Click to increase image sizeClick to decrease image size Notes1 It is imperative to note here that when we speak of Indian films, we must take into account the fact that there is some amount of film production in every major Indian language and there are at least six important non-Hindi film industries: Bengali, Kannada, Malayalam, Marathi, Tamil, and Telugu.2 In 1960, the government set up the Film Finance Corporation, which merged with the Motion Picture Export Association in 1980 to form the National Film Development Corporation, for financing and exporting films, and in 1961established the Film Institute in Poona. In 1973, the government established the Directorate of Film Festivals, shoes brief was to organize the annual International Film Festival.3 Explicating the armed struggle in Iran, Jazani (Citation1979) delineates the role of the “guerrilla” and exhorts the prospective guerrilla from falling prey to adventurism in the form of “too much emphasis on the role of the ‘fedaee’, resorting to constant invocations of ‘martyrdom’ to offset the absence of a mass movement, and the belief that the sacrifice of blood is sufficient for the start of the revolution”. The reference to “fedaee” or “fidayeen” is significant for observers of terrorist violence in the twentieth century, particularly in the post-September 11 scenario.4 Bush, W. Stephen, “Motion Picture Men Greet President,” Moving Picture World (12 February 1916), pps. 923+. “First Board of Trade Banquet, Attended by President Wilson, Marks New Era in Industry,” Motion Picture News (12 February 1916), 817–18.5 Universal advertisement, Moving Picture World (5 May 1917), 706. Ibid, 810. Universal advertisement, ibid, 820. Moving Picture World (3 August 1918), 703. “Shot ‘Beast of Berlin,’” Variety (12 April 1918), 47.6 How Indian cinema helped fight fascism during World War II (newslaundry.com)7 For a detailed understanding of the categorization refer to Mamdani (Citation2002) and Sengupta (Citation2020).8 Sengupta (Citation2019).9 Daiya (Citation2008, 178).10 “‘Gadar’ at Agra,” The Hindu, Sunday July 15, 2001.11 “‘Gadar’ at Agra,” The Hindu, Sunday July 15, 2001 cited in Daiya (Citation2008).12 Daiya.13 Daiya, 165.Additional informationNotes on contributorsRoshni SenguptaRoshni Sengupta is Associate Professor, School of Modern Media, UPES, India.Amaresh JhaAmaresh Jha is Associate Professor, School of Modern Media, UPES, India.Devanjan KhuntiaDevanjan Khuntia is an independent researcherPavan KumarPavan Kumar is Assistant Professor, Ambedkar University, New Delhi, India.Kaustav PadmapatiKaustav Padmapati is Assistant Professor, School of Modern Media, UPES, India.
{"title":"Indian Screen Cultures and the Redefinition of Nationhood: The Evolution of Contemporary Productions and the Myth of ‘National Security’","authors":"Roshni Sengupta, Amaresh Jha, Devanjan Khuntia, Pavan Kumar, Kaustav Padmapati","doi":"10.1080/10509208.2023.2258743","DOIUrl":"https://doi.org/10.1080/10509208.2023.2258743","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 It is imperative to note here that when we speak of Indian films, we must take into account the fact that there is some amount of film production in every major Indian language and there are at least six important non-Hindi film industries: Bengali, Kannada, Malayalam, Marathi, Tamil, and Telugu.2 In 1960, the government set up the Film Finance Corporation, which merged with the Motion Picture Export Association in 1980 to form the National Film Development Corporation, for financing and exporting films, and in 1961established the Film Institute in Poona. In 1973, the government established the Directorate of Film Festivals, shoes brief was to organize the annual International Film Festival.3 Explicating the armed struggle in Iran, Jazani (Citation1979) delineates the role of the “guerrilla” and exhorts the prospective guerrilla from falling prey to adventurism in the form of “too much emphasis on the role of the ‘fedaee’, resorting to constant invocations of ‘martyrdom’ to offset the absence of a mass movement, and the belief that the sacrifice of blood is sufficient for the start of the revolution”. The reference to “fedaee” or “fidayeen” is significant for observers of terrorist violence in the twentieth century, particularly in the post-September 11 scenario.4 Bush, W. Stephen, “Motion Picture Men Greet President,” Moving Picture World (12 February 1916), pps. 923+. “First Board of Trade Banquet, Attended by President Wilson, Marks New Era in Industry,” Motion Picture News (12 February 1916), 817–18.5 Universal advertisement, Moving Picture World (5 May 1917), 706. Ibid, 810. Universal advertisement, ibid, 820. Moving Picture World (3 August 1918), 703. “Shot ‘Beast of Berlin,’” Variety (12 April 1918), 47.6 How Indian cinema helped fight fascism during World War II (newslaundry.com)7 For a detailed understanding of the categorization refer to Mamdani (Citation2002) and Sengupta (Citation2020).8 Sengupta (Citation2019).9 Daiya (Citation2008, 178).10 “‘Gadar’ at Agra,” The Hindu, Sunday July 15, 2001.11 “‘Gadar’ at Agra,” The Hindu, Sunday July 15, 2001 cited in Daiya (Citation2008).12 Daiya.13 Daiya, 165.Additional informationNotes on contributorsRoshni SenguptaRoshni Sengupta is Associate Professor, School of Modern Media, UPES, India.Amaresh JhaAmaresh Jha is Associate Professor, School of Modern Media, UPES, India.Devanjan KhuntiaDevanjan Khuntia is an independent researcherPavan KumarPavan Kumar is Assistant Professor, Ambedkar University, New Delhi, India.Kaustav PadmapatiKaustav Padmapati is Assistant Professor, School of Modern Media, UPES, India.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136059497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-20DOI: 10.1080/10509208.2023.2259261
Swapnit Pradhan, Nagendra Kumar
Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsSwapnit PradhanSwapnit Pradhan is a Research Scholar at Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Roorkee, India.Nagendra KumarDr Nagendra Kumar is a professor in the Department of Humanities and Social Sciences at Indian Institute of Technology Roorkee.
{"title":"Interrogating Survival and Sustainability in the Ecocinema Kantara","authors":"Swapnit Pradhan, Nagendra Kumar","doi":"10.1080/10509208.2023.2259261","DOIUrl":"https://doi.org/10.1080/10509208.2023.2259261","url":null,"abstract":"Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsSwapnit PradhanSwapnit Pradhan is a Research Scholar at Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Roorkee, India.Nagendra KumarDr Nagendra Kumar is a professor in the Department of Humanities and Social Sciences at Indian Institute of Technology Roorkee.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136307884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-18DOI: 10.1080/10509208.2023.2258769
Arunava Acharya, Smita Jha
{"title":"Weaponizing History: Watching Panipat in Post-Truth Times","authors":"Arunava Acharya, Smita Jha","doi":"10.1080/10509208.2023.2258769","DOIUrl":"https://doi.org/10.1080/10509208.2023.2258769","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135148882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-18DOI: 10.1080/10509208.2023.2257408
Rustem Amerkeshev
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsRustem AmerkeshevRustem Amerkeshev is a Doctoral Student at the Project Management Institute, Satbayev University, Almaty, Republic of Kazakhstan. Research interests: project management, the film industry, the creative industry of the Republic of Kazakhstan, and the development factor in film production.
{"title":"Project Management in the Development of the Creative Industry of the Republic of Kazakhstan: Cinematography","authors":"Rustem Amerkeshev","doi":"10.1080/10509208.2023.2257408","DOIUrl":"https://doi.org/10.1080/10509208.2023.2257408","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsRustem AmerkeshevRustem Amerkeshev is a Doctoral Student at the Project Management Institute, Satbayev University, Almaty, Republic of Kazakhstan. Research interests: project management, the film industry, the creative industry of the Republic of Kazakhstan, and the development factor in film production.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135149741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Click to increase image sizeClick to decrease image size Additional informationFundingThis research was funded by the Science Committee of the Ministry of Science and Higher Education of the Republic of Kazakhstan (Grant No. AP15473374). Notes on contributorsElnura AssyltayevaElnura Assyltayeva is an Associate Professor at the Department of Regional Studies and International Relations, Turan University, Almaty.Sharip IshmukhamedovSharip Ishmukhamedov is an Associate Professor at the Department of Regional Studies and International Relations, Turan University, Almaty.Zhenisbek TolenZhenisbek Tolen is the Head of the Department of Regional Studies and International Relations at the Turan University, Almaty.Zhangeldi AgybayZhangeldi Agybay is a Senior lecturer at the Department of Regional Studies and International Relations, Turan University, Almaty.
附加信息本研究由哈萨克斯坦共和国科学和高等教育部科学委员会资助(批准号:No. 1)。AP15473374)。作者简介elnura Assyltayeva，阿拉木图图兰大学区域研究与国际关系系副教授。Sharip Ishmukhamedov，阿拉木图图兰大学区域研究和国际关系系副教授。Zhenisbek Tolen是阿拉木图图兰大学区域研究和国际关系系主任。zhang di Agybay，阿拉木图兰大学区域研究与国际关系系高级讲师。
{"title":"The Influence of Mass Media on the Formation of Civic Identity: The Example of Kazakhstan (Content Analysis)","authors":"Elnura Assyltayeva, Sharip Ishmukhamedov, Zhenisbek Tolen, Zhangeldi Agybay","doi":"10.1080/10509208.2023.2259260","DOIUrl":"https://doi.org/10.1080/10509208.2023.2259260","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationFundingThis research was funded by the Science Committee of the Ministry of Science and Higher Education of the Republic of Kazakhstan (Grant No. AP15473374). Notes on contributorsElnura AssyltayevaElnura Assyltayeva is an Associate Professor at the Department of Regional Studies and International Relations, Turan University, Almaty.Sharip IshmukhamedovSharip Ishmukhamedov is an Associate Professor at the Department of Regional Studies and International Relations, Turan University, Almaty.Zhenisbek TolenZhenisbek Tolen is the Head of the Department of Regional Studies and International Relations at the Turan University, Almaty.Zhangeldi AgybayZhangeldi Agybay is a Senior lecturer at the Department of Regional Studies and International Relations, Turan University, Almaty.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135148666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.1080/10509208.2023.2254672
Syed Shahab Ud Din, Bahramand Shah
{"title":"Slavoj Zizek and Film Theory: A Subjective Study of Todd Philips’ Joker","authors":"Syed Shahab Ud Din, Bahramand Shah","doi":"10.1080/10509208.2023.2254672","DOIUrl":"https://doi.org/10.1080/10509208.2023.2254672","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44346920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-06DOI: 10.1080/10509208.2023.2254671
Khadijat Adedeji-Olona
{"title":"Dry: A Filmmaker’s Perspective on Addressing Violence against Women and Girls","authors":"Khadijat Adedeji-Olona","doi":"10.1080/10509208.2023.2254671","DOIUrl":"https://doi.org/10.1080/10509208.2023.2254671","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47749914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-31DOI: 10.1080/10509208.2023.2251370
Akaitab Mukherjee
{"title":"Rituparno Ghosh’s Hirer Angti and Khela: Theme of Escape, Children’s Film and Queer Auteur as Adapter","authors":"Akaitab Mukherjee","doi":"10.1080/10509208.2023.2251370","DOIUrl":"https://doi.org/10.1080/10509208.2023.2251370","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45128796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-26DOI: 10.1080/10509208.2023.2248864
Nayeem Showkat
{"title":"Kashmir in Cinema & Films: A Bibliometric Analysis","authors":"Nayeem Showkat","doi":"10.1080/10509208.2023.2248864","DOIUrl":"https://doi.org/10.1080/10509208.2023.2248864","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44581741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-23DOI: 10.1080/10509208.2023.2242067
M. Sharpe
{"title":"Guilt Displacement: Representing the Algerian War of Independence in Le Retour (Goldenberg, 1959) and Secteur Postal 89098 (Durand, 1961)","authors":"M. Sharpe","doi":"10.1080/10509208.2023.2242067","DOIUrl":"https://doi.org/10.1080/10509208.2023.2242067","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41407231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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