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Current Swedish Archaeology最新文献

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Alexandra Pesch & Michaela Helmbrecht (eds) Gold Foil Figures in Focus: A Scandinavian Find Group and Related Objects and Images from Ancient and Medieval Europe Alexandra Pesch & Michaela Helmbrecht(编辑)金箔人物在焦点:斯堪的纳维亚发现组和相关的对象和图像从古代和中世纪的欧洲
Q1 Arts and Humanities Pub Date : 2020-12-14 DOI: 10.37718/csa.2020.14
Neil Price
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引用次数: 1
On the Fringe: Sheepdogs and Their Status Within Bronze Age Ontologies in Scandinavia 边缘:斯堪的纳维亚青铜时代本体论中的牧羊犬及其地位
Q1 Arts and Humanities Pub Date : 2020-12-14 DOI: 10.37718/csa.2020.05
Kristin Armstrong Oma
This contribution draws mainly on images of dogs, humans and sheep from Nordic Bronze Age rock art sources, but living arrangements within the household and depositional patterns of dog bones on settlements are also considered to extrapolate an understanding of the physical reality and ontological role of sheepdogs within the social aspects of the practice of herding. I use theories from the interdisciplinary field of human-animal studies to understand how socialisation, habituation and trust create a seamless choreography between human, dog and sheep.
这一贡献主要来自北欧青铜时代岩石艺术来源的狗、人类和羊的图像,但家庭内的生活安排和定居点上狗骨头的沉积模式也被认为是对牧羊犬在放牧实践的社会方面的物理现实和本体论角色的理解的推断。我运用人类-动物研究跨学科领域的理论来理解社会化、习惯化和信任如何在人类、狗和羊之间创造出一种无缝的舞蹈。
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引用次数: 3
Scenes of Human Control of Reindeer in the Alta Rock Art. An Event of Early Domestication in the far North? 阿尔塔岩画中人类控制驯鹿的场景。遥远北方的早期驯化事件?
Q1 Arts and Humanities Pub Date : 2020-12-14 DOI: 10.37718/csa.2020.06
Ingrid Fuglestvedt
This article focuses on some evident differences between Phase 1 and Phase 2 rock art at Alta in western Finnmark in northern Norway. The earliest period (Phase 1, 5200–4200 cal BC) of rock art production shows numerous scenes in which humans seem to take control of wild game. The compositions of corrals with reindeer inside may be indications of forms of early domestication suggested to have occurred within a context marked by the authority of successful hunters and the influence of emerging inequality. This element of control correlates with an apparent totemic influence in the expressions of rock art. The rock art produced in the succeeding period (Phase 2, 4200-3000 cal BC), however, entirely lacks scenes communicating control of reindeer. This article suggests that this selective absence is an expression of a regained egalitarian social form and a reappraisal of an original animism.
本文着重探讨了挪威北部芬马克西部阿尔塔第一期和第二期岩石艺术的一些明显差异。摇滚艺术制作的最早时期(公元前5200年至4200年)展示了许多人类似乎控制野生动物的场景。内部有驯鹿的畜栏的组成可能表明,早期驯化的形式被认为是在成功猎人的权威和新出现的不平等影响的背景下发生的。这种控制元素与岩石艺术表现中明显的图腾影响有关。然而,在随后的时期(公元前4200-3000年第二阶段)产生的岩石艺术完全缺乏传达驯鹿控制的场景。这篇文章认为,这种选择性的缺席是一种重新获得的平等主义社会形式的表现,也是对原始万物有灵论的重新评估。
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引用次数: 2
Retrieving, Curating and Depositing Skulls at Pitted Ware culture Sites 在坑器文化遗址检索、策展和存放头骨
Q1 Arts and Humanities Pub Date : 2020-12-14 DOI: 10.37718/csa.2020.07
T. Lindström
At many Middle Neolithic sites in south-central Scandinavia associated with the hunter-gatherer complex known as the Pitted Ware culture, the skulls of humans and animals seem to have been treated differently from other skeletal elements. This is evident, for example, in inhumation graves lacking crania or entire skulls as well as numerous finds of cranial and mandibular fragments scattered in cultural layers or deposited in hearths and pits. Despite parallels in overall treatment and find contexts, the selective handling of human skulls has generally been regarded as a mortuary practice and thus qualitatively different from the handling of animal skulls. Focusing primarily on the head bones themselves and relating their treatment to the wider use of skeletal remains allows us to consider a more complex system of retrieving, modifying, curating and depositing crania and mandibles. Drawing on the overlapping general treatment of human and animal remains, it is suggested that head bones from both humans and animals were efficacious objects that could be used in depositional acts.
在斯堪的纳维亚半岛中南部的许多新石器时代中期遗址中,人类和动物的头骨似乎与其他骨骼元素的处理方式不同,这些遗址与被称为坑器文化的狩猎采集者综合体有关。这一点很明显,例如,在没有头盖骨或整个头盖骨的人葬坟墓中,以及在文化层中散落或沉积在壁炉和坑中的大量头盖骨和下颌碎片的发现。尽管在整体处理和发现背景方面有相似之处,但有选择地处理人类头骨通常被认为是一种太平间的做法,因此与处理动物头骨在质量上有所不同。主要关注头骨本身,并将其治疗与骨骼遗骸的广泛使用联系起来,使我们能够考虑一个更复杂的系统,包括检索,修改,管理和存放头骨和下颌骨。根据对人类和动物遗骸重叠的一般处理,这表明人类和动物的头骨都是有效的物体,可以用于沉积行为。
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引用次数: 2
Crossroads – Archaeology Before and After #excavationinprogress 十字路口-考古前后#挖掘正在进行中
Q1 Arts and Humanities Pub Date : 2020-12-12 DOI: 10.37718/csa.2020.16
Ingrid Berg, Sophie Bergerbrant
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引用次数: 0
Editorial 编辑
Q1 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.37718/csa.2019.00
Sophie Bergerbrant, Alison Klevnäs
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引用次数: 0
The Warrior and the Cat: A Re-Evaluation of the Roles of Domestic Cats in Viking Age Scandinavia 战士与猫:对维京时代斯堪的纳维亚家猫角色的再评价
Q1 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.37718/csa.2019.10
Matthias Toplak
The role of cats in Viking Age society is little investigated and has been dominated by uncritical adoptions of medieval mythology. Based on literary sources, the domestic cat is often linked to cultic spheres of female sorcery. Yet the archaeological evidence indicates an ambivalent situation. Cat bones from many trading centres show cut marks from skinning and highlight the value of cat fur. In contrast, the occurrence of cats in male burials points rather to a function as exotic and prestigious pets. The influence of Old Norse mythology on the traditional interpretation of cats as cultic companions therefore needs critical reconsideration. For this, a broad range of literary and historical sources – from Old Norse literature to Old Irish law texts – will be analysed and confronted with the archaeological evidence for domestic cats in Viking Age Scandinavia. The results will be discussed on a broader theoretical approach, involving concepts such as agency, and embedded in current research on human-animal-relations in order to achieve a more nuanced perspective on the roles and functions of cats in day-to-day reality as well as in the burial context.
猫在维京时代社会中的作用很少被研究,而且一直被对中世纪神话的不加批判的采用所主导。根据文献资料,家猫经常与女性魔法的邪教领域联系在一起。然而,考古证据表明了一种矛盾的情况。许多交易中心的猫骨头上都有剥皮后的切割痕迹,并突出了猫皮毛的价值。相比之下,猫在男性墓葬中的出现,更像是一种异国情调和声望很高的宠物。因此,古挪威神话对猫作为邪教伙伴的传统解释的影响需要重新审视。为此,将分析从古挪威文学到古爱尔兰法律文本等广泛的文学和历史来源,并与维京时代斯堪的纳维亚地区家猫的考古证据进行对比。研究结果将在更广泛的理论方法上进行讨论,涉及代理等概念,并嵌入当前关于人与动物关系的研究中,以便对猫在日常现实和埋葬环境中的角色和功能有一个更细致的视角。
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引用次数: 1
Editorial 社论
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.37718/csa.00
Sophie Bergerbrant, Alison Klevnäs
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引用次数: 0
Editorial 社论
Q1 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.37718/csa.2018.00
Sophie Bergerbrant, Alison Klevnäs
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引用次数: 0
Walking in the rain 雨中漫步
Q1 Arts and Humanities Pub Date : 2010-01-01 DOI: 10.2307/2688614
D. Breeze
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引用次数: 0
期刊
Current Swedish Archaeology
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