The kingdom of God is an important subject for theology and for a Christian worldview. As one of the most influential theologians of the twentieth century, George Eldon Ladd is arguably the father of the widely held ‘already but not yet’ view of the kingdom. Ladd contends that the kingdom can be both present and future at the same. The key to Ladd’s theory is his definition of the kingdom. If the kingdom can be present and future at the same time, Ladd realises that logically it cannot also be so in the same sense. Therefore, he postulates that Jesus offered a new and unexpected form of the kingdom, arguing that the New Testament radically reinterprets the Old Testament and calling this the mystery of the kingdom. This article critiques Ladd’s definition of the kingdom. The kingdom cannot logically be present and future at the same time. Moreover, Jesus did not offer a new ‘form’ of the kingdom. Regarding the mediatorial kingdom of God, the missing key is the word ‘conditional’.
{"title":"A Critique of Ladd’s ‘Already but not Yet’ View of the Kingdom","authors":"Jacob J Scholtz","doi":"10.19108/koers...2531","DOIUrl":"https://doi.org/10.19108/koers...2531","url":null,"abstract":"The kingdom of God is an important subject for theology and for a Christian worldview. As one of the most influential theologians of the twentieth century, George Eldon Ladd is arguably the father of the widely held ‘already but not yet’ view of the kingdom. Ladd contends that the kingdom can be both present and future at the same. The key to Ladd’s theory is his definition of the kingdom. If the kingdom can be present and future at the same time, Ladd realises that logically it cannot also be so in the same sense. Therefore, he postulates that Jesus offered a new and unexpected form of the kingdom, arguing that the New Testament radically reinterprets the Old Testament and calling this the mystery of the kingdom. This article critiques Ladd’s definition of the kingdom. The kingdom cannot logically be present and future at the same time. Moreover, Jesus did not offer a new ‘form’ of the kingdom. Regarding the mediatorial kingdom of God, the missing key is the word ‘conditional’.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77259380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-09DOI: 10.19108/koers.87.1.2534
R. Haines, Casper Lötter
More critical approaches are required in understanding the dynamics of creative economy and the interplay between its social, political and economic dimensions. Among the key contributions to the economic analysis of the creative economy are economist David Throsby, including his concept of ‘cultural capital’. This concept provides new ways of thinking of culture and value, primarily within a defined economic discourse. We also consider the work of Pierre Bourdieu on cultural capital and suggest that some form of synthesis of the two approach opens up possibilities. For one, such an exercise opens up debates within the academic discipline of economics, and secondly it allows fruitful interaction between economics and other social science discourses both disciplinary and transdisciplinary. It also provides us with understanding of the workings of the global economy and at a more abstruse level, to the ways in which contemporary capitalism is structured within the global economy.
{"title":"Bridging the Divide in Cultural Capital? A Tale of Two Capitals","authors":"R. Haines, Casper Lötter","doi":"10.19108/koers.87.1.2534","DOIUrl":"https://doi.org/10.19108/koers.87.1.2534","url":null,"abstract":"More critical approaches are required in understanding the dynamics of creative economy and the interplay between its social, political and economic dimensions. Among the key contributions to the economic analysis of the creative economy are economist David Throsby, including his concept of ‘cultural capital’. This concept provides new ways of thinking of culture and value, primarily within a defined economic discourse. We also consider the work of Pierre Bourdieu on cultural capital and suggest that some form of synthesis of the two approach opens up possibilities. For one, such an exercise opens up debates within the academic discipline of economics, and secondly it allows fruitful interaction between economics and other social science discourses both disciplinary and transdisciplinary. It also provides us with understanding of the workings of the global economy and at a more abstruse level, to the ways in which contemporary capitalism is structured within the global economy.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"80 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73591578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-25DOI: 10.19108/koers.87.1.2533
Janawi
This article investigates the construction of the religious identity of the indigenous Orang Lom of Mapur Bangka, Indonesia, and its transformation during contact with state formal religions of Indonesia. This research is ethnographically based on the observation and separate interviews involving key figures of the tribe, such as the Customary Chairperson, and the numerous members of the tribe. The result of the study indicated that Orang Lom still maintains their beliefs and the tribal cultural practice are still dominant. The contiguity between Orang Lom belief and formal religions particularly Islam has implications for non-sacred cultural practices, while sacred practices are still well preserved.
{"title":"Contemporary Orang Lom of Mapur Bangka: Religious Identity and Its Transformation","authors":"Janawi","doi":"10.19108/koers.87.1.2533","DOIUrl":"https://doi.org/10.19108/koers.87.1.2533","url":null,"abstract":"This article investigates the construction of the religious identity of the indigenous Orang Lom of Mapur Bangka, Indonesia, and its transformation during contact with state formal religions of Indonesia. This research is ethnographically based on the observation and separate interviews involving key figures of the tribe, such as the Customary Chairperson, and the numerous members of the tribe. The result of the study indicated that Orang Lom still maintains their beliefs and the tribal cultural practice are still dominant. The contiguity between Orang Lom belief and formal religions particularly Islam has implications for non-sacred cultural practices, while sacred practices are still well preserved.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76194708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-22DOI: 10.19108/koers.87.1.2510
Steve Bishop
This paper explores Kuyper’s approach to evolution and evolutionism. He was opposed to evolutionism as it has roots in monism and pantheism; it promotes atheism. However, he did leave the way open to support some form of evolution that was guided by God and not random chance.
{"title":"Abraham Kuyper and evolution","authors":"Steve Bishop","doi":"10.19108/koers.87.1.2510","DOIUrl":"https://doi.org/10.19108/koers.87.1.2510","url":null,"abstract":"This paper explores Kuyper’s approach to evolution and evolutionism. He was opposed to evolutionism as it has roots in monism and pantheism; it promotes atheism. However, he did leave the way open to support some form of evolution that was guided by God and not random chance.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85643610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-03DOI: 10.19108/koers.87.1.2532
V. d'Assonville
The discussion of the Messiah in the Old Testament has always been very significant. Matters like the relationship between Old and New Testament, the view of Christ, especially regarding his divine nature, revelation, the view of Scripture etc. – all of these aspects are crucial for the confessions of the church. Considering Calvin’s accentuation on Christology in his theology as such and not least bearing his high regard for the Book of the Psalms in mind, a study of his reflections on Psalm 110:1 is most appropriate for getting more insight in his exegesis. In Calvin’s exposition of Psalm 110:1 Calvin emphasises the significance and consequences for the church (as well as for the world) of Yahweh saying to the Lord Christ that He will be raised to the right hand of the Father, and that his enemies will be subjected beneath his feet. An analysis of Calvin’s exegesis shows his respect of the frame Christ Himself provided when He referred to Psalm 110:1 in Matthew 22 and Mark 12. Calvin thus remains faithful to the text being expounded, but – as always – he does so within the context of the whole history of revelation.
{"title":"“The perpetuity of Christ’s reign ...” Calvin’s interpretation of Psalm 110:1","authors":"V. d'Assonville","doi":"10.19108/koers.87.1.2532","DOIUrl":"https://doi.org/10.19108/koers.87.1.2532","url":null,"abstract":"The discussion of the Messiah in the Old Testament has always been very significant. Matters like the relationship between Old and New Testament, the view of Christ, especially regarding his divine nature, revelation, the view of Scripture etc. – all of these aspects are crucial for the confessions of the church. Considering Calvin’s accentuation on Christology in his theology as such and not least bearing his high regard for the Book of the Psalms in mind, a study of his reflections on Psalm 110:1 is most appropriate for getting more insight in his exegesis. In Calvin’s exposition of Psalm 110:1 Calvin emphasises the significance and consequences for the church (as well as for the world) of Yahweh saying to the Lord Christ that He will be raised to the right hand of the Father, and that his enemies will be subjected beneath his feet. An analysis of Calvin’s exegesis shows his respect of the frame Christ Himself provided when He referred to Psalm 110:1 in Matthew 22 and Mark 12. Calvin thus remains faithful to the text being expounded, but – as always – he does so within the context of the whole history of revelation.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87888194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-08DOI: 10.19108/koers.86.1.2518
Antoinette Olivier
Opsomming Die vorige artikel in hierdie tweedelige bespreking van Werner Nel se pedagogiek as sangonderwyser het daarop gefokus om ʼn agtergrond en oorsig van die bel canto sangtegniek te bied, spesifiek soos dit te make het met die begrip appoggio. Die eerste artikel het hoofsaaklik metodologiese kwessies van die huidige studie uiteengesit en en ʼn oorsig van internasionaal-gepubliseerde literatuur oor bel canto en appoggio saamgevat. Hierdie tweede artikel lewer verslag oor en bespreek die kwalitatiewe onderhoude wat met Werner Nel en sy studente gevoer is oor bel canto en appoggio. Die bevindinge van hierdie studie dui daarop dat Nel se benadering tot appoggio (en die bedoelde asemhalingstegnieke vir esteties bevredigende klankproduksie) grootliks ooreengestem het met besprekings daarvan in die relevante vakliteratuur. Die artikel sluit af met enkele gedagtes rondom die sosiokulturele belang en betekenis van hierdie ooreenstemming tussen Nel se sangonderrigbeginsels, sy studente se metode van opera sing en die tersaaklike vakliteratuur. “It is more about the juggling of your muscles”: Insights regarding the concept of appoggio as derived from qualitative interviews with Werner Nel and his former students (Article 2) Abstract The previous article in this two-part discussion of Werner Nel’s pedagogy as a singing teacher focused on presenting background and an overview of the bel canto singing technique, specifically as relates to the concept of appoggio. Its main ambit was to outline the methodology used for this study and to give an overview of the literature published internationally on bel canto and appoggio. This second article reports on and discusses the qualitative interviews conducted with Werner Nel and his students concerning bel canto and appoggio. The findings of this study indicate that Nel’s approach to appoggio (and the intended breathing techniques for aesthetically pleasing sound production) largely correlated with discussions of appoggio in the relevant subject literature. The article concludes with some thoughts concerning the sociocultural importance and meaning of this correlation between Nel’s principles for teaching singing, his students’ method for singing opera and the relevant subject literature.
{"title":"“Dit is meer ʼn ge-juggle met jou spiere”: Insigte oor die begrip appoggio vanuit kwalitatiewe onderhoude met Werner Nel en sy voormalige studente (artikel 2)","authors":"Antoinette Olivier","doi":"10.19108/koers.86.1.2518","DOIUrl":"https://doi.org/10.19108/koers.86.1.2518","url":null,"abstract":"Opsomming\u0000Die vorige artikel in hierdie tweedelige bespreking van Werner Nel se pedagogiek as sangonderwyser het daarop gefokus om ʼn agtergrond en oorsig van die bel canto sangtegniek te bied, spesifiek soos dit te make het met die begrip appoggio. Die eerste artikel het hoofsaaklik metodologiese kwessies van die huidige studie uiteengesit en en ʼn oorsig van internasionaal-gepubliseerde literatuur oor bel canto en appoggio saamgevat. Hierdie tweede artikel lewer verslag oor en bespreek die kwalitatiewe onderhoude wat met Werner Nel en sy studente gevoer is oor bel canto en appoggio. Die bevindinge van hierdie studie dui daarop dat Nel se benadering tot appoggio (en die bedoelde asemhalingstegnieke vir esteties bevredigende klankproduksie) grootliks ooreengestem het met besprekings daarvan in die relevante vakliteratuur. Die artikel sluit af met enkele gedagtes rondom die sosiokulturele belang en betekenis van hierdie ooreenstemming tussen Nel se sangonderrigbeginsels, sy studente se metode van opera sing en die tersaaklike vakliteratuur.\u0000\u0000“It is more about the juggling of your muscles”: Insights regarding the concept of appoggio as derived from qualitative interviews with Werner Nel and his former students (Article 2)\u0000Abstract\u0000The previous article in this two-part discussion of Werner Nel’s pedagogy as a singing teacher focused on presenting background and an overview of the bel canto singing technique, specifically as relates to the concept of appoggio. Its main ambit was to outline the methodology used for this study and to give an overview of the literature published internationally on bel canto and appoggio. This second article reports on and discusses the qualitative interviews conducted with Werner Nel and his students concerning bel canto and appoggio. The findings of this study indicate that Nel’s approach to appoggio (and the intended breathing techniques for aesthetically pleasing sound production) largely correlated with discussions of appoggio in the relevant subject literature. The article concludes with some thoughts concerning the sociocultural importance and meaning of this correlation between Nel’s principles for teaching singing, his students’ method for singing opera and the relevant subject literature.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73809902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-08DOI: 10.19108/koers.86.1.2517
Antoinette Olivier
Opsomming Gedurende sy vaste ampstermyn (1974–2010) as sangdosent by die Skool vir Musiek van die Potchefstroomse Universiteit vir Christelike Hoër Onderwys – sedert 2004 bekend as die Noordwes-Universiteit (Potchefstroomkampus) – is Werner Nel verantwoordelik vir die tegniese ontwikkeling wat sangstudente sou benodig om vokale kunsmusiek in die Europese tradisie uit te voer. Hierdie artikel ondersoek die stemtegniese beginsels wat Nel gebruik het om sy studente op te lei, met spesiale verwysing na die sentrale en kennelik moeilike begrip appoggio. Laasgenoemde is ʼn kernbelangrike stemtegniese en -estetiese ideaal van die bel canto sangtegniek en dit word gevolglik in hierdie artikel as vertrekpunt gebruik om Nel se onderrigmetodes, onderrigbeginsels of opvoedkundige benadering rakende effektiewe asemhaling vir esteties bevredigende klankproduksie in oënskou te neem. Die metodes van data-insameling vir hierdie enkele, beskrywende gevallestudie sluit beide ʼn tradisionele en sistematiese literatuuroorsig van die bel canto sangtegniek in, sommige van Nel se handgeskrewe en getikte dokumente, asook semi-gestruktureerde onderhoude met Nel en geselekteerde deelnemers wat by hom gestudeer het en wat huidig professioneel werk as sangers en pedagoë. Abstract During his fixed tenure (1974–2010) as singing lecturer at the School for Music of the Potchefstroom University for Christian Higher Education – known as the North-West University (Potchefstroom campus) since 2004 – Werner Nel was responsible for the technical development that singing students would need to perform vocal art music in the European tradition. This article investigates the voice-technical principles that Nel used to teach his students, with special reference to the fundamental and admittedly difficult concept appoggio. The latter is a voice-technical and aesthetic ideal of core importance for the bel canto singing technique and accordingly it is used in this article as a point of departure to examine Nel’s teaching methods, teaching principles or educational approach concerning effective breathing for aesthetically pleasing sound production. The methods of data collection for this single, descriptive case study includes both a traditional and systematic literature overview of the bel canto singing technique, some of Nel’s handwritten and typed documents, as well as semi-structured interviews with Nel and selected participants who studied with him and who currently work professionally as singers and pedagogues.
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Pub Date : 2021-07-28DOI: 10.19108/koers.86.1.2504
Steve Bishop
This article looks at new works published in 2020 by or about the Dutch polymath Abraham Kuyper (1837-1920). Hierdie artikel kyk na nuwe werk gepubliseer in 2020 deur of oor die Nederlandse polimaat Abraham Kuyper (1837-1920).
{"title":"Kuyperania 2020","authors":"Steve Bishop","doi":"10.19108/koers.86.1.2504","DOIUrl":"https://doi.org/10.19108/koers.86.1.2504","url":null,"abstract":"This article looks at new works published in 2020 by or about the Dutch polymath Abraham Kuyper (1837-1920).\u0000\u0000Hierdie artikel kyk na nuwe werk gepubliseer in 2020 deur of oor die Nederlandse polimaat Abraham Kuyper (1837-1920).","PeriodicalId":38057,"journal":{"name":"Koers","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89324048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-28DOI: 10.19108/koers.86.1.2513
L. Combrink
The notion of thresholds and their potential to suggest liminality is usually associated with spatialities. However, I contend this notion can be extended to layered temporal thresholds and temporal liminalities. I present this argument, using postclassical narratological concepts as theoretical framework, with reference to the South African artist Jan van der Merwe’s installation artwork Eclipse (2002). In this work, various spatial thresholds can be distinguished that relate to issues of conflict, mourning, exclusion, surveillance and the suggestion of death. This is achieved by means of a no man’s land experienced when entering the artwork, where the viewer-participant finds him or herself compelled to follow a footpath surrounded by barbed wire on which clothes made of rusted metal are suspended. This journey culminates in a wall that presents three screens showing rose petals being dropped, as if into a grave. Various possible places suggest themselves: refugee camps, concentration camps, war zones and a cemetery. I argue that these spatialities are made possible by temporal thresholds that accompany them. Apart from the patina of the rusted material that suggest the passing of time, the moving flower petals in the screens repeat constantly to create not only liminal temporalities in terms of the artwork at large, but also an iterative sense of the ongoing culmination of these temporalities in death. Opsomming Die idee van drempels en hul potensiaal om die liminale te suggereer word tipies met ruimtelikhede geassosieer. Desnieteenstaande voer ek aan dat hierdie gedagte verbreed kan word na gelaagde tydmatige drempels en tydmatige liminaliteite. Ek bied hierdie argument vanuit die kader van postklassieke narratologie as teoretiese raamwerk en met verwysing na die Suid-Afrikaanse kunstenaar Jan van der Merwe se installasiekunswerk Eclipse (2002). In hierdie werk kan ʼn aantal tydmatige drumpels onderskei word wat telkens kwessies van konflik, bewening, uitsluiting, dophou en die suggestie van dood aan die hand doen. Dit word bewerkstelling deur die ervaring van ʼn niemandsland wanneer die kunswerk betree word, omdat die aanskouer-deelnemer noodgedwonge ʼn voetpaadjie moet volg wat deur doringdraad omhul is en waarop klere wat uit geroeste metaal gesuspendeer is. Hierdie reis kulmineer in ʼn muur waarop drie skerms gemonteer het wat roosblare toon, asof in ʼn graf. Daar word gesinspeel op verskeie moontlike plekke: vlugtelingkampe, konsentrasiekampe, oorloggebiede en ʼn begraafplaas. Ek voer aan dat hierdie ruimtelikhede moontlik gemaak word deur tydmatige drumpels wat hand aan hand met die ruimtes gesuggereer word. Benewens die patina van die geroeste materiaal wat verband hou met die verloop van tyd, stel die herhalende beweging van die blomblare in die skerms ook liminale tydsfere aan die orde binne die kunswerk as geheel, en dryf ook – op iteratiewe wyse – hierdie tydsfere op die spits om ʼn suggestie van die dood aan die hand te doen.
阈值的概念及其暗示阈限的潜力通常与空间性有关。然而，我认为这个概念可以扩展到分层的时间阈值和时间阈限。我以后古典叙事学概念作为理论框架，参照南非艺术家Jan van der Merwe的装置作品《Eclipse》(2002)，提出了这一论点。在这项工作中，可以区分出与冲突、哀悼、排斥、监视和死亡暗示有关的各种空间阈值。这是通过进入艺术品时体验到的无人区来实现的，在那里，观众参与者发现他或她被迫沿着被铁丝网包围的人行道行走，铁丝网上悬挂着由生锈的金属制成的衣服。这段旅程在一堵墙上达到高潮，墙上有三个屏幕，显示玫瑰花瓣掉落，仿佛进入坟墓。各种可能的地点浮现出来:难民营、集中营、战区和墓地。我认为，这些空间性是由伴随它们的时间阈值造成的。除了锈迹斑斑的材料暗示着时间的流逝，屏风中移动的花瓣不断重复，不仅创造了整个艺术作品的有限时间性，而且还创造了这些时间性在死亡中不断达到高潮的迭代感。OpsommingDie的想法甚至可以消除潜在的可能性，因为建议的词会被认为是一种可能。19岁以上的青少年在一周的时间里都是标准的，他们的数据等级是不同的，他们的等级是不同的。他将“后古典叙事”定义为“现代叙事”，并将“现代叙事”定义为“现代叙事”，并将“现代叙事”定义为“现代叙事”。在分级工作中，典型的鼓点解释了与kwessies van konflik, between, uitsluiting, dophouen die有关的单词，暗示了van wood和die hand doen。如果是“werkstelling deur die ervering van nened”和“wanneer die kunswerk”这两个词，“omdat die”和“deelnemer”、“voetpaadjie”、“volg”和“deelnemer”这两个词的意思是“werkstelling”和“die ervering”。Hierdie reis kulmineer在德国，在德国，在德国，在德国，在德国，在德国，在德国。例如:vlugtelingkampe, konsentrasiekampe, oorloggebiede en begraafplaas。这句话的意思是:“手和手相遇的时候，手和手相遇的时候，手和手相遇了。”本论文提出了一种新型的模具成型材料:模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料、模具成型材料等。
{"title":"Spatial and temporal thresholds in installation art: Jan van der Merwe’s Eclipse","authors":"L. Combrink","doi":"10.19108/koers.86.1.2513","DOIUrl":"https://doi.org/10.19108/koers.86.1.2513","url":null,"abstract":"The notion of thresholds and their potential to suggest liminality is usually associated with spatialities. However, I contend this notion can be extended to layered temporal thresholds and temporal liminalities. I present this argument, using postclassical narratological concepts as theoretical framework, with reference to the South African artist Jan van der Merwe’s installation artwork Eclipse (2002). In this work, various spatial thresholds can be distinguished that relate to issues of conflict, mourning, exclusion, surveillance and the suggestion of death. This is achieved by means of a no man’s land experienced when entering the artwork, where the viewer-participant finds him or herself compelled to follow a footpath surrounded by barbed wire on which clothes made of rusted metal are suspended. This journey culminates in a wall that presents three screens showing rose petals being dropped, as if into a grave. Various possible places suggest themselves: refugee camps, concentration camps, war zones and a cemetery. I argue that these spatialities are made possible by temporal thresholds that accompany them. Apart from the patina of the rusted material that suggest the passing of time, the moving flower petals in the screens repeat constantly to create not only liminal temporalities in terms of the artwork at large, but also an iterative sense of the ongoing culmination of these temporalities in death.\u0000Opsomming\u0000Die idee van drempels en hul potensiaal om die liminale te suggereer word tipies met ruimtelikhede geassosieer. Desnieteenstaande voer ek aan dat hierdie gedagte verbreed kan word na gelaagde tydmatige drempels en tydmatige liminaliteite. Ek bied hierdie argument vanuit die kader van postklassieke narratologie as teoretiese raamwerk en met verwysing na die Suid-Afrikaanse kunstenaar Jan van der Merwe se installasiekunswerk Eclipse (2002). In hierdie werk kan ʼn aantal tydmatige drumpels onderskei word wat telkens kwessies van konflik, bewening, uitsluiting, dophou en die suggestie van dood aan die hand doen. Dit word bewerkstelling deur die ervaring van ʼn niemandsland wanneer die kunswerk betree word, omdat die aanskouer-deelnemer noodgedwonge ʼn voetpaadjie moet volg wat deur doringdraad omhul is en waarop klere wat uit geroeste metaal gesuspendeer is. Hierdie reis kulmineer in ʼn muur waarop drie skerms gemonteer het wat roosblare toon, asof in ʼn graf. Daar word gesinspeel op verskeie moontlike plekke: vlugtelingkampe, konsentrasiekampe, oorloggebiede en ʼn begraafplaas. Ek voer aan dat hierdie ruimtelikhede moontlik gemaak word deur tydmatige drumpels wat hand aan hand met die ruimtes gesuggereer word. Benewens die patina van die geroeste materiaal wat verband hou met die verloop van tyd, stel die herhalende beweging van die blomblare in die skerms ook liminale tydsfere aan die orde binne die kunswerk as geheel, en dryf ook – op iteratiewe wyse – hierdie tydsfere op die spits om ʼn suggestie van die dood aan die hand te doen.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77578957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-08DOI: 10.19108/koers.86.1.2482
B. Lekubu, O. Sibanda
This paper examines the relationship between morals, ethics, public administration and corruption. The argument advanced is that morals and ethics are antidotes for bureaucratic corruption in public service and administration. Currently there seems to be low ethics and morality in public service and administration in South Africa. The discussions in this paper consider the obligations under the South African National Development plan 2030, African Union Convention on Preventing and Combating Corruption, the African Charter on Values and Principles of Public Service and Administration, and the African Charter on the Values and Principles of Decentralization, Local Governance and Local Development for a corruption free and ethical public service and administration.
{"title":"Moral Values and Ethics as Antidotes for Corruption in the South African Public Service and Administration","authors":"B. Lekubu, O. Sibanda","doi":"10.19108/koers.86.1.2482","DOIUrl":"https://doi.org/10.19108/koers.86.1.2482","url":null,"abstract":"This paper examines the relationship between morals, ethics, public administration and corruption. The argument advanced is that morals and ethics are antidotes for bureaucratic corruption in public service and administration. Currently there seems to be low ethics and morality in public service and administration in South Africa. The discussions in this paper consider the obligations under the South African National Development plan 2030, African Union Convention on Preventing and Combating Corruption, the African Charter on Values and Principles of Public Service and Administration, and the African Charter on the Values and Principles of Decentralization, Local Governance and Local Development for a corruption free and ethical public service and administration.","PeriodicalId":38057,"journal":{"name":"Koers","volume":"155 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84961007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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