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Jung and intuition: on the centrality and variety of forms of intuition in Jung and the post-Jungians 荣格与直觉:论荣格与后荣格派直觉的中心性与多样性
Q4 Psychology Pub Date : 2017-06-29 DOI: 10.1080/19409052.2017.1340018
J. Beebe
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引用次数: 0
The witch: a New-England folktale 女巫:一个新英格兰民间故事
Q4 Psychology Pub Date : 2017-06-22 DOI: 10.1080/19409052.2017.1340728
Eric Krasny
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引用次数: 3
The feral boy: archetypal image of pathos in a dream series 野性的男孩:梦系列中悲情的原型形象
Q4 Psychology Pub Date : 2017-06-13 DOI: 10.1080/19409052.2017.1339624
J. Kline
ABSTRACTThe figure of a half-human, half-feline boy appearing in a dream series of a middle-aged businessman suffering from job burnout is investigated from a Jungian perspective, noting its relevance to Jung’s concept of eros as a relatedness principle as well as an example of the puer aeternus or eternal child archetype. Further investigation into the feral boy figure reveals its compensatory function: a reaction to the dreamer’s regression to a more primitive state of self-identity and forced alienation from his business profession and his private life. Additional references to the feral boy from the Mesoamerican Olmec civilization provide evidence of the figure’s identity as an archetypal image of pathos, arousing sympathetic pity that leads to reconnecting the dreamer with his societal and familial responsibilities.
摘要本文从荣格的角度考察了一个中年商人因工作倦怠而梦到的半人半猫的男孩形象,并指出了它与荣格的爱欲概念作为一种关系原则的相关性,以及一个永恒的孩子原型的例子。对野性男孩形象的进一步调查揭示了它的补偿功能:这是对梦者回归到更原始的自我认同状态和被迫与他的商业职业和私人生活疏远的反应。另外提到的来自中美洲奥尔梅克文明的野性男孩提供了证据,证明了这个人物作为一个悲情的原型形象的身份,唤起了同情的怜悯,使做梦者与他的社会和家庭责任重新联系起来。
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引用次数: 0
Turning the world to glass*: poetic sensibility and the decolonization of imagination 把世界变成玻璃*:诗意的感性与想象力的非殖民化
Q4 Psychology Pub Date : 2017-05-31 DOI: 10.1080/19409052.2017.1331931
J. Butler
ABSTRACTThe rupture between event and meaning has shown itself to be a key issue plaguing collective psychology. This rupture requires as remedy a poetic sensibility that can imagine the central images or root metaphors which make experience qualitatively intelligible, an imaginal literacy that reads images while also making new images from that which is presented. Bachelard’s [(1988). Air and dreams: An essay on the imagination of movement] notion of images as liberatory, disentangling one from superficial impressions by transmuting surface to depth, and Hillman’s [(1975). Re-visioning psychology] move of ‘seeing through’ the archetypal images expressed in events will serve as foundational ideas for the author’s description of poetic sensibility as the capacity to read and make images through ‘deform[ing] what we perceive’ (p. 1). The author will highlight the central function of poetic sensibility as an essential engagement of imagination required by any movement resisting the neocolonial policies and ‘...
摘要事件与意义的断裂已成为困扰集体心理学的一个关键问题。这种断裂需要一种诗意的感受力,这种感受力可以想象中心图像或根源隐喻,使经验在质量上可理解,一种想象的素养,可以阅读图像,同时也可以从呈现的东西中创造新的图像。Bachelard[(1988)。空气与梦:一篇关于运动想象的文章]图像的概念是解放的,通过将表面转化为深度,将人从表面印象中解脱出来,以及希尔曼的[(1975)]。“透视”事件中表达的原型图像的运动将作为作者描述诗情的基本思想,诗情是通过“变形我们所感知的”来阅读和制作图像的能力(第1页)。作者将强调诗情的核心功能,作为任何抵抗新殖民主义政策的运动所需要的想象力的基本参与和“……
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引用次数: 1
Jung’s Red Book, improvisation, and the mētic spirit 荣格的红皮书、即兴创作和mātic精神
Q4 Psychology Pub Date : 2017-04-27 DOI: 10.1080/19409052.2017.1304007
R. Fertel
ABSTRACTUnderstanding The Red Book as an improvisation and Jung as an improviser offers a new approach to understanding the active imagination and the analytic method that emerged from it. Such an approach uncovers the mētic spirit – the spirit of polytropic intelligence – that informs The Red Book and the archetypal figure of Hermes/Mercurius/Trickster that informs all improvisations and will come to dominate Jung’s career. The rhetoric of improvisation in The Red Book conveys that, uncontaminated by the directed consciousness or ego, personae and imagoes arise spontaneously from his unconscious and control him, not he them. Such gestures privilege non-rational ways of making art and knowing the self and world, part and parcel of the paradigm shift that characterizes the 20th century. Jung’s Red Book is on the leading edge of that effort to shift from objective rationality to a rationality that can embrace subjective elements: the unconscious and the irrational, not just the “broad highways” but also the...
摘要把《红皮书》理解为即兴创作,把荣格理解为即兴创作者,为理解主动想象和由此产生的分析方法提供了新的途径。这种方法揭示了mētic精神——多元智慧的精神——它体现在《红书》和赫尔墨斯/墨丘利斯/骗子的原型形象中,它体现了所有的即兴创作,并将主宰荣格的职业生涯。《红书》中即兴创作的修辞传达了这样一种信息,即不受定向意识或自我的污染,人物和形象从他的无意识中自发地出现,并控制着他,而不是他控制着他们。这种姿态赋予了创作艺术和认识自我和世界的非理性方式以特权,这是20世纪典型的范式转变的重要组成部分。荣格的《红书》处于从客观理性转向一种可以包含主观因素的理性的努力的前沿:无意识和非理性,不仅仅是“宽阔的公路”,还有……
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引用次数: 0
Ecstatic archaic thought and Analytical Psychology 狂喜的古代思想与分析心理学
Q4 Psychology Pub Date : 2017-04-27 DOI: 10.1080/19409052.2017.1318531
L. Gardner, Catriona Miller
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引用次数: 0
Loki then and now: the trickster against civilization 洛基当时和现在:反对文明的骗子
Q4 Psychology Pub Date : 2017-04-18 DOI: 10.1080/19409052.2017.1309780
Helena Bassil-Morozow
ABSTRACTLoki, one of the most mischievous of the Norse gods, is a classic Trickster figure. This mythological character is difficult to define but is an archetype that Jung himself explored. The Trickster can be understood not only as a part of the Jungian individuation process, but also, from an anthropological perspective, as a metaphor for change, embodying the dynamics between the personal and the systemic. Mythological narratives featuring Loki portray him as a figure that frequently challenges the civilising forces of society, a challenge that can lead to either destruction or renewal for the society in question. More recently, however, the character of Loki has been revived as part of a Hollywood film franchise featuring a number of the comic book giant Marvel’s characters. This highly profitable enterprise, includes contemporary versions of other members of the Norse pantheon including Thor, Odin and Frigg, but Loki, as played by Tom Hiddleston, has proved a particularly popular character with the...
摘要洛基是挪威最顽皮的神之一,是一个典型的骗子形象。这个神话人物很难定义,但却是荣格自己探索的原型。Trickster不仅可以被理解为Jungian个性化过程的一部分,而且从人类学的角度来看,它是变化的隐喻,体现了个人和系统之间的动态。以洛基为主角的神话叙事将他描绘成一个经常挑战社会文明力量的人物,这种挑战可能会导致相关社会的毁灭或复兴。然而,最近,洛基这个角色作为好莱坞电影系列的一部分复活了,该系列由漫画巨头漫威的一些角色主演。这家利润丰厚的企业,包括挪威万神殿其他成员的当代版本,包括托尔、奥丁和弗里格,但汤姆·希德勒斯顿饰演的洛基已被证明是一个特别受欢迎的角色。。。
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引用次数: 7
Ancient ecstatic theater and Analytical Psychology: creating space for Dionysus 古代狂喜剧场与分析心理学:为酒神创造空间
Q4 Psychology Pub Date : 2017-04-10 DOI: 10.1080/19409052.2017.1306332
Constance Romero
ABSTRACTThis paper explores links between the theatrical aspect of the Dionysian archetype and Analytical Psychology. It looks at some of the Dionysian elements in Jung’s published work and follows up with a brief exploration into how some of the potentially generative aspects of the archetype continue to be suspect in current clinical practice. Plutarch’s historic anecdote about the first actor, Thespis, and his dialogue with the Athenian Magistrate, Solon, will provide a focus with which to explore Dionysian elements within the Individuation process. A final section includes a short case history illustrating Dionysian elements unfolding in the theater of Jungian analysis.
摘要本文探讨了酒神原型戏剧化方面和分析心理学之间的联系。它着眼于荣格出版的作品中的一些酒神元素,并对原型的一些潜在生成方面如何在当前的临床实践中继续受到怀疑进行了简短的探索。普鲁塔克关于第一位演员特斯皮斯的历史轶事,以及他与雅典治安官索伦的对话,将为探索个性化过程中的酒神元素提供一个焦点。最后一节包括一个简短的案例历史,说明了酒神元素在荣格分析剧场中的展开。
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引用次数: 1
The sacrifice ritual and process of individuation: analysis of a model 祭祀仪式与个性化过程——一个模型分析
Q4 Psychology Pub Date : 2017-04-10 DOI: 10.1080/19409052.2017.1303238
Martyna Chrześcijańska
ABSTRACTThis paper aims to discuss a relation between the theme of sacrifice in Ancient Greece and in the Jungian understanding of the process of individuation and other similar models of personality/self-development. My argument claims that models such as the process of individuation, Post-Traumatic Growth or Positive Disintegration share features on a structural level with a specific model of sacrifice. A special focus will be on eniautos daimon, the Year-King or a spirit of the year, a concept popularized in anthropology at the beginning of the twentieth century which I claim had influence on developing Jung’s theory of individuation. In this paper, I will apply a philosophical analysis to models of psychotherapy, and especially Jungian psychology. The philosophical analysis of models allows to indicate structural similarities between them without claiming anything about their accuracy.
摘要本文旨在探讨古希腊的祭祀主题与荣格对个性化过程的理解以及其他类似的人格/自我发展模式之间的关系。我的论点认为,个性化过程、创伤后成长或正分解等模型在结构层面上与特定的牺牲模型具有共同特征。一个特别的焦点将是eniautos daimon,年王或年度精神,这是20世纪初人类学中流行的一个概念,我声称它对荣格个性化理论的发展产生了影响。在这篇论文中,我将把哲学分析应用于心理治疗的模型,尤其是荣格心理学。对模型的哲学分析可以表明它们之间的结构相似性,而不会声称它们的准确性。
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引用次数: 1
Freud’s ‘Outstanding’ Colleague/Jung’s ‘Twin Brother’: the suppressed psychoanalytic and political significance of Otto Gross 弗洛伊德的“杰出”同事/荣格的“孪生兄弟”:奥托·格罗斯被压抑的精神分析和政治意义
Q4 Psychology Pub Date : 2017-03-29 DOI: 10.1080/19409052.2017.1304011
Kevin Lu
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引用次数: 5
期刊
International Journal of Jungian Studies
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