). This period saw the unprecedented involvement of women in political and public life with the aim of achieving political and legal equality. Examining the complex structural changes that took place amidst great economic, social, and political commotion, the paper encompasses the personalities and ideas that challenged the established understanding of the status of women and analyses the ways and forms of some of their social and public actions. The most important among them was Zovka Kveder Demetrović, a journalist and editor of a prominent women’s magazine Ženski svijet/Jugoslavenska žena [Women’s World/The Yugoslav Woman] whose advocacy of women’s issues is the focus of this paper. It informs the reader on new possibilities of understanding the intellectual and political contribution of women, and identifies the most important, if generally unknown, women authors from the region whose work contributed to the general advancement of women’s issues in the aftermath of First World War.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44862186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24297
Mijo Beljo, Hrvoje Mandić
The authors analyze events that have occurred in the municipality of Konjic throughout the March and April of 1993. Special emphasis was placed on crimes committed against the Croatian population of that municipality. In the early morning of April 16, 1993, Army of the Republic of Bosnia and Herzegovina (BiH) committed a war crime in the northern Herzegovinian village of Trusina, where 22 Croatian civilians and captured Croatian Defence Council (HVO) soldiers were killed. This crime was the result of a previously planned attack by the Army of BiH on the Croatian population and the HVO in the Konjic municipality, which began on April 14, 1993. The main attacking forces of the Army of BiH on the village Trusina on April 16, 1993, were members of the Zulfikar Special Purposes Detachment . They were under the direct command of the Supreme Command Staff (SVC) (i.e., General Staff of the Army of BiH) from their formation to just a few days before the crime in Trusina was committed. They have then become an integral part of the 1st Corps of the Army of BiH based in Sarajevo. As an integral part of the 1st Corps, members of the Zulfikar Special Purposes Detachment became the main perpetrators of a previously planned attack and war crime against the Croatian population of Trusina.
{"title":"Background and chronology of the crimes committed by the Army of Bosnia and Herzegovina in the village of Trusina on April 16, 1993","authors":"Mijo Beljo, Hrvoje Mandić","doi":"10.22586/review.v18i1.24297","DOIUrl":"https://doi.org/10.22586/review.v18i1.24297","url":null,"abstract":"The authors analyze events that have occurred in the municipality of Konjic throughout the March and April of 1993. Special emphasis was placed on crimes committed against the Croatian population of that municipality. In the early morning of April 16, 1993, Army of the Republic of Bosnia and Herzegovina (BiH) committed a war crime in the northern Herzegovinian village of Trusina, where 22 Croatian civilians and captured Croatian Defence Council (HVO) soldiers were killed. This crime was the result of a previously planned attack by the Army of BiH on the Croatian population and the HVO in the Konjic municipality, which began on April 14, 1993. The main attacking forces of the Army of BiH on the village Trusina on April 16, 1993, were members of the Zulfikar Special Purposes Detachment . They were under the direct command of the Supreme Command Staff (SVC) (i.e., General Staff of the Army of BiH) from their formation to just a few days before the crime in Trusina was committed. They have then become an integral part of the 1st Corps of the Army of BiH based in Sarajevo. As an integral part of the 1st Corps, members of the Zulfikar Special Purposes Detachment became the main perpetrators of a previously planned attack and war crime against the Croatian population of Trusina.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43392386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-14DOI: 10.22586/review.v18i1.24279
Marija Gjurašić
The paper analyses land property relations on the island of Mljet in the 19th century based on the information from different sources, especially from cadastre, land registry documentation and inherited estates. In order to understand them, the paper shows in detail the situation in other parts of Dalmatia at the time, but also their genesis on the island beginning from the 14th century. A special attention is paid to understanding the differences related to land property relations on the eastern and western part of Mljet in the 19th century.
{"title":"Agrarian relations on the island of Mljet in the 19th century","authors":"Marija Gjurašić","doi":"10.22586/review.v18i1.24279","DOIUrl":"https://doi.org/10.22586/review.v18i1.24279","url":null,"abstract":"The paper analyses land property relations on the island of Mljet in the 19th century based on the information from different sources, especially from cadastre, land registry documentation and inherited estates. In order to understand them, the paper shows in detail the situation in other parts of Dalmatia at the time, but also their genesis on the island beginning from the 14th century. A special attention is paid to understanding the differences related to land property relations on the eastern and western part of Mljet in the 19th century.","PeriodicalId":37870,"journal":{"name":"Review of Croatian History","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44099581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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