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Procopius's Sibyl - the fall of Vitigis and the Ostrogoths 普罗科匹厄斯的《西比尔》——维提吉斯和东哥特人的灭亡
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5817/glb2019-2-8
Tamás Kovács
The monumental work of Procopius on Justinian’s wars includes two Sibylline oracles. As is often the case, the oracles are ambiguous; however, it is precisely this feature that helps to reveal their real meaning. As a consequence, the oracles can also aid researchers in understanding the basis of Byzantine political thought. This essay discusses the connotations of the Sibylline oracle in 537 through classical text analysis, revealing that Procopius used archaic ethnonyms and royal titles to draw a parallel between the fall of the Kingdom of Lydia and the Ostrogothic Kingdom. Using this framework, Procopius stresses that in 410, Alaric committed the original crime by abducting Galla Placidia; however, Vitigis and his wife Matasuntha were the ones who atoned for this sin in 540.
普罗科匹厄斯关于查士丁尼战争的巨著包括两部西比林神谕。通常情况下,神谕是模棱两可的;然而,正是这一特征有助于揭示它们的真正含义。因此,神谕也可以帮助研究人员了解拜占庭政治思想的基础。本文通过对古典文本的分析,探讨了公元前537年西比林神谕的内涵,揭示了普罗科匹厄斯使用古老的民族名称和王室头衔,将吕底亚王国的灭亡与东哥特王国的灭亡相提并论。利用这个框架,普罗科匹厄斯强调,在410年,阿拉里克通过绑架加拉·普拉西迪亚犯下了原罪;然而,维提吉斯和他的妻子玛塔松塔在540年为这一罪行赎罪。
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引用次数: 0
Medieval Utraquist sermons on Czech patron saints 中世纪乌特拉奎派关于捷克守护神的布道
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5817/GLB2019-1-8
Jindřich Marek
This article analyses medieval sermons about Czech patron saints given by Czech Utraquists using digital humanities tools. Lists of sermons by Jan Hus and Czech Utraquists about Czech patron saints are provided in the appendices.
本文分析了捷克乌特拉奎派使用数字人文工具进行的中世纪捷克守护神布道。简·胡斯和捷克乌特拉奎斯派关于捷克守护神的布道清单在附录中提供。
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引用次数: 0
When Óðinn meets Pompey : Norse and classical elements in English literature at the turn of the 18th and 19th century 当Óðinn与庞培相遇:18、19世纪之交英国文学中的北欧和古典元素
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5817/glb2019-2-9
M. Králová
According to Snorri Sturluson (died 1241), the Icelandic chieftain, historian, poet, and mythographer, the chief Norse god Óðinn was originally a mighty Oriental chieftain who was forced to abandon Asia under the Roman pressure and later became deified by his people. The typically medieval approach to the myth based on a euhemeristic interpretation and historicization of the pagan deities found a surprisingly keen response among the learned circles of the late 18th century Europe as it enabled the authors to confront the Norse and Classical civilization directly. In this paper, I focus on three English works that deal with this topic, namely two poems by one of the major Romantic poets Robert Southey (The Race of Odin and The Death of Odin, 1795) and the drama Odin (1804) by Anglican priest and poet George Richards. The form of the latter one is of a special interest as it is – as the author himself states – “intended as an imitation of the manner of Æschylus.” I will examine the function of the Norse and Classical elements in these works and analyse the bulk of ideas and values that are attributed to the respective cultures. Moreover, the flexibility with which the myth is actualized and used for mediating different political and ideological messages, will be discussed.
据冰岛酋长、历史学家、诗人和神话学家斯诺里·斯特鲁森(Snorri Sturluson,死于1241年)说,挪威的首席神Óðinn最初是一个强大的东方酋长,在罗马人的压力下被迫放弃亚洲,后来被他的人民神化。这种典型的中世纪神话研究方法基于对异教神灵的委婉解释和历史化,在18世纪晚期的欧洲学术界引起了令人惊讶的强烈反应,因为它使作者能够直接面对北欧和古典文明。在本文中,我重点研究了涉及这一主题的三部英文作品,即浪漫主义诗人之一罗伯特·索塞的两首诗(《奥丁的种族》和《奥丁的死亡》,1795年)和英国圣公会牧师兼诗人乔治·理查兹的戏剧《奥丁》(1804年)。后者的形式是一个特殊的兴趣,因为它是-正如作者自己所说的-“意图模仿Æschylus的方式。”我将研究这些作品中北欧和古典元素的作用,并分析归因于各自文化的大量思想和价值观。此外,还将讨论神话被实现和用于调解不同政治和意识形态信息的灵活性。
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引用次数: 1
The net in the sea : a note to Plotinus' en. IV 3(27).9.34–44 海中的网:给普罗提诺的笔记。四3 .9.34-44 (27)
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.5817/glb2019-2-16
Sonja Weiss
In Plotinus’ first treatise, On the Problems of the Soul, the comparison of the cosmic body floating in the soul to a net in the sea is simple enough, at least at first glance. While most of the translators and experts have no doubts that the net in this metaphor stands for the body and the sea for the soul, a few of them are doubtful as to whether the analogy is as self-evident as it seems. This is particularly true of the second part of the metaphor, casting the universal soul as the sea, and thus presenting a striking contrast to the prevalent symbolism of the sea and water in general. The uncertainty of this Plotinian image leads us to investigate two relevant philosophical concepts, namely flux and infinity, which in Plotinus are applied to very different contexts: the former is generally related to the fluctuating nature of the sensible world, but is also present in the image of the One as inexhaustible spring. Similarly, we have a concept of infinity applied to the ungraspable bodiless matter on the one hand, as well as to the limitless power of Being on the other. I believe that Plotinus, refusing to be limited by the established meaning of the current philosophical imagery, is consciously using these ambiguities to refine his arguments, possibly as a polemic against rival philosophical doctrines.
在普罗提诺(Plotinus)的第一篇论文《论灵魂问题》(On the Problems of the Soul)中,将漂浮在灵魂中的宇宙体比作大海中的一张网,这一比喻非常简单,至少乍一看是这样。虽然大多数译者和专家都毫不怀疑这个比喻中的网代表身体,海代表灵魂,但他们中的一些人怀疑这个比喻是否像它看起来那样不言而喻。这个比喻的第二部分尤其如此,因为它把宇宙的灵魂描绘成海,从而与普遍流行的海和水的象征形成鲜明的对比。普罗提诺形象的不确定性使我们研究两个相关的哲学概念,即流动和无限,这两个概念在普罗提诺的语境中应用得非常不同:前者通常与感性世界的波动性质有关,但也存在于“一”的形象中,作为取之不尽的源泉。同样地,我们有一个无限的概念,一方面适用于无法把握的无体物质,另一方面也适用于存在的无限力量。我相信普罗提诺,拒绝被当前哲学意象的既定意义所限制,有意识地利用这些模棱两可来完善他的论点,可能是作为对对立哲学教义的辩论。
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引用次数: 0
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