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Fiesco's Conspiracy at Genoa by Friedrich Schiller, and: Wallenstein: A Dramatic Poem by Friedrich Schiller, and: Don Carlos: Infante of Spain by Friedrich Schiller, and: Love and Intrigue by Friedrich Schiller, and: Maria Stuart by Friedrich Schiller (review) 弗里德里希·席勒的《菲斯科在热那亚的阴谋》、弗里德里希·席勒的《华伦斯坦:一首戏剧性的诗》、弗里德里希·席勒的《唐·卡洛斯:西班牙的公主》、弗里德里希·席勒的《爱情与阴谋》、弗里德里希·席勒的《玛丽亚·斯图尔特》(书评)
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0019
Sophia Y. Clark
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引用次数: 0
Elisa von der Recke: Aufklärerische Konzepte und lebensweltliche Perspektiven ed. by Valéry Leyh, Adelheid Müller and Vera Viehöver (review) 以利沙的勇士:Aufklärerische办法和《瓦尔lebensweltliche观点ed.éry Leyh,米勒Adelheid和维拉Viehöver(评论)
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0032
Karin A. Wurst
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引用次数: 0
The Discovery of Self and Others Through Movement in Goethe's Lehrjahre and Wanderjahre 从运动中发现自我和他人——歌德的《生活与流浪》
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0014
Susan E. Gustafson
Abstract:This essay outlines Goethe's portrayal of movement as an essential form of nonverbal communication in his essay Über Laokoon and in Wilhelm Meisters Lehrjahre and Wilhelm Meister's Wanderjahre. Goethe's depiction of movement as a venue through which people can express themselves and can understand those who are moving predates and aligns with modern theories of movement. Both Goethe and modern theorists highlight that physical movement is an essential nonverbal form of self-expression that draws people together as they become aware of both the emotions that are being expressed and their emotional reactions to and interpretations of those physical movements.
摘要:本文概述了歌德在《Über Laokoon》、《Wilhelm Meister Lehrjahre》和《Wilhelm Meister's Wanderjahre》中把运动描述为非语言交际的一种基本形式。歌德对运动的描述是一个场所,人们可以通过它来表达自己,理解那些正在运动的人,这比现代运动理论更早,也更一致。歌德和现代理论家都强调,身体运动是自我表达的一种重要的非语言形式,当人们意识到被表达的情感以及他们对这些身体运动的情感反应和解释时,身体运动将人们聚集在一起。
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引用次数: 0
Imagination & Meisterschaft / Mastery: Neue und frühere Goethe-Studien plus Essays on Goethe written in English by Helmut Ammerlahn (review) 想象与艺术/精通:《新与新<e:1>》歌德学生加上赫尔穆特·阿默拉恩关于歌德的英文随笔(评论)
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0021
J. Brown
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引用次数: 0
Das Journal von Tiefurt. "Es ward als eine Wochenblatt zum Scherze angefangen." ed. by Jutta Heinz and Jochen Golz, and: Tiefurt. Literatur und Leben zu Beginn von Weimars großer Zeit by Gerhard R. Kaiser (review) 而塞纳特日报《黑色小报》以搞笑开始。法学文学和生活在魏玛伟业的早期
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0020
Elizabeth Powers
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引用次数: 0
Forms of Life. Aesthetics and Biopolitics in German Culture by Andreas Gailus (review) 生命的形式。安德烈亚斯·盖卢斯《德国文化中的美学与生命政治》(书评)
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0027
C. Strathausen
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引用次数: 0
"Die Saitenspiele ergossen sich über mein Innres": Hölderlin's Auditory Atmospheres "琴弦射入我的脑海":木马还未落下
Pub Date : 2022-05-14 DOI: 10.1353/gyr.2022.0007
R. J. Goebel
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引用次数: 0
Papierdenken: Blasche, Fröbel, and the Lessons of Nineteenth-Century Paper Modeling Papierdenken: Blasche, Fröbel,以及19世纪纸模型的教训
Pub Date : 2021-06-18 DOI: 10.1353/gyr.2021.0010
Ilinca Iurascu
Abstract:This article focuses on paper modeling as a theoretical subject and material practice at the center of nineteenth-century pedagogical reform debates in Germany and beyond. Tracing a brief history of paper-based craft instruction after 1800—from Heinrich Blasche to Friedrich Fröbel—it shows how the plastic and haptic capabilities of paper and pasteboard modeling are understood as the basis for new, often radical educational models. Such models implicitly short-circuit the principle of alphabetical learning to propose instead the possibility of fundamental relations between "making" and "thinking."
摘要:本文关注的是19世纪德国及其他国家教学改革辩论中作为理论主题和材料实践的论文建模。追溯1800年后纸为基础的工艺教学简史-从Heinrich Blasche到Friedrich Fröbel-it显示了纸和纸板建模的塑料和触觉能力如何被理解为新的,通常是激进的教育模式的基础。这样的模型隐含地缩短了字母学习的原则,取而代之的是提出“制作”和“思考”之间的基本关系的可能性。
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引用次数: 1
"Goethe Boom" Films: Bildung Reloaded “歌德热潮”电影:重建
Pub Date : 2021-06-18 DOI: 10.1353/gyr.2021.0023
B. Swanson
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引用次数: 0
Lessing and Kotzebue: A Black Studies Approach to Reading the Eighteenth Century 莱辛和科泽布:黑人研究方法解读十八世纪
Pub Date : 2021-06-18 DOI: 10.1353/gyr.2021.0020
Obenewaa Oduro-Opuni
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引用次数: 1
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