Pub Date : 2023-12-13DOI: 10.1080/14794713.2023.2291598
Bianca Mastrominico
{"title":"Toward a future theatre: conversations during a pandemic\u0000 Toward a future theatre: conversations during a pandemic\u0000 , by Caridad Svich, London, Bloomsbury Publishing PLC, 2021, 256 pp., £65.00 (hardback), £19.99 (paperback), £11.69 (ebook), ISBN: 9781350241060, 1350241067","authors":"Bianca Mastrominico","doi":"10.1080/14794713.2023.2291598","DOIUrl":"https://doi.org/10.1080/14794713.2023.2291598","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139005467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.1080/14794713.2023.2291599
William W. Lewis
{"title":"Urban sensographies\u0000 Urban sensographies\u0000 , edited by Nicolas Whybrow, London and New York, Routledge, 2021, 214 pp., £120.00 (hardback), £36.99 (paperback), £36.99 (ebook). ISBN: 9780367406714","authors":"William W. Lewis","doi":"10.1080/14794713.2023.2291599","DOIUrl":"https://doi.org/10.1080/14794713.2023.2291599","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139007909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.1080/14794713.2023.2271820
Sheng-Hung Lee, Olivier L. de Weck, Maria C. Yang, Joseph F. Coughlin
This study examines the organizational transformation of digital design platforms (DDPs) to present the considerations of DDPs’ value propositions, service offering, and sustainable business models. When we face large, complex, systemic transformational challenges, especially during the pandemic, we must make meaningful changes to a DDP to rise to these social-technological challenges internally and externally to generate positive social impacts and create value for design individuals and communities. Due to COVID-19, people’s daily lives, interactions, and work experiences, and communication patterns dramatically changed, which significantly influenced organizations across scales and industries. DDPs have also been hit by the social-technological impact of COVID-19. We conducted seven semi-structured expert interviews and demonstrated ten case studies across three categories: design competitions, design professional associations, and design companies about DDP transformation associated with COVID-19 through the lens of system engineering. The goal is to analyze organizational change and its impacts on a DDP’s service offering, business model, and organizational culture, in an effort to better prepare new capabilities in the era of social-technological transformation. We identified four key takeaways: (1) craft new partnership connections; (2) identify criteria for transformation; (3) create and extend participants’ engagement level, and (4) leverage collective talents and sources.
{"title":"The transformation of design platform under system thinking","authors":"Sheng-Hung Lee, Olivier L. de Weck, Maria C. Yang, Joseph F. Coughlin","doi":"10.1080/14794713.2023.2271820","DOIUrl":"https://doi.org/10.1080/14794713.2023.2271820","url":null,"abstract":"This study examines the organizational transformation of digital design platforms (DDPs) to present the considerations of DDPs’ value propositions, service offering, and sustainable business models. When we face large, complex, systemic transformational challenges, especially during the pandemic, we must make meaningful changes to a DDP to rise to these social-technological challenges internally and externally to generate positive social impacts and create value for design individuals and communities. Due to COVID-19, people’s daily lives, interactions, and work experiences, and communication patterns dramatically changed, which significantly influenced organizations across scales and industries. DDPs have also been hit by the social-technological impact of COVID-19. We conducted seven semi-structured expert interviews and demonstrated ten case studies across three categories: design competitions, design professional associations, and design companies about DDP transformation associated with COVID-19 through the lens of system engineering. The goal is to analyze organizational change and its impacts on a DDP’s service offering, business model, and organizational culture, in an effort to better prepare new capabilities in the era of social-technological transformation. We identified four key takeaways: (1) craft new partnership connections; (2) identify criteria for transformation; (3) create and extend participants’ engagement level, and (4) leverage collective talents and sources.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135315812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-24DOI: 10.1080/14794713.2023.2270790
Varvara Guljajeva, Mar Canet Sola, Iurii Kuzmin
{"title":"Telematic performance enforced by the pandemic: neuroknitting beethoven","authors":"Varvara Guljajeva, Mar Canet Sola, Iurii Kuzmin","doi":"10.1080/14794713.2023.2270790","DOIUrl":"https://doi.org/10.1080/14794713.2023.2270790","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135322390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-28DOI: 10.1080/14794713.2023.2254206
Pat Badani
ABSTRACTPat Badani discusses how digital media and the use of food serve to design speculative new edibles in times when the future of food is jeopardized by the anthropogenically induced change in climate that causes biodiversity loss and food chain disruptions. Fertilized by different streams of thought related to food availability, Bichi is a practice-as-research project highlighting the need for ecological balance to secure the future of food. The artist examines the connecting threads between human and more-than-human nutrimental systems through projects that are born in her kitchen and further developed through computer technology. In the manner of culinary chefs whose professional kitchens act as design studios and manufacturing plants that innovate and transform ingredients; Badani’s kitchen is the springboard for DIY science in the creation of discreet sustenance networks between bio-sculpture material, mold, and fungi, leading to the design of evocative ‘animal-human-vegetal-polygender’ 3D simulations positioned between the organic and the computational. Exposing the porousness of boundaries between what might appear as separate registers: subject/object, fact/fiction, and science/culture, these electronically re-engineered bio-sculptures contribute knowledge essential to assure the resilience of nutritional systems, underscoring the need to channel efforts towards adaptation and balanced coexistence.KEYWORDS: Digital mediafuture of foodclimate changespeculative visual fictionspractice-as-research Additional informationNotes on contributorsPat BadaniPat Badani draws from the fields of art, science, and technology to explore the intersectionality of environmental and social justice issues. She often uses food to create artistic arguments that blend aesthetics and criticism, charting connections between theories related to art as object, as medium, and art as critique of political and technological networks. Badani exhibits and discusses projects broadly in North and South America, Europe, and Asia and has participated in international symposia with her essays and talks in over 15 countries including at the Institute of Cultural Studies ZHdK Zurich (Switzerland); iDAT Plymouth University (U.K.); Art/Sci Center + Lab, UCLA (USA); NYU Steinhardt School of Culture, N.Y. (USA); Kungl. Konsthögskolan/KKH, (Sweden); Università di Bologna (Italy); Universidad de Caldas, (Colombia); and Universidade Anhembi Morumbi (Brazil). Projects have been distinguished with over 20 awards and commissions by the Canada Council for the Arts; Illinois Arts Council; DCASE; National Endowment for the Arts @ MacDowell, the Robert Heinecken Trust; and recognized with nominations by Creative Capital, Art Matters, and AWAW, in the U.S.A.
{"title":"The ‘Bichi’ project metabolic pathways, biological food chains, and global networks","authors":"Pat Badani","doi":"10.1080/14794713.2023.2254206","DOIUrl":"https://doi.org/10.1080/14794713.2023.2254206","url":null,"abstract":"ABSTRACTPat Badani discusses how digital media and the use of food serve to design speculative new edibles in times when the future of food is jeopardized by the anthropogenically induced change in climate that causes biodiversity loss and food chain disruptions. Fertilized by different streams of thought related to food availability, Bichi is a practice-as-research project highlighting the need for ecological balance to secure the future of food. The artist examines the connecting threads between human and more-than-human nutrimental systems through projects that are born in her kitchen and further developed through computer technology. In the manner of culinary chefs whose professional kitchens act as design studios and manufacturing plants that innovate and transform ingredients; Badani’s kitchen is the springboard for DIY science in the creation of discreet sustenance networks between bio-sculpture material, mold, and fungi, leading to the design of evocative ‘animal-human-vegetal-polygender’ 3D simulations positioned between the organic and the computational. Exposing the porousness of boundaries between what might appear as separate registers: subject/object, fact/fiction, and science/culture, these electronically re-engineered bio-sculptures contribute knowledge essential to assure the resilience of nutritional systems, underscoring the need to channel efforts towards adaptation and balanced coexistence.KEYWORDS: Digital mediafuture of foodclimate changespeculative visual fictionspractice-as-research Additional informationNotes on contributorsPat BadaniPat Badani draws from the fields of art, science, and technology to explore the intersectionality of environmental and social justice issues. She often uses food to create artistic arguments that blend aesthetics and criticism, charting connections between theories related to art as object, as medium, and art as critique of political and technological networks. Badani exhibits and discusses projects broadly in North and South America, Europe, and Asia and has participated in international symposia with her essays and talks in over 15 countries including at the Institute of Cultural Studies ZHdK Zurich (Switzerland); iDAT Plymouth University (U.K.); Art/Sci Center + Lab, UCLA (USA); NYU Steinhardt School of Culture, N.Y. (USA); Kungl. Konsthögskolan/KKH, (Sweden); Università di Bologna (Italy); Universidad de Caldas, (Colombia); and Universidade Anhembi Morumbi (Brazil). Projects have been distinguished with over 20 awards and commissions by the Canada Council for the Arts; Illinois Arts Council; DCASE; National Endowment for the Arts @ MacDowell, the Robert Heinecken Trust; and recognized with nominations by Creative Capital, Art Matters, and AWAW, in the U.S.A.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135345056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-06DOI: 10.1080/14794713.2023.2254024
Marjana Krajac
{"title":"A surviving camera: reorganized choreographies for the long mode of change","authors":"Marjana Krajac","doi":"10.1080/14794713.2023.2254024","DOIUrl":"https://doi.org/10.1080/14794713.2023.2254024","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43147408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-04DOI: 10.1080/14794713.2023.2253335
Toni Sant, Enrique Tabone
{"title":"Naked data: curating Wikidata as an artistic medium to interpret prehistoric figurines","authors":"Toni Sant, Enrique Tabone","doi":"10.1080/14794713.2023.2253335","DOIUrl":"https://doi.org/10.1080/14794713.2023.2253335","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42602150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-08DOI: 10.1080/14794713.2023.2242066
Andrea Giomi
{"title":"Frequencies of gesture: archiving and re-embodying kinesthetic traces through technical inscription into sound and image","authors":"Andrea Giomi","doi":"10.1080/14794713.2023.2242066","DOIUrl":"https://doi.org/10.1080/14794713.2023.2242066","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44839586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-31DOI: 10.1080/14794713.2023.2239693
Bianca Mastrominico
{"title":"Home-specific performance and the digital staging of the domestic in Flanker Origami","authors":"Bianca Mastrominico","doi":"10.1080/14794713.2023.2239693","DOIUrl":"https://doi.org/10.1080/14794713.2023.2239693","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41752000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.1080/14794713.2023.2223747
S. Greuter, Gerard T. Mulvany, Misha Myers
{"title":"The immersive archive","authors":"S. Greuter, Gerard T. Mulvany, Misha Myers","doi":"10.1080/14794713.2023.2223747","DOIUrl":"https://doi.org/10.1080/14794713.2023.2223747","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42987648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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