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International Journal of Performance Arts and Digital Media最新文献

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The immersive archive 沉浸式档案
0 THEATER Pub Date : 2023-06-30 DOI: 10.1080/14794713.2023.2223747
S. Greuter, Gerard T. Mulvany, Misha Myers
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引用次数: 1
Your writing sounds gorgeous: post-cinematic experiments in ASMR videos as a sign of posthuman sensibility 你的写作听起来很棒:ASMR视频中的后电影实验是后人类情感的标志
0 THEATER Pub Date : 2023-06-21 DOI: 10.1080/14794713.2023.2226059
J. Łapińska
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引用次数: 0
‘It’s not just about technology!': Creativity as a driving force for nurturing the development of skills for digital performance “这不仅仅是技术!”:创造力是培养数字表演技能发展的驱动力
0 THEATER Pub Date : 2023-06-18 DOI: 10.1080/14794713.2023.2223719
Aleksandra Webb, James Layton
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引用次数: 0
Personalising prosthetics: digital interventions in disability and dance 个性化假肢:残疾和舞蹈的数字干预
0 THEATER Pub Date : 2023-06-05 DOI: 10.1080/14794713.2023.2196884
Sarah Whatley, Steve Benford, Kate Marsh, Feng Zhou, I. Ashcroft, P. Tennent, Welly O’Brien, Tanja Erhart
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引用次数: 0
Ethical aspects of integrating AI expert models in the process of retrieval and use of ICH registry material 在非物质文化遗产登记材料的检索和使用过程中整合人工智能专家模型的伦理方面
0 THEATER Pub Date : 2023-05-24 DOI: 10.1080/14794713.2023.2215162
Luis Garcia-Lara, Ignacio G. Bugueño-Córdova
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引用次数: 0
Equality, findability, sustainability: the challenges and rewards of open digital humanities data 平等、可寻性、可持续性:开放数字人文数据的挑战与回报
0 THEATER Pub Date : 2023-05-23 DOI: 10.1080/14794713.2023.2206286
Damon Strange, Megan Gooch, Alwyn Collinson
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引用次数: 1
Art after Instagram: art spaces, audiences, aesthetics 后Instagram时代的艺术:艺术空间、观众、美学
0 THEATER Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213019
Taylor C. Black
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引用次数: 3
The post-screen through virtual reality, holograms and light projections. Where screen boundaries lie 后屏幕通过虚拟现实,全息图和光投影。屏幕边界所在
0 THEATER Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213020
Kerry Francksen
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引用次数: 2
Avatars, Activism and Postdigital Performance: precarious intermedial identities 化身、激进主义和后数字表现:不稳定的中间身份
0 THEATER Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213018
E. Marchevska
technologies. By asking us to consider notions of newness (Bazin’s ‘perfect illusion’ for example), and how media art continues to arouse our curiosity for extending expressions of reality, Ng ‘s sophistication in re-thinking how we see and experience the world through The Post-Screen is both detailed and rigorous. Where screen boundaries lie ushers the reader towards an internalised post-screen, where you can’t help but consider your own truth.
技术。通过要求我们思考新鲜的概念(例如巴赞的“完美幻觉”),以及媒体艺术如何继续激发我们对扩展现实表达的好奇心,吴恩达在重新思考我们如何通过“后屏幕”来看待和体验世界方面的复杂性既细致又严谨。屏幕边界所在的地方将读者带入内化的后屏幕,在那里你会情不自禁地思考自己的真相。
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引用次数: 1
Open justice transformations impacting extended reality (XR) environments 影响扩展现实(XR)环境的开放式司法转型
0 THEATER Pub Date : 2023-04-19 DOI: 10.1080/14794713.2023.2198535
Adnan Hadziselimovic
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引用次数: 0
期刊
International Journal of Performance Arts and Digital Media
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